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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9A26 it is the complementary color #4365D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9A26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9A26 shade: #C19A21, #D2AC34, #E3BE47, #F4D05A and #FFE26D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9A26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9A26 shade: #BC9A26, #AB8813, #9A7600, #896400 and #785200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9A26 shade: #BA9926, #BA7126, #BA4926 and #BA2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9A26 shade: #BA9926, #B4BA26, #8CBA26, #64BA26 and #3CBA26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9A26 shade matches the following richer shades: #BA9926, #CCA314 and #DFAD02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9A26 shade: #BA9926, #A88F38, #96854A, #847B5D and #72716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9A26 shade: #BA4926, #BA7026, #BA9826, #B5BA26 and #8EBA26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9A26 shade: #766118, #987D1F, #BA9926, #D5B134 and #DCBE56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9A26 shade: #BC9A26, #2BBA26 and #5C26BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9A26 shade: #BC9A26, #26BA98 and #9826BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9A26 shade: #BC9A26, #2BBA26, #2649BA and #B526BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9A26 shade: #BC9A26, #26BA4E, #2649BA and #BA2693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 80 / 26

HEX #BC9A26

RGB 188 154 38

HSL 46.4, 0.66%, 0.44%

LAB 64.92, 1.38, 60.69

 

Complementary color

CMYK 69 / 53 / 0 / 15

HEX #4365D9

RGB 67 101 217

HSL 226.4, 0.66%, 0.56%

LAB 46.33, 26.22, -63.17

 

CMYK 0 / 20 / 83 / 24

HEX #C19A21

RGB 193 154 33

HSL 45.38, 0.71%, 0.44%

LAB 65.4, 3.44, 62.89

 

CMYK 0 / 18 / 75 / 18

HEX #D2AC34

RGB 210 172 52

HSL 45.57, 0.64%, 0.51%

LAB 71.86, 1.97, 63.01

 

CMYK 0 / 16 / 69 / 11

HEX #E3BE47

RGB 227 190 71

HSL 45.77, 0.74%, 0.58%

LAB 78.24, 0.72, 62.48

 

CMYK 0 / 15 / 63 / 4

HEX #F4D05A

RGB 244 208 90

HSL 45.97, 0.88%, 0.65%

LAB 84.53, -0.35, 61.59

 

CMYK 0 / 11 / 57 / 0

HEX #FFE26D

RGB 255 226 109

HSL 48.08, 1%, 0.71%

LAB 90.21, -3.71, 59.79

 

CMYK 0 / 18 / 80 / 26

HEX #BC9A26

RGB 188 154 38

HSL 46.4, 0.66%, 0.44%

LAB 64.92, 1.38, 60.69

 

CMYK 0 / 20 / 89 / 33

HEX #AB8813

RGB 171 136 19

HSL 46.18, 0.8%, 0.37%

LAB 58.33, 2.99, 59.84

 

CMYK 0 / 23 / 100 / 40

HEX #9A7600

RGB 154 118 0

HSL 45.97, 1%, 0.3%

LAB 51.64, 4.87, 57.71

 

CMYK 0 / 27 / 100 / 46

HEX #896400

RGB 137 100 0

HSL 43.8, 1%, 0.27%

LAB 44.85, 7.17, 52.12

 

CMYK 0 / 32 / 100 / 53

HEX #785200

RGB 120 82 0

HSL 41, 1%, 0.24%

LAB 37.89, 9.61, 46.42

 

CMYK 0 / 18 / 80 / 27

HEX #BA9926

RGB 186 153 38

HSL 46.62, 0.66%, 0.44%

LAB 64.45, 1.02, 60.2

 

CMYK 0 / 39 / 80 / 27

HEX #BA7126

RGB 186 113 38

HSL 30.41, 0.66%, 0.44%

LAB 54.44, 23.05, 51

 

CMYK 0 / 61 / 80 / 27

HEX #BA4926

RGB 186 73 38

HSL 14.19, 0.66%, 0.44%

LAB 46.1, 43.82, 42.98

 

CMYK 0 / 80 / 80 / 27

HEX #BA2626

RGB 186 38 38

HSL 0, 0.66%, 0.44%

LAB 41.16, 57.29, 38.01

 

CMYK 0 / 18 / 80 / 27

HEX #BA9926

RGB 186 153 38

HSL 46.62, 0.66%, 0.44%

LAB 64.45, 1.02, 60.2

 

CMYK 3 / 0 / 80 / 27

HEX #B4BA26

RGB 180 186 38

HSL 62.43, 0.66%, 0.44%

LAB 72.87, -18.85, 67.49

 

CMYK 25 / 0 / 80 / 27

HEX #8CBA26

RGB 140 186 38

HSL 78.65, 0.66%, 0.44%

LAB 70.06, -35.41, 63.91

 

CMYK 46 / 0 / 80 / 27

HEX #64BA26

RGB 100 186 38

HSL 94.86, 0.66%, 0.44%

LAB 68, -49.74, 61.26

 

CMYK 68 / 0 / 80 / 27

HEX #3CBA26

RGB 60 186 38

HSL 111.08, 0.66%, 0.44%

LAB 66.69, -60.15, 59.56

 

CMYK 0 / 18 / 80 / 27

HEX #BA9926

RGB 186 153 38

HSL 46.62, 0.66%, 0.44%

LAB 64.45, 1.02, 60.2

 

CMYK 0 / 20 / 90 / 20

HEX #CCA314

RGB 204 163 20

HSL 46.63, 0.82%, 0.44%

LAB 68.81, 3.18, 69.3

 

CMYK 0 / 22 / 99 / 13

HEX #DFAD02

RGB 223 173 2

HSL 46.43, 0.98%, 0.44%

LAB 73.27, 6.02, 75.9

 

CMYK 0 / 18 / 80 / 27

HEX #BA9926

RGB 186 153 38

HSL 46.62, 0.66%, 0.44%

LAB 64.45, 1.02, 60.2

 

CMYK 0 / 15 / 67 / 34

HEX #A88F38

RGB 168 143 56

HSL 46.61, 0.5%, 0.44%

LAB 60.12, -0.7, 48.22

 

CMYK 0 / 11 / 51 / 41

HEX #96854A

RGB 150 133 74

HSL 46.58, 0.34%, 0.44%

LAB 55.84, -1.73, 33.95

 

CMYK 0 / 7 / 30 / 48

HEX #847B5D

RGB 132 123 93

HSL 46.15, 0.17%, 0.44%

LAB 51.68, -1.57, 17.68

 

CMYK 0 / 1 / 3 / 55

HEX #72716F

RGB 114 113 111

HSL 40, 0.01%, 0.44%

LAB 47.67, -0.01, 1.24

 

CMYK 0 / 61 / 80 / 27

HEX #BA4926

RGB 186 73 38

HSL 14.19, 0.66%, 0.44%

LAB 46.1, 43.82, 42.98

 

CMYK 0 / 40 / 80 / 27

HEX #BA7026

RGB 186 112 38

HSL 30, 0.66%, 0.44%

LAB 54.2, 23.6, 50.78

 

CMYK 0 / 18 / 80 / 27

HEX #BA9826

RGB 186 152 38

HSL 46.22, 0.66%, 0.44%

LAB 64.19, 1.57, 59.96

 

CMYK 3 / 0 / 80 / 27

HEX #B5BA26

RGB 181 186 38

HSL 62.03, 0.66%, 0.44%

LAB 72.95, -18.42, 67.59

 

CMYK 24 / 0 / 80 / 27

HEX #8EBA26

RGB 142 186 38

HSL 77.84, 0.66%, 0.44%

LAB 70.18, -34.62, 64.07

 

CMYK 0 / 18 / 80 / 54

HEX #766118

RGB 118 97 24

HSL 46.6, 0.66%, 0.28%

LAB 41.95, 0.43, 42.01

 

CMYK 0 / 18 / 80 / 40

HEX #987D1F

RGB 152 125 31

HSL 46.61, 0.66%, 0.36%

LAB 53.43, 0.73, 51.32

 

CMYK 0 / 18 / 80 / 27

HEX #BA9926

RGB 186 153 38

HSL 46.62, 0.66%, 0.44%

LAB 64.45, 1.02, 60.2

 

CMYK 0 / 17 / 76 / 16

HEX #D5B134

RGB 213 177 52

HSL 46.58, 0.66%, 0.52%

LAB 73.44, 0.63, 64.61

 

CMYK 0 / 14 / 61 / 14

HEX #DCBE56

RGB 220 190 86

HSL 46.57, 0.66%, 0.6%

LAB 77.71, -1.33, 55.23

 

CMYK 0 / 18 / 80 / 26

HEX #BC9A26

RGB 188 154 38

HSL 46.4, 0.66%, 0.44%

LAB 64.92, 1.38, 60.69

 

CMYK 77 / 0 / 80 / 27

HEX #2BBA26

RGB 43 186 38

HSL 117.97, 0.66%, 0.44%

LAB 66.34, -63.07, 59.12

 

CMYK 51 / 80 / 0 / 27

HEX #5C26BA

RGB 92 38 186

HSL 261.89, 0.66%, 0.44%

LAB 32.27, 55.79, -68.04

 

CMYK 0 / 18 / 80 / 26

HEX #BC9A26

RGB 188 154 38

HSL 46.4, 0.66%, 0.44%

LAB 64.92, 1.38, 60.69

 

CMYK 80 / 0 / 18 / 27

HEX #26BA98

RGB 38 186 152

HSL 166.22, 0.66%, 0.44%

LAB 67.87, -45.37, 6.65

 

CMYK 18 / 80 / 0 / 27

HEX #9826BA

RGB 152 38 186

HSL 286.22, 0.66%, 0.44%

LAB 40.58, 65.43, -54.13

 

CMYK 0 / 18 / 80 / 26

HEX #BC9A26

RGB 188 154 38

HSL 46.4, 0.66%, 0.44%

LAB 64.92, 1.38, 60.69

 

CMYK 77 / 0 / 80 / 27

HEX #2BBA26

RGB 43 186 38

HSL 117.97, 0.66%, 0.44%

LAB 66.34, -63.07, 59.12

 

CMYK 80 / 61 / 0 / 27

HEX #2649BA

RGB 38 73 186

HSL 225.81, 0.66%, 0.44%

LAB 35.44, 29.4, -62.99

 

CMYK 3 / 80 / 0 / 27

HEX #B526BA

RGB 181 38 186

HSL 297.97, 0.66%, 0.44%

LAB 45.3, 70.89, -46.31

 

CMYK 0 / 18 / 80 / 26

HEX #BC9A26

RGB 188 154 38

HSL 46.4, 0.66%, 0.44%

LAB 64.92, 1.38, 60.69

 

CMYK 80 / 0 / 58 / 27

HEX #26BA4E

RGB 38 186 78

HSL 136.22, 0.66%, 0.44%

LAB 66.58, -59.88, 43.57

 

CMYK 80 / 61 / 0 / 27

HEX #2649BA

RGB 38 73 186

HSL 225.81, 0.66%, 0.44%

LAB 35.44, 29.4, -62.99

 

CMYK 0 / 80 / 21 / 27

HEX #BA2693

RGB 186 38 147

HSL 315.81, 0.66%, 0.44%

LAB 44.14, 66.24, -24.87

 

Description

Color code: HEX #BC9A26 | qconv.com Color code: HEX #BC9A26 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 154 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 154 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 80 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 80% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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