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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9F97 it is the complementary color #436068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9F97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9F97 shade: #C19F92, #D2B1A5, #E3C3B8, #F4D5CB and #FFE7DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9F97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9F97 shade: #BC9F97, #AB8D84, #9A7B71, #89695E and #78574B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9F97 shade: #BB9D95 and #BB9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9F97 shade: #BB9D95, #BBA895, #BBB295, #BABB95 and #B0BB95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9F97 shade matches the following richer shades: #BB9D95, #C99687, #D78E79, #E5866B and #F37E5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9F97 shade: #BB9D95, #ADA5A3, #9FADB1, #91B5BF and #83BDCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9F97 shade: #BB95A2, #BB9598, #BB9D95, #BBA795 and #BBB195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9F97 shade: #9B6F63, #AB867C, #BB9D95, #CBB5AE and #DCCCC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9F97 shade: #BC9F97, #ACBB95 and #959DBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9F97 shade: #BC9F97, #95BB9D and #9D95BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9F97 shade: #BC9F97, #ACBB95, #95B4BB and #A495BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9F97 shade: #BC9F97, #A1BB95, #95B4BB and #B095BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 20 / 26

HEX #BC9F97

RGB 188 159 151

HSL 12.97, 0.22%, 0.66%

LAB 67.82, 9.39, 8.14

 

Complementary color

CMYK 36 / 8 / 0 / 59

HEX #436068

RGB 67 96 104

HSL 192.97, 0.22%, 0.34%

LAB 38.83, -8.46, -7.98

 

CMYK 0 / 18 / 24 / 24

HEX #C19F92

RGB 193 159 146

HSL 16.6, 0.27%, 0.66%

LAB 68.17, 10.55, 11.49

 

CMYK 0 / 16 / 21 / 18

HEX #D2B1A5

RGB 210 177 165

HSL 16, 0.33%, 0.74%

LAB 74.74, 10.06, 10.57

 

CMYK 0 / 14 / 19 / 11

HEX #E3C3B8

RGB 227 195 184

HSL 15.35, 0.43%, 0.81%

LAB 81.19, 9.61, 9.71

 

CMYK 0 / 13 / 17 / 4

HEX #F4D5CB

RGB 244 213 203

HSL 14.63, 0.65%, 0.88%

LAB 87.55, 9.21, 8.9

 

CMYK 0 / 9 / 13 / 0

HEX #FFE7DE

RGB 255 231 222

HSL 16.36, 1%, 0.94%

LAB 93.31, 6.74, 7.34

 

CMYK 0 / 15 / 20 / 26

HEX #BC9F97

RGB 188 159 151

HSL 12.97, 0.22%, 0.66%

LAB 67.82, 9.39, 8.14

 

CMYK 0 / 18 / 23 / 33

HEX #AB8D84

RGB 171 141 132

HSL 13.85, 0.19%, 0.59%

LAB 61.11, 9.88, 9.04

 

CMYK 0 / 20 / 27 / 40

HEX #9A7B71

RGB 154 123 113

HSL 14.63, 0.17%, 0.52%

LAB 54.27, 10.45, 10.02

 

CMYK 0 / 23 / 31 / 46

HEX #89695E

RGB 137 105 94

HSL 15.35, 0.19%, 0.45%

LAB 47.27, 11.11, 11.1

 

CMYK 0 / 28 / 38 / 53

HEX #78574B

RGB 120 87 75

HSL 16, 0.23%, 0.38%

LAB 40.11, 11.9, 12.33

 

CMYK 0 / 16 / 20 / 27

HEX #BB9D95

RGB 187 157 149

HSL 12.63, 0.22%, 0.66%

LAB 67.16, 9.8, 8.31

 

CMYK 0 / 20 / 20 / 27

HEX #BB9595

RGB 187 149 149

HSL 0, 0.22%, 0.66%

LAB 65.14, 14.22, 5.41

 

CMYK 0 / 16 / 20 / 27

HEX #BB9D95

RGB 187 157 149

HSL 12.63, 0.22%, 0.66%

LAB 67.16, 9.8, 8.31

 

CMYK 0 / 10 / 20 / 27

HEX #BBA895

RGB 187 168 149

HSL 30, 0.22%, 0.66%

LAB 69.99, 3.79, 12.32

 

CMYK 0 / 5 / 20 / 27

HEX #BBB295

RGB 187 178 149

HSL 45.79, 0.22%, 0.66%

LAB 72.61, -1.6, 15.99

 

CMYK 1 / 0 / 20 / 27

HEX #BABB95

RGB 186 187 149

HSL 61.58, 0.22%, 0.66%

LAB 74.92, -6.74, 19.18

 

CMYK 6 / 0 / 20 / 27

HEX #B0BB95

RGB 176 187 149

HSL 77.37, 0.22%, 0.66%

LAB 74.15, -10.49, 18

 

CMYK 0 / 16 / 20 / 27

HEX #BB9D95

RGB 187 157 149

HSL 12.63, 0.22%, 0.66%

LAB 67.16, 9.8, 8.31

 

CMYK 0 / 25 / 33 / 21

HEX #C99687

RGB 201 150 135

HSL 13.64, 0.38%, 0.66%

LAB 66.5, 17.09, 15.38

 

CMYK 0 / 34 / 44 / 16

HEX #D78E79

RGB 215 142 121

HSL 13.4, 0.54%, 0.66%

LAB 65.88, 25.3, 22.57

 

CMYK 0 / 41 / 53 / 10

HEX #E5866B

RGB 229 134 107

HSL 13.28, 0.7%, 0.66%

LAB 65.57, 33.7, 30.21

 

CMYK 0 / 48 / 62 / 5

HEX #F37E5D

RGB 243 126 93

HSL 13.2, 0.86%, 0.66%

LAB 65.57, 42.11, 38.22

 

CMYK 0 / 16 / 20 / 27

HEX #BB9D95

RGB 187 157 149

HSL 12.63, 0.22%, 0.66%

LAB 67.16, 9.8, 8.31

 

CMYK 0 / 5 / 6 / 32

HEX #ADA5A3

RGB 173 165 163

HSL 12, 0.06%, 0.66%

LAB 68.34, 2.52, 2.06

 

CMYK 10 / 2 / 0 / 31

HEX #9FADB1

RGB 159 173 177

HSL 193.33, 0.1%, 0.66%

LAB 69.78, -4.06, -3.73

 

CMYK 24 / 5 / 0 / 25

HEX #91B5BF

RGB 145 181 191

HSL 193.04, 0.26%, 0.66%

LAB 71.44, -9.83, -9.08

 

CMYK 36 / 8 / 0 / 20

HEX #83BDCD

RGB 131 189 205

HSL 192.97, 0.43%, 0.66%

LAB 73.3, -14.73, -14.02

 

CMYK 0 / 20 / 13 / 27

HEX #BB95A2

RGB 187 149 162

HSL 339.47, 0.22%, 0.66%

LAB 65.49, 16.33, -1.4

 

CMYK 0 / 20 / 19 / 27

HEX #BB9598

RGB 187 149 152

HSL 355.26, 0.22%, 0.66%

LAB 65.22, 14.69, 3.84

 

CMYK 0 / 16 / 20 / 27

HEX #BB9D95

RGB 187 157 149

HSL 12.63, 0.22%, 0.66%

LAB 67.16, 9.8, 8.31

 

CMYK 0 / 11 / 20 / 27

HEX #BBA795

RGB 187 167 149

HSL 28.42, 0.22%, 0.66%

LAB 69.73, 4.33, 11.96

 

CMYK 0 / 5 / 20 / 27

HEX #BBB195

RGB 187 177 149

HSL 44.21, 0.22%, 0.66%

LAB 72.35, -1.06, 15.63

 

CMYK 0 / 28 / 36 / 39

HEX #9B6F63

RGB 155 111 99

HSL 12.86, 0.22%, 0.5%

LAB 50.96, 15.79, 13.59

 

CMYK 0 / 22 / 27 / 33

HEX #AB867C

RGB 171 134 124

HSL 12.77, 0.22%, 0.58%

LAB 59.13, 12.63, 10.79

 

CMYK 0 / 16 / 20 / 27

HEX #BB9D95

RGB 187 157 149

HSL 12.63, 0.22%, 0.66%

LAB 67.16, 9.8, 8.31

 

CMYK 0 / 11 / 14 / 20

HEX #CBB5AE

RGB 203 181 174

HSL 14.48, 0.22%, 0.74%

LAB 75.33, 6.7, 6.43

 

CMYK 0 / 7 / 9 / 14

HEX #DCCCC8

RGB 220 204 200

HSL 12, 0.22%, 0.82%

LAB 83.22, 4.88, 3.99

 

CMYK 0 / 15 / 20 / 26

HEX #BC9F97

RGB 188 159 151

HSL 12.97, 0.22%, 0.66%

LAB 67.82, 9.39, 8.14

 

CMYK 8 / 0 / 20 / 27

HEX #ACBB95

RGB 172 187 149

HSL 83.68, 0.22%, 0.66%

LAB 73.86, -11.97, 17.55

 

CMYK 20 / 16 / 0 / 27

HEX #959DBB

RGB 149 157 187

HSL 227.37, 0.22%, 0.66%

LAB 65.04, 3.62, -16.45

 

CMYK 0 / 15 / 20 / 26

HEX #BC9F97

RGB 188 159 151

HSL 12.97, 0.22%, 0.66%

LAB 67.82, 9.39, 8.14

 

CMYK 20 / 0 / 16 / 27

HEX #95BB9D

RGB 149 187 157

HSL 132.63, 0.22%, 0.66%

LAB 72.47, -18.74, 11.05

 

CMYK 16 / 20 / 0 / 27

HEX #9D95BB

RGB 157 149 187

HSL 252.63, 0.22%, 0.66%

LAB 63.55, 10.73, -18.64

 

CMYK 0 / 15 / 20 / 26

HEX #BC9F97

RGB 188 159 151

HSL 12.97, 0.22%, 0.66%

LAB 67.82, 9.39, 8.14

 

CMYK 8 / 0 / 20 / 27

HEX #ACBB95

RGB 172 187 149

HSL 83.68, 0.22%, 0.66%

LAB 73.86, -11.97, 17.55

 

CMYK 20 / 4 / 0 / 27

HEX #95B4BB

RGB 149 180 187

HSL 191.05, 0.22%, 0.66%

LAB 71.3, -8.95, -7.07

 

CMYK 12 / 20 / 0 / 27

HEX #A495BB

RGB 164 149 187

HSL 263.68, 0.22%, 0.66%

LAB 64.14, 13.04, -17.69

 

CMYK 0 / 15 / 20 / 26

HEX #BC9F97

RGB 188 159 151

HSL 12.97, 0.22%, 0.66%

LAB 67.82, 9.39, 8.14

 

CMYK 14 / 0 / 20 / 27

HEX #A1BB95

RGB 161 187 149

HSL 101.05, 0.22%, 0.66%

LAB 73.08, -15.97, 16.35

 

CMYK 20 / 4 / 0 / 27

HEX #95B4BB

RGB 149 180 187

HSL 191.05, 0.22%, 0.66%

LAB 71.3, -8.95, -7.07

 

CMYK 6 / 20 / 0 / 27

HEX #B095BB

RGB 176 149 187

HSL 282.63, 0.22%, 0.66%

LAB 65.21, 17.07, -15.97

 

Description

Color code: HEX #BC9F97 | qconv.com Color code: HEX #BC9F97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 159 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 159 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 20 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 20% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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