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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9479 it is the complementary color #436B86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9479 shade: #C19474, #D2A687, #E3B89A, #F4CAAD and #FFDCC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9479 shade: #BC9479, #AB8266, #9A7053, #895E40 and #784C2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9479 shade: #BC957B, #BC837B and #BC7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9479 shade: #BC957B, #BCA77B, #BCB97B, #AEBC7B and #9DBC7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9479 shade matches the following richer shades: #BC957B, #CC926B, #DD8F5B, #ED8C4A and #FD893A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9479 shade: #BC957B, #AC988B, #9C9B9B, #8C9FAB and #7CA2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9479 shade: #BC7B83, #BC837B, #BC957B, #BCA67B and #BCB87B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9479 shade: #986B4D, #AF7F5F, #BC957B, #CAAB96 and #D8C1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9479 shade: #BC9479, #95BC7B and #7B7BBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9479 shade: #BC9479, #7BBC95 and #957BBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9479 shade: #BC9479, #95BC7B, #7BA2BC and #A27BBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9479 shade: #BC9479, #81BC7B, #7BA2BC and #B67BBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 36 / 26

HEX #BC9479

RGB 188 148 121

HSL 24.18, 0.33%, 0.61%

LAB 64.36, 11.23, 20.01

 

Complementary color

CMYK 50 / 20 / 0 / 47

HEX #436B86

RGB 67 107 134

HSL 204.18, 0.33%, 0.39%

LAB 43.4, -6.09, -19.26

 

CMYK 0 / 23 / 40 / 24

HEX #C19474

RGB 193 148 116

HSL 24.94, 0.38%, 0.61%

LAB 64.79, 12.66, 23.44

 

CMYK 0 / 21 / 36 / 18

HEX #D2A687

RGB 210 166 135

HSL 24.8, 0.45%, 0.68%

LAB 71.37, 11.92, 22.22

 

CMYK 0 / 19 / 32 / 11

HEX #E3B89A

RGB 227 184 154

HSL 24.66, 0.57%, 0.75%

LAB 77.84, 11.28, 21.1

 

CMYK 0 / 17 / 29 / 4

HEX #F4CAAD

RGB 244 202 173

HSL 24.51, 0.76%, 0.82%

LAB 84.22, 10.71, 20.05

 

CMYK 0 / 14 / 25 / 0

HEX #FFDCC0

RGB 255 220 192

HSL 26.67, 1%, 0.88%

LAB 89.98, 7.99, 18.24

HEX #FFDCC0

CMYK 0 / 21 / 36 / 26

HEX #BC9479

RGB 188 148 121

HSL 24.18, 0.33%, 0.61%

LAB 64.36, 11.23, 20.01

 

CMYK 0 / 24 / 40 / 33

HEX #AB8266

RGB 171 130 102

HSL 24.35, 0.29%, 0.54%

LAB 57.64, 11.99, 21.26

 

CMYK 0 / 27 / 46 / 40

HEX #9A7053

RGB 154 112 83

HSL 24.51, 0.3%, 0.46%

LAB 50.78, 12.88, 22.63

 

CMYK 0 / 31 / 53 / 46

HEX #895E40

RGB 137 94 64

HSL 24.66, 0.36%, 0.39%

LAB 43.79, 13.94, 24.17

 

CMYK 0 / 37 / 63 / 53

HEX #784C2D

RGB 120 76 45

HSL 24.8, 0.45%, 0.32%

LAB 36.65, 15.26, 25.89

 

CMYK 0 / 21 / 35 / 26

HEX #BC957B

RGB 188 149 123

HSL 24, 0.33%, 0.61%

LAB 64.66, 10.93, 19.3

 

CMYK 0 / 30 / 35 / 26

HEX #BC837B

RGB 188 131 123

HSL 7.38, 0.33%, 0.61%

LAB 60.21, 20.91, 13.15

 

CMYK 0 / 35 / 35 / 26

HEX #BC7B7B

RGB 188 123 123

HSL 0, 0.33%, 0.61%

LAB 58.31, 25.34, 10.48

 

CMYK 0 / 21 / 35 / 26

HEX #BC957B

RGB 188 149 123

HSL 24, 0.33%, 0.61%

LAB 64.66, 10.93, 19.3

 

CMYK 0 / 11 / 35 / 26

HEX #BCA77B

RGB 188 167 123

HSL 40.62, 0.33%, 0.61%

LAB 69.3, 1.11, 25.58

 

CMYK 0 / 2 / 35 / 26

HEX #BCB97B

RGB 188 185 123

HSL 57.23, 0.33%, 0.61%

LAB 74.07, -8.43, 31.89

 

CMYK 7 / 0 / 35 / 26

HEX #AEBC7B

RGB 174 188 123

HSL 72.92, 0.33%, 0.61%

LAB 73.8, -15.48, 31.33

 

CMYK 16 / 0 / 35 / 26

HEX #9DBC7B

RGB 157 188 123

HSL 88.62, 0.33%, 0.61%

LAB 72.6, -21.96, 29.53

 

CMYK 0 / 21 / 35 / 26

HEX #BC957B

RGB 188 149 123

HSL 24, 0.33%, 0.61%

LAB 64.66, 10.93, 19.3

 

CMYK 0 / 28 / 48 / 20

HEX #CC926B

RGB 204 146 107

HSL 24.12, 0.49%, 0.61%

LAB 65.32, 17.28, 29.31

 

CMYK 0 / 35 / 59 / 13

HEX #DD8F5B

RGB 221 143 91

HSL 24, 0.66%, 0.61%

LAB 66.35, 24.47, 39.58

 

CMYK 0 / 41 / 69 / 7

HEX #ED8C4A

RGB 237 140 74

HSL 24.29, 0.82%, 0.61%

LAB 67.47, 31.47, 50.01

 

CMYK 0 / 46 / 77 / 1

HEX #FD893A

RGB 253 137 58

HSL 24.31, 0.98%, 0.61%

LAB 68.81, 38.66, 59.43

 

CMYK 0 / 21 / 35 / 26

HEX #BC957B

RGB 188 149 123

HSL 24, 0.33%, 0.61%

LAB 64.66, 10.93, 19.3

 

CMYK 0 / 12 / 19 / 33

HEX #AC988B

RGB 172 152 139

HSL 23.64, 0.17%, 0.61%

LAB 64.23, 5.23, 9.54

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9B

RGB 156 155 155

HSL 0, 0.01%, 0.61%

LAB 64.06, 0.37, 0.12

 

CMYK 18 / 7 / 0 / 33

HEX #8C9FAB

RGB 140 159 171

HSL 203.23, 0.16%, 0.61%

LAB 64.41, -4.05, -8.49

 

CMYK 34 / 13 / 0 / 27

HEX #7CA2BB

RGB 124 162 187

HSL 203.81, 0.32%, 0.61%

LAB 64.73, -6.8, -17.06

 

CMYK 0 / 35 / 30 / 26

HEX #BC7B83

RGB 188 123 131

HSL 352.62, 0.33%, 0.61%

LAB 58.5, 26.4, 6.14

 

CMYK 0 / 30 / 35 / 26

HEX #BC837B

RGB 188 131 123

HSL 7.38, 0.33%, 0.61%

LAB 60.21, 20.91, 13.15

 

CMYK 0 / 21 / 35 / 26

HEX #BC957B

RGB 188 149 123

HSL 24, 0.33%, 0.61%

LAB 64.66, 10.93, 19.3

 

CMYK 0 / 12 / 35 / 26

HEX #BCA67B

RGB 188 166 123

HSL 39.69, 0.33%, 0.61%

LAB 69.04, 1.65, 25.23

 

CMYK 0 / 2 / 35 / 26

HEX #BCB87B

RGB 188 184 123

HSL 56.31, 0.33%, 0.61%

LAB 73.81, -7.91, 31.54

 

CMYK 0 / 30 / 49 / 40

HEX #986B4D

RGB 152 107 77

HSL 24, 0.33%, 0.45%

LAB 49.16, 14.25, 23.92

 

CMYK 0 / 27 / 46 / 31

HEX #AF7F5F

RGB 175 127 95

HSL 24, 0.33%, 0.53%

LAB 57.19, 14.56, 24.69

 

CMYK 0 / 21 / 35 / 26

HEX #BC957B

RGB 188 149 123

HSL 24, 0.33%, 0.61%

LAB 64.66, 10.93, 19.3

 

CMYK 0 / 15 / 26 / 21

HEX #CAAB96

RGB 202 171 150

HSL 24.23, 0.33%, 0.69%

LAB 72.15, 8.07, 15

 

CMYK 0 / 11 / 18 / 15

HEX #D8C1B2

RGB 216 193 178

HSL 23.68, 0.33%, 0.77%

LAB 79.59, 5.71, 10.51

 

CMYK 0 / 21 / 36 / 26

HEX #BC9479

RGB 188 148 121

HSL 24.18, 0.33%, 0.61%

LAB 64.36, 11.23, 20.01

 

CMYK 21 / 0 / 35 / 26

HEX #95BC7B

RGB 149 188 123

HSL 96, 0.33%, 0.61%

LAB 72.09, -24.91, 28.75

 

CMYK 35 / 35 / 0 / 26

HEX #7B7BBC

RGB 123 123 188

HSL 240, 0.33%, 0.61%

LAB 54.04, 15.59, -34.11

 

CMYK 0 / 21 / 36 / 26

HEX #BC9479

RGB 188 148 121

HSL 24.18, 0.33%, 0.61%

LAB 64.36, 11.23, 20.01

 

CMYK 35 / 0 / 21 / 26

HEX #7BBC95

RGB 123 188 149

HSL 144, 0.33%, 0.61%

LAB 71.11, -29.18, 13.26

 

CMYK 21 / 35 / 0 / 26

HEX #957BBC

RGB 149 123 188

HSL 264, 0.33%, 0.61%

LAB 56.27, 23.35, -30.45

 

CMYK 0 / 21 / 36 / 26

HEX #BC9479

RGB 188 148 121

HSL 24.18, 0.33%, 0.61%

LAB 64.36, 11.23, 20.01

 

CMYK 21 / 0 / 35 / 26

HEX #95BC7B

RGB 149 188 123

HSL 96, 0.33%, 0.61%

LAB 72.09, -24.91, 28.75

 

CMYK 35 / 14 / 0 / 26

HEX #7BA2BC

RGB 123 162 188

HSL 204, 0.33%, 0.61%

LAB 64.71, -6.83, -17.66

 

CMYK 14 / 35 / 0 / 26

HEX #A27BBC

RGB 162 123 188

HSL 276, 0.33%, 0.61%

LAB 57.54, 27.42, -28.39

 

CMYK 0 / 21 / 36 / 26

HEX #BC9479

RGB 188 148 121

HSL 24.18, 0.33%, 0.61%

LAB 64.36, 11.23, 20.01

 

CMYK 31 / 0 / 35 / 26

HEX #81BC7B

RGB 129 188 123

HSL 114.46, 0.33%, 0.61%

LAB 70.91, -31.9, 26.99

 

CMYK 35 / 14 / 0 / 26

HEX #7BA2BC

RGB 123 162 188

HSL 204, 0.33%, 0.61%

LAB 64.71, -6.83, -17.66

 

CMYK 3 / 35 / 0 / 26

HEX #B67BBC

RGB 182 123 188

HSL 294.46, 0.33%, 0.61%

LAB 59.65, 33.82, -24.95

 

Description

Color code: HEX #BC9479 | qconv.com Color code: HEX #BC9479 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 148 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 148 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 36 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 36% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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