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Color name
HEX #BC9B25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9B25 it is the complementary color #4364DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9B25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9B25 shade: #C19B20, #D2AD33, #E3BF46, #F4D159 and #FFE36C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9B25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9B25 shade: #BC9B25, #AB8912, #9A7700, #896500 and #785300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9B25 shade: #BB9B25, #BB7225, #BB4925 and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9B25 shade: #BB9B25, #B4BB25, #8BBB25, #63BB25 and #3ABB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9B25 shade matches the following richer shades: #BB9B25, #CEA513 and #E0AF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9B25 shade: #BB9B25, #A99037, #978649, #857C5B and #73726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9B25 shade: #BB4825, #BB7025, #BB9825, #B6BB25 and #8EBB25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9B25 shade: #766217, #997E1E, #BB9B25, #D7B333 and #DDC055

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9B25 shade: #BC9B25, #2ABB25 and #5C25BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9B25 shade: #BC9B25, #25BB98 and #9825BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9B25 shade: #BC9B25, #2ABB25, #2548BB and #B625BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9B25 shade: #BC9B25, #25BB4D, #2548BB and #BB2593

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 80 / 26

HEX #BC9B25

RGB 188 155 37

HSL 46.89, 0.67%, 0.44%

LAB 65.17, 0.8, 61.25

 

Complementary color

CMYK 69 / 54 / 0 / 15

HEX #4364DA

RGB 67 100 218

HSL 226.89, 0.67%, 0.56%

LAB 46.14, 27.2, -64.05

 

CMYK 0 / 20 / 83 / 24

HEX #C19B20

RGB 193 155 32

HSL 45.84, 0.72%, 0.44%

LAB 65.66, 2.87, 63.4

 

CMYK 0 / 18 / 76 / 18

HEX #D2AD33

RGB 210 173 51

HSL 46.04, 0.64%, 0.51%

LAB 72.11, 1.4, 63.62

 

CMYK 0 / 16 / 69 / 11

HEX #E3BF46

RGB 227 191 70

HSL 46.24, 0.74%, 0.58%

LAB 78.48, 0.15, 63.14

 

CMYK 0 / 14 / 64 / 4

HEX #F4D159

RGB 244 209 89

HSL 46.45, 0.88%, 0.65%

LAB 84.77, -0.92, 62.29

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36C

RGB 255 227 108

HSL 48.57, 1%, 0.71%

LAB 90.45, -4.28, 60.51

 

CMYK 0 / 18 / 80 / 26

HEX #BC9B25

RGB 188 155 37

HSL 46.89, 0.67%, 0.44%

LAB 65.17, 0.8, 61.25

 

CMYK 0 / 20 / 89 / 33

HEX #AB8912

RGB 171 137 18

HSL 46.67, 0.81%, 0.37%

LAB 58.6, 2.41, 60.28

 

CMYK 0 / 23 / 100 / 40

HEX #9A7700

RGB 154 119 0

HSL 46.36, 1%, 0.3%

LAB 51.91, 4.3, 57.89

 

CMYK 0 / 26 / 100 / 46

HEX #896500

RGB 137 101 0

HSL 44.23, 1%, 0.27%

LAB 45.12, 6.59, 52.31

 

CMYK 0 / 31 / 100 / 53

HEX #785300

RGB 120 83 0

HSL 41.5, 1%, 0.24%

LAB 38.16, 9.01, 46.6

 

CMYK 0 / 17 / 80 / 27

HEX #BB9B25

RGB 187 155 37

HSL 47.2, 0.67%, 0.44%

LAB 65.07, 0.35, 61.12

 

CMYK 0 / 39 / 80 / 27

HEX #BB7225

RGB 187 114 37

HSL 30.8, 0.67%, 0.44%

LAB 54.8, 22.9, 51.79

 

CMYK 0 / 61 / 80 / 27

HEX #BB4925

RGB 187 73 37

HSL 14.4, 0.67%, 0.44%

LAB 46.26, 44.15, 43.69

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 17 / 80 / 27

HEX #BB9B25

RGB 187 155 37

HSL 47.2, 0.67%, 0.44%

LAB 65.07, 0.35, 61.12

 

CMYK 4 / 0 / 80 / 27

HEX #B4BB25

RGB 180 187 37

HSL 62.8, 0.67%, 0.44%

LAB 73.14, -19.38, 68

 

CMYK 26 / 0 / 80 / 27

HEX #8BBB25

RGB 139 187 37

HSL 79.2, 0.67%, 0.44%

LAB 70.29, -36.3, 64.38

 

CMYK 47 / 0 / 80 / 27

HEX #63BB25

RGB 99 187 37

HSL 95.2, 0.67%, 0.44%

LAB 68.26, -50.49, 61.78

 

CMYK 69 / 0 / 80 / 27

HEX #3ABB25

RGB 58 187 37

HSL 111.6, 0.67%, 0.44%

LAB 66.96, -60.92, 60.09

 

CMYK 0 / 17 / 80 / 27

HEX #BB9B25

RGB 187 155 37

HSL 47.2, 0.67%, 0.44%

LAB 65.07, 0.35, 61.12

 

CMYK 0 / 20 / 91 / 19

HEX #CEA513

RGB 206 165 19

HSL 46.84, 0.83%, 0.44%

LAB 69.53, 2.98, 70.12

 

CMYK 0 / 22 / 100 / 12

HEX #E0AF01

RGB 224 175 1

HSL 46.82, 0.99%, 0.44%

LAB 73.87, 5.39, 76.48

 

CMYK 0 / 17 / 80 / 27

HEX #BB9B25

RGB 187 155 37

HSL 47.2, 0.67%, 0.44%

LAB 65.07, 0.35, 61.12

 

CMYK 0 / 15 / 67 / 34

HEX #A99037

RGB 169 144 55

HSL 46.84, 0.51%, 0.44%

LAB 60.48, -0.86, 49.08

 

CMYK 0 / 11 / 52 / 41

HEX #978649

RGB 151 134 73

HSL 46.92, 0.35%, 0.44%

LAB 56.2, -1.94, 34.94

 

CMYK 0 / 7 / 32 / 48

HEX #857C5B

RGB 133 124 91

HSL 47.14, 0.19%, 0.44%

LAB 52.01, -2, 19.29

 

CMYK 0 / 1 / 4 / 55

HEX #73726E

RGB 115 114 110

HSL 48, 0.02%, 0.44%

LAB 48.01, -0.41, 2.34

 

CMYK 0 / 61 / 80 / 27

HEX #BB4825

RGB 187 72 37

HSL 14, 0.67%, 0.44%

LAB 46.09, 44.61, 43.52

 

CMYK 0 / 40 / 80 / 27

HEX #BB7025

RGB 187 112 37

HSL 30, 0.67%, 0.44%

LAB 54.33, 24, 51.36

 

CMYK 0 / 19 / 80 / 27

HEX #BB9825

RGB 187 152 37

HSL 46, 0.67%, 0.44%

LAB 64.29, 1.98, 60.42

 

CMYK 3 / 0 / 80 / 27

HEX #B6BB25

RGB 182 187 37

HSL 62, 0.67%, 0.44%

LAB 73.3, -18.53, 68.2

 

CMYK 24 / 0 / 80 / 27

HEX #8EBB25

RGB 142 187 37

HSL 78, 0.67%, 0.44%

LAB 70.47, -35.12, 64.62

 

CMYK 0 / 17 / 81 / 54

HEX #766217

RGB 118 98 23

HSL 47.37, 0.67%, 0.28%

LAB 42.23, -0.2, 42.66

 

CMYK 0 / 18 / 80 / 40

HEX #997E1E

RGB 153 126 30

HSL 46.83, 0.67%, 0.36%

LAB 53.8, 0.6, 52.05

 

CMYK 0 / 17 / 80 / 27

HEX #BB9B25

RGB 187 155 37

HSL 47.2, 0.67%, 0.44%

LAB 65.07, 0.35, 61.12

 

CMYK 0 / 17 / 76 / 16

HEX #D7B333

RGB 215 179 51

HSL 46.83, 0.67%, 0.52%

LAB 74.14, 0.41, 65.69

 

CMYK 0 / 13 / 62 / 13

HEX #DDC055

RGB 221 192 85

HSL 47.21, 0.67%, 0.6%

LAB 78.3, -2.02, 56.37

 

CMYK 0 / 18 / 80 / 26

HEX #BC9B25

RGB 188 155 37

HSL 46.89, 0.67%, 0.44%

LAB 65.17, 0.8, 61.25

 

CMYK 78 / 0 / 80 / 27

HEX #2ABB25

RGB 42 187 37

HSL 118, 0.67%, 0.44%

LAB 66.65, -63.58, 59.69

 

CMYK 51 / 80 / 0 / 27

HEX #5C25BB

RGB 92 37 187

HSL 262, 0.67%, 0.44%

LAB 32.23, 56.46, -68.7

 

CMYK 0 / 18 / 80 / 26

HEX #BC9B25

RGB 188 155 37

HSL 46.89, 0.67%, 0.44%

LAB 65.17, 0.8, 61.25

 

CMYK 80 / 0 / 19 / 27

HEX #25BB98

RGB 37 187 152

HSL 166, 0.67%, 0.44%

LAB 68.17, -45.89, 7.07

 

CMYK 19 / 80 / 0 / 27

HEX #9825BB

RGB 152 37 187

HSL 286, 0.67%, 0.44%

LAB 40.55, 65.92, -54.78

 

CMYK 0 / 18 / 80 / 26

HEX #BC9B25

RGB 188 155 37

HSL 46.89, 0.67%, 0.44%

LAB 65.17, 0.8, 61.25

 

CMYK 78 / 0 / 80 / 27

HEX #2ABB25

RGB 42 187 37

HSL 118, 0.67%, 0.44%

LAB 66.65, -63.58, 59.69

 

CMYK 80 / 61 / 0 / 27

HEX #2548BB

RGB 37 72 187

HSL 226, 0.67%, 0.44%

LAB 35.23, 30.34, -63.92

 

CMYK 3 / 80 / 0 / 27

HEX #B625BB

RGB 182 37 187

HSL 298, 0.67%, 0.44%

LAB 45.44, 71.5, -46.67

 

CMYK 0 / 18 / 80 / 26

HEX #BC9B25

RGB 188 155 37

HSL 46.89, 0.67%, 0.44%

LAB 65.17, 0.8, 61.25

 

CMYK 80 / 0 / 59 / 27

HEX #25BB4D

RGB 37 187 77

HSL 136, 0.67%, 0.44%

LAB 66.88, -60.47, 44.38

 

CMYK 80 / 61 / 0 / 27

HEX #2548BB

RGB 37 72 187

HSL 226, 0.67%, 0.44%

LAB 35.23, 30.34, -63.92

 

CMYK 0 / 80 / 21 / 27

HEX #BB2593

RGB 187 37 147

HSL 316, 0.67%, 0.44%

LAB 44.23, 66.73, -24.71

 

Description

Color code: HEX #BC9B25 | qconv.com Color code: HEX #BC9B25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 155 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 155 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 80 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 80% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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