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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCAC4B it is the complementary color #4353B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCAC4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCAC4B shade: #C1AC46, #D2BE59, #E3D06C, #F4E27F and #FFF492

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCAC4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCAC4B shade: #BCAC4B, #AB9A38, #9A8825, #897612 and #786400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCAC4B shade: #BDAD4C, #BD8F4C, #BD704C, #BD524C and #BD4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCAC4B shade: #BDAD4C, #AEBD4C, #90BD4C, #72BD4C and #53BD4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCAC4B shade matches the following richer shades: #BDAD4C, #D1BB38, #E5C925 and #F8D811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCAC4B shade: #BDAD4C, #A99F60, #959174, #818288 and #6E749C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCAC4B shade: #BD704C, #BD8E4C, #BDAC4C, #B0BD4C and #92BD4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCAC4B shade: #857931, #A3953C, #BDAD4C, #C8BB6A and #D3C989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCAC4B shade: #BCAC4B, #4CBD52 and #7F4CBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCAC4B shade: #BCAC4B, #4CBDAC and #AC4CBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCAC4B shade: #BCAC4B, #4CBD52, #4C5DBD and #BD4CB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCAC4B shade: #BCAC4B, #4CBD74, #4C5DBD and #BD4C95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 60 / 26

HEX #BCAC4B

RGB 188 172 75

HSL 51.5, 0.46%, 0.52%

LAB 69.97, -6.26, 50.82

 

Complementary color

CMYK 63 / 54 / 0 / 29

HEX #4353B4

RGB 67 83 180

HSL 231.5, 0.46%, 0.48%

LAB 39.03, 24.63, -53.57

 

CMYK 0 / 11 / 64 / 24

HEX #C1AC46

RGB 193 172 70

HSL 49.76, 0.5%, 0.52%

LAB 70.37, -4.45, 53.65

 

CMYK 0 / 10 / 58 / 18

HEX #D2BE59

RGB 210 190 89

HSL 50.08, 0.57%, 0.59%

LAB 76.83, -5.32, 52.62

 

CMYK 0 / 8 / 52 / 11

HEX #E3D06C

RGB 227 208 108

HSL 50.42, 0.68%, 0.66%

LAB 83.19, -6.05, 51.47

 

CMYK 0 / 7 / 48 / 4

HEX #F4E27F

RGB 244 226 127

HSL 50.77, 0.84%, 0.73%

LAB 89.47, -6.67, 50.29

 

CMYK 0 / 4 / 43 / 0

HEX #FFF492

RGB 255 244 146

HSL 53.94, 1%, 0.79%

LAB 95.18, -9.54, 48.4

 

CMYK 0 / 9 / 60 / 26

HEX #BCAC4B

RGB 188 172 75

HSL 51.5, 0.46%, 0.52%

LAB 69.97, -6.26, 50.82

 

CMYK 0 / 10 / 67 / 33

HEX #AB9A38

RGB 171 154 56

HSL 51.13, 0.51%, 0.45%

LAB 63.39, -5.34, 51.75

 

CMYK 0 / 12 / 76 / 40

HEX #9A8825

RGB 154 136 37

HSL 50.77, 0.61%, 0.37%

LAB 56.7, -4.2, 52.24

 

CMYK 0 / 14 / 87 / 46

HEX #897612

RGB 137 118 18

HSL 50.42, 0.77%, 0.3%

LAB 49.88, -2.79, 51.76

 

CMYK 0 / 17 / 100 / 53

HEX #786400

RGB 120 100 0

HSL 50, 1%, 0.24%

LAB 42.92, -1.06, 49.89

 

CMYK 0 / 8 / 60 / 26

HEX #BDAD4C

RGB 189 173 76

HSL 51.5, 0.46%, 0.52%

LAB 70.34, -6.28, 50.8

 

CMYK 0 / 24 / 60 / 26

HEX #BD8F4C

RGB 189 143 76

HSL 35.58, 0.46%, 0.52%

LAB 62.5, 9.9, 41.84

 

CMYK 0 / 41 / 60 / 26

HEX #BD704C

RGB 189 112 76

HSL 19.12, 0.46%, 0.52%

LAB 55, 27, 32.83

 

CMYK 0 / 57 / 60 / 26

HEX #BD524C

RGB 189 82 76

HSL 3.19, 0.46%, 0.52%

LAB 48.73, 42.66, 24.94

 

CMYK 0 / 60 / 60 / 26

HEX #BD4C4C

RGB 189 76 76

HSL 0, 0.46%, 0.52%

LAB 47.64, 45.53, 23.53

 

CMYK 0 / 8 / 60 / 26

HEX #BDAD4C

RGB 189 173 76

HSL 51.5, 0.46%, 0.52%

LAB 70.34, -6.28, 50.8

 

CMYK 8 / 0 / 60 / 26

HEX #AEBD4C

RGB 174 189 76

HSL 67.96, 0.46%, 0.52%

LAB 73.49, -20.79, 53.95

 

CMYK 24 / 0 / 60 / 26

HEX #90BD4C

RGB 144 189 76

HSL 83.89, 0.46%, 0.52%

LAB 71.45, -32.75, 51.11

 

CMYK 40 / 0 / 60 / 26

HEX #72BD4C

RGB 114 189 76

HSL 99.82, 0.46%, 0.52%

LAB 69.82, -43.51, 48.83

 

CMYK 56 / 0 / 60 / 26

HEX #53BD4C

RGB 83 189 76

HSL 116.28, 0.46%, 0.52%

LAB 68.57, -52.65, 47.08

 

CMYK 0 / 8 / 60 / 26

HEX #BDAD4C

RGB 189 173 76

HSL 51.5, 0.46%, 0.52%

LAB 70.34, -6.28, 50.8

 

CMYK 0 / 11 / 73 / 18

HEX #D1BB38

RGB 209 187 56

HSL 51.37, 0.62%, 0.52%

LAB 75.69, -6.15, 65.18

 

CMYK 0 / 12 / 84 / 10

HEX #E5C925

RGB 229 201 37

HSL 51.25, 0.79%, 0.52%

LAB 81.05, -5.41, 76.4

 

CMYK 0 / 13 / 93 / 3

HEX #F8D811

RGB 248 216 17

HSL 51.69, 0.94%, 0.52%

LAB 86.56, -5.26, 85.02

 

CMYK 0 / 8 / 60 / 26

HEX #BDAD4C

RGB 189 173 76

HSL 51.5, 0.46%, 0.52%

LAB 70.34, -6.28, 50.8

 

CMYK 0 / 6 / 43 / 34

HEX #A99F60

RGB 169 159 96

HSL 51.78, 0.3%, 0.52%

LAB 65.02, -5.54, 34.12

 

CMYK 0 / 3 / 22 / 42

HEX #959174

RGB 149 145 116

HSL 52.73, 0.13%, 0.52%

LAB 59.8, -3.52, 15.96

 

CMYK 5 / 4 / 0 / 47

HEX #818288

RGB 129 130 136

HSL 231.43, 0.03%, 0.52%

LAB 54.46, 0.85, -3.37

 

CMYK 29 / 26 / 0 / 39

HEX #6E749C

RGB 110 116 156

HSL 232.17, 0.19%, 0.52%

LAB 49.75, 7.3, -22.31

 

CMYK 0 / 41 / 60 / 26

HEX #BD704C

RGB 189 112 76

HSL 19.12, 0.46%, 0.52%

LAB 55, 27, 32.83

 

CMYK 0 / 25 / 60 / 26

HEX #BD8E4C

RGB 189 142 76

HSL 35.04, 0.46%, 0.52%

LAB 62.24, 10.45, 41.54

 

CMYK 0 / 9 / 60 / 26

HEX #BDAC4C

RGB 189 172 76

HSL 50.97, 0.46%, 0.52%

LAB 70.07, -5.76, 50.5

 

CMYK 7 / 0 / 60 / 26

HEX #B0BD4C

RGB 176 189 76

HSL 66.9, 0.46%, 0.52%

LAB 73.64, -19.97, 54.16

 

CMYK 23 / 0 / 60 / 26

HEX #92BD4C

RGB 146 189 76

HSL 82.83, 0.46%, 0.52%

LAB 71.57, -31.99, 51.29

 

CMYK 0 / 9 / 63 / 48

HEX #857931

RGB 133 121 49

HSL 51.43, 0.46%, 0.36%

LAB 50.55, -4.78, 40.14

 

CMYK 0 / 9 / 63 / 36

HEX #A3953C

RGB 163 149 60

HSL 51.84, 0.46%, 0.44%

LAB 61.31, -5.92, 47.54

 

CMYK 0 / 8 / 60 / 26

HEX #BDAD4C

RGB 189 173 76

HSL 51.5, 0.46%, 0.52%

LAB 70.34, -6.28, 50.8

 

CMYK 0 / 7 / 47 / 22

HEX #C8BB6A

RGB 200 187 106

HSL 51.7, 0.46%, 0.6%

LAB 75.36, -6.46, 42.45

 

CMYK 0 / 5 / 35 / 17

HEX #D3C989

RGB 211 201 137

HSL 51.89, 0.46%, 0.68%

LAB 80.42, -5.97, 33.27

 

CMYK 0 / 9 / 60 / 26

HEX #BCAC4B

RGB 188 172 75

HSL 51.5, 0.46%, 0.52%

LAB 69.97, -6.26, 50.82

 

CMYK 60 / 0 / 57 / 26

HEX #4CBD52

RGB 76 189 82

HSL 123.19, 0.46%, 0.52%

LAB 68.42, -53.65, 44.06

 

CMYK 33 / 60 / 0 / 26

HEX #7F4CBD

RGB 127 76 189

HSL 267.08, 0.46%, 0.52%

LAB 43.29, 44.39, -51.7

 

CMYK 0 / 9 / 60 / 26

HEX #BCAC4B

RGB 188 172 75

HSL 51.5, 0.46%, 0.52%

LAB 69.97, -6.26, 50.82

 

CMYK 60 / 0 / 9 / 26

HEX #4CBDAC

RGB 76 189 172

HSL 170.97, 0.46%, 0.52%

LAB 70.11, -36.03, -0.96

 

CMYK 9 / 60 / 0 / 26

HEX #AC4CBD

RGB 172 76 189

HSL 290.97, 0.46%, 0.52%

LAB 49.02, 55.49, -42.22

 

CMYK 0 / 9 / 60 / 26

HEX #BCAC4B

RGB 188 172 75

HSL 51.5, 0.46%, 0.52%

LAB 69.97, -6.26, 50.82

 

CMYK 60 / 0 / 57 / 26

HEX #4CBD52

RGB 76 189 82

HSL 123.19, 0.46%, 0.52%

LAB 68.42, -53.65, 44.06

 

CMYK 60 / 51 / 0 / 26

HEX #4C5DBD

RGB 76 93 189

HSL 230.97, 0.46%, 0.52%

LAB 42.82, 22.99, -52.69

 

CMYK 0 / 60 / 3 / 26

HEX #BD4CB7

RGB 189 76 183

HSL 303.19, 0.46%, 0.52%

LAB 51.16, 58.78, -35.2

 

CMYK 0 / 9 / 60 / 26

HEX #BCAC4B

RGB 188 172 75

HSL 51.5, 0.46%, 0.52%

LAB 69.97, -6.26, 50.82

 

CMYK 60 / 0 / 39 / 26

HEX #4CBD74

RGB 76 189 116

HSL 141.24, 0.46%, 0.52%

LAB 68.89, -48.43, 27.59

 

CMYK 60 / 51 / 0 / 26

HEX #4C5DBD

RGB 76 93 189

HSL 230.97, 0.46%, 0.52%

LAB 42.82, 22.99, -52.69

 

CMYK 0 / 60 / 21 / 26

HEX #BD4C95

RGB 189 76 149

HSL 321.24, 0.46%, 0.52%

LAB 49.69, 53.46, -17.48

 

Description

Color code: HEX #BCAC4B | qconv.com Color code: HEX #BCAC4B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 172 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 172 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 60 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 60% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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