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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9E97 it is the complementary color #436168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9E97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9E97 shade: #C19E92, #D2B0A5, #E3C2B8, #F4D4CB and #FFE6DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9E97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9E97 shade: #BC9E97, #AB8C84, #9A7A71, #89685E and #78564B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9E97 shade: #BB9C95 and #BB9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9E97 shade: #BB9C95, #BBA795, #BBB195, #BBBB95 and #B1BB95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9E97 shade matches the following richer shades: #BB9C95, #C99487, #D78B79, #E5826B and #F37A5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9E97 shade: #BB9C95, #ADA5A3, #9FAEB1, #91B7BF and #83BFCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9E97 shade: #BB95A3, #BB9598, #BB9C95, #BBA695 and #BBB195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9E97 shade: #9B6E63, #AB857C, #BB9C95, #CBB4AE and #DCCBC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9E97 shade: #BC9E97, #ADBB95 and #959DBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9E97 shade: #BC9E97, #95BB9C and #9C95BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9E97 shade: #BC9E97, #ADBB95, #95B4BB and #A495BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9E97 shade: #BC9E97, #A1BB95, #95B4BB and #AF95BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 20 / 26

HEX #BC9E97

RGB 188 158 151

HSL 11.35, 0.22%, 0.66%

LAB 67.56, 9.94, 7.77

 

Complementary color

CMYK 36 / 7 / 0 / 59

HEX #436168

RGB 67 97 104

HSL 191.35, 0.22%, 0.34%

LAB 39.14, -9.05, -7.51

 

CMYK 0 / 18 / 24 / 24

HEX #C19E92

RGB 193 158 146

HSL 15.32, 0.27%, 0.66%

LAB 67.92, 11.1, 11.13

 

CMYK 0 / 16 / 21 / 18

HEX #D2B0A5

RGB 210 176 165

HSL 14.67, 0.33%, 0.74%

LAB 74.49, 10.59, 10.22

 

CMYK 0 / 15 / 19 / 11

HEX #E3C2B8

RGB 227 194 184

HSL 13.95, 0.43%, 0.81%

LAB 80.95, 10.14, 9.36

 

CMYK 0 / 13 / 17 / 4

HEX #F4D4CB

RGB 244 212 203

HSL 13.17, 0.65%, 0.88%

LAB 87.31, 9.73, 8.55

 

CMYK 0 / 10 / 13 / 0

HEX #FFE6DE

RGB 255 230 222

HSL 14.55, 1%, 0.94%

LAB 93.07, 7.25, 6.99

 

CMYK 0 / 16 / 20 / 26

HEX #BC9E97

RGB 188 158 151

HSL 11.35, 0.22%, 0.66%

LAB 67.56, 9.94, 7.77

 

CMYK 0 / 18 / 23 / 33

HEX #AB8C84

RGB 171 140 132

HSL 12.31, 0.19%, 0.59%

LAB 60.85, 10.44, 8.67

 

CMYK 0 / 21 / 27 / 40

HEX #9A7A71

RGB 154 122 113

HSL 13.17, 0.17%, 0.52%

LAB 54.01, 11.02, 9.65

 

CMYK 0 / 24 / 31 / 46

HEX #89685E

RGB 137 104 94

HSL 13.95, 0.19%, 0.45%

LAB 47.01, 11.7, 10.73

 

CMYK 0 / 28 / 38 / 53

HEX #78564B

RGB 120 86 75

HSL 14.67, 0.23%, 0.38%

LAB 39.84, 12.5, 11.96

 

CMYK 0 / 17 / 20 / 27

HEX #BB9C95

RGB 187 156 149

HSL 11.05, 0.22%, 0.66%

LAB 66.91, 10.35, 7.94

 

CMYK 0 / 20 / 20 / 27

HEX #BB9595

RGB 187 149 149

HSL 0, 0.22%, 0.66%

LAB 65.14, 14.22, 5.41

 

CMYK 0 / 17 / 20 / 27

HEX #BB9C95

RGB 187 156 149

HSL 11.05, 0.22%, 0.66%

LAB 66.91, 10.35, 7.94

 

CMYK 0 / 11 / 20 / 27

HEX #BBA795

RGB 187 167 149

HSL 28.42, 0.22%, 0.66%

LAB 69.73, 4.33, 11.96

 

CMYK 0 / 5 / 20 / 27

HEX #BBB195

RGB 187 177 149

HSL 44.21, 0.22%, 0.66%

LAB 72.35, -1.06, 15.63

 

CMYK 0 / 0 / 20 / 27

HEX #BBBB95

RGB 187 187 149

HSL 60, 0.22%, 0.66%

LAB 75, -6.36, 19.31

 

CMYK 5 / 0 / 20 / 27

HEX #B1BB95

RGB 177 187 149

HSL 75.79, 0.22%, 0.66%

LAB 74.23, -10.12, 18.12

 

CMYK 0 / 17 / 20 / 27

HEX #BB9C95

RGB 187 156 149

HSL 11.05, 0.22%, 0.66%

LAB 66.91, 10.35, 7.94

 

CMYK 0 / 26 / 33 / 21

HEX #C99487

RGB 201 148 135

HSL 11.82, 0.38%, 0.66%

LAB 66.02, 18.18, 14.7

 

CMYK 0 / 35 / 44 / 16

HEX #D78B79

RGB 215 139 121

HSL 11.49, 0.54%, 0.66%

LAB 65.19, 26.92, 21.64

 

CMYK 0 / 43 / 53 / 10

HEX #E5826B

RGB 229 130 107

HSL 11.31, 0.7%, 0.66%

LAB 64.71, 35.79, 29.09

 

CMYK 0 / 50 / 62 / 5

HEX #F37A5D

RGB 243 122 93

HSL 11.6, 0.86%, 0.66%

LAB 64.77, 44.1, 37.24

 

CMYK 0 / 17 / 20 / 27

HEX #BB9C95

RGB 187 156 149

HSL 11.05, 0.22%, 0.66%

LAB 66.91, 10.35, 7.94

 

CMYK 0 / 5 / 6 / 32

HEX #ADA5A3

RGB 173 165 163

HSL 12, 0.06%, 0.66%

LAB 68.34, 2.52, 2.06

 

CMYK 10 / 2 / 0 / 31

HEX #9FAEB1

RGB 159 174 177

HSL 190, 0.1%, 0.66%

LAB 70.05, -4.6, -3.33

 

CMYK 24 / 4 / 0 / 25

HEX #91B7BF

RGB 145 183 191

HSL 190.43, 0.26%, 0.66%

LAB 71.99, -10.89, -8.25

 

CMYK 36 / 7 / 0 / 20

HEX #83BFCD

RGB 131 191 205

HSL 191.35, 0.43%, 0.66%

LAB 73.87, -15.77, -13.18

 

CMYK 0 / 20 / 13 / 27

HEX #BB95A3

RGB 187 149 163

HSL 337.89, 0.22%, 0.66%

LAB 65.52, 16.49, -1.92

 

CMYK 0 / 20 / 19 / 27

HEX #BB9598

RGB 187 149 152

HSL 355.26, 0.22%, 0.66%

LAB 65.22, 14.69, 3.84

 

CMYK 0 / 17 / 20 / 27

HEX #BB9C95

RGB 187 156 149

HSL 11.05, 0.22%, 0.66%

LAB 66.91, 10.35, 7.94

 

CMYK 0 / 11 / 20 / 27

HEX #BBA695

RGB 187 166 149

HSL 26.84, 0.22%, 0.66%

LAB 69.47, 4.87, 11.59

 

CMYK 0 / 5 / 20 / 27

HEX #BBB195

RGB 187 177 149

HSL 44.21, 0.22%, 0.66%

LAB 72.35, -1.06, 15.63

 

CMYK 0 / 29 / 36 / 39

HEX #9B6E63

RGB 155 110 99

HSL 11.79, 0.22%, 0.5%

LAB 50.71, 16.37, 13.24

 

CMYK 0 / 22 / 27 / 33

HEX #AB857C

RGB 171 133 124

HSL 11.49, 0.22%, 0.58%

LAB 58.87, 13.19, 10.43

 

CMYK 0 / 17 / 20 / 27

HEX #BB9C95

RGB 187 156 149

HSL 11.05, 0.22%, 0.66%

LAB 66.91, 10.35, 7.94

 

CMYK 0 / 11 / 14 / 20

HEX #CBB4AE

RGB 203 180 174

HSL 12.41, 0.22%, 0.74%

LAB 75.07, 7.24, 6.06

 

CMYK 0 / 8 / 9 / 14

HEX #DCCBC8

RGB 220 203 200

HSL 9, 0.22%, 0.82%

LAB 82.97, 5.41, 3.62

 

CMYK 0 / 16 / 20 / 26

HEX #BC9E97

RGB 188 158 151

HSL 11.35, 0.22%, 0.66%

LAB 67.56, 9.94, 7.77

 

CMYK 7 / 0 / 20 / 27

HEX #ADBB95

RGB 173 187 149

HSL 82.11, 0.22%, 0.66%

LAB 73.93, -11.6, 17.66

 

CMYK 20 / 16 / 0 / 27

HEX #959DBB

RGB 149 157 187

HSL 227.37, 0.22%, 0.66%

LAB 65.04, 3.62, -16.45

 

CMYK 0 / 16 / 20 / 26

HEX #BC9E97

RGB 188 158 151

HSL 11.35, 0.22%, 0.66%

LAB 67.56, 9.94, 7.77

 

CMYK 20 / 0 / 17 / 27

HEX #95BB9C

RGB 149 187 156

HSL 131.05, 0.22%, 0.66%

LAB 72.45, -18.93, 11.56

 

CMYK 17 / 20 / 0 / 27

HEX #9C95BB

RGB 156 149 187

HSL 251.05, 0.22%, 0.66%

LAB 63.47, 10.4, -18.77

 

CMYK 0 / 16 / 20 / 26

HEX #BC9E97

RGB 188 158 151

HSL 11.35, 0.22%, 0.66%

LAB 67.56, 9.94, 7.77

 

CMYK 7 / 0 / 20 / 27

HEX #ADBB95

RGB 173 187 149

HSL 82.11, 0.22%, 0.66%

LAB 73.93, -11.6, 17.66

 

CMYK 20 / 4 / 0 / 27

HEX #95B4BB

RGB 149 180 187

HSL 191.05, 0.22%, 0.66%

LAB 71.3, -8.95, -7.07

 

CMYK 12 / 20 / 0 / 27

HEX #A495BB

RGB 164 149 187

HSL 263.68, 0.22%, 0.66%

LAB 64.14, 13.04, -17.69

 

CMYK 0 / 16 / 20 / 26

HEX #BC9E97

RGB 188 158 151

HSL 11.35, 0.22%, 0.66%

LAB 67.56, 9.94, 7.77

 

CMYK 14 / 0 / 20 / 27

HEX #A1BB95

RGB 161 187 149

HSL 101.05, 0.22%, 0.66%

LAB 73.08, -15.97, 16.35

 

CMYK 20 / 4 / 0 / 27

HEX #95B4BB

RGB 149 180 187

HSL 191.05, 0.22%, 0.66%

LAB 71.3, -8.95, -7.07

 

CMYK 6 / 20 / 0 / 27

HEX #AF95BB

RGB 175 149 187

HSL 281.05, 0.22%, 0.66%

LAB 65.12, 16.73, -16.11

 

Description

Color code: HEX #BC9E97 | qconv.com Color code: HEX #BC9E97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 158 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 158 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 20 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 20% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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