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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9CFB3F it is the complementary color #4363043F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9CFB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9CFB3F shade: #C19CF63F, #D2AEFF3F, #E3C0FF3F, #F4D2FF3F and #FFE4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9CFB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9CFB3F shade: #BC9CFB3F, #AB8AE83F, #9A78D53F, #8966C23F and #7854AF3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9CFB3F shade: #BD9DFB, #D69DFB, #EF9DFB, #FB9DED and #FB9DD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9CFB3F shade: #BD9DFB, #A39DFB and #9D9DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9CFB3F shade matches the following richer shades: #BD9DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9CFB3F shade: #BD9DFB, #BFA5F3, #C2AEEA, #C5B6E2 and #C7BEDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9CFB3F shade: #9DB0FB, #A39DFB, #BC9DFB, #D59DFB and #EE9DFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9CFB3F shade: #874EF8, #A275F9, #BD9DFB, #D8C5FD and #F2ECFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9CFB3F shade: #BC9CFB, #FB9DC9 and #A3FB9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9CFB3F shade: #BC9CFB, #FBBC9D and #9DFBBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9CFB3F shade: #BC9CFB, #FB9DC9, #DCFB9D and #9DFBCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9CFB3F shade: #BC9CFB, #FB9DAD, #DCFB9D and #9DFBEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 9 / 0 / 0

HEX #BC9CFB3F

RGBA 188 156 251 0.25

HSLA 260.21, 0.92%, 0.8%, 0.25

LABA 70.48, 30.98, -43.09, 0.25

 

Complementary color

CMYK 8 / 0 / 24 / 15

HEX #4363043F

RGBA 67 99 4 0.25

HSLA 80.21, 0.92%, 0.2%, 0.25

LABA 38.07, -25.5, 43.12, 0.25

 

CMYK 5 / 9 / 0 / 1

HEX #C19CF63F

RGBA 193 156 246 0.25

HSLA 264.67, 0.83%, 0.79%, 0.25

LABA 70.71, 31.26, -39.98, 0.25

 

CMYK 4 / 8 / 0 / 0

HEX #D2AEFF3F

RGBA 210 174 255 0.25

HSLA 266.67, 1%, 0.84%, 0.25

LABA 76.8, 28.37, -35.28, 0.25

 

CMYK 3 / 6 / 0 / 0

HEX #E3C0FF3F

RGBA 227 192 255 0.25

HSLA 273.33, 1%, 0.88%, 0.25

LABA 82.51, 23.83, -26.36, 0.25

 

CMYK 1 / 4 / 0 / 0

HEX #F4D2FF3F

RGBA 244 210 255 0.25

HSLA 285.33, 1%, 0.91%, 0.25

LABA 88.23, 19.66, -17.56, 0.25

 

CMYK 0 / 3 / 0 / 0

HEX #FFE4FF3F

RGBA 255 228 255 0.25

HSLA 300, 1%, 0.95%, 0.25

LABA 93.44, 13.83, -9.68, 0.25

 

CMYK 6 / 9 / 0 / 0

HEX #BC9CFB3F

RGBA 188 156 251 0.25

HSLA 260.21, 0.92%, 0.8%, 0.25

LABA 70.48, 30.98, -43.09, 0.25

 

CMYK 7 / 10 / 0 / 2

HEX #AB8AE83F

RGBA 171 138 232 0.25

HSLA 261.06, 0.67%, 0.73%, 0.25

LABA 63.89, 31.76, -43.12, 0.25

 

CMYK 7 / 11 / 0 / 4

HEX #9A78D53F

RGBA 154 120 213 0.25

HSLA 261.94, 0.53%, 0.65%, 0.25

LABA 57.18, 32.6, -43.18, 0.25

 

CMYK 7 / 12 / 0 / 6

HEX #8966C23F

RGBA 137 102 194 0.25

HSLA 262.83, 0.43%, 0.58%, 0.25

LABA 50.35, 33.52, -43.26, 0.25

 

CMYK 8 / 13 / 0 / 8

HEX #7854AF3F

RGBA 120 84 175 0.25

HSLA 263.74, 0.36%, 0.51%, 0.25

LABA 43.4, 34.52, -43.36, 0.25

 

CMYK 25 / 37 / 0 / 2

HEX #BD9DFB

RGB 189 157 251

HSL 260.43, 0.92%, 0.8%

LAB 70.8, 30.71, -42.58

 

CMYK 15 / 37 / 0 / 2

HEX #D69DFB

RGB 214 157 251

HSL 276.38, 0.92%, 0.8%

LAB 73.14, 37.93, -38.76

 

CMYK 5 / 37 / 0 / 2

HEX #EF9DFB

RGB 239 157 251

HSL 292.34, 0.92%, 0.8%

LAB 75.72, 45.33, -34.56

 

CMYK 0 / 37 / 6 / 2

HEX #FB9DED

RGB 251 157 237

HSL 308.94, 0.92%, 0.8%

LAB 76.52, 46.48, -25.63

 

CMYK 0 / 37 / 16 / 2

HEX #FB9DD4

RGB 251 157 212

HSL 324.89, 0.92%, 0.8%

LAB 75.69, 42.42, -13.26

 

CMYK 25 / 37 / 0 / 2

HEX #BD9DFB

RGB 189 157 251

HSL 260.43, 0.92%, 0.8%

LAB 70.8, 30.71, -42.58

 

CMYK 35 / 37 / 0 / 2

HEX #A39DFB

RGB 163 157 251

HSL 243.83, 0.92%, 0.8%

LAB 68.65, 23.58, -46.1

 

CMYK 37 / 37 / 0 / 2

HEX #9D9DFB

RGB 157 157 251

HSL 240, 0.92%, 0.8%

LAB 68.2, 22.01, -46.84

 

CMYK 25 / 37 / 0 / 2

HEX #BD9DFB

RGB 189 157 251

HSL 260.43, 0.92%, 0.8%

LAB 70.8, 30.71, -42.58

 

CMYK 25 / 37 / 0 / 2

HEX #BD9DFB

RGB 189 157 251

HSL 260.43, 0.92%, 0.8%

LAB 70.8, 30.71, -42.58

 

CMYK 21 / 32 / 0 / 5

HEX #BFA5F3

RGB 191 165 243

HSL 260, 0.76%, 0.8%

LAB 72.53, 25.01, -35.53

 

CMYK 17 / 26 / 0 / 8

HEX #C2AEEA

RGB 194 174 234

HSL 260, 0.59%, 0.8%

LAB 74.62, 18.93, -27.39

 

CMYK 13 / 19 / 0 / 11

HEX #C5B6E2

RGB 197 182 226

HSL 260.45, 0.43%, 0.8%

LAB 76.57, 13.79, -20.07

 

CMYK 9 / 13 / 0 / 15

HEX #C7BEDA

RGB 199 190 218

HSL 259.29, 0.27%, 0.8%

LAB 78.48, 8.46, -12.85

 

CMYK 37 / 30 / 0 / 2

HEX #9DB0FB

RGB 157 176 251

HSL 227.87, 0.92%, 0.8%

LAB 73.01, 11.27, -39.31

 

CMYK 35 / 37 / 0 / 2

HEX #A39DFB

RGB 163 157 251

HSL 243.83, 0.92%, 0.8%

LAB 68.65, 23.58, -46.1

 

CMYK 25 / 37 / 0 / 2

HEX #BC9DFB

RGB 188 157 251

HSL 259.79, 0.92%, 0.8%

LAB 70.71, 30.43, -42.73

 

CMYK 15 / 37 / 0 / 2

HEX #D59DFB

RGB 213 157 251

HSL 275.74, 0.92%, 0.8%

LAB 73.04, 37.63, -38.92

 

CMYK 5 / 37 / 0 / 2

HEX #EE9DFB

RGB 238 157 251

HSL 291.7, 0.92%, 0.8%

LAB 75.61, 45.03, -34.73

 

CMYK 46 / 69 / 0 / 3

HEX #874EF8

RGB 135 78 248

HSL 260.12, 0.92%, 0.64%

LAB 48.73, 60.12, -76.51

 

CMYK 35 / 53 / 0 / 2

HEX #A275F9

RGB 162 117 249

HSL 260.45, 0.92%, 0.72%

LAB 59.2, 45.37, -60.01

 

CMYK 25 / 37 / 0 / 2

HEX #BD9DFB

RGB 189 157 251

HSL 260.43, 0.92%, 0.8%

LAB 70.8, 30.71, -42.58

 

CMYK 15 / 22 / 0 / 1

HEX #D8C5FD

RGB 216 197 253

HSL 260.36, 0.93%, 0.88%

LAB 82.71, 17.31, -25.08

 

CMYK 5 / 7 / 0 / 0

HEX #F2ECFE

RGB 242 236 254

HSL 260, 0.9%, 0.96%

LAB 94.32, 5.25, -7.96

 

CMYK 25 / 38 / 0 / 2

HEX #BC9CFB

RGB 188 156 251

HSL 260.21, 0.92%, 0.8%

LAB 70.48, 30.98, -43.09

 

CMYK 0 / 37 / 20 / 2

HEX #FB9DC9

RGB 251 157 201

HSL 331.91, 0.92%, 0.8%

LAB 75.35, 40.77, -7.73

 

CMYK 35 / 0 / 37 / 2

HEX #A3FB9D

RGB 163 251 157

HSL 116.17, 0.92%, 0.8%

LAB 91.33, -44.25, 36.91

 

CMYK 25 / 38 / 0 / 2

HEX #BC9CFB

RGB 188 156 251

HSL 260.21, 0.92%, 0.8%

LAB 70.48, 30.98, -43.09

 

CMYK 0 / 25 / 37 / 2

HEX #FBBC9D

RGB 251 188 157

HSL 19.79, 0.92%, 0.8%

LAB 81.24, 18.76, 24.53

 

CMYK 37 / 0 / 25 / 2

HEX #9DFBBC

RGB 157 251 188

HSL 139.79, 0.92%, 0.8%

LAB 91.59, -40.93, 21.58

 

CMYK 25 / 38 / 0 / 2

HEX #BC9CFB

RGB 188 156 251

HSL 260.21, 0.92%, 0.8%

LAB 70.48, 30.98, -43.09

 

CMYK 0 / 37 / 20 / 2

HEX #FB9DC9

RGB 251 157 201

HSL 331.91, 0.92%, 0.8%

LAB 75.35, 40.77, -7.73

 

CMYK 12 / 0 / 37 / 2

HEX #DCFB9D

RGB 220 251 157

HSL 79.79, 0.92%, 0.8%

LAB 94.59, -24.92, 41.77

 

CMYK 37 / 0 / 18 / 2

HEX #9DFBCF

RGB 157 251 207

HSL 151.91, 0.92%, 0.8%

LAB 91.98, -37.33, 12.37

 

CMYK 25 / 38 / 0 / 2

HEX #BC9CFB

RGB 188 156 251

HSL 260.21, 0.92%, 0.8%

LAB 70.48, 30.98, -43.09

 

CMYK 0 / 37 / 31 / 2

HEX #FB9DAD

RGB 251 157 173

HSL 349.79, 0.92%, 0.8%

LAB 74.6, 36.94, 6.57

 

CMYK 12 / 0 / 37 / 2

HEX #DCFB9D

RGB 220 251 157

HSL 79.79, 0.92%, 0.8%

LAB 94.59, -24.92, 41.77

 

CMYK 37 / 0 / 6 / 2

HEX #9DFBEB

RGB 157 251 235

HSL 169.79, 0.92%, 0.8%

LAB 92.65, -31.44, -1.15

 

Description

Color code: HEX #BC9CFB3F | qconv.com Color code: HEX #BC9CFB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 156 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 156 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 9 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 9% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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