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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8902 it is the complementary color #4376FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8902. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8902 shade: #C18900, #D29B10, #E3AD23, #F4BF36 and #FFD149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8902. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8902 shade: #BC8902, #AB7700, #9A6500, #895300 and #784100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8902 shade: #BB8802, #BB5602, #BB2402 and #BB0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8902 shade: #BB8802, #BBBA02, #8ABB02, #58BB02 and #26BB02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8902 shade matches the following richer shades: #BB8802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8902 shade: #BB8802, #AC8111, #9C7A20, #8D7330 and #7E6D3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8902 shade: #BB2402, #BB5502, #BB8602, #BBB802 and #8DBB02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8902 shade: #694D01, #926A01, #BB8802, #E4A602 and #FDBC13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8902 shade: #BC8902, #11BB02 and #3C02BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8902 shade: #BC8902, #02BB86 and #8602BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8902 shade: #BC8902, #11BB02, #0236BB and #AB02BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8902 shade: #BC8902, #02BB2A, #0236BB and #BB0293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 99 / 26

HEX #BC8902

RGB 188 137 2

HSL 43.55, 0.98%, 0.37%

LAB 60.42, 9.9, 65.21

 

Complementary color

CMYK 74 / 53 / 0 / 1

HEX #4376FD

RGB 67 118 253

HSL 223.55, 0.98%, 0.63%

LAB 53.21, 28.4, -72.2

 

CMYK 0 / 29 / 100 / 24

HEX #C18900

RGB 193 137 0

HSL 42.59, 1%, 0.38%

LAB 60.98, 12.12, 66.18

 

CMYK 0 / 26 / 92 / 18

HEX #D29B10

RGB 210 155 16

HSL 42.99, 0.86%, 0.44%

LAB 67.41, 10.07, 69.25

 

CMYK 0 / 24 / 85 / 11

HEX #E3AD23

RGB 227 173 35

HSL 43.13, 0.77%, 0.51%

LAB 73.77, 8.26, 70.79

 

CMYK 0 / 22 / 78 / 4

HEX #F4BF36

RGB 244 191 54

HSL 43.26, 0.9%, 0.58%

LAB 80.05, 6.68, 71.16

 

CMYK 0 / 18 / 71 / 0

HEX #FFD149

RGB 255 209 73

HSL 44.84, 1%, 0.64%

LAB 85.68, 2.8, 70.07

 

CMYK 0 / 27 / 99 / 26

HEX #BC8902

RGB 188 137 2

HSL 43.55, 0.98%, 0.37%

LAB 60.42, 9.9, 65.21

 

CMYK 0 / 30 / 100 / 33

HEX #AB7700

RGB 171 119 0

HSL 41.75, 1%, 0.34%

LAB 53.87, 12.18, 60.16

 

CMYK 0 / 34 / 100 / 40

HEX #9A6500

RGB 154 101 0

HSL 39.35, 1%, 0.3%

LAB 47.21, 14.58, 54.71

 

CMYK 0 / 39 / 100 / 46

HEX #895300

RGB 137 83 0

HSL 36.35, 1%, 0.27%

LAB 40.42, 17.11, 49.18

 

CMYK 0 / 46 / 100 / 53

HEX #784100

RGB 120 65 0

HSL 32.5, 1%, 0.24%

LAB 33.51, 19.75, 43.58

 

CMYK 0 / 27 / 99 / 27

HEX #BB8802

RGB 187 136 2

HSL 43.46, 0.98%, 0.37%

LAB 60.05, 10, 64.9

 

CMYK 0 / 54 / 99 / 27

HEX #BB5602

RGB 187 86 2

HSL 27.24, 0.98%, 0.37%

LAB 48.54, 37.09, 57.42

 

CMYK 0 / 81 / 99 / 27

HEX #BB2402

RGB 187 36 2

HSL 11.03, 0.98%, 0.37%

LAB 40.95, 57.46, 53.34

 

CMYK 0 / 99 / 99 / 27

HEX #BB0202

RGB 187 2 2

HSL 0, 0.98%, 0.37%

LAB 38.92, 63.26, 52.47

 

CMYK 0 / 27 / 99 / 27

HEX #BB8802

RGB 187 136 2

HSL 43.46, 0.98%, 0.37%

LAB 60.05, 10, 64.9

 

CMYK 0 / 1 / 99 / 27

HEX #BBBA02

RGB 187 186 2

HSL 59.68, 0.98%, 0.37%

LAB 73.34, -16.55, 74.42

 

CMYK 26 / 0 / 99 / 27

HEX #8ABB02

RGB 138 187 2

HSL 75.89, 0.98%, 0.37%

LAB 70.14, -37.56, 70.47

 

CMYK 53 / 0 / 99 / 27

HEX #58BB02

RGB 88 187 2

HSL 92.11, 0.98%, 0.37%

LAB 67.74, -54.86, 67.56

 

CMYK 80 / 0 / 99 / 27

HEX #26BB02

RGB 38 187 2

HSL 108.32, 0.98%, 0.37%

LAB 66.49, -65.36, 66.03

 

CMYK 0 / 27 / 99 / 27

HEX #BB8802

RGB 187 136 2

HSL 43.46, 0.98%, 0.37%

LAB 60.05, 10, 64.9

 

CMYK 0 / 27 / 99 / 27

HEX #BB8802

RGB 187 136 2

HSL 43.46, 0.98%, 0.37%

LAB 60.05, 10, 64.9

 

CMYK 0 / 25 / 90 / 33

HEX #AC8111

RGB 172 129 17

HSL 43.35, 0.82%, 0.37%

LAB 56.6, 7.29, 58.98

 

CMYK 0 / 22 / 79 / 39

HEX #9C7A20

RGB 156 122 32

HSL 43.55, 0.66%, 0.37%

LAB 53.05, 4.31, 50.76

 

CMYK 0 / 18 / 66 / 45

HEX #8D7330

RGB 141 115 48

HSL 43.23, 0.49%, 0.37%

LAB 49.66, 2.22, 39.88

 

CMYK 0 / 13 / 50 / 51

HEX #7E6D3F

RGB 126 109 63

HSL 43.81, 0.33%, 0.37%

LAB 46.62, 0.1, 28.04

 

CMYK 0 / 81 / 99 / 27

HEX #BB2402

RGB 187 36 2

HSL 11.03, 0.98%, 0.37%

LAB 40.95, 57.46, 53.34

 

CMYK 0 / 55 / 99 / 27

HEX #BB5502

RGB 187 85 2

HSL 26.92, 0.98%, 0.37%

LAB 48.34, 37.6, 57.3

 

CMYK 0 / 28 / 99 / 27

HEX #BB8602

RGB 187 134 2

HSL 42.81, 0.98%, 0.37%

LAB 59.54, 11.1, 64.55

 

CMYK 0 / 2 / 99 / 27

HEX #BBB802

RGB 187 184 2

HSL 59.03, 0.98%, 0.37%

LAB 72.79, -15.54, 74.01

 

CMYK 25 / 0 / 99 / 27

HEX #8DBB02

RGB 141 187 2

HSL 74.92, 0.98%, 0.37%

LAB 70.32, -36.38, 70.68

 

CMYK 0 / 27 / 99 / 59

HEX #694D01

RGB 105 77 1

HSL 43.85, 0.98%, 0.21%

LAB 34.63, 5.25, 42.95

 

CMYK 0 / 27 / 99 / 43

HEX #926A01

RGB 146 106 1

HSL 43.45, 0.99%, 0.29%

LAB 47.52, 7.98, 54.22

 

CMYK 0 / 27 / 99 / 27

HEX #BB8802

RGB 187 136 2

HSL 43.46, 0.98%, 0.37%

LAB 60.05, 10, 64.9

 

CMYK 0 / 27 / 99 / 11

HEX #E4A602

RGB 228 166 2

HSL 43.54, 0.98%, 0.45%

LAB 72.08, 11.91, 75.32

 

CMYK 0 / 26 / 92 / 1

HEX #FDBC13

RGB 253 188 19

HSL 43.33, 0.98%, 0.53%

LAB 80.12, 11.26, 80.22

 

CMYK 0 / 27 / 99 / 26

HEX #BC8902

RGB 188 137 2

HSL 43.55, 0.98%, 0.37%

LAB 60.42, 9.9, 65.21

 

CMYK 91 / 0 / 99 / 27

HEX #11BB02

RGB 17 187 2

HSL 115.14, 0.98%, 0.37%

LAB 66.26, -67.38, 65.76

 

CMYK 68 / 99 / 0 / 27

HEX #3C02BB

RGB 60 2 187

HSL 258.81, 0.98%, 0.37%

LAB 25.54, 63.54, -79.88

 

CMYK 0 / 27 / 99 / 26

HEX #BC8902

RGB 188 137 2

HSL 43.55, 0.98%, 0.37%

LAB 60.42, 9.9, 65.21

 

CMYK 99 / 0 / 28 / 27

HEX #02BB86

RGB 2 187 134

HSL 162.81, 0.98%, 0.37%

LAB 67.48, -52.39, 15.87

 

CMYK 28 / 99 / 0 / 27

HEX #8602BB

RGB 134 2 187

HSL 282.81, 0.98%, 0.37%

LAB 35.4, 69.89, -63.28

 

CMYK 0 / 27 / 99 / 26

HEX #BC8902

RGB 188 137 2

HSL 43.55, 0.98%, 0.37%

LAB 60.42, 9.9, 65.21

 

CMYK 91 / 0 / 99 / 27

HEX #11BB02

RGB 17 187 2

HSL 115.14, 0.98%, 0.37%

LAB 66.26, -67.38, 65.76

 

CMYK 99 / 71 / 0 / 27

HEX #0236BB

RGB 2 54 187

HSL 223.14, 0.98%, 0.37%

LAB 30.01, 40.18, -72.55

 

CMYK 9 / 99 / 0 / 27

HEX #AB02BB

RGB 171 2 187

HSL 294.81, 0.98%, 0.37%

LAB 41.67, 75.1, -52.81

 

CMYK 0 / 27 / 99 / 26

HEX #BC8902

RGB 188 137 2

HSL 43.55, 0.98%, 0.37%

LAB 60.42, 9.9, 65.21

 

CMYK 99 / 0 / 78 / 27

HEX #02BB2A

RGB 2 187 42

HSL 132.97, 0.98%, 0.37%

LAB 66.31, -66.51, 57.7

 

CMYK 99 / 71 / 0 / 27

HEX #0236BB

RGB 2 54 187

HSL 223.14, 0.98%, 0.37%

LAB 30.01, 40.18, -72.55

 

CMYK 0 / 99 / 21 / 27

HEX #BB0293

RGB 187 2 147

HSL 312.97, 0.98%, 0.37%

LAB 42.33, 72.24, -27.66

 

Description

Color code: HEX #BC8902 | qconv.com Color code: HEX #BC8902 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 137 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 137 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 99 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 99% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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