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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC95F14C it is the complementary color #436A0E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC95F14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC95F14C shade: #C195EC4C, #D2A7FF4C, #E3B9FF4C, #F4CBFF4C and #FFDDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC95F14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC95F14C shade: #BC95F14C, #AB83DE4C, #9A71CB4C, #895FB84C and #784DA54C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC95F14C shade: #BB93F1, #D493F1, #ED93F1, #F193DB and #F193C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC95F14C shade: #BB93F1, #A193F1 and #9393F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC95F14C shade matches the following richer shades: #BB93F1 and #B989FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC95F14C shade: #BB93F1, #BC9DE7, #BEA6DD, #BFB0D3 and #C1BAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC95F14C shade: #939EF1, #A193F1, #BA93F1, #D393F1 and #EC93F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC95F14C shade: #8D4AE7, #A46EEC, #BB93F1, #D2B7F6 and #E9DCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC95F14C shade: #BC95F1, #F193B7 and #93F194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC95F14C shade: #BC95F1, #F1BA93 and #93F1BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC95F14C shade: #BC95F1, #F193B7, #CAF193 and #93F1CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC95F14C shade: #BC95F1, #F1939B, #CAF193 and #93F1E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 11 / 0 / 2

HEX #BC95F14C

RGBA 188 149 241 0.3

HSLA 265.43, 0.77%, 0.76%, 0.3

LABA 68.41, 32.55, -40.87, 0.3

 

Complementary color

CMYK 11 / 0 / 26 / 18

HEX #436A0E4C

RGBA 67 106 14 0.3

HSLA 85.43, 0.77%, 0.24%, 0.3

LABA 40.46, -28.46, 42.52, 0.3

 

CMYK 5 / 11 / 0 / 2

HEX #C195EC4C

RGBA 193 149 236 0.3

HSLA 270.34, 0.7%, 0.75%, 0.3

LABA 68.67, 32.88, -37.69, 0.3

 

CMYK 5 / 10 / 0 / 0

HEX #D2A7FF4C

RGBA 210 167 255 0.3

HSLA 269.32, 1%, 0.83%, 0.3

LABA 75.18, 32.18, -37.79, 0.3

 

CMYK 3 / 8 / 0 / 0

HEX #E3B9FF4C

RGBA 227 185 255 0.3

HSLA 276, 1%, 0.86%, 0.3

LABA 80.88, 27.59, -28.87, 0.3

 

CMYK 1 / 6 / 0 / 0

HEX #F4CBFF4C

RGBA 244 203 255 0.3

HSLA 287.31, 1%, 0.9%, 0.3

LABA 86.59, 23.35, -20.04, 0.3

 

CMYK 0 / 4 / 0 / 0

HEX #FFDDFF4C

RGBA 255 221 255 0.3

HSLA 300, 1%, 0.93%, 0.3

LABA 91.77, 17.47, -12.16, 0.3

 

CMYK 7 / 11 / 0 / 2

HEX #BC95F14C

RGBA 188 149 241 0.3

HSLA 265.43, 0.77%, 0.76%, 0.3

LABA 68.41, 32.55, -40.87, 0.3

 

CMYK 7 / 12 / 0 / 4

HEX #AB83DE4C

RGBA 171 131 222 0.3

HSLA 266.37, 0.58%, 0.69%, 0.3

LABA 61.8, 33.32, -40.85, 0.3

 

CMYK 7 / 13 / 0 / 6

HEX #9A71CB4C

RGBA 154 113 203 0.3

HSLA 267.33, 0.46%, 0.62%, 0.3

LABA 55.06, 34.16, -40.86, 0.3

 

CMYK 8 / 15 / 0 / 8

HEX #895FB84C

RGBA 137 95 184 0.3

HSLA 268.31, 0.39%, 0.55%, 0.3

LABA 48.21, 35.07, -40.87, 0.3

 

CMYK 8 / 16 / 0 / 11

HEX #784DA54C

RGBA 120 77 165 0.3

HSLA 269.32, 0.36%, 0.47%, 0.3

LABA 41.24, 36.02, -40.88, 0.3

 

CMYK 22 / 39 / 0 / 5

HEX #BB93F1

RGB 187 147 241

HSL 265.53, 0.77%, 0.76%

LAB 67.86, 33.37, -41.74

 

CMYK 12 / 39 / 0 / 5

HEX #D493F1

RGB 212 147 241

HSL 281.49, 0.77%, 0.76%

LAB 70.33, 40.64, -37.71

 

CMYK 2 / 39 / 0 / 5

HEX #ED93F1

RGB 237 147 241

HSL 297.45, 0.77%, 0.76%

LAB 73.04, 48.06, -33.29

 

CMYK 0 / 39 / 9 / 5

HEX #F193DB

RGB 241 147 219

HSL 314.04, 0.77%, 0.76%

LAB 72.68, 45.46, -21.75

 

CMYK 0 / 39 / 20 / 5

HEX #F193C2

RGB 241 147 194

HSL 330, 0.77%, 0.76%

LAB 71.87, 41.54, -9.17

 

CMYK 22 / 39 / 0 / 5

HEX #BB93F1

RGB 187 147 241

HSL 265.53, 0.77%, 0.76%

LAB 67.86, 33.37, -41.74

 

CMYK 33 / 39 / 0 / 5

HEX #A193F1

RGB 161 147 241

HSL 248.94, 0.77%, 0.76%

LAB 65.59, 26.14, -45.47

 

CMYK 39 / 39 / 0 / 5

HEX #9393F1

RGB 147 147 241

HSL 240, 0.77%, 0.76%

LAB 64.5, 22.46, -47.25

 

CMYK 22 / 39 / 0 / 5

HEX #BB93F1

RGB 187 147 241

HSL 265.53, 0.77%, 0.76%

LAB 67.86, 33.37, -41.74

 

CMYK 26 / 45 / 0 / 2

HEX #B989FB

RGB 185 137 251

HSL 265.26, 0.93%, 0.76%

LAB 65.88, 40.66, -50.35

 

CMYK 22 / 39 / 0 / 5

HEX #BB93F1

RGB 187 147 241

HSL 265.53, 0.77%, 0.76%

LAB 67.86, 33.37, -41.74

 

CMYK 19 / 32 / 0 / 9

HEX #BC9DE7

RGB 188 157 231

HSL 265.14, 0.61%, 0.76%

LAB 69.88, 25.84, -33.11

 

CMYK 14 / 25 / 0 / 13

HEX #BEA6DD

RGB 190 166 221

HSL 266.18, 0.45%, 0.76%

LAB 71.85, 19.28, -24.58

 

CMYK 9 / 17 / 0 / 17

HEX #BFB0D3

RGB 191 176 211

HSL 265.71, 0.28%, 0.76%

LAB 74.08, 12.01, -15.72

 

CMYK 4 / 7 / 0 / 21

HEX #C1BAC9

RGB 193 186 201

HSL 268, 0.12%, 0.76%

LAB 76.48, 5.26, -6.68

 

CMYK 39 / 34 / 0 / 5

HEX #939EF1

RGB 147 158 241

HSL 232.98, 0.77%, 0.76%

LAB 67.28, 16.14, -42.88

 

CMYK 33 / 39 / 0 / 5

HEX #A193F1

RGB 161 147 241

HSL 248.94, 0.77%, 0.76%

LAB 65.59, 26.14, -45.47

 

CMYK 23 / 39 / 0 / 5

HEX #BA93F1

RGB 186 147 241

HSL 264.89, 0.77%, 0.76%

LAB 67.77, 33.09, -41.89

 

CMYK 12 / 39 / 0 / 5

HEX #D393F1

RGB 211 147 241

HSL 280.85, 0.77%, 0.76%

LAB 70.22, 40.34, -37.88

 

CMYK 2 / 39 / 0 / 5

HEX #EC93F1

RGB 236 147 241

HSL 296.81, 0.77%, 0.76%

LAB 72.93, 47.76, -33.47

 

CMYK 39 / 68 / 0 / 9

HEX #8D4AE7

RGB 141 74 231

HSL 265.61, 0.77%, 0.6%

LAB 47.4, 58.83, -69.09

 

CMYK 31 / 53 / 0 / 7

HEX #A46EEC

RGB 164 110 236

HSL 265.71, 0.77%, 0.68%

LAB 57.17, 46.45, -56.03

 

CMYK 22 / 39 / 0 / 5

HEX #BB93F1

RGB 187 147 241

HSL 265.53, 0.77%, 0.76%

LAB 67.86, 33.37, -41.74

 

CMYK 15 / 26 / 0 / 4

HEX #D2B7F6

RGB 210 183 246

HSL 265.71, 0.78%, 0.84%

LAB 78.59, 21.55, -27.68

 

CMYK 7 / 12 / 0 / 2

HEX #E9DCFA

RGB 233 220 250

HSL 266, 0.75%, 0.92%

LAB 89.59, 9.89, -12.99

 

CMYK 22 / 38 / 0 / 5

HEX #BC95F1

RGB 188 149 241

HSL 265.43, 0.77%, 0.76%

LAB 68.41, 32.55, -40.87

 

CMYK 0 / 39 / 24 / 5

HEX #F193B7

RGB 241 147 183

HSL 337.02, 0.77%, 0.76%

LAB 71.55, 39.95, -3.55

 

CMYK 39 / 0 / 39 / 5

HEX #93F194

RGB 147 241 148

HSL 120.64, 0.77%, 0.76%

LAB 87.61, -46.12, 36.36

 

CMYK 22 / 38 / 0 / 5

HEX #BC95F1

RGB 188 149 241

HSL 265.43, 0.77%, 0.76%

LAB 68.41, 32.55, -40.87

 

CMYK 0 / 23 / 39 / 5

HEX #F1BA93

RGB 241 186 147

HSL 24.89, 0.77%, 0.76%

LAB 79.57, 14.82, 27.41

 

CMYK 39 / 0 / 23 / 5

HEX #93F1BA

RGB 147 241 186

HSL 144.89, 0.77%, 0.76%

LAB 88.28, -39.65, 17.94

 

CMYK 22 / 38 / 0 / 5

HEX #BC95F1

RGB 188 149 241

HSL 265.43, 0.77%, 0.76%

LAB 68.41, 32.55, -40.87

 

CMYK 0 / 39 / 24 / 5

HEX #F193B7

RGB 241 147 183

HSL 337.02, 0.77%, 0.76%

LAB 71.55, 39.95, -3.55

 

CMYK 16 / 0 / 39 / 5

HEX #CAF193

RGB 202 241 147

HSL 84.89, 0.77%, 0.76%

LAB 90.59, -27.94, 41.3

 

CMYK 39 / 0 / 15 / 5

HEX #93F1CD

RGB 147 241 205

HSL 157.02, 0.77%, 0.76%

LAB 88.7, -35.87, 8.66

 

CMYK 22 / 38 / 0 / 5

HEX #BC95F1

RGB 188 149 241

HSL 265.43, 0.77%, 0.76%

LAB 68.41, 32.55, -40.87

 

CMYK 0 / 39 / 36 / 5

HEX #F1939B

RGB 241 147 155

HSL 354.89, 0.77%, 0.76%

LAB 70.83, 36.32, 10.98

 

CMYK 16 / 0 / 39 / 5

HEX #CAF193

RGB 202 241 147

HSL 84.89, 0.77%, 0.76%

LAB 90.59, -27.94, 41.3

 

CMYK 39 / 0 / 3 / 5

HEX #93F1E9

RGB 147 241 233

HSL 174.89, 0.77%, 0.76%

LAB 89.39, -29.7, -4.94

 

Description

Color code: HEX #BC95F14C | qconv.com Color code: HEX #BC95F14C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 149 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 149 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 11 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 11% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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