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Color name
HEX #BC914F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC914F it is the complementary color #436EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC914F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC914F shade: #C1914A, #D2A35D, #E3B570, #F4C783 and #FFD996

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC914F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC914F shade: #BC914F, #AB7F3C, #9A6D29, #895B16 and #784903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC914F shade: #BC904E, #BC734E, #BC554E and #BC4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC914F shade: #BC904E, #BCAE4E, #ACBC4E, #8EBC4E and #70BC4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC914F shade matches the following richer shades: #BC904E, #CF943A, #E39926 and #F79D12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC914F shade: #BC904E, #A88C61, #948875, #808489 and #6C809D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC914F shade: #BC554E, #BC724E, #BC904E, #BCAD4E and #ADBC4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC914F shade: #846432, #A27B3E, #BC904E, #C7A36B and #D2B689

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC914F shade: #BC914F, #64BC4E and #644EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC914F shade: #BC914F, #4EBC90 and #904EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC914F shade: #BC914F, #64BC4E, #4E7ABC and #A64EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC914F shade: #BC914F, #4EBC59, #4E7ABC and #BC4EB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 58 / 26

HEX #BC914F

RGB 188 145 79

HSL 36.33, 0.45%, 0.52%

LAB 62.93, 8.6, 40.8

 

Complementary color

CMYK 62 / 38 / 0 / 31

HEX #436EB0

RGB 67 110 176

HSL 216.33, 0.45%, 0.48%

LAB 46.28, 6.03, -39.61

 

CMYK 0 / 25 / 62 / 24

HEX #C1914A

RGB 193 145 74

HSL 35.8, 0.49%, 0.52%

LAB 63.41, 10.38, 44.01

 

CMYK 0 / 22 / 56 / 18

HEX #D2A35D

RGB 210 163 93

HSL 35.9, 0.57%, 0.59%

LAB 69.96, 9.28, 42.63

 

CMYK 0 / 20 / 51 / 11

HEX #E3B570

RGB 227 181 112

HSL 36, 0.67%, 0.66%

LAB 76.4, 8.34, 41.27

 

CMYK 0 / 18 / 46 / 4

HEX #F4C783

RGB 244 199 131

HSL 36.11, 0.84%, 0.74%

LAB 82.76, 7.53, 39.96

 

CMYK 0 / 15 / 41 / 0

HEX #FFD996

RGB 255 217 150

HSL 38.29, 1%, 0.79%

LAB 88.49, 4.47, 37.89

 

CMYK 0 / 23 / 58 / 26

HEX #BC914F

RGB 188 145 79

HSL 36.33, 0.45%, 0.52%

LAB 62.93, 8.6, 40.8

 

CMYK 0 / 26 / 65 / 33

HEX #AB7F3C

RGB 171 127 60

HSL 36.22, 0.48%, 0.45%

LAB 56.25, 9.78, 42.18

 

CMYK 0 / 29 / 73 / 40

HEX #9A6D29

RGB 154 109 41

HSL 36.11, 0.58%, 0.38%

LAB 49.46, 11.21, 43.43

 

CMYK 0 / 34 / 84 / 46

HEX #895B16

RGB 137 91 22

HSL 36, 0.72%, 0.31%

LAB 42.55, 12.96, 44.16

 

CMYK 0 / 39 / 98 / 53

HEX #784903

RGB 120 73 3

HSL 35.9, 0.95%, 0.24%

LAB 35.53, 15.08, 43.8

 

CMYK 0 / 23 / 59 / 26

HEX #BC904E

RGB 188 144 78

HSL 36, 0.45%, 0.52%

LAB 62.67, 9.07, 40.99

 

CMYK 0 / 39 / 59 / 26

HEX #BC734E

RGB 188 115 78

HSL 20.18, 0.45%, 0.52%

LAB 55.59, 25.1, 32.43

 

CMYK 0 / 55 / 59 / 26

HEX #BC554E

RGB 188 85 78

HSL 3.82, 0.45%, 0.52%

LAB 49.18, 40.96, 24.31

 

CMYK 0 / 59 / 59 / 26

HEX #BC4E4E

RGB 188 78 78

HSL 0, 0.45%, 0.52%

LAB 47.87, 44.38, 22.61

 

CMYK 0 / 23 / 59 / 26

HEX #BC904E

RGB 188 144 78

HSL 36, 0.45%, 0.52%

LAB 62.67, 9.07, 40.99

 

CMYK 0 / 7 / 59 / 26

HEX #BCAE4E

RGB 188 174 78

HSL 52.36, 0.45%, 0.52%

LAB 70.53, -7.09, 50.07

 

CMYK 9 / 0 / 59 / 26

HEX #ACBC4E

RGB 172 188 78

HSL 68.73, 0.45%, 0.52%

LAB 73.08, -20.96, 52.56

 

CMYK 24 / 0 / 59 / 26

HEX #8EBC4E

RGB 142 188 78

HSL 85.09, 0.45%, 0.52%

LAB 71.05, -32.87, 49.73

 

CMYK 40 / 0 / 59 / 26

HEX #70BC4E

RGB 112 188 78

HSL 101.45, 0.45%, 0.52%

LAB 69.44, -43.54, 47.47

 

CMYK 0 / 23 / 59 / 26

HEX #BC904E

RGB 188 144 78

HSL 36, 0.45%, 0.52%

LAB 62.67, 9.07, 40.99

 

CMYK 0 / 29 / 72 / 19

HEX #CF943A

RGB 207 148 58

HSL 36.24, 0.61%, 0.52%

LAB 65.55, 13.84, 54.28

 

CMYK 0 / 33 / 83 / 11

HEX #E39926

RGB 227 153 38

HSL 36.51, 0.77%, 0.52%

LAB 68.93, 18.99, 65.86

 

CMYK 0 / 36 / 93 / 3

HEX #F79D12

RGB 247 157 18

HSL 36.42, 0.93%, 0.52%

LAB 72.18, 24.93, 74.32

 

CMYK 0 / 23 / 59 / 26

HEX #BC904E

RGB 188 144 78

HSL 36, 0.45%, 0.52%

LAB 62.67, 9.07, 40.99

 

CMYK 0 / 17 / 42 / 34

HEX #A88C61

RGB 168 140 97

HSL 36.34, 0.29%, 0.52%

LAB 59.84, 4.55, 26.9

 

CMYK 0 / 8 / 21 / 42

HEX #948875

RGB 148 136 117

HSL 36.77, 0.13%, 0.52%

LAB 57.26, 1.26, 11.84

 

CMYK 7 / 4 / 0 / 46

HEX #808489

RGB 128 132 137

HSL 213.33, 0.04%, 0.52%

LAB 54.97, -0.45, -3.21

 

CMYK 31 / 18 / 0 / 38

HEX #6C809D

RGB 108 128 157

HSL 215.51, 0.2%, 0.52%

LAB 53.02, -0.14, -17.89

 

CMYK 0 / 55 / 59 / 26

HEX #BC554E

RGB 188 85 78

HSL 3.82, 0.45%, 0.52%

LAB 49.18, 40.96, 24.31

 

CMYK 0 / 39 / 59 / 26

HEX #BC724E

RGB 188 114 78

HSL 19.64, 0.45%, 0.52%

LAB 55.36, 25.65, 32.14

 

CMYK 0 / 23 / 59 / 26

HEX #BC904E

RGB 188 144 78

HSL 36, 0.45%, 0.52%

LAB 62.67, 9.07, 40.99

 

CMYK 0 / 8 / 59 / 26

HEX #BCAD4E

RGB 188 173 78

HSL 51.82, 0.45%, 0.52%

LAB 70.27, -6.56, 49.77

 

CMYK 8 / 0 / 59 / 26

HEX #ADBC4E

RGB 173 188 78

HSL 68.18, 0.45%, 0.52%

LAB 73.15, -20.55, 52.67

 

CMYK 0 / 24 / 62 / 48

HEX #846432

RGB 132 100 50

HSL 36.59, 0.45%, 0.36%

LAB 44.59, 6.91, 32.86

 

CMYK 0 / 24 / 62 / 36

HEX #A27B3E

RGB 162 123 62

HSL 36.6, 0.45%, 0.44%

LAB 54.23, 8.18, 38.61

 

CMYK 0 / 23 / 59 / 26

HEX #BC904E

RGB 188 144 78

HSL 36, 0.45%, 0.52%

LAB 62.67, 9.07, 40.99

 

CMYK 0 / 18 / 46 / 22

HEX #C7A36B

RGB 199 163 107

HSL 36.52, 0.45%, 0.6%

LAB 69.04, 5.96, 33.99

 

CMYK 0 / 13 / 35 / 18

HEX #D2B689

RGB 210 182 137

HSL 36.99, 0.45%, 0.68%

LAB 75.43, 3.59, 26.64

 

CMYK 0 / 23 / 58 / 26

HEX #BC914F

RGB 188 145 79

HSL 36.33, 0.45%, 0.52%

LAB 62.93, 8.6, 40.8

 

CMYK 47 / 0 / 59 / 26

HEX #64BC4E

RGB 100 188 78

HSL 108, 0.45%, 0.52%

LAB 68.91, -47.31, 46.72

 

CMYK 47 / 59 / 0 / 26

HEX #644EBC

RGB 100 78 188

HSL 252, 0.45%, 0.52%

LAB 40.88, 36.86, -55.15

 

CMYK 0 / 23 / 58 / 26

HEX #BC914F

RGB 188 145 79

HSL 36.33, 0.45%, 0.52%

LAB 62.93, 8.6, 40.8

 

CMYK 59 / 0 / 23 / 26

HEX #4EBC90

RGB 78 188 144

HSL 156, 0.45%, 0.52%

LAB 69.18, -41.93, 13

 

CMYK 23 / 59 / 0 / 26

HEX #904EBC

RGB 144 78 188

HSL 276, 0.45%, 0.52%

LAB 45.65, 47.22, -47.23

 

CMYK 0 / 23 / 58 / 26

HEX #BC914F

RGB 188 145 79

HSL 36.33, 0.45%, 0.52%

LAB 62.93, 8.6, 40.8

 

CMYK 47 / 0 / 59 / 26

HEX #64BC4E

RGB 100 188 78

HSL 108, 0.45%, 0.52%

LAB 68.91, -47.31, 46.72

 

CMYK 59 / 35 / 0 / 26

HEX #4E7ABC

RGB 78 122 188

HSL 216, 0.45%, 0.52%

LAB 50.89, 4.97, -39.25

 

CMYK 12 / 59 / 0 / 26

HEX #A64EBC

RGB 166 78 188

HSL 288, 0.45%, 0.52%

LAB 48.49, 52.82, -42.53

 

CMYK 0 / 23 / 58 / 26

HEX #BC914F

RGB 188 145 79

HSL 36.33, 0.45%, 0.52%

LAB 62.93, 8.6, 40.8

 

CMYK 59 / 0 / 53 / 26

HEX #4EBC59

RGB 78 188 89

HSL 126, 0.45%, 0.52%

LAB 68.25, -51.88, 40.52

 

CMYK 59 / 35 / 0 / 26

HEX #4E7ABC

RGB 78 122 188

HSL 216, 0.45%, 0.52%

LAB 50.89, 4.97, -39.25

 

CMYK 0 / 59 / 6 / 26

HEX #BC4EB1

RGB 188 78 177

HSL 306, 0.45%, 0.52%

LAB 51.05, 56.62, -31.88

 

Description

Color code: HEX #BC914F | qconv.com Color code: HEX #BC914F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 145 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 145 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 58 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 58% 26% C M Y K

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Provide designers and agencies with accurate color values.

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