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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC90EE00 it is the complementary color #436F1100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC90EE00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC90EE00 shade: #C190E900, #D2A2FC00, #E3B4FF00, #F4C6FF00 and #FFD8FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC90EE00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC90EE00 shade: #BC90EE00, #AB7EDB00, #9A6CC800, #895AB500 and #7848A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC90EE00 shade: #BC91EE, #D591EE, #EE91ED, #EE91D4 and #EE91BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC90EE00 shade: #BC91EE, #A391EE and #9191EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC90EE00 shade matches the following richer shades: #BC91EE and #BC86F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC90EE00 shade: #BC91EE, #BD9BE3, #BEA5D9, #BEB0CF and #BFBAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC90EE00 shade: #9197EE, #A391EE, #BC91EE, #D591EE and #EE91EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC90EE00 shade: #9149E3, #A76DE8, #BC91EE, #D2B4F3 and #E7D8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC90EE00 shade: #BC90EE, #EE91B0 and #91EE97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC90EE00 shade: #BC90EE, #EEBC91 and #91EEBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC90EE00 shade: #BC90EE, #EE91B0, #C2EE91 and #91EECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC90EE00 shade: #BC90EE, #EE9194, #C2EE91 and #91EEEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BC90EE00

RGBA 188 144 238 0

HSLA 268.09, 0.73%, 0.75%, 0

LABA 67.13, 34.63, -41.22, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #436F1100

RGBA 67 111 17 0

HSLA 88.09, 0.73%, 0.25%, 0

LABA 42.16, -30.65, 43.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C190E900

RGBA 193 144 233 0

HSLA 273.03, 0.67%, 0.74%, 0

LABA 67.4, 34.98, -38.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D2A2FC00

RGBA 210 162 252 0

HSLA 272, 0.94%, 0.81%, 0

LABA 73.91, 34.26, -38.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E3B4FF00

RGBA 227 180 255 0

HSLA 277.6, 1%, 0.85%, 0

LABA 79.72, 30.27, -30.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4C6FF00

RGBA 244 198 255 0

HSLA 288.42, 1%, 0.89%, 0

LABA 85.42, 26, -21.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8FF00

RGBA 255 216 255 0

HSLA 300, 1%, 0.92%, 0

LABA 90.59, 20.08, -13.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BC90EE00

RGBA 188 144 238 0

HSLA 268.09, 0.73%, 0.75%, 0

LABA 67.13, 34.63, -41.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AB7EDB00

RGBA 171 126 219 0

HSLA 269.03, 0.56%, 0.68%, 0

LABA 60.51, 35.43, -41.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9A6CC800

RGBA 154 108 200 0

HSLA 270, 0.46%, 0.6%, 0

LABA 53.78, 36.29, -41.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #895AB500

RGBA 137 90 181 0

HSLA 270.99, 0.38%, 0.53%, 0

LABA 46.93, 37.19, -41.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7848A200

RGBA 120 72 162 0

HSLA 272, 0.38%, 0.46%, 0

LABA 39.98, 38.12, -41.11, 0

 

CMYK 21 / 39 / 0 / 7

HEX #BC91EE

RGB 188 145 238

HSL 267.74, 0.73%, 0.75%

LAB 67.36, 34.08, -40.87

 

CMYK 11 / 39 / 0 / 7

HEX #D591EE

RGB 213 145 238

HSL 283.87, 0.73%, 0.75%

LAB 69.87, 41.4, -36.76

 

CMYK 0 / 39 / 0 / 7

HEX #EE91ED

RGB 238 145 237

HSL 300.65, 0.73%, 0.75%

LAB 72.59, 48.66, -31.79

 

CMYK 0 / 39 / 11 / 7

HEX #EE91D4

RGB 238 145 212

HSL 316.77, 0.73%, 0.75%

LAB 71.68, 44.39, -19.45

 

CMYK 0 / 39 / 21 / 7

HEX #EE91BB

RGB 238 145 187

HSL 332.9, 0.73%, 0.75%

LAB 70.88, 40.53, -6.79

 

CMYK 21 / 39 / 0 / 7

HEX #BC91EE

RGB 188 145 238

HSL 267.74, 0.73%, 0.75%

LAB 67.36, 34.08, -40.87

 

CMYK 32 / 39 / 0 / 7

HEX #A391EE

RGB 163 145 238

HSL 251.61, 0.73%, 0.75%

LAB 65.13, 27.06, -44.53

 

CMYK 39 / 39 / 0 / 7

HEX #9191EE

RGB 145 145 238

HSL 240, 0.73%, 0.75%

LAB 63.71, 22.29, -46.86

 

CMYK 21 / 39 / 0 / 7

HEX #BC91EE

RGB 188 145 238

HSL 267.74, 0.73%, 0.75%

LAB 67.36, 34.08, -40.87

 

CMYK 24 / 46 / 0 / 3

HEX #BC86F8

RGB 188 134 248

HSL 268.42, 0.89%, 0.75%

LAB 65.37, 42.41, -49.49

 

CMYK 21 / 39 / 0 / 7

HEX #BC91EE

RGB 188 145 238

HSL 267.74, 0.73%, 0.75%

LAB 67.36, 34.08, -40.87

 

CMYK 17 / 32 / 0 / 11

HEX #BD9BE3

RGB 189 155 227

HSL 268.33, 0.56%, 0.75%

LAB 69.33, 26.37, -31.75

 

CMYK 12 / 24 / 0 / 15

HEX #BEA5D9

RGB 190 165 217

HSL 268.85, 0.41%, 0.75%

LAB 71.46, 18.99, -22.98

 

CMYK 8 / 15 / 0 / 19

HEX #BEB0CF

RGB 190 176 207

HSL 267.1, 0.24%, 0.75%

LAB 73.87, 10.86, -13.86

 

CMYK 3 / 6 / 0 / 23

HEX #BFBAC5

RGB 191 186 197

HSL 267.27, 0.09%, 0.75%

LAB 76.21, 3.81, -4.93

 

CMYK 39 / 37 / 0 / 7

HEX #9197EE

RGB 145 151 238

HSL 236.13, 0.73%, 0.75%

LAB 65.22, 18.82, -44.48

 

CMYK 32 / 39 / 0 / 7

HEX #A391EE

RGB 163 145 238

HSL 251.61, 0.73%, 0.75%

LAB 65.13, 27.06, -44.53

 

CMYK 21 / 39 / 0 / 7

HEX #BC91EE

RGB 188 145 238

HSL 267.74, 0.73%, 0.75%

LAB 67.36, 34.08, -40.87

 

CMYK 11 / 39 / 0 / 7

HEX #D591EE

RGB 213 145 238

HSL 283.87, 0.73%, 0.75%

LAB 69.87, 41.4, -36.76

 

CMYK 0 / 39 / 0 / 7

HEX #EE91EE

RGB 238 145 238

HSL 300, 0.73%, 0.75%

LAB 72.63, 48.84, -32.28

 

CMYK 36 / 68 / 0 / 11

HEX #9149E3

RGB 145 73 227

HSL 268.05, 0.73%, 0.59%

LAB 47.41, 59.09, -66.8

 

CMYK 28 / 53 / 0 / 9

HEX #A76DE8

RGB 167 109 232

HSL 268.29, 0.73%, 0.67%

LAB 57.05, 46.77, -53.96

 

CMYK 21 / 39 / 0 / 7

HEX #BC91EE

RGB 188 145 238

HSL 267.74, 0.73%, 0.75%

LAB 67.36, 34.08, -40.87

 

CMYK 14 / 26 / 0 / 5

HEX #D2B4F3

RGB 210 180 243

HSL 268.57, 0.72%, 0.83%

LAB 77.77, 22.55, -27.33

 

CMYK 7 / 13 / 0 / 2

HEX #E7D8F9

RGB 231 216 249

HSL 267.27, 0.73%, 0.91%

LAB 88.42, 11.15, -14.22

 

CMYK 21 / 39 / 0 / 7

HEX #BC90EE

RGB 188 144 238

HSL 268.09, 0.73%, 0.75%

LAB 67.13, 34.63, -41.22

 

CMYK 0 / 39 / 26 / 7

HEX #EE91B0

RGB 238 145 176

HSL 340, 0.73%, 0.75%

LAB 70.57, 38.98, -1.13

 

CMYK 39 / 0 / 37 / 7

HEX #91EE97

RGB 145 238 151

HSL 123.87, 0.73%, 0.75%

LAB 86.7, -44.96, 33.65

 

CMYK 21 / 39 / 0 / 7

HEX #BC90EE

RGB 188 144 238

HSL 268.09, 0.73%, 0.75%

LAB 67.13, 34.63, -41.22

 

CMYK 0 / 21 / 39 / 7

HEX #EEBC91

RGB 238 188 145

HSL 27.74, 0.73%, 0.75%

LAB 79.72, 12.37, 28.61

 

CMYK 39 / 0 / 21 / 7

HEX #91EEBC

RGB 145 238 188

HSL 147.74, 0.73%, 0.75%

LAB 87.39, -38.46, 15.63

 

CMYK 21 / 39 / 0 / 7

HEX #BC90EE

RGB 188 144 238

HSL 268.09, 0.73%, 0.75%

LAB 67.13, 34.63, -41.22

 

CMYK 0 / 39 / 26 / 7

HEX #EE91B0

RGB 238 145 176

HSL 340, 0.73%, 0.75%

LAB 70.57, 38.98, -1.13

 

CMYK 18 / 0 / 39 / 7

HEX #C2EE91

RGB 194 238 145

HSL 88.39, 0.73%, 0.75%

LAB 89.23, -29.66, 40.45

 

CMYK 39 / 0 / 13 / 7

HEX #91EECF

RGB 145 238 207

HSL 160, 0.73%, 0.75%

LAB 87.81, -34.59, 6.33

 

CMYK 21 / 39 / 0 / 7

HEX #BC90EE

RGB 188 144 238

HSL 268.09, 0.73%, 0.75%

LAB 67.13, 34.63, -41.22

 

CMYK 0 / 39 / 38 / 7

HEX #EE9194

RGB 238 145 148

HSL 358.06, 0.73%, 0.75%

LAB 69.87, 35.45, 13.48

 

CMYK 18 / 0 / 39 / 7

HEX #C2EE91

RGB 194 238 145

HSL 88.39, 0.73%, 0.75%

LAB 89.23, -29.66, 40.45

 

CMYK 39 / 0 / 1 / 7

HEX #91EEEB

RGB 145 238 235

HSL 178.06, 0.73%, 0.75%

LAB 88.53, -28.29, -7.27

 

Description

Color code: HEX #BC90EE00 | qconv.com Color code: HEX #BC90EE00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 144 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 144 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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