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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA09D it is the complementary color #435F62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA09D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCA09D shade: #C1A098, #D2B2AB, #E3C4BE, #F4D6D1 and #FFE8E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA09D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCA09D shade: #BCA09D, #AB8E8A, #9A7C77, #896A64 and #785851

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCA09D shade: #BCA09D and #BC9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCA09D shade: #BCA09D, #BCA99D, #BCB19D, #BCB99D and #B7BC9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCA09D shade matches the following richer shades: #BCA09D, #CA9690, #D78B83, #E48076 and #F17669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCA09D shade: #BCA09D, #AFABAB, #A2B6B8, #95C0C5 and #88CBD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCA09D shade: #BC9DAB, #BC9DA3, #BCA09D, #BCA89D and #BCB19D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCA09D shade: #9B716C, #AC8985, #BCA09D, #CDB8B6 and #DED0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCA09D shade: #BCA09D, #B4BC9D and #9DA7BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCA09D shade: #BCA09D, #9DBCA0 and #A09DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCA09D shade: #BCA09D, #B4BC9D, #9DBABC and #A69DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCA09D shade: #BCA09D, #AABC9D, #9DBABC and #AF9DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

Complementary color

CMYK 32 / 3 / 0 / 62

HEX #435F62

RGB 67 95 98

HSL 185.81, 0.19%, 0.32%

LAB 38.3, -9.5, -5.06

 

CMYK 0 / 17 / 21 / 24

HEX #C1A098

RGB 193 160 152

HSL 11.71, 0.25%, 0.68%

LAB 68.57, 10.9, 8.72

 

CMYK 0 / 15 / 19 / 18

HEX #D2B2AB

RGB 210 178 171

HSL 10.77, 0.3%, 0.75%

LAB 75.13, 10.43, 7.86

 

CMYK 0 / 14 / 16 / 11

HEX #E3C4BE

RGB 227 196 190

HSL 9.73, 0.4%, 0.82%

LAB 81.58, 10, 7.05

 

CMYK 0 / 12 / 14 / 4

HEX #F4D6D1

RGB 244 214 209

HSL 8.57, 0.61%, 0.89%

LAB 87.93, 9.61, 6.28

 

CMYK 0 / 9 / 11 / 0

HEX #FFE8E4

RGB 255 232 228

HSL 8.89, 1%, 0.95%

LAB 93.7, 7.17, 4.77

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 0 / 17 / 19 / 33

HEX #AB8E8A

RGB 171 142 138

HSL 7.27, 0.16%, 0.61%

LAB 61.51, 10.26, 6.21

 

CMYK 0 / 19 / 23 / 40

HEX #9A7C77

RGB 154 124 119

HSL 8.57, 0.15%, 0.54%

LAB 54.68, 10.79, 7.11

 

CMYK 0 / 23 / 27 / 46

HEX #896A64

RGB 137 106 100

HSL 9.73, 0.16%, 0.46%

LAB 47.68, 11.41, 8.11

 

CMYK 0 / 27 / 33 / 53

HEX #785851

RGB 120 88 81

HSL 10.77, 0.19%, 0.39%

LAB 40.52, 12.14, 9.22

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 0 / 16 / 16 / 26

HEX #BC9D9D

RGB 188 157 157

HSL 0, 0.19%, 0.68%

LAB 67.46, 11.44, 4.28

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 0 / 10 / 16 / 26

HEX #BCA99D

RGB 188 169 157

HSL 23.23, 0.19%, 0.68%

LAB 70.53, 4.87, 8.68

 

CMYK 0 / 6 / 16 / 26

HEX #BCB19D

RGB 188 177 157

HSL 38.71, 0.19%, 0.68%

LAB 72.61, 0.55, 11.64

 

CMYK 0 / 2 / 16 / 26

HEX #BCB99D

RGB 188 185 157

HSL 54.19, 0.19%, 0.68%

LAB 74.71, -3.71, 14.61

 

CMYK 3 / 0 / 16 / 26

HEX #B7BC9D

RGB 183 188 157

HSL 69.68, 0.19%, 0.68%

LAB 75.12, -7.15, 15.12

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 0 / 26 / 29 / 21

HEX #CA9690

RGB 202 150 144

HSL 6.21, 0.35%, 0.68%

LAB 66.81, 18.68, 10.81

 

CMYK 0 / 35 / 39 / 16

HEX #D78B83

RGB 215 139 131

HSL 5.71, 0.51%, 0.68%

LAB 65.4, 28.02, 16.32

 

CMYK 0 / 44 / 48 / 11

HEX #E48076

RGB 228 128 118

HSL 5.45, 0.67%, 0.68%

LAB 64.36, 37.43, 22.46

 

CMYK 0 / 51 / 56 / 5

HEX #F17669

RGB 241 118 105

HSL 5.74, 0.83%, 0.68%

LAB 63.9, 46.18, 29.47

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 0 / 2 / 2 / 31

HEX #AFABAB

RGB 175 171 171

HSL 0, 0.02%, 0.68%

LAB 70.3, 1.43, 0.5

 

CMYK 12 / 1 / 0 / 28

HEX #A2B6B8

RGB 162 182 184

HSL 185.45, 0.13%, 0.68%

LAB 72.63, -6.44, -3.36

 

CMYK 24 / 3 / 0 / 23

HEX #95C0C5

RGB 149 192 197

HSL 186.25, 0.29%, 0.68%

LAB 74.9, -13.03, -7.18

 

CMYK 35 / 3 / 0 / 18

HEX #88CBD2

RGB 136 203 210

HSL 185.68, 0.45%, 0.68%

LAB 77.64, -19.35, -10.22

 

CMYK 0 / 16 / 9 / 26

HEX #BC9DAB

RGB 188 157 171

HSL 332.9, 0.19%, 0.68%

LAB 67.83, 13.8, -2.98

 

CMYK 0 / 16 / 13 / 26

HEX #BC9DA3

RGB 188 157 163

HSL 348.39, 0.19%, 0.68%

LAB 67.61, 12.43, 1.16

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 0 / 11 / 16 / 26

HEX #BCA89D

RGB 188 168 157

HSL 21.29, 0.19%, 0.68%

LAB 70.27, 5.42, 8.32

 

CMYK 0 / 6 / 16 / 26

HEX #BCB19D

RGB 188 177 157

HSL 38.71, 0.19%, 0.68%

LAB 72.61, 0.55, 11.64

 

CMYK 0 / 27 / 30 / 39

HEX #9B716C

RGB 155 113 108

HSL 6.38, 0.19%, 0.52%

LAB 51.68, 15.87, 9.3

 

CMYK 0 / 20 / 23 / 33

HEX #AC8985

RGB 172 137 133

HSL 6.15, 0.19%, 0.6%

LAB 60.21, 12.67, 7.2

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 0 / 10 / 11 / 20

HEX #CDB8B6

RGB 205 184 182

HSL 5.22, 0.19%, 0.76%

LAB 76.46, 7.13, 3.73

 

CMYK 0 / 6 / 7 / 13

HEX #DED0CE

RGB 222 208 206

HSL 7.5, 0.2%, 0.84%

LAB 84.53, 4.5, 2.72

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 4 / 0 / 16 / 26

HEX #B4BC9D

RGB 180 188 157

HSL 75.48, 0.19%, 0.68%

LAB 74.89, -8.26, 14.77

 

CMYK 16 / 11 / 0 / 26

HEX #9DA7BC

RGB 157 167 188

HSL 220.65, 0.19%, 0.68%

LAB 68.34, 0.89, -11.97

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 16 / 0 / 15 / 26

HEX #9DBCA0

RGB 157 188 160

HSL 125.81, 0.19%, 0.68%

LAB 73.33, -15.96, 10.71

 

CMYK 15 / 16 / 0 / 26

HEX #A09DBC

RGB 160 157 188

HSL 245.81, 0.19%, 0.68%

LAB 65.92, 7.43, -15.59

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 4 / 0 / 16 / 26

HEX #B4BC9D

RGB 180 188 157

HSL 75.48, 0.19%, 0.68%

LAB 74.89, -8.26, 14.77

 

CMYK 16 / 1 / 0 / 26

HEX #9DBABC

RGB 157 186 188

HSL 183.87, 0.19%, 0.68%

LAB 73.49, -9.36, -4.31

 

CMYK 12 / 16 / 0 / 26

HEX #A69DBC

RGB 166 157 188

HSL 257.42, 0.19%, 0.68%

LAB 66.41, 9.42, -14.8

 

CMYK 0 / 15 / 16 / 26

HEX #BCA09D

RGB 188 160 157

HSL 5.81, 0.19%, 0.68%

LAB 68.22, 9.79, 5.38

 

CMYK 10 / 0 / 16 / 26

HEX #AABC9D

RGB 170 188 157

HSL 94.84, 0.19%, 0.68%

LAB 74.16, -11.9, 13.63

 

CMYK 16 / 1 / 0 / 26

HEX #9DBABC

RGB 157 186 188

HSL 183.87, 0.19%, 0.68%

LAB 73.49, -9.36, -4.31

 

CMYK 7 / 16 / 0 / 26

HEX #AF9DBC

RGB 175 157 188

HSL 274.84, 0.19%, 0.68%

LAB 67.17, 12.46, -13.58

 

Description

Color code: HEX #BCA09D | qconv.com Color code: HEX #BCA09D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 160 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 160 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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