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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9B0E it is the complementary color #4364F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9B0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9B0E shade: #C19B09, #D2AD1C, #E3BF2F, #F4D142 and #FFE355

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9B0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9B0E shade: #BC9B0E, #AB8900, #9A7700, #896500 and #785300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9B0E shade: #BE9C0E, #BE6D0E, #BE3E0E, #BE0F0E and #BE0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9B0E shade: #BE9C0E, #B0BE0E, #80BE0E, #51BE0E and #22BE0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9B0E shade matches the following richer shades: #BE9C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9B0E shade: #BE9C0E, #AD921F, #9D882F, #8C7E40 and #7C7350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9B0E shade: #BE3D0E, #BE6C0E, #BE9B0E, #B2BE0E and #83BE0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9B0E shade: #715D09, #977D0B, #BE9C0E, #E4BC11 and #EFCB2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9B0E shade: #BC9B0E, #0EBE0E and #540EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9B0E shade: #BC9B0E, #0EBE9B and #9B0EBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9B0E shade: #BC9B0E, #0EBE0E, #0E31BE and #BE0EBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9B0E shade: #BC9B0E, #0EBE43, #0E31BE and #BE0E89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 93 / 26

HEX #BC9B0E

RGB 188 155 14

HSL 48.62, 0.86%, 0.4%

LAB 65.09, 0.24, 66.82

 

Complementary color

CMYK 72 / 59 / 0 / 5

HEX #4364F1

RGB 67 100 241

HSL 228.62, 0.86%, 0.6%

LAB 47.83, 35.32, -74.28

 

CMYK 0 / 20 / 95 / 24

HEX #C19B09

RGB 193 155 9

HSL 47.61, 0.91%, 0.4%

LAB 65.59, 2.42, 68.13

 

CMYK 0 / 18 / 87 / 18

HEX #D2AD1C

RGB 210 173 28

HSL 47.8, 0.76%, 0.47%

LAB 72.01, 0.68, 70.38

 

CMYK 0 / 16 / 79 / 11

HEX #E3BF2F

RGB 227 191 47

HSL 48, 0.76%, 0.54%

LAB 78.34, -0.83, 71.25

 

CMYK 0 / 14 / 73 / 4

HEX #F4D142

RGB 244 209 66

HSL 48.2, 0.89%, 0.61%

LAB 84.6, -2.12, 71.26

 

CMYK 0 / 11 / 67 / 0

HEX #FFE355

RGB 255 227 85

HSL 50.12, 1%, 0.67%

LAB 90.25, -5.71, 70.04

 

CMYK 0 / 18 / 93 / 26

HEX #BC9B0E

RGB 188 155 14

HSL 48.62, 0.86%, 0.4%

LAB 65.09, 0.24, 66.82

 

CMYK 0 / 20 / 100 / 33

HEX #AB8900

RGB 171 137 0

HSL 48.07, 1%, 0.34%

LAB 58.55, 2.13, 63.37

 

CMYK 0 / 23 / 100 / 40

HEX #9A7700

RGB 154 119 0

HSL 46.36, 1%, 0.3%

LAB 51.91, 4.3, 57.89

 

CMYK 0 / 26 / 100 / 46

HEX #896500

RGB 137 101 0

HSL 44.23, 1%, 0.27%

LAB 45.12, 6.59, 52.31

 

CMYK 0 / 31 / 100 / 53

HEX #785300

RGB 120 83 0

HSL 41.5, 1%, 0.24%

LAB 38.16, 9.01, 46.6

 

CMYK 0 / 18 / 93 / 25

HEX #BE9C0E

RGB 190 156 14

HSL 48.41, 0.86%, 0.4%

LAB 65.56, 0.6, 67.25

 

CMYK 0 / 43 / 93 / 25

HEX #BE6D0E

RGB 190 109 14

HSL 32.39, 0.86%, 0.4%

LAB 53.94, 26.34, 58.64

 

CMYK 0 / 67 / 93 / 25

HEX #BE3E0E

RGB 190 62 14

HSL 16.36, 0.86%, 0.4%

LAB 44.84, 49.52, 52.25

 

CMYK 0 / 92 / 93 / 25

HEX #BE0F0E

RGB 190 15 14

HSL 0.34, 0.86%, 0.4%

LAB 40.12, 62.71, 49.15

 

CMYK 0 / 93 / 93 / 25

HEX #BE0E0E

RGB 190 14 14

HSL 0, 0.86%, 0.4%

LAB 40.07, 62.84, 49.12

 

CMYK 0 / 18 / 93 / 25

HEX #BE9C0E

RGB 190 156 14

HSL 48.41, 0.86%, 0.4%

LAB 65.56, 0.6, 67.25

 

CMYK 7 / 0 / 93 / 25

HEX #B0BE0E

RGB 176 190 14

HSL 64.77, 0.86%, 0.4%

LAB 73.6, -23.13, 72.9

 

CMYK 33 / 0 / 93 / 25

HEX #80BE0E

RGB 128 190 14

HSL 81.14, 0.86%, 0.4%

LAB 70.49, -42.52, 69.11

 

CMYK 57 / 0 / 93 / 25

HEX #51BE0E

RGB 81 190 14

HSL 97.16, 0.86%, 0.4%

LAB 68.47, -57.61, 66.62

 

CMYK 82 / 0 / 93 / 25

HEX #22BE0E

RGB 34 190 14

HSL 113.18, 0.86%, 0.4%

LAB 67.43, -66.46, 65.33

 

CMYK 0 / 18 / 93 / 25

HEX #BE9C0E

RGB 190 156 14

HSL 48.41, 0.86%, 0.4%

LAB 65.56, 0.6, 67.25

 

CMYK 0 / 18 / 93 / 25

HEX #BE9C0E

RGB 190 156 14

HSL 48.41, 0.86%, 0.4%

LAB 65.56, 0.6, 67.25

 

CMYK 0 / 16 / 82 / 32

HEX #AD921F

RGB 173 146 31

HSL 48.59, 0.7%, 0.4%

LAB 61.26, -1.26, 59.11

 

CMYK 0 / 13 / 70 / 38

HEX #9D882F

RGB 157 136 47

HSL 48.55, 0.54%, 0.4%

LAB 57.06, -2.33, 48.66

 

CMYK 0 / 10 / 54 / 45

HEX #8C7E40

RGB 140 126 64

HSL 48.95, 0.37%, 0.4%

LAB 52.8, -3.19, 35.33

 

CMYK 0 / 7 / 35 / 51

HEX #7C7350

RGB 124 115 80

HSL 47.73, 0.22%, 0.4%

LAB 48.42, -2.22, 20.66

 

CMYK 0 / 68 / 93 / 25

HEX #BE3D0E

RGB 190 61 14

HSL 16.02, 0.86%, 0.4%

LAB 44.68, 49.94, 52.14

 

CMYK 0 / 43 / 93 / 25

HEX #BE6C0E

RGB 190 108 14

HSL 32.05, 0.86%, 0.4%

LAB 53.71, 26.89, 58.48

 

CMYK 0 / 18 / 93 / 25

HEX #BE9B0E

RGB 190 155 14

HSL 48.07, 0.86%, 0.4%

LAB 65.3, 1.14, 67.06

 

CMYK 6 / 0 / 93 / 25

HEX #B2BE0E

RGB 178 190 14

HSL 64.09, 0.86%, 0.4%

LAB 73.76, -22.28, 73.08

 

CMYK 31 / 0 / 93 / 25

HEX #83BE0E

RGB 131 190 14

HSL 80.11, 0.86%, 0.4%

LAB 70.65, -41.39, 69.31

 

CMYK 0 / 18 / 92 / 56

HEX #715D09

RGB 113 93 9

HSL 48.46, 0.85%, 0.24%

LAB 40.18, -0.17, 45.14

 

CMYK 0 / 17 / 93 / 41

HEX #977D0B

RGB 151 125 11

HSL 48.86, 0.86%, 0.32%

LAB 53.24, -0.3, 56.66

 

CMYK 0 / 18 / 93 / 25

HEX #BE9C0E

RGB 190 156 14

HSL 48.41, 0.86%, 0.4%

LAB 65.56, 0.6, 67.25

 

CMYK 0 / 18 / 93 / 11

HEX #E4BC11

RGB 228 188 17

HSL 48.63, 0.86%, 0.48%

LAB 77.58, 0.48, 77.49

 

CMYK 0 / 15 / 80 / 6

HEX #EFCB2F

RGB 239 203 47

HSL 48.75, 0.86%, 0.56%

LAB 82.52, -1.87, 75.36

 

CMYK 0 / 18 / 93 / 26

HEX #BC9B0E

RGB 188 155 14

HSL 48.62, 0.86%, 0.4%

LAB 65.09, 0.24, 66.82

 

CMYK 93 / 0 / 93 / 25

HEX #0EBE0E

RGB 14 190 14

HSL 120, 0.86%, 0.4%

LAB 67.24, -68.13, 65.1

 

CMYK 56 / 93 / 0 / 25

HEX #540EBE

RGB 84 14 190

HSL 263.86, 0.86%, 0.4%

LAB 29.2, 63.49, -75.51

 

CMYK 0 / 18 / 93 / 26

HEX #BC9B0E

RGB 188 155 14

HSL 48.62, 0.86%, 0.4%

LAB 65.09, 0.24, 66.82

 

CMYK 93 / 0 / 18 / 25

HEX #0EBE9B

RGB 14 190 155

HSL 168.07, 0.86%, 0.4%

LAB 68.96, -47.94, 6.54

 

CMYK 18 / 93 / 0 / 25

HEX #9B0EBE

RGB 155 14 190

HSL 288.07, 0.86%, 0.4%

LAB 39.58, 71.86, -58.09

 

CMYK 0 / 18 / 93 / 26

HEX #BC9B0E

RGB 188 155 14

HSL 48.62, 0.86%, 0.4%

LAB 65.09, 0.24, 66.82

 

CMYK 93 / 0 / 93 / 25

HEX #0EBE0E

RGB 14 190 14

HSL 120, 0.86%, 0.4%

LAB 67.24, -68.13, 65.1

 

CMYK 93 / 74 / 0 / 25

HEX #0E31BE

RGB 14 49 190

HSL 228.07, 0.86%, 0.4%

LAB 29.43, 44.65, -75.26

 

CMYK 0 / 93 / 0 / 25

HEX #BE0EBE

RGB 190 14 190

HSL 300, 0.86%, 0.4%

LAB 45.61, 77.47, -48.07

 

CMYK 0 / 18 / 93 / 26

HEX #BC9B0E

RGB 188 155 14

HSL 48.62, 0.86%, 0.4%

LAB 65.09, 0.24, 66.82

 

CMYK 93 / 0 / 65 / 25

HEX #0EBE43

RGB 14 190 67

HSL 138.07, 0.86%, 0.4%

LAB 67.52, -64.56, 49.51

 

CMYK 93 / 74 / 0 / 25

HEX #0E31BE

RGB 14 49 190

HSL 228.07, 0.86%, 0.4%

LAB 29.43, 44.65, -75.26

 

CMYK 0 / 93 / 28 / 25

HEX #BE0E89

RGB 190 14 137

HSL 318.07, 0.86%, 0.4%

LAB 42.86, 70.46, -20.69

 

Description

Color code: HEX #BC9B0E | qconv.com Color code: HEX #BC9B0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 155 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 155 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 93 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 93% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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