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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC937D it is the complementary color #436C82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC937D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC937D shade: #C19378, #D2A58B, #E3B79E, #F4C9B1 and #FFDBC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC937D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC937D shade: #BC937D, #AB816A, #9A6F57, #895D44 and #784B31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC937D shade: #BB927C, #BB817C and #BB7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC937D shade: #BB927C, #BBA37C, #BBB47C, #B1BB7C and #A0BB7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC937D shade matches the following richer shades: #BB927C, #CB8D6C, #DC885C, #EC834B and #FC7F3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC937D shade: #BB927C, #AB978C, #9B9C9C, #8BA1AC and #7BA5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC937D shade: #BB7C88, #BB807C, #BB917C, #BBA27C and #BBB37C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC937D shade: #97674E, #AD7B60, #BB927C, #C9A997 and #D7BFB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC937D shade: #BC937D, #99BB7C and #7C80BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC937D shade: #BC937D, #7CBB91 and #917CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC937D shade: #BC937D, #99BB7C, #7CA6BB and #9E7CBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC937D shade: #BC937D, #86BB7C, #7CA6BB and #B17CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 34 / 26

HEX #BC937D

RGB 188 147 125

HSL 20.95, 0.32%, 0.61%

LAB 64.19, 12.29, 17.55

 

Complementary color

CMYK 48 / 17 / 0 / 49

HEX #436C82

RGB 67 108 130

HSL 200.95, 0.32%, 0.39%

LAB 43.55, -7.92, -16.63

 

CMYK 0 / 24 / 38 / 24

HEX #C19378

RGB 193 147 120

HSL 22.19, 0.37%, 0.61%

LAB 64.61, 13.68, 20.99

 

CMYK 0 / 21 / 34 / 18

HEX #D2A58B

RGB 210 165 139

HSL 21.97, 0.44%, 0.68%

LAB 71.2, 12.96, 19.81

 

CMYK 0 / 19 / 30 / 11

HEX #E3B79E

RGB 227 183 158

HSL 21.74, 0.55%, 0.75%

LAB 77.68, 12.33, 18.72

 

CMYK 0 / 18 / 27 / 4

HEX #F4C9B1

RGB 244 201 177

HSL 21.49, 0.75%, 0.83%

LAB 84.06, 11.76, 17.71

 

CMYK 0 / 14 / 23 / 0

HEX #FFDBC4

RGB 255 219 196

HSL 23.39, 1%, 0.88%

LAB 89.82, 9.06, 15.92

 

CMYK 0 / 22 / 34 / 26

HEX #BC937D

RGB 188 147 125

HSL 20.95, 0.32%, 0.61%

LAB 64.19, 12.29, 17.55

 

CMYK 0 / 25 / 38 / 33

HEX #AB816A

RGB 171 129 106

HSL 21.23, 0.28%, 0.54%

LAB 57.46, 13.03, 18.75

 

CMYK 0 / 28 / 44 / 40

HEX #9A6F57

RGB 154 111 87

HSL 21.49, 0.28%, 0.47%

LAB 50.6, 13.9, 20.08

 

CMYK 0 / 32 / 50 / 46

HEX #895D44

RGB 137 93 68

HSL 21.74, 0.34%, 0.4%

LAB 43.6, 14.93, 21.58

 

CMYK 0 / 38 / 59 / 53

HEX #784B31

RGB 120 75 49

HSL 21.97, 0.42%, 0.33%

LAB 36.46, 16.2, 23.29

 

CMYK 0 / 22 / 34 / 27

HEX #BB927C

RGB 187 146 124

HSL 20.95, 0.32%, 0.61%

LAB 63.82, 12.32, 17.57

 

CMYK 0 / 31 / 34 / 27

HEX #BB817C

RGB 187 129 124

HSL 4.76, 0.32%, 0.61%

LAB 59.64, 21.75, 11.76

 

CMYK 0 / 34 / 34 / 27

HEX #BB7C7C

RGB 187 124 124

HSL 0, 0.32%, 0.61%

LAB 58.45, 24.53, 10.08

 

CMYK 0 / 22 / 34 / 27

HEX #BB927C

RGB 187 146 124

HSL 20.95, 0.32%, 0.61%

LAB 63.82, 12.32, 17.57

 

CMYK 0 / 13 / 34 / 27

HEX #BBA37C

RGB 187 163 124

HSL 37.14, 0.32%, 0.61%

LAB 68.18, 3, 23.52

 

CMYK 0 / 4 / 34 / 27

HEX #BBB47C

RGB 187 180 124

HSL 53.33, 0.32%, 0.61%

LAB 72.67, -6.09, 29.51

 

CMYK 5 / 0 / 34 / 27

HEX #B1BB7C

RGB 177 187 124

HSL 69.52, 0.32%, 0.61%

LAB 73.77, -13.68, 30.8

 

CMYK 14 / 0 / 34 / 27

HEX #A0BB7C

RGB 160 187 124

HSL 85.71, 0.32%, 0.61%

LAB 72.54, -20.2, 28.96

 

CMYK 0 / 22 / 34 / 27

HEX #BB927C

RGB 187 146 124

HSL 20.95, 0.32%, 0.61%

LAB 63.82, 12.32, 17.57

 

CMYK 0 / 31 / 47 / 20

HEX #CB8D6C

RGB 203 141 108

HSL 20.84, 0.48%, 0.61%

LAB 64.02, 19.7, 27.03

 

CMYK 0 / 38 / 58 / 14

HEX #DC885C

RGB 220 136 92

HSL 20.63, 0.65%, 0.61%

LAB 64.64, 27.89, 36.93

 

CMYK 0 / 44 / 68 / 7

HEX #EC834B

RGB 236 131 75

HSL 20.87, 0.81%, 0.61%

LAB 65.42, 35.8, 47.19

 

CMYK 0 / 50 / 77 / 1

HEX #FC7F3B

RGB 252 127 59

HSL 21.14, 0.97%, 0.61%

LAB 66.66, 43.3, 56.83

 

CMYK 0 / 22 / 34 / 27

HEX #BB927C

RGB 187 146 124

HSL 20.95, 0.32%, 0.61%

LAB 63.82, 12.32, 17.57

 

CMYK 0 / 12 / 18 / 33

HEX #AB978C

RGB 171 151 140

HSL 21.29, 0.16%, 0.61%

LAB 63.9, 5.56, 8.5

 

CMYK 1 / 0 / 0 / 39

HEX #9B9C9C

RGB 155 156 156

HSL 180, 0.01%, 0.61%

LAB 64.28, -0.36, -0.13

 

CMYK 19 / 6 / 0 / 33

HEX #8BA1AC

RGB 139 161 172

HSL 200, 0.17%, 0.61%

LAB 64.93, -5.25, -8.29

 

CMYK 35 / 12 / 0 / 26

HEX #7BA5BC

RGB 123 165 188

HSL 201.23, 0.33%, 0.61%

LAB 65.56, -8.47, -16.38

 

CMYK 0 / 34 / 27 / 27

HEX #BB7C88

RGB 187 124 136

HSL 348.57, 0.32%, 0.61%

LAB 58.75, 26.16, 3.6

 

CMYK 0 / 32 / 34 / 27

HEX #BB807C

RGB 187 128 124

HSL 3.81, 0.32%, 0.61%

LAB 59.4, 22.31, 11.42

 

CMYK 0 / 22 / 34 / 27

HEX #BB917C

RGB 187 145 124

HSL 20, 0.32%, 0.61%

LAB 63.57, 12.87, 17.23

 

CMYK 0 / 13 / 34 / 27

HEX #BBA27C

RGB 187 162 124

HSL 36.19, 0.32%, 0.61%

LAB 67.92, 3.54, 23.17

 

CMYK 0 / 4 / 34 / 27

HEX #BBB37C

RGB 187 179 124

HSL 52.38, 0.32%, 0.61%

LAB 72.4, -5.56, 29.15

 

CMYK 0 / 32 / 48 / 41

HEX #97674E

RGB 151 103 78

HSL 20.55, 0.32%, 0.45%

LAB 48.04, 16.24, 21.86

 

CMYK 0 / 29 / 45 / 32

HEX #AD7B60

RGB 173 123 96

HSL 21.04, 0.32%, 0.53%

LAB 55.98, 16.08, 22.48

 

CMYK 0 / 22 / 34 / 27

HEX #BB927C

RGB 187 146 124

HSL 20.95, 0.32%, 0.61%

LAB 63.82, 12.32, 17.57

 

CMYK 0 / 16 / 25 / 21

HEX #C9A997

RGB 201 169 151

HSL 21.6, 0.32%, 0.69%

LAB 71.57, 8.91, 13.63

 

CMYK 0 / 11 / 17 / 16

HEX #D7BFB2

RGB 215 191 178

HSL 21.08, 0.32%, 0.77%

LAB 79, 6.41, 9.65

 

CMYK 0 / 22 / 34 / 26

HEX #BC937D

RGB 188 147 125

HSL 20.95, 0.32%, 0.61%

LAB 64.19, 12.29, 17.55

 

CMYK 18 / 0 / 34 / 27

HEX #99BB7C

RGB 153 187 124

HSL 92.38, 0.32%, 0.61%

LAB 72.07, -22.8, 28.26

 

CMYK 34 / 32 / 0 / 27

HEX #7C80BB

RGB 124 128 187

HSL 236.19, 0.32%, 0.61%

LAB 55.39, 12.64, -31.41

 

CMYK 0 / 22 / 34 / 26

HEX #BC937D

RGB 188 147 125

HSL 20.95, 0.32%, 0.61%

LAB 64.19, 12.29, 17.55

 

CMYK 34 / 0 / 22 / 27

HEX #7CBB91

RGB 124 187 145

HSL 140, 0.32%, 0.61%

LAB 70.78, -29.17, 14.97

 

CMYK 22 / 34 / 0 / 27

HEX #917CBB

RGB 145 124 187

HSL 260, 0.32%, 0.61%

LAB 56.11, 21.29, -30.16

 

CMYK 0 / 22 / 34 / 26

HEX #BC937D

RGB 188 147 125

HSL 20.95, 0.32%, 0.61%

LAB 64.19, 12.29, 17.55

 

CMYK 18 / 0 / 34 / 27

HEX #99BB7C

RGB 153 187 124

HSL 92.38, 0.32%, 0.61%

LAB 72.07, -22.8, 28.26

 

CMYK 34 / 11 / 0 / 27

HEX #7CA6BB

RGB 124 166 187

HSL 200, 0.32%, 0.61%

LAB 65.86, -8.98, -15.36

 

CMYK 16 / 34 / 0 / 27

HEX #9E7CBB

RGB 158 124 187

HSL 272.38, 0.32%, 0.61%

LAB 57.34, 25.36, -28.16

 

CMYK 0 / 22 / 34 / 26

HEX #BC937D

RGB 188 147 125

HSL 20.95, 0.32%, 0.61%

LAB 64.19, 12.29, 17.55

 

CMYK 28 / 0 / 34 / 27

HEX #86BB7C

RGB 134 187 124

HSL 110.48, 0.32%, 0.61%

LAB 70.92, -29.57, 26.51

 

CMYK 34 / 11 / 0 / 27

HEX #7CA6BB

RGB 124 166 187

HSL 200, 0.32%, 0.61%

LAB 65.86, -8.98, -15.36

 

CMYK 5 / 34 / 0 / 27

HEX #B17CBB

RGB 177 124 187

HSL 290.48, 0.32%, 0.61%

LAB 59.3, 31.45, -24.97

 

Description

Color code: HEX #BC937D | qconv.com Color code: HEX #BC937D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 147 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 147 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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