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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC90FC00 it is the complementary color #436F0300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC90FC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC90FC00 shade: #C190F700, #D2A2FF00, #E3B4FF00, #F4C6FF00 and #FFD8FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC90FC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC90FC00 shade: #BC90FC00, #AB7EE900, #9A6CD600, #895AC300 and #7848B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC90FC00 shade: #BD92FC, #DA92FC, #F792FC, #FC92E5 and #FC92C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC90FC00 shade: #BD92FC, #A092FC and #9292FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC90FC00 shade matches the following richer shades: #BD92FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC90FC00 shade: #BD92FC, #BF9BF3, #C0A4EA, #C2ADE1 and #C4B6D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC90FC00 shade: #92A0FC, #A092FC, #BC92FC, #D992FC and #F592FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC90FC00 shade: #8C41FA, #A569FB, #BD92FC, #D5BAFD and #EEE2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC90FC00 shade: #BC90FC, #FC92BC and #92FC92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC90FC00 shade: #BC90FC, #FCBC92 and #92FCBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC90FC00 shade: #BC90FC, #FC92BC, #D2FC92 and #92FCD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC90FC00 shade: #BC90FC, #FC929C, #D2FC92 and #92FCF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BC90FC00

RGBA 188 144 252 0

HSLA 264.44, 0.95%, 0.78%, 0

LABA 67.77, 37.86, -47.89, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #436F0300

RGBA 67 111 3 0

HSLA 84.44, 0.95%, 0.22%, 0

LABA 42.11, -31.19, 46.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C190F700

RGBA 193 144 247 0

HSLA 268.54, 0.87%, 0.77%, 0

LABA 68.02, 38.09, -44.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D2A2FF00

RGBA 210 162 255 0

HSLA 270.97, 1%, 0.82%, 0

LABA 74.04, 34.9, -39.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E3B4FF00

RGBA 227 180 255 0

HSLA 277.6, 1%, 0.85%, 0

LABA 79.72, 30.27, -30.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4C6FF00

RGBA 244 198 255 0

HSLA 288.42, 1%, 0.89%, 0

LABA 85.42, 26, -21.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8FF00

RGBA 255 216 255 0

HSLA 300, 1%, 0.92%, 0

LABA 90.59, 20.08, -13.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BC90FC00

RGBA 188 144 252 0

HSLA 264.44, 0.95%, 0.78%, 0

LABA 67.77, 37.86, -47.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AB7EE900

RGBA 171 126 233 0

HSLA 265.23, 0.71%, 0.7%, 0

LABA 61.19, 38.72, -47.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9A6CD600

RGBA 154 108 214 0

HSLA 266.04, 0.56%, 0.63%, 0

LABA 54.5, 39.65, -47.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #895AC300

RGBA 137 90 195 0

HSLA 266.86, 0.47%, 0.56%, 0

LABA 47.71, 40.62, -48.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7848B000

RGBA 120 72 176 0

HSLA 267.69, 0.42%, 0.49%, 0

LABA 40.84, 41.61, -48.06, 0

 

CMYK 25 / 42 / 0 / 1

HEX #BD92FC

RGB 189 146 252

HSL 264.34, 0.95%, 0.78%

LAB 68.32, 37.03, -47.02

 

CMYK 13 / 42 / 0 / 1

HEX #DA92FC

RGB 218 146 252

HSL 280.75, 0.95%, 0.78%

LAB 71.21, 45.16, -42.28

 

CMYK 2 / 42 / 0 / 1

HEX #F792FC

RGB 247 146 252

HSL 297.17, 0.95%, 0.78%

LAB 74.42, 53.49, -37.04

 

CMYK 0 / 42 / 9 / 1

HEX #FC92E5

RGB 252 146 229

HSL 313.02, 0.95%, 0.78%

LAB 74.13, 51.03, -24.9

 

CMYK 0 / 42 / 21 / 1

HEX #FC92C8

RGB 252 146 200

HSL 329.43, 0.95%, 0.78%

LAB 73.17, 46.58, -10.41

 

CMYK 25 / 42 / 0 / 1

HEX #BD92FC

RGB 189 146 252

HSL 264.34, 0.95%, 0.78%

LAB 68.32, 37.03, -47.02

 

CMYK 37 / 42 / 0 / 1

HEX #A092FC

RGB 160 146 252

HSL 247.92, 0.95%, 0.78%

LAB 65.8, 29.32, -51.17

 

CMYK 42 / 42 / 0 / 1

HEX #9292FC

RGB 146 146 252

HSL 240, 0.95%, 0.78%

LAB 64.72, 25.83, -52.94

 

CMYK 25 / 42 / 0 / 1

HEX #BD92FC

RGB 189 146 252

HSL 264.34, 0.95%, 0.78%

LAB 68.32, 37.03, -47.02

 

CMYK 25 / 42 / 0 / 1

HEX #BD92FC

RGB 189 146 252

HSL 264.34, 0.95%, 0.78%

LAB 68.32, 37.03, -47.02

 

CMYK 21 / 36 / 0 / 5

HEX #BF9BF3

RGB 191 155 243

HSL 264.55, 0.79%, 0.78%

LAB 70.17, 30.55, -39.2

 

CMYK 18 / 30 / 0 / 8

HEX #C0A4EA

RGB 192 164 234

HSL 264, 0.63%, 0.78%

LAB 72.03, 23.84, -31.4

 

CMYK 14 / 23 / 0 / 12

HEX #C2ADE1

RGB 194 173 225

HSL 264.23, 0.46%, 0.78%

LAB 74.06, 17.54, -23.37

 

CMYK 9 / 16 / 0 / 15

HEX #C4B6D8

RGB 196 182 216

HSL 264.71, 0.3%, 0.78%

LAB 76.16, 11.4, -15.27

 

CMYK 42 / 37 / 0 / 1

HEX #92A0FC

RGB 146 160 252

HSL 232.08, 0.95%, 0.78%

LAB 68.23, 17.78, -47.4

 

CMYK 37 / 42 / 0 / 1

HEX #A092FC

RGB 160 146 252

HSL 247.92, 0.95%, 0.78%

LAB 65.8, 29.32, -51.17

 

CMYK 25 / 42 / 0 / 1

HEX #BC92FC

RGB 188 146 252

HSL 263.77, 0.95%, 0.78%

LAB 68.22, 36.76, -47.18

 

CMYK 14 / 42 / 0 / 1

HEX #D992FC

RGB 217 146 252

HSL 280.19, 0.95%, 0.78%

LAB 71.1, 44.88, -42.46

 

CMYK 3 / 42 / 0 / 1

HEX #F592FC

RGB 245 146 252

HSL 296.04, 0.95%, 0.78%

LAB 74.19, 52.91, -37.42

 

CMYK 44 / 74 / 0 / 2

HEX #8C41FA

RGB 140 65 250

HSL 264.32, 0.95%, 0.62%

LAB 47.31, 67.39, -79.92

 

CMYK 34 / 58 / 0 / 2

HEX #A569FB

RGB 165 105 251

HSL 264.66, 0.95%, 0.7%

LAB 57.14, 53.02, -64.4

 

CMYK 25 / 42 / 0 / 1

HEX #BD92FC

RGB 189 146 252

HSL 264.34, 0.95%, 0.78%

LAB 68.32, 37.03, -47.02

 

CMYK 16 / 26 / 0 / 1

HEX #D5BAFD

RGB 213 186 253

HSL 264.18, 0.94%, 0.86%

LAB 79.82, 22.33, -29.53

 

CMYK 6 / 11 / 0 / 0

HEX #EEE2FE

RGB 238 226 254

HSL 265.71, 0.93%, 0.94%

LAB 91.56, 9.14, -12.09

 

CMYK 25 / 43 / 0 / 1

HEX #BC90FC

RGB 188 144 252

HSL 264.44, 0.95%, 0.78%

LAB 67.77, 37.86, -47.89

 

CMYK 0 / 42 / 25 / 1

HEX #FC92BC

RGB 252 146 188

HSL 336.23, 0.95%, 0.78%

LAB 72.82, 44.9, -4.3

 

CMYK 42 / 0 / 42 / 1

HEX #92FC92

RGB 146 252 146

HSL 120, 0.95%, 0.78%

LAB 90.69, -51.33, 41.34

 

CMYK 25 / 43 / 0 / 1

HEX #BC90FC

RGB 188 144 252

HSL 264.44, 0.95%, 0.78%

LAB 67.77, 37.86, -47.89

 

CMYK 0 / 25 / 42 / 1

HEX #FCBC92

RGB 252 188 146

HSL 23.77, 0.95%, 0.78%

LAB 81.15, 17.94, 30.24

 

CMYK 42 / 0 / 25 / 1

HEX #92FCBC

RGB 146 252 188

HSL 143.77, 0.95%, 0.78%

LAB 91.4, -44.4, 21.24

 

CMYK 25 / 43 / 0 / 1

HEX #BC90FC

RGB 188 144 252

HSL 264.44, 0.95%, 0.78%

LAB 67.77, 37.86, -47.89

 

CMYK 0 / 42 / 25 / 1

HEX #FC92BC

RGB 252 146 188

HSL 336.23, 0.95%, 0.78%

LAB 72.82, 44.9, -4.3

 

CMYK 17 / 0 / 42 / 1

HEX #D2FC92

RGB 210 252 146

HSL 83.77, 0.95%, 0.78%

LAB 94.05, -30.32, 46.31

 

CMYK 42 / 0 / 17 / 1

HEX #92FCD2

RGB 146 252 210

HSL 156.23, 0.95%, 0.78%

LAB 91.86, -40.08, 10.58

 

CMYK 25 / 43 / 0 / 1

HEX #BC90FC

RGB 188 144 252

HSL 264.44, 0.95%, 0.78%

LAB 67.77, 37.86, -47.89

 

CMYK 0 / 42 / 38 / 1

HEX #FC929C

RGB 252 146 156

HSL 354.34, 0.95%, 0.78%

LAB 72, 40.93, 12.27

 

CMYK 17 / 0 / 42 / 1

HEX #D2FC92

RGB 210 252 146

HSL 83.77, 0.95%, 0.78%

LAB 94.05, -30.32, 46.31

 

CMYK 42 / 0 / 4 / 1

HEX #92FCF2

RGB 146 252 242

HSL 174.34, 0.95%, 0.78%

LAB 92.64, -33.03, -4.84

 

Description

Color code: HEX #BC90FC00 | qconv.com Color code: HEX #BC90FC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 144 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 144 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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