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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9F8C it is the complementary color #436073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9F8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9F8C shade: #C19F87, #D2B19A, #E3C3AD, #F4D5C0 and #FFE7D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9F8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9F8C shade: #BC9F8C, #AB8D79, #9A7B66, #896953 and #785740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9F8C shade: #BB9E8B, #BB918B and #BB8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9F8C shade: #BB9E8B, #BBAB8B, #BBB88B, #B1BB8B and #A4BB8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9F8C shade matches the following richer shades: #BB9E8B, #CA9B7C, #D9986E, #E8955F and #F69250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9F8C shade: #BB9E8B, #ACA19A, #9DA4A9, #8FA8B8 and #80ABC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9F8C shade: #BB8B92, #BB918B, #BB9E8B, #BBAA8B and #BBB78B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9F8C shade: #9A735A, #AC8871, #BB9E8B, #CAB4A5 and #DACABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9F8C shade: #BC9F8C, #9FBB8B and #8B8CBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9F8C shade: #BC9F8C, #8BBB9E and #9E8BBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9F8C shade: #BC9F8C, #9FBB8B, #8BA9BB and #A78BBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9F8C shade: #BC9F8C, #91BB8B, #8BA9BB and #B58BBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 26 / 26

HEX #BC9F8C

RGB 188 159 140

HSL 23.75, 0.26%, 0.64%

LAB 67.56, 7.74, 13.89

 

Complementary color

CMYK 42 / 17 / 0 / 55

HEX #436073

RGB 67 96 115

HSL 203.75, 0.26%, 0.36%

LAB 39.24, -5.3, -14.12

 

CMYK 0 / 18 / 30 / 24

HEX #C19F87

RGB 193 159 135

HSL 24.83, 0.32%, 0.64%

LAB 67.93, 9.01, 17.24

 

CMYK 0 / 16 / 27 / 18

HEX #D2B19A

RGB 210 177 154

HSL 24.64, 0.38%, 0.71%

LAB 74.5, 8.48, 16.21

 

CMYK 0 / 14 / 24 / 11

HEX #E3C3AD

RGB 227 195 173

HSL 24.44, 0.49%, 0.78%

LAB 80.95, 8, 15.25

 

CMYK 0 / 13 / 21 / 4

HEX #F4D5C0

RGB 244 213 192

HSL 24.23, 0.7%, 0.85%

LAB 87.3, 7.58, 14.34

 

CMYK 0 / 9 / 17 / 0

HEX #FFE7D3

RGB 255 231 211

HSL 27.27, 1%, 0.91%

LAB 93.06, 5.05, 12.7

 

CMYK 0 / 15 / 26 / 26

HEX #BC9F8C

RGB 188 159 140

HSL 23.75, 0.26%, 0.64%

LAB 67.56, 7.74, 13.89

 

CMYK 0 / 18 / 29 / 33

HEX #AB8D79

RGB 171 141 121

HSL 24, 0.23%, 0.57%

LAB 60.86, 8.27, 14.92

 

CMYK 0 / 20 / 34 / 40

HEX #9A7B66

RGB 154 123 102

HSL 24.23, 0.2%, 0.5%

LAB 54.02, 8.89, 16.04

 

CMYK 0 / 23 / 39 / 46

HEX #896953

RGB 137 105 83

HSL 24.44, 0.25%, 0.43%

LAB 47.03, 9.62, 17.29

 

CMYK 0 / 28 / 47 / 53

HEX #785740

RGB 120 87 64

HSL 24.64, 0.3%, 0.36%

LAB 39.88, 10.52, 18.7

 

CMYK 0 / 16 / 26 / 27

HEX #BB9E8B

RGB 187 158 139

HSL 23.75, 0.26%, 0.64%

LAB 67.19, 7.76, 13.9

 

CMYK 0 / 22 / 26 / 27

HEX #BB918B

RGB 187 145 139

HSL 7.5, 0.26%, 0.64%

LAB 63.9, 14.93, 9.27

 

CMYK 0 / 26 / 26 / 27

HEX #BB8B8B

RGB 187 139 139

HSL 0, 0.26%, 0.64%

LAB 62.42, 18.27, 7.15

 

CMYK 0 / 16 / 26 / 27

HEX #BB9E8B

RGB 187 158 139

HSL 23.75, 0.26%, 0.64%

LAB 67.19, 7.76, 13.9

 

CMYK 0 / 9 / 26 / 27

HEX #BBAB8B

RGB 187 171 139

HSL 40, 0.26%, 0.64%

LAB 70.56, 0.69, 18.59

 

CMYK 0 / 2 / 26 / 27

HEX #BBB88B

RGB 187 184 139

HSL 56.25, 0.26%, 0.64%

LAB 74, -6.22, 23.31

 

CMYK 5 / 0 / 26 / 27

HEX #B1BB8B

RGB 177 187 139

HSL 72.5, 0.26%, 0.64%

LAB 74.03, -11.62, 23.21

 

CMYK 12 / 0 / 26 / 27

HEX #A4BB8B

RGB 164 187 139

HSL 88.75, 0.26%, 0.64%

LAB 73.09, -16.49, 21.77

 

CMYK 0 / 16 / 26 / 27

HEX #BB9E8B

RGB 187 158 139

HSL 23.75, 0.26%, 0.64%

LAB 67.19, 7.76, 13.9

 

CMYK 0 / 23 / 39 / 21

HEX #CA9B7C

RGB 202 155 124

HSL 23.85, 0.42%, 0.64%

LAB 67.62, 13.39, 23.01

 

CMYK 0 / 30 / 49 / 15

HEX #D9986E

RGB 217 152 110

HSL 23.55, 0.58%, 0.64%

LAB 68.27, 19.6, 31.78

 

CMYK 0 / 36 / 59 / 9

HEX #E8955F

RGB 232 149 95

HSL 23.65, 0.75%, 0.64%

LAB 69.1, 26.03, 41.14

 

CMYK 0 / 41 / 67 / 4

HEX #F69250

RGB 246 146 80

HSL 23.86, 0.9%, 0.64%

LAB 69.99, 32.28, 50.2

 

CMYK 0 / 16 / 26 / 27

HEX #BB9E8B

RGB 187 158 139

HSL 23.75, 0.26%, 0.64%

LAB 67.19, 7.76, 13.9

 

CMYK 0 / 6 / 10 / 33

HEX #ACA19A

RGB 172 161 154

HSL 23.33, 0.1%, 0.64%

LAB 66.97, 2.75, 5.07

 

CMYK 7 / 3 / 0 / 34

HEX #9DA4A9

RGB 157 164 169

HSL 205, 0.07%, 0.64%

LAB 66.96, -1.48, -3.45

 

CMYK 22 / 9 / 0 / 28

HEX #8FA8B8

RGB 143 168 184

HSL 203.41, 0.22%, 0.64%

LAB 67.51, -5.06, -11.1

 

CMYK 36 / 14 / 0 / 22

HEX #80ABC7

RGB 128 171 199

HSL 203.66, 0.39%, 0.64%

LAB 67.9, -7.5, -18.91

 

CMYK 0 / 26 / 22 / 27

HEX #BB8B92

RGB 187 139 146

HSL 351.25, 0.26%, 0.64%

LAB 62.6, 19.31, 3.43

 

CMYK 0 / 22 / 26 / 27

HEX #BB918B

RGB 187 145 139

HSL 7.5, 0.26%, 0.64%

LAB 63.9, 14.93, 9.27

 

CMYK 0 / 16 / 26 / 27

HEX #BB9E8B

RGB 187 158 139

HSL 23.75, 0.26%, 0.64%

LAB 67.19, 7.76, 13.9

 

CMYK 0 / 9 / 26 / 27

HEX #BBAA8B

RGB 187 170 139

HSL 38.75, 0.26%, 0.64%

LAB 70.3, 1.23, 18.23

 

CMYK 0 / 2 / 26 / 27

HEX #BBB78B

RGB 187 183 139

HSL 55, 0.26%, 0.64%

LAB 73.74, -5.7, 22.94

 

CMYK 0 / 25 / 42 / 40

HEX #9A735A

RGB 154 115 90

HSL 23.44, 0.26%, 0.48%

LAB 51.69, 11.95, 19.8

 

CMYK 0 / 21 / 34 / 33

HEX #AC8871

RGB 172 136 113

HSL 23.39, 0.26%, 0.56%

LAB 59.5, 10.4, 17.58

 

CMYK 0 / 16 / 26 / 27

HEX #BB9E8B

RGB 187 158 139

HSL 23.75, 0.26%, 0.64%

LAB 67.19, 7.76, 13.9

 

CMYK 0 / 11 / 18 / 21

HEX #CAB4A5

RGB 202 180 165

HSL 24.32, 0.26%, 0.72%

LAB 74.77, 5.44, 10.52

 

CMYK 0 / 7 / 12 / 15

HEX #DACABF

RGB 218 202 191

HSL 24.44, 0.27%, 0.8%

LAB 82.33, 3.74, 7.49

 

CMYK 0 / 15 / 26 / 26

HEX #BC9F8C

RGB 188 159 140

HSL 23.75, 0.26%, 0.64%

LAB 67.56, 7.74, 13.89

 

CMYK 15 / 0 / 26 / 27

HEX #9FBB8B

RGB 159 187 139

HSL 95, 0.26%, 0.64%

LAB 72.74, -18.33, 21.25

 

CMYK 26 / 25 / 0 / 27

HEX #8B8CBB

RGB 139 140 187

HSL 238.75, 0.26%, 0.64%

LAB 59.74, 10.13, -24.6

 

CMYK 0 / 15 / 26 / 26

HEX #BC9F8C

RGB 188 159 140

HSL 23.75, 0.26%, 0.64%

LAB 67.56, 7.74, 13.89

 

CMYK 26 / 0 / 16 / 27

HEX #8BBB9E

RGB 139 187 158

HSL 143.75, 0.26%, 0.64%

LAB 71.89, -21.87, 9.6

 

CMYK 16 / 26 / 0 / 27

HEX #9E8BBB

RGB 158 139 187

HSL 263.75, 0.26%, 0.64%

LAB 61.06, 16.75, -22.42

 

CMYK 0 / 15 / 26 / 26

HEX #BC9F8C

RGB 188 159 140

HSL 23.75, 0.26%, 0.64%

LAB 67.56, 7.74, 13.89

 

CMYK 15 / 0 / 26 / 27

HEX #9FBB8B

RGB 159 187 139

HSL 95, 0.26%, 0.64%

LAB 72.74, -18.33, 21.25

 

CMYK 26 / 10 / 0 / 27

HEX #8BA9BB

RGB 139 169 187

HSL 202.5, 0.26%, 0.64%

LAB 67.62, -6.15, -12.63

 

CMYK 11 / 26 / 0 / 27

HEX #A78BBB

RGB 167 139 187

HSL 275, 0.26%, 0.64%

LAB 61.89, 19.71, -21.09

 

CMYK 0 / 15 / 26 / 26

HEX #BC9F8C

RGB 188 159 140

HSL 23.75, 0.26%, 0.64%

LAB 67.56, 7.74, 13.89

 

CMYK 22 / 0 / 26 / 27

HEX #91BB8B

RGB 145 187 139

HSL 112.5, 0.26%, 0.64%

LAB 71.84, -23.32, 19.87

 

CMYK 26 / 10 / 0 / 27

HEX #8BA9BB

RGB 139 169 187

HSL 202.5, 0.26%, 0.64%

LAB 67.62, -6.15, -12.63

 

CMYK 3 / 26 / 0 / 27

HEX #B58BBB

RGB 181 139 187

HSL 292.5, 0.26%, 0.64%

LAB 63.24, 24.37, -18.91

 

Description

Color code: HEX #BC9F8C | qconv.com Color code: HEX #BC9F8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 159 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 159 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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