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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA422 it is the complementary color #435BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA422 shade: #C1A41D, #D2B630, #E3C843, #F4DA56 and #FFEC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA422 shade: #BCA422, #AB920F, #9A8000, #896E00 and #785C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA422 shade: #BDA522, #BD7B22, #BD5122, #BD2822 and #BD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA422 shade: #BDA522, #ABBD22, #82BD22, #58BD22 and #2EBD22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA422 shade matches the following richer shades: #BDA522 and #CFB110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA422 shade: #BDA522, #AB9834, #998C47, #878059 and #75736B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA422 shade: #BD5122, #BD7A22, #BDA322, #AEBD22 and #84BD22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA422 shade: #776815, #9A871C, #BDA522, #D9BE30 and #DFC953

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA422 shade: #BCA422, #22BD27 and #6522BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA422 shade: #BCA422, #22BDA3 and #A322BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA422 shade: #BCA422, #22BD27, #223CBD and #BD22B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA422 shade: #BCA422, #22BD56, #223CBD and #BD228A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 82 / 26

HEX #BCA422

RGB 188 164 34

HSL 50.65, 0.69%, 0.44%

LAB 67.54, -4.12, 64.24

 

Complementary color

CMYK 70 / 59 / 0 / 13

HEX #435BDD

RGB 67 91 221

HSL 230.65, 0.69%, 0.56%

LAB 44.08, 33.92, -69.09

 

CMYK 0 / 15 / 85 / 24

HEX #C1A41D

RGB 193 164 29

HSL 49.39, 0.74%, 0.44%

LAB 68, -2.04, 66.18

 

CMYK 0 / 13 / 77 / 18

HEX #D2B630

RGB 210 182 48

HSL 49.63, 0.64%, 0.51%

LAB 74.43, -3.45, 66.8

 

CMYK 0 / 12 / 70 / 11

HEX #E3C843

RGB 227 200 67

HSL 49.88, 0.74%, 0.58%

LAB 80.76, -4.65, 66.61

 

CMYK 0 / 11 / 65 / 4

HEX #F4DA56

RGB 244 218 86

HSL 50.13, 0.88%, 0.65%

LAB 87.02, -5.67, 65.96

 

CMYK 0 / 7 / 59 / 0

HEX #FFEC69

RGB 255 236 105

HSL 52.4, 1%, 0.71%

LAB 92.69, -8.98, 64.36

 

CMYK 0 / 13 / 82 / 26

HEX #BCA422

RGB 188 164 34

HSL 50.65, 0.69%, 0.44%

LAB 67.54, -4.12, 64.24

 

CMYK 0 / 15 / 91 / 33

HEX #AB920F

RGB 171 146 15

HSL 50.38, 0.84%, 0.36%

LAB 61, -2.57, 62.77

 

CMYK 0 / 17 / 100 / 40

HEX #9A8000

RGB 154 128 0

HSL 49.87, 1%, 0.3%

LAB 54.35, -0.75, 59.6

 

CMYK 0 / 20 / 100 / 46

HEX #896E00

RGB 137 110 0

HSL 48.18, 1%, 0.27%

LAB 47.59, 1.38, 54.01

 

CMYK 0 / 23 / 100 / 53

HEX #785C00

RGB 120 92 0

HSL 46, 1%, 0.24%

LAB 40.65, 3.64, 48.3

 

CMYK 0 / 13 / 82 / 26

HEX #BDA522

RGB 189 165 34

HSL 50.71, 0.7%, 0.44%

LAB 67.91, -4.2, 64.59

 

CMYK 0 / 35 / 82 / 26

HEX #BD7B22

RGB 189 123 34

HSL 34.45, 0.7%, 0.44%

LAB 57.17, 18.7, 55.2

 

CMYK 0 / 57 / 82 / 26

HEX #BD5122

RGB 189 81 34

HSL 18.19, 0.7%, 0.44%

LAB 48.03, 40.98, 46.91

 

CMYK 0 / 79 / 82 / 26

HEX #BD2822

RGB 189 40 34

HSL 2.32, 0.7%, 0.44%

LAB 41.93, 57.47, 41.15

 

CMYK 0 / 82 / 82 / 26

HEX #BD2222

RGB 189 34 34

HSL 0, 0.7%, 0.44%

LAB 41.34, 59.12, 40.59

 

CMYK 0 / 13 / 82 / 26

HEX #BDA522

RGB 189 165 34

HSL 50.71, 0.7%, 0.44%

LAB 67.91, -4.2, 64.59

 

CMYK 10 / 0 / 82 / 26

HEX #ABBD22

RGB 171 189 34

HSL 66.97, 0.7%, 0.44%

LAB 73, -24.29, 68.41

 

CMYK 31 / 0 / 82 / 26

HEX #82BD22

RGB 130 189 34

HSL 82.84, 0.7%, 0.44%

LAB 70.36, -40.75, 65.06

 

CMYK 53 / 0 / 82 / 26

HEX #58BD22

RGB 88 189 34

HSL 99.1, 0.7%, 0.44%

LAB 68.45, -54.66, 62.63

 

CMYK 76 / 0 / 82 / 26

HEX #2EBD22

RGB 46 189 34

HSL 115.35, 0.7%, 0.44%

LAB 67.35, -63.78, 61.21

 

CMYK 0 / 13 / 82 / 26

HEX #BDA522

RGB 189 165 34

HSL 50.71, 0.7%, 0.44%

LAB 67.91, -4.2, 64.59

 

CMYK 0 / 14 / 92 / 19

HEX #CFB110

RGB 207 177 16

HSL 50.58, 0.86%, 0.44%

LAB 72.73, -2.97, 73.09

 

CMYK 0 / 13 / 82 / 26

HEX #BDA522

RGB 189 165 34

HSL 50.71, 0.7%, 0.44%

LAB 67.91, -4.2, 64.59

 

CMYK 0 / 11 / 70 / 33

HEX #AB9834

RGB 171 152 52

HSL 50.42, 0.53%, 0.44%

LAB 62.81, -4.49, 52.85

 

CMYK 0 / 8 / 54 / 40

HEX #998C47

RGB 153 140 71

HSL 50.49, 0.37%, 0.44%

LAB 58.02, -4.56, 38.21

 

CMYK 0 / 5 / 34 / 47

HEX #878059

RGB 135 128 89

HSL 50.87, 0.21%, 0.44%

LAB 53.29, -3.69, 22.17

 

CMYK 0 / 2 / 9 / 54

HEX #75736B

RGB 117 115 107

HSL 48, 0.04%, 0.44%

LAB 48.39, -0.78, 4.69

 

CMYK 0 / 57 / 82 / 26

HEX #BD5122

RGB 189 81 34

HSL 18.19, 0.7%, 0.44%

LAB 48.03, 40.98, 46.91

 

CMYK 0 / 35 / 82 / 26

HEX #BD7A22

RGB 189 122 34

HSL 34.06, 0.7%, 0.44%

LAB 56.93, 19.26, 54.98

 

CMYK 0 / 14 / 82 / 26

HEX #BDA322

RGB 189 163 34

HSL 49.94, 0.7%, 0.44%

LAB 67.37, -3.14, 64.13

 

CMYK 8 / 0 / 82 / 26

HEX #AEBD22

RGB 174 189 34

HSL 65.81, 0.7%, 0.44%

LAB 73.23, -23.03, 68.69

 

CMYK 30 / 0 / 82 / 26

HEX #84BD22

RGB 132 189 34

HSL 82.06, 0.7%, 0.44%

LAB 70.47, -40, 65.2

 

CMYK 0 / 13 / 82 / 53

HEX #776815

RGB 119 104 21

HSL 50.82, 0.7%, 0.27%

LAB 44.06, -3.29, 45.09

 

CMYK 0 / 12 / 82 / 40

HEX #9A871C

RGB 154 135 28

HSL 50.95, 0.69%, 0.36%

LAB 56.37, -4.01, 55.04

 

CMYK 0 / 13 / 82 / 26

HEX #BDA522

RGB 189 165 34

HSL 50.71, 0.7%, 0.44%

LAB 67.91, -4.2, 64.59

 

CMYK 0 / 12 / 78 / 15

HEX #D9BE30

RGB 217 190 48

HSL 50.41, 0.69%, 0.52%

LAB 77.16, -4.58, 69.53

 

CMYK 0 / 10 / 63 / 13

HEX #DFC953

RGB 223 201 83

HSL 50.57, 0.69%, 0.6%

LAB 80.79, -5.95, 60.01

 

CMYK 0 / 13 / 82 / 26

HEX #BCA422

RGB 188 164 34

HSL 50.65, 0.69%, 0.44%

LAB 67.54, -4.12, 64.24

 

CMYK 82 / 0 / 79 / 26

HEX #22BD27

RGB 34 189 39

HSL 121.94, 0.7%, 0.44%

LAB 67.19, -65.07, 59.57

 

CMYK 47 / 82 / 0 / 26

HEX #6522BD

RGB 101 34 189

HSL 265.94, 0.7%, 0.44%

LAB 33.1, 59.29, -68.41

 

CMYK 0 / 13 / 82 / 26

HEX #BCA422

RGB 188 164 34

HSL 50.65, 0.69%, 0.44%

LAB 67.54, -4.12, 64.24

 

CMYK 82 / 0 / 14 / 26

HEX #22BDA3

RGB 34 189 163

HSL 169.94, 0.7%, 0.44%

LAB 69.03, -44.14, 2.28

 

CMYK 14 / 82 / 0 / 26

HEX #A322BD

RGB 163 34 189

HSL 289.94, 0.7%, 0.44%

LAB 42.16, 69.07, -53.26

 

CMYK 0 / 13 / 82 / 26

HEX #BCA422

RGB 188 164 34

HSL 50.65, 0.69%, 0.44%

LAB 67.54, -4.12, 64.24

 

CMYK 82 / 0 / 79 / 26

HEX #22BD27

RGB 34 189 39

HSL 121.94, 0.7%, 0.44%

LAB 67.19, -65.07, 59.57

 

CMYK 82 / 68 / 0 / 26

HEX #223CBD

RGB 34 60 189

HSL 229.94, 0.7%, 0.44%

LAB 32.36, 38.57, -69.82

 

CMYK 0 / 82 / 3 / 26

HEX #BD22B8

RGB 189 34 184

HSL 301.94, 0.7%, 0.44%

LAB 46.21, 73.08, -43.61

 

CMYK 0 / 13 / 82 / 26

HEX #BCA422

RGB 188 164 34

HSL 50.65, 0.69%, 0.44%

LAB 67.54, -4.12, 64.24

 

CMYK 82 / 0 / 54 / 26

HEX #22BD56

RGB 34 189 86

HSL 140.13, 0.7%, 0.44%

LAB 67.58, -60.23, 40.95

 

CMYK 82 / 68 / 0 / 26

HEX #223CBD

RGB 34 60 189

HSL 229.94, 0.7%, 0.44%

LAB 32.36, 38.57, -69.82

 

CMYK 0 / 82 / 27 / 26

HEX #BD228A

RGB 189 34 138

HSL 319.74, 0.7%, 0.44%

LAB 43.94, 66.81, -19.66

 

Description

Color code: HEX #BCA422 | qconv.com Color code: HEX #BCA422 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 164 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 164 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 82 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 82% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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