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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8A8D it is the complementary color #437572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8A8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8A8D shade: #C18A88, #D29C9B, #E3AEAE, #F4C0C1 and #FFD2D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8A8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8A8D shade: #BC8A8D, #AB787A, #9A6667, #895454 and #784241

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8A8D shade: #BB8A8D and #BB8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8A8D shade: #BB8A8D, #BB8A9A, #BB8AA8, #BB8AB5 and #B58ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8A8D shade matches the following richer shades: #BB8A8D, #CA7B80, #D96C73, #E85D66 and #F74F59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8A8D shade: #BB8A8D, #AD999A, #9EA8A7, #8FB6B4 and #80C5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8A8D shade: #BB8AA8, #BB8A9A, #BB8A8D, #BB948A and #BBA18A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8A8D shade: #9A595C, #AC7073, #BB8A8D, #CBA4A6 and #DABEC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8A8D shade: #BC8A8D, #B5BB8A and #8AA1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8A8D shade: #BC8A8D, #8DBB8A and #8A8DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8A8D shade: #BC8A8D, #B5BB8A, #8ABBB8 and #918ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8A8D shade: #BC8A8D, #A6BB8A, #8ABBB8 and #9F8ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 25 / 26

HEX #BC8A8D

RGB 188 138 141

HSL 356.4, 0.27%, 0.64%

LAB 62.33, 19.5, 5.91

 

Complementary color

CMYK 43 / 0 / 3 / 54

HEX #437572

RGB 67 117 114

HSL 176.4, 0.27%, 0.36%

LAB 45.81, -17.62, -3.64

 

CMYK 0 / 28 / 30 / 24

HEX #C18A88

RGB 193 138 136

HSL 2.11, 0.31%, 0.65%

LAB 62.75, 20.71, 9.42

 

CMYK 0 / 26 / 26 / 18

HEX #D29C9B

RGB 210 156 155

HSL 1.09, 0.38%, 0.72%

LAB 69.36, 19.98, 8.41

 

CMYK 0 / 23 / 23 / 11

HEX #E3AEAE

RGB 227 174 174

HSL 0, 0.49%, 0.79%

LAB 75.86, 19.33, 7.49

 

CMYK 0 / 21 / 21 / 4

HEX #F4C0C1

RGB 244 192 193

HSL 358.85, 0.7%, 0.85%

LAB 82.26, 18.74, 6.63

 

CMYK 0 / 18 / 17 / 0

HEX #FFD2D4

RGB 255 210 212

HSL 357.33, 1%, 0.91%

LAB 88.02, 16.07, 4.95

 

CMYK 0 / 27 / 25 / 26

HEX #BC8A8D

RGB 188 138 141

HSL 356.4, 0.27%, 0.64%

LAB 62.33, 19.5, 5.91

 

CMYK 0 / 30 / 29 / 33

HEX #AB787A

RGB 171 120 122

HSL 357.65, 0.23%, 0.57%

LAB 55.58, 20.25, 6.91

 

CMYK 0 / 34 / 33 / 40

HEX #9A6667

RGB 154 102 103

HSL 358.85, 0.2%, 0.5%

LAB 48.7, 21.1, 8.03

 

CMYK 0 / 39 / 39 / 46

HEX #895454

RGB 137 84 84

HSL 0, 0.24%, 0.43%

LAB 41.69, 22.07, 9.33

 

CMYK 0 / 45 / 46 / 53

HEX #784241

RGB 120 66 65

HSL 1.09, 0.3%, 0.36%

LAB 34.54, 23.18, 10.88

 

CMYK 0 / 26 / 25 / 27

HEX #BB8A8D

RGB 187 138 141

HSL 356.33, 0.26%, 0.64%

LAB 62.22, 19.12, 5.74

 

CMYK 0 / 26 / 26 / 27

HEX #BB8A8A

RGB 187 138 138

HSL 0, 0.26%, 0.64%

LAB 62.15, 18.68, 7.34

 

CMYK 0 / 26 / 25 / 27

HEX #BB8A8D

RGB 187 138 141

HSL 356.33, 0.26%, 0.64%

LAB 62.22, 19.12, 5.74

 

CMYK 0 / 26 / 18 / 27

HEX #BB8A9A

RGB 187 138 154

HSL 340.41, 0.26%, 0.64%

LAB 62.57, 21.13, -1.15

 

CMYK 0 / 26 / 10 / 27

HEX #BB8AA8

RGB 187 138 168

HSL 323.27, 0.26%, 0.64%

LAB 62.98, 23.47, -8.49

 

CMYK 0 / 26 / 3 / 27

HEX #BB8AB5

RGB 187 138 181

HSL 307.35, 0.26%, 0.64%

LAB 63.41, 25.82, -15.21

 

CMYK 3 / 26 / 0 / 27

HEX #B58ABB

RGB 181 138 187

HSL 292.65, 0.26%, 0.64%

LAB 63, 24.93, -19.27

 

CMYK 0 / 26 / 25 / 27

HEX #BB8A8D

RGB 187 138 141

HSL 356.33, 0.26%, 0.64%

LAB 62.22, 19.12, 5.74

 

CMYK 0 / 39 / 37 / 21

HEX #CA7B80

RGB 202 123 128

HSL 356.2, 0.43%, 0.64%

LAB 60.14, 31.33, 10.43

 

CMYK 0 / 50 / 47 / 15

HEX #D96C73

RGB 217 108 115

HSL 356.15, 0.59%, 0.64%

LAB 58.71, 43.3, 16.23

 

CMYK 0 / 60 / 56 / 9

HEX #E85D66

RGB 232 93 102

HSL 356.12, 0.75%, 0.64%

LAB 57.98, 54.52, 23.15

 

CMYK 0 / 68 / 64 / 3

HEX #F74F59

RGB 247 79 89

HSL 356.43, 0.91%, 0.64%

LAB 58.12, 64.23, 31.31

 

CMYK 0 / 26 / 25 / 27

HEX #BB8A8D

RGB 187 138 141

HSL 356.33, 0.26%, 0.64%

LAB 62.22, 19.12, 5.74

 

CMYK 0 / 12 / 11 / 32

HEX #AD999A

RGB 173 153 154

HSL 357, 0.11%, 0.64%

LAB 64.96, 7.55, 2.17

 

CMYK 6 / 0 / 1 / 34

HEX #9EA8A7

RGB 158 168 167

HSL 174, 0.05%, 0.64%

LAB 68.07, -3.71, -0.71

 

CMYK 21 / 0 / 1 / 29

HEX #8FB6B4

RGB 143 182 180

HSL 176.92, 0.21%, 0.64%

LAB 71.28, -13.45, -3.3

 

CMYK 35 / 0 / 2 / 23

HEX #80C5C1

RGB 128 197 193

HSL 176.52, 0.37%, 0.64%

LAB 75.06, -22.56, -4.9

 

CMYK 0 / 26 / 10 / 27

HEX #BB8AA8

RGB 187 138 168

HSL 323.27, 0.26%, 0.64%

LAB 62.98, 23.47, -8.49

 

CMYK 0 / 26 / 18 / 27

HEX #BB8A9A

RGB 187 138 154

HSL 340.41, 0.26%, 0.64%

LAB 62.57, 21.13, -1.15

 

CMYK 0 / 26 / 25 / 27

HEX #BB8A8D

RGB 187 138 141

HSL 356.33, 0.26%, 0.64%

LAB 62.22, 19.12, 5.74

 

CMYK 0 / 21 / 26 / 27

HEX #BB948A

RGB 187 148 138

HSL 12.24, 0.26%, 0.64%

LAB 64.63, 13.13, 10.86

 

CMYK 0 / 14 / 26 / 27

HEX #BBA18A

RGB 187 161 138

HSL 28.16, 0.26%, 0.64%

LAB 67.94, 5.97, 15.51

 

CMYK 0 / 42 / 40 / 40

HEX #9A595C

RGB 154 89 92

HSL 357.23, 0.27%, 0.48%

LAB 45.34, 27.08, 9.91

 

CMYK 0 / 35 / 33 / 33

HEX #AC7073

RGB 172 112 115

HSL 357, 0.27%, 0.56%

LAB 53.6, 24.18, 8.19

 

CMYK 0 / 26 / 25 / 27

HEX #BB8A8D

RGB 187 138 141

HSL 356.33, 0.26%, 0.64%

LAB 62.22, 19.12, 5.74

 

CMYK 0 / 19 / 18 / 20

HEX #CBA4A6

RGB 203 164 166

HSL 356.92, 0.27%, 0.72%

LAB 70.87, 14.64, 4.39

 

CMYK 0 / 13 / 12 / 15

HEX #DABEC0

RGB 218 190 192

HSL 355.71, 0.27%, 0.8%

LAB 79.35, 10.26, 2.65

 

CMYK 0 / 27 / 25 / 26

HEX #BC8A8D

RGB 188 138 141

HSL 356.4, 0.27%, 0.64%

LAB 62.33, 19.5, 5.91

 

CMYK 3 / 0 / 26 / 27

HEX #B5BB8A

RGB 181 187 138

HSL 67.35, 0.26%, 0.64%

LAB 74.32, -10.24, 24.19

 

CMYK 26 / 14 / 0 / 27

HEX #8AA1BB

RGB 138 161 187

HSL 211.84, 0.26%, 0.64%

LAB 65.34, -2.07, -16.06

 

CMYK 0 / 27 / 25 / 26

HEX #BC8A8D

RGB 188 138 141

HSL 356.4, 0.27%, 0.64%

LAB 62.33, 19.5, 5.91

 

CMYK 25 / 0 / 26 / 27

HEX #8DBB8A

RGB 141 187 138

HSL 116.33, 0.26%, 0.64%

LAB 71.58, -24.87, 20.01

 

CMYK 26 / 25 / 0 / 27

HEX #8A8DBB

RGB 138 141 187

HSL 236.33, 0.26%, 0.64%

LAB 59.93, 9.25, -24.31

 

CMYK 0 / 27 / 25 / 26

HEX #BC8A8D

RGB 188 138 141

HSL 356.4, 0.27%, 0.64%

LAB 62.33, 19.5, 5.91

 

CMYK 3 / 0 / 26 / 27

HEX #B5BB8A

RGB 181 187 138

HSL 67.35, 0.26%, 0.64%

LAB 74.32, -10.24, 24.19

 

CMYK 26 / 0 / 2 / 27

HEX #8ABBB8

RGB 138 187 184

HSL 176.33, 0.26%, 0.64%

LAB 72.5, -16.69, -3.72

 

CMYK 22 / 26 / 0 / 27

HEX #918ABB

RGB 145 138 187

HSL 248.57, 0.26%, 0.64%

LAB 59.69, 13.16, -24.62

 

CMYK 0 / 27 / 25 / 26

HEX #BC8A8D

RGB 188 138 141

HSL 356.4, 0.27%, 0.64%

LAB 62.33, 19.5, 5.91

 

CMYK 11 / 0 / 26 / 27

HEX #A6BB8A

RGB 166 187 138

HSL 85.71, 0.26%, 0.64%

LAB 73.21, -15.91, 22.5

 

CMYK 26 / 0 / 2 / 27

HEX #8ABBB8

RGB 138 187 184

HSL 176.33, 0.26%, 0.64%

LAB 72.5, -16.69, -3.72

 

CMYK 15 / 26 / 0 / 27

HEX #9F8ABB

RGB 159 138 187

HSL 265.71, 0.26%, 0.64%

LAB 60.9, 17.65, -22.66

 

Description

Color code: HEX #BC8A8D | qconv.com Color code: HEX #BC8A8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 138 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 138 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 25 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 25% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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