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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9D1C it is the complementary color #4362E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9D1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9D1C shade: #C19D17, #D2AF2A, #E3C13D, #F4D350 and #FFE563

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9D1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9D1C shade: #BC9D1C, #AB8B09, #9A7900, #896700 and #785500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9D1C shade: #BA9C1C, #BA711C, #BA461C and #BA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9D1C shade: #BA9C1C, #AEBA1C, #84BA1C, #59BA1C and #2EBA1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9D1C shade matches the following richer shades: #BA9C1C and #CCA60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9D1C shade: #BA9C1C, #A9912D, #98863F, #867C50 and #757161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9D1C shade: #BA461C, #BA701C, #BA9B1C, #B0BA1C and #86BA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9D1C shade: #736011, #967E16, #BA9C1C, #DEB922 and #E3C545

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9D1C shade: #BC9D1C, #1CBA1C and #5B1CBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9D1C shade: #BC9D1C, #1CBA9B and #9B1CBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9D1C shade: #BC9D1C, #1CBA1C, #1C3CBA and #BA1CBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9D1C shade: #BC9D1C, #1CBA4B, #1C3CBA and #BA1C8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 85 / 26

HEX #BC9D1C

RGB 188 157 28

HSL 48.38, 0.74%, 0.42%

LAB 65.66, -0.55, 64.3

 

Complementary color

CMYK 70 / 57 / 0 / 11

HEX #4362E3

RGB 67 98 227

HSL 228.38, 0.74%, 0.58%

LAB 46.28, 31.65, -68.92

 

CMYK 0 / 19 / 88 / 24

HEX #C19D17

RGB 193 157 23

HSL 47.29, 0.79%, 0.42%

LAB 66.15, 1.57, 66.11

 

CMYK 0 / 17 / 80 / 18

HEX #D2AF2A

RGB 210 175 42

HSL 47.5, 0.67%, 0.49%

LAB 72.58, 0.01, 67.07

 

CMYK 0 / 15 / 73 / 11

HEX #E3C13D

RGB 227 193 61

HSL 47.71, 0.75%, 0.56%

LAB 78.93, -1.32, 67.06

 

CMYK 0 / 14 / 67 / 4

HEX #F4D350

RGB 244 211 80

HSL 47.93, 0.88%, 0.64%

LAB 85.2, -2.46, 66.5

 

CMYK 0 / 10 / 61 / 0

HEX #FFE563

RGB 255 229 99

HSL 50, 1%, 0.69%

LAB 90.87, -5.89, 64.93

 

CMYK 0 / 16 / 85 / 26

HEX #BC9D1C

RGB 188 157 28

HSL 48.38, 0.74%, 0.42%

LAB 65.66, -0.55, 64.3

 

CMYK 0 / 19 / 95 / 33

HEX #AB8B09

RGB 171 139 9

HSL 48.15, 0.9%, 0.35%

LAB 59.11, 1.16, 62.33

 

CMYK 0 / 21 / 100 / 40

HEX #9A7900

RGB 154 121 0

HSL 47.14, 1%, 0.3%

LAB 52.45, 3.17, 58.27

 

CMYK 0 / 25 / 100 / 46

HEX #896700

RGB 137 103 0

HSL 45.11, 1%, 0.27%

LAB 45.66, 5.42, 52.68

 

CMYK 0 / 29 / 100 / 53

HEX #785500

RGB 120 85 0

HSL 42.5, 1%, 0.24%

LAB 38.71, 7.81, 46.97

 

CMYK 0 / 16 / 85 / 27

HEX #BA9C1C

RGB 186 156 28

HSL 48.61, 0.74%, 0.42%

LAB 65.2, -0.91, 63.83

 

CMYK 0 / 39 / 85 / 27

HEX #BA711C

RGB 186 113 28

HSL 32.28, 0.74%, 0.42%

LAB 54.38, 22.73, 54.75

 

CMYK 0 / 62 / 85 / 27

HEX #BA461C

RGB 186 70 28

HSL 15.95, 0.74%, 0.42%

LAB 45.5, 44.89, 47.13

 

CMYK 0 / 85 / 85 / 27

HEX #BA1C1C

RGB 186 28 28

HSL 0, 0.74%, 0.42%

LAB 40.17, 59.56, 42.45

 

CMYK 0 / 16 / 85 / 27

HEX #BA9C1C

RGB 186 156 28

HSL 48.61, 0.74%, 0.42%

LAB 65.2, -0.91, 63.83

 

CMYK 6 / 0 / 85 / 27

HEX #AEBA1C

RGB 174 186 28

HSL 64.56, 0.74%, 0.42%

LAB 72.36, -21.73, 69.38

 

CMYK 29 / 0 / 85 / 27

HEX #84BA1C

RGB 132 186 28

HSL 80.51, 0.74%, 0.42%

LAB 69.55, -38.9, 65.87

 

CMYK 52 / 0 / 85 / 27

HEX #59BA1C

RGB 89 186 28

HSL 96.84, 0.74%, 0.42%

LAB 67.52, -53.53, 63.31

 

CMYK 75 / 0 / 85 / 27

HEX #2EBA1C

RGB 46 186 28

HSL 113.16, 0.74%, 0.42%

LAB 66.35, -63.16, 61.83

 

CMYK 0 / 16 / 85 / 27

HEX #BA9C1C

RGB 186 156 28

HSL 48.61, 0.74%, 0.42%

LAB 65.2, -0.91, 63.83

 

CMYK 0 / 19 / 95 / 20

HEX #CCA60B

RGB 204 166 11

HSL 48.19, 0.9%, 0.42%

LAB 69.56, 1.45, 71.3

 

CMYK 0 / 16 / 85 / 27

HEX #BA9C1C

RGB 186 156 28

HSL 48.61, 0.74%, 0.42%

LAB 65.2, -0.91, 63.83

 

CMYK 0 / 14 / 73 / 34

HEX #A9912D

RGB 169 145 45

HSL 48.39, 0.58%, 0.42%

LAB 60.67, -1.95, 53.49

 

CMYK 0 / 12 / 59 / 40

HEX #98863F

RGB 152 134 63

HSL 47.87, 0.41%, 0.42%

LAB 56.17, -2.38, 40.07

 

CMYK 0 / 7 / 40 / 47

HEX #867C50

RGB 134 124 80

HSL 48.89, 0.25%, 0.42%

LAB 51.91, -3.01, 25.4

 

CMYK 0 / 3 / 17 / 54

HEX #757161

RGB 117 113 97

HSL 48, 0.09%, 0.42%

LAB 47.57, -1.42, 9.44

 

CMYK 0 / 62 / 85 / 27

HEX #BA461C

RGB 186 70 28

HSL 15.95, 0.74%, 0.42%

LAB 45.5, 44.89, 47.13

 

CMYK 0 / 40 / 85 / 27

HEX #BA701C

RGB 186 112 28

HSL 31.9, 0.74%, 0.42%

LAB 54.14, 23.28, 54.55

 

CMYK 0 / 17 / 85 / 27

HEX #BA9B1C

RGB 186 155 28

HSL 48.23, 0.74%, 0.42%

LAB 64.94, -0.37, 63.61

 

CMYK 5 / 0 / 85 / 27

HEX #B0BA1C

RGB 176 186 28

HSL 63.8, 0.74%, 0.42%

LAB 72.52, -20.87, 69.57

 

CMYK 28 / 0 / 85 / 27

HEX #86BA1C

RGB 134 186 28

HSL 79.75, 0.74%, 0.42%

LAB 69.66, -38.13, 66.01

 

CMYK 0 / 17 / 85 / 55

HEX #736011

RGB 115 96 17

HSL 48.37, 0.74%, 0.26%

LAB 41.3, -0.72, 43.84

 

CMYK 0 / 16 / 85 / 41

HEX #967E16

RGB 150 126 22

HSL 48.75, 0.74%, 0.34%

LAB 53.45, -1.07, 54.17

 

CMYK 0 / 16 / 85 / 27

HEX #BA9C1C

RGB 186 156 28

HSL 48.61, 0.74%, 0.42%

LAB 65.2, -0.91, 63.83

 

CMYK 0 / 17 / 85 / 13

HEX #DEB922

RGB 222 185 34

HSL 48.19, 0.74%, 0.5%

LAB 76.28, -0.24, 72.92

 

CMYK 0 / 13 / 70 / 11

HEX #E3C545

RGB 227 197 69

HSL 48.61, 0.74%, 0.58%

LAB 80.01, -3.01, 65.08

 

CMYK 0 / 16 / 85 / 26

HEX #BC9D1C

RGB 188 157 28

HSL 48.38, 0.74%, 0.42%

LAB 65.66, -0.55, 64.3

 

CMYK 85 / 0 / 85 / 27

HEX #1CBA1C

RGB 28 186 28

HSL 120, 0.74%, 0.42%

LAB 66.1, -65.42, 61.5

 

CMYK 51 / 85 / 0 / 27

HEX #5B1CBA

RGB 91 28 186

HSL 263.92, 0.74%, 0.42%

LAB 30.88, 59.41, -70.34

 

CMYK 0 / 16 / 85 / 26

HEX #BC9D1C

RGB 188 157 28

HSL 48.38, 0.74%, 0.42%

LAB 65.66, -0.55, 64.3

 

CMYK 85 / 0 / 17 / 27

HEX #1CBA9B

RGB 28 186 155

HSL 168.23, 0.74%, 0.42%

LAB 67.82, -45.47, 4.92

 

CMYK 17 / 85 / 0 / 27

HEX #9B1CBA

RGB 155 28 186

HSL 288.23, 0.74%, 0.42%

LAB 40.15, 68.61, -54.81

 

CMYK 0 / 16 / 85 / 26

HEX #BC9D1C

RGB 188 157 28

HSL 48.38, 0.74%, 0.42%

LAB 65.66, -0.55, 64.3

 

CMYK 85 / 0 / 85 / 27

HEX #1CBA1C

RGB 28 186 28

HSL 120, 0.74%, 0.42%

LAB 66.1, -65.42, 61.5

 

CMYK 85 / 68 / 0 / 27

HEX #1C3CBA

RGB 28 60 186

HSL 227.85, 0.74%, 0.42%

LAB 31.86, 37.05, -68.88

 

CMYK 0 / 85 / 0 / 27

HEX #BA1CBA

RGB 186 28 186

HSL 300, 0.74%, 0.42%

LAB 45.38, 74.07, -46.13

 

CMYK 0 / 16 / 85 / 26

HEX #BC9D1C

RGB 188 157 28

HSL 48.38, 0.74%, 0.42%

LAB 65.66, -0.55, 64.3

 

CMYK 85 / 0 / 60 / 27

HEX #1CBA4B

RGB 28 186 75

HSL 137.85, 0.74%, 0.42%

LAB 66.42, -61.35, 44.74

 

CMYK 85 / 68 / 0 / 27

HEX #1C3CBA

RGB 28 60 186

HSL 227.85, 0.74%, 0.42%

LAB 31.86, 37.05, -68.88

 

CMYK 0 / 85 / 25 / 27

HEX #BA1C8B

RGB 186 28 139

HSL 317.85, 0.74%, 0.42%

LAB 42.96, 67.59, -21.82

 

Description

Color code: HEX #BC9D1C | qconv.com Color code: HEX #BC9D1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 157 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 157 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 85 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 85% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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