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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9E03 it is the complementary color #4361FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9E03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9E03 shade: #C19E00, #D2B011, #E3C224, #F4D437 and #FFE64A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9E03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9E03 shade: #BC9E03, #AB8C00, #9A7A00, #896800 and #785600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9E03 shade: #BA9C03, #BA6B03, #BA3903, #BA0803 and #BA0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9E03 shade: #BA9C03, #A6BA03, #75BA03, #43BA03 and #12BA03

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9E03 shade matches the following richer shades: #BA9C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9E03 shade: #BA9C03, #AB9212, #9B8821, #8C7D31 and #7D7340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9E03 shade: #BA3A03, #BA6B03, #BA9B03, #A8BA03 and #77BA03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9E03 shade: #695802, #917A02, #BA9C03, #E3BE03 and #FBD614

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9E03 shade: #BC9E03, #03BA09 and #5203BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9E03 shade: #BC9E03, #03BA9B and #9B03BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9E03 shade: #BC9E03, #03BA09, #0321BA and #BA03B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9E03 shade: #BC9E03, #03BA40, #0321BA and #BA037D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 98 / 26

HEX #BC9E03

RGB 188 158 3

HSL 50.27, 0.97%, 0.37%

LAB 65.87, -1.51, 68.9

 

Complementary color

CMYK 73 / 62 / 0 / 1

HEX #4361FC

RGB 67 97 252

HSL 230.27, 0.97%, 0.63%

LAB 47.97, 41, -80.18

 

CMYK 0 / 18 / 100 / 24

HEX #C19E00

RGB 193 158 0

HSL 49.12, 1%, 0.38%

LAB 66.36, 0.7, 69.88

 

CMYK 0 / 16 / 92 / 18

HEX #D2B011

RGB 210 176 17

HSL 49.43, 0.85%, 0.45%

LAB 72.76, -1.11, 73.09

 

CMYK 0 / 15 / 84 / 11

HEX #E3C224

RGB 227 194 36

HSL 49.63, 0.77%, 0.52%

LAB 79.07, -2.7, 74.92

 

CMYK 0 / 13 / 77 / 4

HEX #F4D437

RGB 244 212 55

HSL 49.84, 0.9%, 0.59%

LAB 85.3, -4.08, 75.61

 

CMYK 0 / 10 / 71 / 0

HEX #FFE64A

RGB 255 230 74

HSL 51.71, 1%, 0.65%

LAB 90.94, -7.75, 74.87

 

CMYK 0 / 16 / 98 / 26

HEX #BC9E03

RGB 188 158 3

HSL 50.27, 0.97%, 0.37%

LAB 65.87, -1.51, 68.9

 

CMYK 0 / 18 / 100 / 33

HEX #AB8C00

RGB 171 140 0

HSL 49.12, 1%, 0.34%

LAB 59.36, 0.48, 63.93

 

CMYK 0 / 21 / 100 / 40

HEX #9A7A00

RGB 154 122 0

HSL 47.53, 1%, 0.3%

LAB 52.72, 2.61, 58.45

 

CMYK 0 / 24 / 100 / 46

HEX #896800

RGB 137 104 0

HSL 45.55, 1%, 0.27%

LAB 45.93, 4.84, 52.87

 

CMYK 0 / 28 / 100 / 53

HEX #785600

RGB 120 86 0

HSL 43, 1%, 0.24%

LAB 38.98, 7.21, 47.16

 

CMYK 0 / 16 / 98 / 27

HEX #BA9C03

RGB 186 156 3

HSL 50.16, 0.97%, 0.37%

LAB 65.14, -1.34, 68.29

 

CMYK 0 / 42 / 98 / 27

HEX #BA6B03

RGB 186 107 3

HSL 34.1, 0.97%, 0.37%

LAB 52.91, 25.57, 59.86

 

CMYK 0 / 69 / 98 / 27

HEX #BA3903

RGB 186 57 3

HSL 17.7, 0.97%, 0.37%

LAB 43.32, 50.05, 54.1

 

CMYK 0 / 96 / 98 / 27

HEX #BA0803

RGB 186 8 3

HSL 1.64, 0.97%, 0.37%

LAB 38.93, 62.36, 51.96

 

CMYK 0 / 98 / 98 / 27

HEX #BA0303

RGB 186 3 3

HSL 0, 0.97%, 0.37%

LAB 38.74, 62.9, 51.88

 

CMYK 0 / 16 / 98 / 27

HEX #BA9C03

RGB 186 156 3

HSL 50.16, 0.97%, 0.37%

LAB 65.14, -1.34, 68.29

 

CMYK 11 / 0 / 98 / 27

HEX #A6BA03

RGB 166 186 3

HSL 66.56, 0.97%, 0.37%

LAB 71.71, -25.58, 72.36

 

CMYK 37 / 0 / 98 / 27

HEX #75BA03

RGB 117 186 3

HSL 82.62, 0.97%, 0.37%

LAB 68.68, -45.03, 68.72

 

CMYK 64 / 0 / 98 / 27

HEX #43BA03

RGB 67 186 3

HSL 99.02, 0.97%, 0.37%

LAB 66.76, -59.88, 66.38

 

CMYK 90 / 0 / 98 / 27

HEX #12BA03

RGB 18 186 3

HSL 115.08, 0.97%, 0.37%

LAB 65.95, -67.01, 65.38

 

CMYK 0 / 16 / 98 / 27

HEX #BA9C03

RGB 186 156 3

HSL 50.16, 0.97%, 0.37%

LAB 65.14, -1.34, 68.29

 

CMYK 0 / 16 / 98 / 27

HEX #BA9C03

RGB 186 156 3

HSL 50.16, 0.97%, 0.37%

LAB 65.14, -1.34, 68.29

 

CMYK 0 / 15 / 89 / 33

HEX #AB9212

RGB 171 146 18

HSL 50.2, 0.81%, 0.37%

LAB 61.01, -2.52, 62.19

 

CMYK 0 / 12 / 79 / 39

HEX #9B8821

RGB 155 136 33

HSL 50.66, 0.65%, 0.37%

LAB 56.77, -3.92, 53.78

 

CMYK 0 / 11 / 65 / 45

HEX #8C7D31

RGB 140 125 49

HSL 50.11, 0.48%, 0.37%

LAB 52.36, -3.82, 42.31

 

CMYK 0 / 8 / 49 / 51

HEX #7D7340

RGB 125 115 64

HSL 50.16, 0.32%, 0.37%

LAB 48.25, -3.69, 29.48

 

CMYK 0 / 69 / 98 / 27

HEX #BA3A03

RGB 186 58 3

HSL 18.03, 0.97%, 0.37%

LAB 43.47, 49.65, 54.17

 

CMYK 0 / 42 / 98 / 27

HEX #BA6B03

RGB 186 107 3

HSL 34.1, 0.97%, 0.37%

LAB 52.91, 25.57, 59.86

 

CMYK 0 / 17 / 98 / 27

HEX #BA9B03

RGB 186 155 3

HSL 49.84, 0.97%, 0.37%

LAB 64.87, -0.8, 68.1

 

CMYK 10 / 0 / 98 / 27

HEX #A8BA03

RGB 168 186 3

HSL 65.9, 0.97%, 0.37%

LAB 71.86, -24.73, 72.54

 

CMYK 36 / 0 / 98 / 27

HEX #77BA03

RGB 119 186 3

HSL 81.97, 0.97%, 0.37%

LAB 68.78, -44.31, 68.84

 

CMYK 0 / 16 / 98 / 59

HEX #695802

RGB 105 88 2

HSL 50.1, 0.96%, 0.21%

LAB 37.82, -1.36, 44.92

 

CMYK 0 / 16 / 99 / 43

HEX #917A02

RGB 145 122 2

HSL 50.35, 0.97%, 0.29%

LAB 51.77, -1.59, 56.96

 

CMYK 0 / 16 / 98 / 27

HEX #BA9C03

RGB 186 156 3

HSL 50.16, 0.97%, 0.37%

LAB 65.14, -1.34, 68.29

 

CMYK 0 / 16 / 99 / 11

HEX #E3BE03

RGB 227 190 3

HSL 50.09, 0.97%, 0.45%

LAB 77.97, -1.13, 79.29

 

CMYK 0 / 15 / 92 / 2

HEX #FBD614

RGB 251 214 20

HSL 50.39, 0.97%, 0.53%

LAB 86.33, -2.94, 84.6

 

CMYK 0 / 16 / 98 / 26

HEX #BC9E03

RGB 188 158 3

HSL 50.27, 0.97%, 0.37%

LAB 65.87, -1.51, 68.9

 

CMYK 98 / 0 / 95 / 27

HEX #03BA09

RGB 3 186 9

HSL 121.97, 0.97%, 0.37%

LAB 65.87, -67.65, 64.57

 

CMYK 56 / 98 / 0 / 27

HEX #5203BA

RGB 82 3 186

HSL 265.9, 0.97%, 0.37%

LAB 27.86, 64.38, -75.37

 

CMYK 0 / 16 / 98 / 26

HEX #BC9E03

RGB 188 158 3

HSL 50.27, 0.97%, 0.37%

LAB 65.87, -1.51, 68.9

 

CMYK 98 / 0 / 17 / 27

HEX #03BA9B

RGB 3 186 155

HSL 169.84, 0.97%, 0.37%

LAB 67.65, -46.7, 4.65

 

CMYK 17 / 98 / 0 / 27

HEX #9B03BA

RGB 155 3 186

HSL 289.84, 0.97%, 0.37%

LAB 38.86, 72.43, -56.9

 

CMYK 0 / 16 / 98 / 26

HEX #BC9E03

RGB 188 158 3

HSL 50.27, 0.97%, 0.37%

LAB 65.87, -1.51, 68.9

 

CMYK 98 / 0 / 95 / 27

HEX #03BA09

RGB 3 186 9

HSL 121.97, 0.97%, 0.37%

LAB 65.87, -67.65, 64.57

 

CMYK 98 / 82 / 0 / 27

HEX #0321BA

RGB 3 33 186

HSL 230.16, 0.97%, 0.37%

LAB 25.72, 51.76, -79.06

 

CMYK 0 / 98 / 3 / 27

HEX #BA03B4

RGB 186 3 180

HSL 301.97, 0.97%, 0.37%

LAB 43.94, 76.36, -44.89

 

CMYK 0 / 16 / 98 / 26

HEX #BC9E03

RGB 188 158 3

HSL 50.27, 0.97%, 0.37%

LAB 65.87, -1.51, 68.9

 

CMYK 98 / 0 / 66 / 27

HEX #03BA40

RGB 3 186 64

HSL 140, 0.97%, 0.37%

LAB 66.14, -64.18, 49.25

 

CMYK 98 / 82 / 0 / 27

HEX #0321BA

RGB 3 33 186

HSL 230.16, 0.97%, 0.37%

LAB 25.72, 51.76, -79.06

 

CMYK 0 / 98 / 33 / 27

HEX #BA037D

RGB 186 3 125

HSL 320, 0.97%, 0.37%

LAB 41.19, 69.44, -15.93

 

Description

Color code: HEX #BC9E03 | qconv.com Color code: HEX #BC9E03 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 158 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 158 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 98 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 98% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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