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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8A7D it is the complementary color #437582. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8A7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8A7D shade: #C18A78, #D29C8B, #E3AE9E, #F4C0B1 and #FFD2C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8A7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8A7D shade: #BC8A7D, #AB786A, #9A6657, #895444 and #784231

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8A7D shade: #BB897C and #BB7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8A7D shade: #BB897C, #BB9A7C, #BBAB7C, #BABB7C and #A9BB7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8A7D shade matches the following richer shades: #BB897C, #CB7F6C, #DC765C, #EC6D4B and #FC633B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8A7D shade: #BB897C, #AB928C, #9B9C9C, #8BA5AC and #7BAFBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8A7D shade: #BB7C91, #BB7C80, #BB887C, #BB997C and #BBAA7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8A7D shade: #975D4E, #AD7060, #BB897C, #C9A197 and #D7BAB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8A7D shade: #BC8A7D, #A2BB7C and #7C88BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8A7D shade: #BC8A7D, #7CBB88 and #887CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8A7D shade: #BC8A7D, #A2BB7C, #7CAFBB and #957CBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8A7D shade: #BC8A7D, #8FBB7C, #7CAFBB and #A87CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 34 / 26

HEX #BC8A7D

RGB 188 138 125

HSL 12.38, 0.32%, 0.61%

LAB 61.95, 17.28, 14.45

 

Complementary color

CMYK 48 / 10 / 0 / 49

HEX #437582

RGB 67 117 130

HSL 192.38, 0.32%, 0.39%

LAB 46.35, -13.09, -12.38

 

CMYK 0 / 28 / 38 / 24

HEX #C18A78

RGB 193 138 120

HSL 14.79, 0.37%, 0.61%

LAB 62.4, 18.64, 17.97

 

CMYK 0 / 26 / 34 / 18

HEX #D29C8B

RGB 210 156 139

HSL 14.37, 0.44%, 0.68%

LAB 69, 17.84, 16.77

 

CMYK 0 / 23 / 30 / 11

HEX #E3AE9E

RGB 227 174 158

HSL 13.91, 0.55%, 0.75%

LAB 75.5, 17.13, 15.68

 

CMYK 0 / 21 / 27 / 4

HEX #F4C0B1

RGB 244 192 177

HSL 13.43, 0.75%, 0.83%

LAB 81.9, 16.49, 14.67

 

CMYK 0 / 18 / 23 / 0

HEX #FFD2C4

RGB 255 210 196

HSL 14.24, 1%, 0.88%

LAB 87.65, 13.73, 12.86

 

CMYK 0 / 27 / 34 / 26

HEX #BC8A7D

RGB 188 138 125

HSL 12.38, 0.32%, 0.61%

LAB 61.95, 17.28, 14.45

 

CMYK 0 / 30 / 38 / 33

HEX #AB786A

RGB 171 120 106

HSL 12.92, 0.28%, 0.54%

LAB 55.21, 18.11, 15.66

 

CMYK 0 / 34 / 44 / 40

HEX #9A6657

RGB 154 102 87

HSL 13.43, 0.28%, 0.47%

LAB 48.34, 19.08, 17.03

 

CMYK 0 / 39 / 50 / 46

HEX #895444

RGB 137 84 68

HSL 13.91, 0.34%, 0.4%

LAB 41.34, 20.21, 18.61

 

CMYK 0 / 45 / 59 / 53

HEX #784231

RGB 120 66 49

HSL 14.37, 0.42%, 0.33%

LAB 34.21, 21.54, 20.47

 

CMYK 0 / 27 / 34 / 27

HEX #BB897C

RGB 187 137 124

HSL 12.38, 0.32%, 0.61%

LAB 61.58, 17.31, 14.47

 

CMYK 0 / 34 / 34 / 27

HEX #BB7C7C

RGB 187 124 124

HSL 0, 0.32%, 0.61%

LAB 58.45, 24.53, 10.08

 

CMYK 0 / 27 / 34 / 27

HEX #BB897C

RGB 187 137 124

HSL 12.38, 0.32%, 0.61%

LAB 61.58, 17.31, 14.47

 

CMYK 0 / 18 / 34 / 27

HEX #BB9A7C

RGB 187 154 124

HSL 28.57, 0.32%, 0.61%

LAB 65.85, 7.91, 20.36

 

CMYK 0 / 9 / 34 / 27

HEX #BBAB7C

RGB 187 171 124

HSL 44.76, 0.32%, 0.61%

LAB 70.28, -1.31, 26.33

 

CMYK 1 / 0 / 34 / 27

HEX #BABB7C

RGB 186 187 124

HSL 60.95, 0.32%, 0.61%

LAB 74.47, -10.14, 31.85

 

CMYK 10 / 0 / 34 / 27

HEX #A9BB7C

RGB 169 187 124

HSL 77.14, 0.32%, 0.61%

LAB 73.17, -16.77, 29.91

 

CMYK 0 / 27 / 34 / 27

HEX #BB897C

RGB 187 137 124

HSL 12.38, 0.32%, 0.61%

LAB 61.58, 17.31, 14.47

 

CMYK 0 / 37 / 47 / 20

HEX #CB7F6C

RGB 203 127 108

HSL 12, 0.48%, 0.61%

LAB 60.74, 27.33, 22.68

 

CMYK 0 / 46 / 58 / 14

HEX #DC765C

RGB 220 118 92

HSL 12.19, 0.65%, 0.61%

LAB 60.73, 37.35, 32.05

 

CMYK 0 / 54 / 68 / 7

HEX #EC6D4B

RGB 236 109 75

HSL 12.67, 0.81%, 0.61%

LAB 61.03, 46.79, 42.18

 

CMYK 0 / 61 / 77 / 1

HEX #FC633B

RGB 252 99 59

HSL 12.44, 0.97%, 0.61%

LAB 61.6, 56.36, 51.72

 

CMYK 0 / 27 / 34 / 27

HEX #BB897C

RGB 187 137 124

HSL 12.38, 0.32%, 0.61%

LAB 61.58, 17.31, 14.47

 

CMYK 0 / 15 / 18 / 33

HEX #AB928C

RGB 171 146 140

HSL 11.61, 0.16%, 0.61%

LAB 62.6, 8.34, 6.63

 

CMYK 1 / 0 / 0 / 39

HEX #9B9C9C

RGB 155 156 156

HSL 180, 0.01%, 0.61%

LAB 64.28, -0.36, -0.13

 

CMYK 19 / 4 / 0 / 33

HEX #8BA5AC

RGB 139 165 172

HSL 192.73, 0.17%, 0.61%

LAB 66.04, -7.43, -6.63

 

CMYK 35 / 7 / 0 / 26

HEX #7BAFBC

RGB 123 175 188

HSL 192, 0.33%, 0.61%

LAB 68.39, -13.84, -12.12

 

CMYK 0 / 34 / 22 / 27

HEX #BB7C91

RGB 187 124 145

HSL 340, 0.32%, 0.61%

LAB 59, 27.49, -1.23

 

CMYK 0 / 34 / 32 / 27

HEX #BB7C80

RGB 187 124 128

HSL 356.19, 0.32%, 0.61%

LAB 58.54, 25.06, 7.92

 

CMYK 0 / 27 / 34 / 27

HEX #BB887C

RGB 187 136 124

HSL 11.43, 0.32%, 0.61%

LAB 61.33, 17.86, 14.13

 

CMYK 0 / 18 / 34 / 27

HEX #BB997C

RGB 187 153 124

HSL 27.62, 0.32%, 0.61%

LAB 65.59, 8.46, 20.01

 

CMYK 0 / 9 / 34 / 27

HEX #BBAA7C

RGB 187 170 124

HSL 43.81, 0.32%, 0.61%

LAB 70.01, -0.78, 25.98

 

CMYK 0 / 38 / 48 / 41

HEX #975D4E

RGB 151 93 78

HSL 12.33, 0.32%, 0.45%

LAB 45.58, 21.99, 18.58

 

CMYK 0 / 35 / 45 / 32

HEX #AD7060

RGB 173 112 96

HSL 12.47, 0.32%, 0.53%

LAB 53.29, 22.27, 18.88

 

CMYK 0 / 27 / 34 / 27

HEX #BB897C

RGB 187 137 124

HSL 12.38, 0.32%, 0.61%

LAB 61.58, 17.31, 14.47

 

CMYK 0 / 20 / 25 / 21

HEX #C9A197

RGB 201 161 151

HSL 12, 0.32%, 0.69%

LAB 69.57, 13.26, 10.8

 

CMYK 0 / 13 / 17 / 16

HEX #D7BAB2

RGB 215 186 178

HSL 12.97, 0.32%, 0.77%

LAB 77.74, 9.07, 7.86

 

CMYK 0 / 27 / 34 / 26

HEX #BC8A7D

RGB 188 138 125

HSL 12.38, 0.32%, 0.61%

LAB 61.95, 17.28, 14.45

 

CMYK 13 / 0 / 34 / 27

HEX #A2BB7C

RGB 162 187 124

HSL 83.81, 0.32%, 0.61%

LAB 72.68, -19.44, 29.17

 

CMYK 34 / 27 / 0 / 27

HEX #7C88BB

RGB 124 136 187

HSL 228.57, 0.32%, 0.61%

LAB 57.54, 7.94, -28.08

 

CMYK 0 / 27 / 34 / 26

HEX #BC8A7D

RGB 188 138 125

HSL 12.38, 0.32%, 0.61%

LAB 61.95, 17.28, 14.45

 

CMYK 34 / 0 / 27 / 27

HEX #7CBB88

RGB 124 187 136

HSL 131.43, 0.32%, 0.61%

LAB 70.6, -30.85, 19.58

 

CMYK 27 / 34 / 0 / 27

HEX #887CBB

RGB 136 124 187

HSL 251.43, 0.32%, 0.61%

LAB 55.32, 18.55, -31.46

 

CMYK 0 / 27 / 34 / 26

HEX #BC8A7D

RGB 188 138 125

HSL 12.38, 0.32%, 0.61%

LAB 61.95, 17.28, 14.45

 

CMYK 13 / 0 / 34 / 27

HEX #A2BB7C

RGB 162 187 124

HSL 83.81, 0.32%, 0.61%

LAB 72.68, -19.44, 29.17

 

CMYK 34 / 6 / 0 / 27

HEX #7CAFBB

RGB 124 175 187

HSL 191.43, 0.32%, 0.61%

LAB 68.41, -13.8, -11.52

 

CMYK 20 / 34 / 0 / 27

HEX #957CBB

RGB 149 124 187

HSL 263.81, 0.32%, 0.61%

LAB 56.48, 22.53, -29.56

 

CMYK 0 / 27 / 34 / 26

HEX #BC8A7D

RGB 188 138 125

HSL 12.38, 0.32%, 0.61%

LAB 61.95, 17.28, 14.45

 

CMYK 24 / 0 / 34 / 27

HEX #8FBB7C

RGB 143 187 124

HSL 101.9, 0.32%, 0.61%

LAB 71.44, -26.43, 27.31

 

CMYK 34 / 6 / 0 / 27

HEX #7CAFBB

RGB 124 175 187

HSL 191.43, 0.32%, 0.61%

LAB 68.41, -13.8, -11.52

 

CMYK 10 / 34 / 0 / 27

HEX #A87CBB

RGB 168 124 187

HSL 281.9, 0.32%, 0.61%

LAB 58.35, 28.55, -26.52

 

Description

Color code: HEX #BC8A7D | qconv.com Color code: HEX #BC8A7D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 138 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 138 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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