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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC81FACE it is the complementary color #437E05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC81FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC81FACE shade: #C181F5CE, #D293FFCE, #E3A5FFCE, #F4B7FFCE and #FFC9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC81FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC81FACE shade: #BC81FACE, #AB6FE7CE, #9A5DD4CE, #894BC1CE and #7839AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC81FACE shade: #BB80FA, #DC80FA, #FA80F6, #FA80D6 and #FA80B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC81FACE shade: #BB80FA, #9A80FA and #8080FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC81FACE shade matches the following richer shades: #BB80FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC81FACE shade: #BB80FA, #BB8AEF, #BC95E4, #BCA0DA and #BCABCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC81FACE shade: #8086FA, #9A80FA, #BB80FA, #DB80FA and #FA80F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC81FACE shade: #9130F6, #A658F8, #BB80FA, #D0A7FB and #E5CFFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC81FACE shade: #BC81FA, #FA80A6 and #80FA8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC81FACE shade: #BC81FA, #FABB80 and #80FABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC81FACE shade: #BC81FA, #FA80A6, #BFFA80 and #80FAD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC81FACE shade: #BC81FA, #FA8082, #BFFA80 and #80FAF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 39 / 0 / 2

HEX #BC81FACE

RGBA 188 129 250 0.81

HSLA 269.26, 0.92%, 0.74%, 0.81

LABA 64.4, 45.58, -52.13, 0.81

 

Complementary color

CMYK 38 / 0 / 78 / 41

HEX #437E05CE

RGBA 67 126 5 0.81

HSLA 89.26, 0.92%, 0.26%, 0.81

LABA 47.14, -37.67, 50.26, 0.81

 

CMYK 17 / 38 / 0 / 3

HEX #C181F5CE

RGBA 193 129 245 0.81

HSLA 273.1, 0.85%, 0.73%, 0.81

LABA 64.67, 45.77, -48.92, 0.81

 

CMYK 14 / 34 / 0 / 0

HEX #D293FFCE

RGBA 210 147 255 0.81

HSLA 275, 1%, 0.79%, 0.81

LABA 70.73, 43, -44.73, 0.81

 

CMYK 9 / 29 / 0 / 0

HEX #E3A5FFCE

RGBA 227 165 255 0.81

HSLA 281.33, 1%, 0.82%, 0.81

LABA 76.35, 38.31, -35.84, 0.81

 

CMYK 3 / 23 / 0 / 0

HEX #F4B7FFCE

RGBA 244 183 255 0.81

HSLA 290.83, 1%, 0.86%, 0.81

LABA 82.01, 33.94, -26.99, 0.81

 

CMYK 0 / 17 / 0 / 0

HEX #FFC9FFCE

RGBA 255 201 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 87.12, 27.95, -19.13, 0.81

 

CMYK 20 / 39 / 0 / 2

HEX #BC81FACE

RGBA 188 129 250 0.81

HSLA 269.26, 0.92%, 0.74%, 0.81

LABA 64.4, 45.58, -52.13, 0.81

 

CMYK 21 / 42 / 0 / 8

HEX #AB6FE7CE

RGBA 171 111 231 0.81

HSLA 270, 0.71%, 0.67%, 0.81

LABA 57.84, 46.47, -52.12, 0.81

 

CMYK 22 / 45 / 0 / 14

HEX #9A5DD4CE

RGBA 154 93 212 0.81

HSLA 270.76, 0.58%, 0.6%, 0.81

LABA 51.21, 47.38, -52.09, 0.81

 

CMYK 24 / 50 / 0 / 20

HEX #894BC1CE

RGBA 137 75 193 0.81

HSLA 271.53, 0.49%, 0.53%, 0.81

LABA 44.52, 48.25, -52, 0.81

 

CMYK 25 / 54 / 0 / 26

HEX #7839AECE

RGBA 120 57 174 0.81

HSLA 272.31, 0.51%, 0.45%, 0.81

LABA 37.8, 48.99, -51.76, 0.81

 

CMYK 25 / 49 / 0 / 2

HEX #BB80FA

RGB 187 128 250

HSL 269.02, 0.92%, 0.74%

LAB 64.08, 45.85, -52.63

 

CMYK 12 / 49 / 0 / 2

HEX #DC80FA

RGB 220 128 250

HSL 285.25, 0.92%, 0.74%

LAB 67.69, 54.62, -46.69

 

CMYK 0 / 49 / 2 / 2

HEX #FA80F6

RGB 250 128 246

HSL 301.97, 0.92%, 0.74%

LAB 71.16, 62.06, -38.82

 

CMYK 0 / 49 / 14 / 2

HEX #FA80D6

RGB 250 128 214

HSL 317.7, 0.92%, 0.74%

LAB 69.91, 56.91, -23.12

 

CMYK 0 / 49 / 28 / 2

HEX #FA80B5

RGB 250 128 181

HSL 333.93, 0.92%, 0.74%

LAB 68.82, 52.26, -6.33

 

CMYK 25 / 49 / 0 / 2

HEX #BB80FA

RGB 187 128 250

HSL 269.02, 0.92%, 0.74%

LAB 64.08, 45.85, -52.63

 

CMYK 38 / 49 / 0 / 2

HEX #9A80FA

RGB 154 128 250

HSL 252.79, 0.92%, 0.74%

LAB 60.97, 37.56, -57.78

 

CMYK 49 / 49 / 0 / 2

HEX #8080FA

RGB 128 128 250

HSL 240, 0.92%, 0.74%

LAB 58.91, 31.62, -61.19

 

CMYK 25 / 49 / 0 / 2

HEX #BB80FA

RGB 187 128 250

HSL 269.02, 0.92%, 0.74%

LAB 64.08, 45.85, -52.63

 

CMYK 25 / 49 / 0 / 2

HEX #BB80FA

RGB 187 128 250

HSL 269.02, 0.92%, 0.74%

LAB 64.08, 45.85, -52.63

 

CMYK 22 / 42 / 0 / 6

HEX #BB8AEF

RGB 187 138 239

HSL 269.11, 0.76%, 0.74%

LAB 65.73, 37.89, -43.99

 

CMYK 18 / 35 / 0 / 11

HEX #BC95E4

RGB 188 149 228

HSL 269.62, 0.59%, 0.74%

LAB 67.86, 29.63, -34.59

 

CMYK 14 / 27 / 0 / 15

HEX #BCA0DA

RGB 188 160 218

HSL 268.97, 0.44%, 0.74%

LAB 70.1, 21.33, -25.63

 

CMYK 9 / 17 / 0 / 19

HEX #BCABCF

RGB 188 171 207

HSL 268.33, 0.27%, 0.74%

LAB 72.44, 12.94, -16.03

 

CMYK 49 / 46 / 0 / 2

HEX #8086FA

RGB 128 134 250

HSL 237.05, 0.92%, 0.74%

LAB 60.37, 28.09, -58.84

 

CMYK 38 / 49 / 0 / 2

HEX #9A80FA

RGB 154 128 250

HSL 252.79, 0.92%, 0.74%

LAB 60.97, 37.56, -57.78

 

CMYK 25 / 49 / 0 / 2

HEX #BB80FA

RGB 187 128 250

HSL 269.02, 0.92%, 0.74%

LAB 64.08, 45.85, -52.63

 

CMYK 12 / 49 / 0 / 2

HEX #DB80FA

RGB 219 128 250

HSL 284.75, 0.92%, 0.74%

LAB 67.58, 54.35, -46.88

 

CMYK 0 / 49 / 1 / 2

HEX #FA80F8

RGB 250 128 248

HSL 300.98, 0.92%, 0.74%

LAB 71.24, 62.4, -39.78

 

CMYK 41 / 80 / 0 / 4

HEX #9130F6

RGB 145 48 246

HSL 269.39, 0.92%, 0.58%

LAB 45.34, 73.62, -80.88

 

CMYK 33 / 65 / 0 / 3

HEX #A658F8

RGB 166 88 248

HSL 269.25, 0.92%, 0.66%

LAB 53.88, 61.08, -67.99

 

CMYK 25 / 49 / 0 / 2

HEX #BB80FA

RGB 187 128 250

HSL 269.02, 0.92%, 0.74%

LAB 64.08, 45.85, -52.63

 

CMYK 17 / 33 / 0 / 2

HEX #D0A7FB

RGB 208 167 251

HSL 269.29, 0.91%, 0.82%

LAB 74.83, 30.73, -36.18

 

CMYK 9 / 18 / 0 / 1

HEX #E5CFFD

RGB 229 207 253

HSL 268.7, 0.92%, 0.9%

LAB 86.19, 16.05, -19.7

 

CMYK 25 / 48 / 0 / 2

HEX #BC81FA

RGB 188 129 250

HSL 269.26, 0.92%, 0.74%

LAB 64.4, 45.58, -52.13

 

CMYK 0 / 49 / 34 / 2

HEX #FA80A6

RGB 250 128 166

HSL 341.31, 0.92%, 0.74%

LAB 68.4, 50.4, 1.49

 

CMYK 49 / 0 / 45 / 2

HEX #80FA8A

RGB 128 250 138

HSL 124.92, 0.92%, 0.74%

LAB 89.3, -56.59, 43.29

 

CMYK 25 / 48 / 0 / 2

HEX #BC81FA

RGB 188 129 250

HSL 269.26, 0.92%, 0.74%

LAB 64.4, 45.58, -52.13

 

CMYK 0 / 25 / 49 / 2

HEX #FABB80

RGB 250 187 128

HSL 29.02, 0.92%, 0.74%

LAB 80.42, 15.91, 38.62

 

CMYK 49 / 0 / 25 / 2

HEX #80FABB

RGB 128 250 187

HSL 149.02, 0.92%, 0.74%

LAB 90.11, -48.3, 19.86

 

CMYK 25 / 48 / 0 / 2

HEX #BC81FA

RGB 188 129 250

HSL 269.26, 0.92%, 0.74%

LAB 64.4, 45.58, -52.13

 

CMYK 0 / 49 / 34 / 2

HEX #FA80A6

RGB 250 128 166

HSL 341.31, 0.92%, 0.74%

LAB 68.4, 50.4, 1.49

 

CMYK 24 / 0 / 49 / 2

HEX #BFFA80

RGB 191 250 128

HSL 89.02, 0.92%, 0.74%

LAB 92.13, -38.21, 52.21

 

CMYK 49 / 0 / 16 / 2

HEX #80FAD3

RGB 128 250 211

HSL 160.82, 0.92%, 0.74%

LAB 90.63, -43.33, 8.21

 

CMYK 25 / 48 / 0 / 2

HEX #BC81FA

RGB 188 129 250

HSL 269.26, 0.92%, 0.74%

LAB 64.4, 45.58, -52.13

 

CMYK 0 / 49 / 48 / 2

HEX #FA8082

RGB 250 128 130

HSL 359.02, 0.92%, 0.74%

LAB 67.56, 46.6, 20.57

 

CMYK 24 / 0 / 49 / 2

HEX #BFFA80

RGB 191 250 128

HSL 89.02, 0.92%, 0.74%

LAB 92.13, -38.21, 52.21

 

CMYK 49 / 0 / 1 / 2

HEX #80FAF8

RGB 128 250 248

HSL 179.02, 0.92%, 0.74%

LAB 91.57, -34.66, -9.61

 

Description

Color code: HEX #BC81FACE | qconv.com Color code: HEX #BC81FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 129 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 129 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 39 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 39% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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