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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9C32 it is the complementary color #4363CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9C32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9C32 shade: #C19C2D, #D2AE40, #E3C053, #F4D266 and #FFE479

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9C32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9C32 shade: #BC9C32, #AB8A1F, #9A780C, #896600 and #785400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9C32 shade: #BD9D32, #BD7832, #BD5232 and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9C32 shade: #BD9D32, #B8BD32, #93BD32, #6DBD32 and #48BD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9C32 shade matches the following richer shades: #BD9D32, #D1A81F and #E4B20C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9C32 shade: #BD9D32, #AA9346, #978859, #837E6D and #707480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9C32 shade: #BD5332, #BD7832, #BD9D32, #B9BD32 and #94BD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9C32 shade: #7C6721, #9D822A, #BD9D32, #CFB04A and #D8BE6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9C32 shade: #BC9C32, #37BD32 and #6532BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9C32 shade: #BC9C32, #32BD9D and #9D32BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9C32 shade: #BC9C32, #37BD32, #3253BD and #B932BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9C32 shade: #BC9C32, #32BD57, #3253BD and #BD3298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 73 / 26

HEX #BC9C32

RGB 188 156 50

HSL 46.09, 0.58%, 0.47%

LAB 65.51, 0.79, 56.9

 

Complementary color

CMYK 67 / 52 / 0 / 20

HEX #4363CD

RGB 67 99 205

HSL 226.09, 0.58%, 0.53%

LAB 44.98, 23.21, -58.49

 

CMYK 0 / 19 / 77 / 24

HEX #C19C2D

RGB 193 156 45

HSL 45, 0.62%, 0.47%

LAB 65.98, 2.78, 59.42

 

CMYK 0 / 17 / 70 / 18

HEX #D2AE40

RGB 210 174 64

HSL 45.21, 0.62%, 0.54%

LAB 72.46, 1.48, 58.91

 

CMYK 0 / 15 / 63 / 11

HEX #E3C053

RGB 227 192 83

HSL 45.42, 0.72%, 0.61%

LAB 78.84, 0.37, 58.01

 

CMYK 0 / 14 / 58 / 4

HEX #F4D266

RGB 244 210 102

HSL 45.63, 0.87%, 0.68%

LAB 85.14, -0.58, 56.92

 

CMYK 0 / 11 / 53 / 0

HEX #FFE479

RGB 255 228 121

HSL 47.91, 1%, 0.74%

LAB 90.84, -3.8, 55.01

 

CMYK 0 / 17 / 73 / 26

HEX #BC9C32

RGB 188 156 50

HSL 46.09, 0.58%, 0.47%

LAB 65.51, 0.79, 56.9

 

CMYK 0 / 19 / 82 / 33

HEX #AB8A1F

RGB 171 138 31

HSL 45.86, 0.69%, 0.4%

LAB 58.91, 2.22, 56.98

 

CMYK 0 / 22 / 92 / 40

HEX #9A780C

RGB 154 120 12

HSL 45.63, 0.86%, 0.33%

LAB 52.21, 3.94, 55.8

 

CMYK 0 / 26 / 100 / 46

HEX #896600

RGB 137 102 0

HSL 44.67, 1%, 0.27%

LAB 45.39, 6, 52.49

 

CMYK 0 / 30 / 100 / 53

HEX #785400

RGB 120 84 0

HSL 42, 1%, 0.24%

LAB 38.43, 8.41, 46.78

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 0 / 37 / 74 / 26

HEX #BD7832

RGB 189 120 50

HSL 30.22, 0.58%, 0.47%

LAB 56.57, 21, 47.95

 

CMYK 0 / 57 / 74 / 26

HEX #BD5232

RGB 189 82 50

HSL 13.81, 0.58%, 0.47%

LAB 48.37, 41.12, 39.26

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 3 / 0 / 74 / 26

HEX #B8BD32

RGB 184 189 50

HSL 62.16, 0.58%, 0.47%

LAB 74.07, -18.16, 64.99

 

CMYK 22 / 0 / 74 / 26

HEX #93BD32

RGB 147 189 50

HSL 78.13, 0.58%, 0.47%

LAB 71.44, -33.44, 61.55

 

CMYK 42 / 0 / 74 / 26

HEX #6DBD32

RGB 109 189 50

HSL 94.53, 0.58%, 0.47%

LAB 69.38, -47.32, 58.84

 

CMYK 62 / 0 / 74 / 26

HEX #48BD32

RGB 72 189 50

HSL 110.5, 0.58%, 0.47%

LAB 68.02, -57.77, 57.03

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 0 / 20 / 85 / 18

HEX #D1A81F

RGB 209 168 31

HSL 46.18, 0.74%, 0.47%

LAB 70.64, 2.96, 68.49

 

CMYK 0 / 22 / 95 / 11

HEX #E4B20C

RGB 228 178 12

HSL 46.11, 0.9%, 0.47%

LAB 75.05, 5.65, 76.28

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 0 / 14 / 59 / 33

HEX #AA9346

RGB 170 147 70

HSL 46.2, 0.42%, 0.47%

LAB 61.53, -1.02, 43.21

 

CMYK 0 / 10 / 41 / 41

HEX #978859

RGB 151 136 89

HSL 45.48, 0.26%, 0.47%

LAB 56.99, -1.36, 27.29

 

CMYK 0 / 4 / 17 / 49

HEX #837E6D

RGB 131 126 109

HSL 46.36, 0.09%, 0.47%

LAB 52.79, -1.19, 9.94

 

CMYK 13 / 9 / 0 / 50

HEX #707480

RGB 112 116 128

HSL 225, 0.07%, 0.47%

LAB 48.88, 1.1, -7.1

 

CMYK 0 / 56 / 74 / 26

HEX #BD5332

RGB 189 83 50

HSL 14.24, 0.58%, 0.47%

LAB 48.56, 40.62, 39.47

 

CMYK 0 / 37 / 74 / 26

HEX #BD7832

RGB 189 120 50

HSL 30.22, 0.58%, 0.47%

LAB 56.57, 21, 47.95

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 2 / 0 / 74 / 26

HEX #B9BD32

RGB 185 189 50

HSL 61.73, 0.58%, 0.47%

LAB 74.15, -17.73, 65.1

 

CMYK 22 / 0 / 74 / 26

HEX #94BD32

RGB 148 189 50

HSL 77.7, 0.58%, 0.47%

LAB 71.5, -33.04, 61.64

 

CMYK 0 / 17 / 73 / 51

HEX #7C6721

RGB 124 103 33

HSL 46.15, 0.58%, 0.31%

LAB 44.37, 0.26, 40.79

 

CMYK 0 / 17 / 73 / 38

HEX #9D822A

RGB 157 130 42

HSL 45.91, 0.58%, 0.39%

LAB 55.38, 0.73, 49.08

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 0 / 15 / 64 / 19

HEX #CFB04A

RGB 207 176 74

HSL 46.02, 0.58%, 0.55%

LAB 72.77, -0.29, 54.85

 

CMYK 0 / 12 / 50 / 15

HEX #D8BE6B

RGB 216 190 107

HSL 45.69, 0.58%, 0.63%

LAB 77.57, -1.36, 44.98

 

CMYK 0 / 17 / 73 / 26

HEX #BC9C32

RGB 188 156 50

HSL 46.09, 0.58%, 0.47%

LAB 65.51, 0.79, 56.9

 

CMYK 71 / 0 / 74 / 26

HEX #37BD32

RGB 55 189 50

HSL 117.84, 0.58%, 0.47%

LAB 67.6, -61.25, 56.47

 

CMYK 47 / 74 / 0 / 26

HEX #6532BD

RGB 101 50 189

HSL 262.01, 0.58%, 0.47%

LAB 35.44, 52.56, -64.57

 

CMYK 0 / 17 / 73 / 26

HEX #BC9C32

RGB 188 156 50

HSL 46.09, 0.58%, 0.47%

LAB 65.51, 0.79, 56.9

 

CMYK 74 / 0 / 17 / 26

HEX #32BD9D

RGB 50 189 157

HSL 166.19, 0.58%, 0.47%

LAB 69.12, -43.99, 5.73

 

CMYK 17 / 74 / 0 / 26

HEX #9D32BD

RGB 157 50 189

HSL 286.19, 0.58%, 0.47%

LAB 42.95, 62.95, -52.05

 

CMYK 0 / 17 / 73 / 26

HEX #BC9C32

RGB 188 156 50

HSL 46.09, 0.58%, 0.47%

LAB 65.51, 0.79, 56.9

 

CMYK 71 / 0 / 74 / 26

HEX #37BD32

RGB 55 189 50

HSL 117.84, 0.58%, 0.47%

LAB 67.6, -61.25, 56.47

 

CMYK 74 / 56 / 0 / 26

HEX #3253BD

RGB 50 83 189

HSL 225.76, 0.58%, 0.47%

LAB 38.79, 25.31, -59.27

 

CMYK 2 / 74 / 0 / 26

HEX #B932BD

RGB 185 50 189

HSL 298.27, 0.58%, 0.47%

LAB 47.33, 68.73, -44.79

 

CMYK 0 / 17 / 73 / 26

HEX #BC9C32

RGB 188 156 50

HSL 46.09, 0.58%, 0.47%

LAB 65.51, 0.79, 56.9

 

CMYK 74 / 0 / 54 / 26

HEX #32BD57

RGB 50 189 87

HSL 135.97, 0.58%, 0.47%

LAB 67.84, -58.01, 40.84

 

CMYK 74 / 56 / 0 / 26

HEX #3253BD

RGB 50 83 189

HSL 225.76, 0.58%, 0.47%

LAB 38.79, 25.31, -59.27

 

CMYK 0 / 74 / 20 / 26

HEX #BD3298

RGB 189 50 152

HSL 315.97, 0.58%, 0.47%

LAB 46.13, 64.06, -24.74

 

Description

Color code: HEX #BC9C32 | qconv.com Color code: HEX #BC9C32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 156 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 156 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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