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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCAD1C it is the complementary color #4352E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCAD1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCAD1C shade: #C1AD17, #D2BF2A, #E3D13D, #F4E350 and #FFF563

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCAD1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCAD1C shade: #BCAD1C, #AB9B09, #9A8900, #897700 and #786500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCAD1C shade: #BAAC1C, #BA811C, #BA561C, #BA2B1C and #BA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCAD1C shade: #BAAC1C, #9EBA1C, #74BA1C, #49BA1C and #1EBA1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCAD1C shade matches the following richer shades: #BAAC1C and #CCBA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCAD1C shade: #BAAC1C, #A99D2D, #988F3F, #868150 and #757361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCAD1C shade: #BA561C, #BA801C, #BAAB1C, #A0BA1C and #76BA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCAD1C shade: #736911, #968A16, #BAAC1C, #DECC22 and #E3D445

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCAD1C shade: #BCAD1C, #1CBA2C and #6B1CBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCAD1C shade: #BCAD1C, #1CBAAB and #AB1CBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCAD1C shade: #BCAD1C, #1CBA2C, #1C2CBA and #BA1CAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCAD1C shade: #BCAD1C, #1CBA5B, #1C2CBA and #BA1C7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 85 / 26

HEX #BCAD1C

RGB 188 173 28

HSL 54.38, 0.74%, 0.42%

LAB 69.94, -9.02, 67.84

 

Complementary color

CMYK 70 / 64 / 0 / 11

HEX #4352E3

RGB 67 82 227

HSL 234.38, 0.74%, 0.58%

LAB 42.42, 41.55, -75.22

 

CMYK 0 / 10 / 88 / 24

HEX #C1AD17

RGB 193 173 23

HSL 52.94, 0.79%, 0.42%

LAB 70.38, -6.93, 69.48

 

CMYK 0 / 9 / 80 / 18

HEX #D2BF2A

RGB 210 191 42

HSL 53.21, 0.67%, 0.49%

LAB 76.76, -8.32, 70.74

 

CMYK 0 / 8 / 73 / 11

HEX #E3D13D

RGB 227 209 61

HSL 53.49, 0.75%, 0.56%

LAB 83.06, -9.5, 71.01

 

CMYK 0 / 7 / 67 / 4

HEX #F4E350

RGB 244 227 80

HSL 53.78, 0.88%, 0.64%

LAB 89.28, -10.51, 70.68

 

CMYK 0 / 4 / 61 / 0

HEX #FFF563

RGB 255 245 99

HSL 56.15, 1%, 0.69%

LAB 94.94, -13.79, 69.34

 

CMYK 0 / 8 / 85 / 26

HEX #BCAD1C

RGB 188 173 28

HSL 54.38, 0.74%, 0.42%

LAB 69.94, -9.02, 67.84

 

CMYK 0 / 9 / 95 / 33

HEX #AB9B09

RGB 171 155 9

HSL 54.07, 0.9%, 0.35%

LAB 63.44, -7.51, 65.58

 

CMYK 0 / 11 / 100 / 40

HEX #9A8900

RGB 154 137 0

HSL 53.38, 1%, 0.3%

LAB 56.84, -5.72, 61.37

 

CMYK 0 / 13 / 100 / 46

HEX #897700

RGB 137 119 0

HSL 52.12, 1%, 0.27%

LAB 50.11, -3.73, 55.79

 

CMYK 0 / 16 / 100 / 53

HEX #786500

RGB 120 101 0

HSL 50.5, 1%, 0.24%

LAB 43.21, -1.64, 50.09

 

CMYK 0 / 8 / 85 / 27

HEX #BAAC1C

RGB 186 172 28

HSL 54.68, 0.74%, 0.42%

LAB 69.49, -9.39, 67.39

 

CMYK 0 / 31 / 85 / 27

HEX #BA811C

RGB 186 129 28

HSL 38.35, 0.74%, 0.42%

LAB 58.25, 13.88, 58.02

 

CMYK 0 / 54 / 85 / 27

HEX #BA561C

RGB 186 86 28

HSL 22.03, 0.74%, 0.42%

LAB 48.48, 37.14, 49.71

 

CMYK 0 / 77 / 85 / 27

HEX #BA2B1C

RGB 186 43 28

HSL 5.7, 0.74%, 0.42%

LAB 41.61, 55.49, 43.73

 

CMYK 0 / 85 / 85 / 27

HEX #BA1C1C

RGB 186 28 28

HSL 0, 0.74%, 0.42%

LAB 40.17, 59.56, 42.45

 

CMYK 0 / 8 / 85 / 27

HEX #BAAC1C

RGB 186 172 28

HSL 54.68, 0.74%, 0.42%

LAB 69.49, -9.39, 67.39

 

CMYK 15 / 0 / 85 / 27

HEX #9EBA1C

RGB 158 186 28

HSL 70.63, 0.74%, 0.42%

LAB 71.19, -28.48, 67.93

 

CMYK 38 / 0 / 85 / 27

HEX #74BA1C

RGB 116 186 28

HSL 86.58, 0.74%, 0.42%

LAB 68.69, -44.81, 64.79

 

CMYK 61 / 0 / 85 / 27

HEX #49BA1C

RGB 73 186 28

HSL 102.91, 0.74%, 0.42%

LAB 66.99, -57.78, 62.64

 

CMYK 84 / 0 / 85 / 27

HEX #1EBA1C

RGB 30 186 28

HSL 119.24, 0.74%, 0.42%

LAB 66.12, -65.22, 61.53

 

CMYK 0 / 8 / 85 / 27

HEX #BAAC1C

RGB 186 172 28

HSL 54.68, 0.74%, 0.42%

LAB 69.49, -9.39, 67.39

 

CMYK 0 / 9 / 95 / 20

HEX #CCBA0B

RGB 204 186 11

HSL 54.4, 0.9%, 0.42%

LAB 74.81, -9.02, 75.19

 

CMYK 0 / 8 / 85 / 27

HEX #BAAC1C

RGB 186 172 28

HSL 54.68, 0.74%, 0.42%

LAB 69.49, -9.39, 67.39

 

CMYK 0 / 7 / 73 / 34

HEX #A99D2D

RGB 169 157 45

HSL 54.19, 0.58%, 0.42%

LAB 63.95, -8.41, 56.67

 

CMYK 0 / 6 / 59 / 40

HEX #988F3F

RGB 152 143 63

HSL 53.93, 0.41%, 0.42%

LAB 58.68, -7.31, 42.93

 

CMYK 0 / 4 / 40 / 47

HEX #868150

RGB 134 129 80

HSL 54.44, 0.25%, 0.42%

LAB 53.33, -5.81, 27.23

 

CMYK 0 / 2 / 17 / 54

HEX #757361

RGB 117 115 97

HSL 54, 0.09%, 0.42%

LAB 48.14, -2.57, 10.25

 

CMYK 0 / 54 / 85 / 27

HEX #BA561C

RGB 186 86 28

HSL 22.03, 0.74%, 0.42%

LAB 48.48, 37.14, 49.71

 

CMYK 0 / 31 / 85 / 27

HEX #BA801C

RGB 186 128 28

HSL 37.97, 0.74%, 0.42%

LAB 58, 14.43, 57.81

 

CMYK 0 / 8 / 85 / 27

HEX #BAAB1C

RGB 186 171 28

HSL 54.3, 0.74%, 0.42%

LAB 69.22, -8.86, 67.17

 

CMYK 14 / 0 / 85 / 27

HEX #A0BA1C

RGB 160 186 28

HSL 69.87, 0.74%, 0.42%

LAB 71.33, -27.64, 68.1

 

CMYK 37 / 0 / 85 / 27

HEX #76BA1C

RGB 118 186 28

HSL 85.82, 0.74%, 0.42%

LAB 68.79, -44.09, 64.92

 

CMYK 0 / 9 / 85 / 55

HEX #736911

RGB 115 105 17

HSL 53.88, 0.74%, 0.26%

LAB 43.93, -5.93, 46.12

 

CMYK 0 / 8 / 85 / 41

HEX #968A16

RGB 150 138 22

HSL 54.38, 0.74%, 0.34%

LAB 56.8, -7.68, 56.99

 

CMYK 0 / 8 / 85 / 27

HEX #BAAC1C

RGB 186 172 28

HSL 54.68, 0.74%, 0.42%

LAB 69.49, -9.39, 67.39

 

CMYK 0 / 8 / 85 / 13

HEX #DECC22

RGB 222 204 34

HSL 54.26, 0.74%, 0.5%

LAB 81.2, -10.01, 76.97

 

CMYK 0 / 7 / 70 / 11

HEX #E3D445

RGB 227 212 69

HSL 54.3, 0.74%, 0.58%

LAB 83.89, -10.64, 68.95

 

CMYK 0 / 8 / 85 / 26

HEX #BCAD1C

RGB 188 173 28

HSL 54.38, 0.74%, 0.42%

LAB 69.94, -9.02, 67.84

 

CMYK 85 / 0 / 76 / 27

HEX #1CBA2C

RGB 28 186 44

HSL 126.08, 0.74%, 0.42%

LAB 66.17, -64.46, 56.98

 

CMYK 42 / 85 / 0 / 27

HEX #6B1CBA

RGB 107 28 186

HSL 270, 0.74%, 0.42%

LAB 32.92, 61.37, -66.9

 

CMYK 0 / 8 / 85 / 26

HEX #BCAD1C

RGB 188 173 28

HSL 54.38, 0.74%, 0.42%

LAB 69.94, -9.02, 67.84

 

CMYK 85 / 0 / 8 / 27

HEX #1CBAAB

RGB 28 186 171

HSL 174.3, 0.74%, 0.42%

LAB 68.24, -41.11, -3.26

 

CMYK 8 / 85 / 0 / 27

HEX #AB1CBA

RGB 171 28 186

HSL 294.3, 0.74%, 0.42%

LAB 42.81, 71.37, -50.38

 

CMYK 0 / 8 / 85 / 26

HEX #BCAD1C

RGB 188 173 28

HSL 54.38, 0.74%, 0.42%

LAB 69.94, -9.02, 67.84

 

CMYK 85 / 0 / 76 / 27

HEX #1CBA2C

RGB 28 186 44

HSL 126.08, 0.74%, 0.42%

LAB 66.17, -64.46, 56.98

 

CMYK 85 / 76 / 0 / 27

HEX #1C2CBA

RGB 28 44 186

HSL 233.92, 0.74%, 0.42%

LAB 28.36, 46.72, -74.66

 

CMYK 0 / 85 / 8 / 27

HEX #BA1CAB

RGB 186 28 171

HSL 305.7, 0.74%, 0.42%

LAB 44.53, 71.84, -38.63

 

CMYK 0 / 8 / 85 / 26

HEX #BCAD1C

RGB 188 173 28

HSL 54.38, 0.74%, 0.42%

LAB 69.94, -9.02, 67.84

 

CMYK 85 / 0 / 51 / 27

HEX #1CBA5B

RGB 28 186 91

HSL 143.92, 0.74%, 0.42%

LAB 66.61, -59.06, 37.29

 

CMYK 85 / 76 / 0 / 27

HEX #1C2CBA

RGB 28 44 186

HSL 233.92, 0.74%, 0.42%

LAB 28.36, 46.72, -74.66

 

CMYK 0 / 85 / 34 / 27

HEX #BA1C7B

RGB 186 28 123

HSL 323.92, 0.74%, 0.42%

LAB 42.31, 65.76, -12.99

 

Description

Color code: HEX #BCAD1C | qconv.com Color code: HEX #BCAD1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 173 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 173 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 85 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 85% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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