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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC815F it is the complementary color #437EA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC815F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC815F shade: #C1815A, #D2936D, #E3A580, #F4B793 and #FFC9A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC815F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC815F shade: #BC815F, #AB6F4C, #9A5D39, #894B26 and #783913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC815F shade: #BB805D, #BB665D and #BB5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC815F shade: #BB805D, #BB995D, #BBB25D, #ABBB5D and #91BB5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC815F shade matches the following richer shades: #BB805D, #CE7B4B, #E07638 and #F37126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC815F shade: #BB805D, #A98570, #968A82, #848F95 and #7194A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC815F shade: #BB5D6E, #BB655D, #BB7E5D, #BB975D and #BBB05D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC815F shade: #8C583A, #A96A47, #BB805D, #C7977A and #D4AD97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC815F shade: #BC815F, #88BB5D and #5D62BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC815F shade: #BC815F, #5DBB7E and #7E5DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC815F shade: #BC815F, #88BB5D, #5D9ABB and #915DBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC815F shade: #BC815F, #6BBB5D, #5D9ABB and #AD5DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 49 / 26

HEX #BC815F

RGB 188 129 95

HSL 21.94, 0.41%, 0.55%

LAB 59.18, 18.86, 27.56

 

Complementary color

CMYK 58 / 21 / 0 / 37

HEX #437EA0

RGB 67 126 160

HSL 201.94, 0.41%, 0.45%

LAB 50.28, -8.91, -24.03

 

CMYK 0 / 33 / 53 / 24

HEX #C1815A

RGB 193 129 90

HSL 22.72, 0.45%, 0.55%

LAB 59.69, 20.47, 31.1

 

CMYK 0 / 30 / 48 / 18

HEX #D2936D

RGB 210 147 109

HSL 22.57, 0.53%, 0.63%

LAB 66.27, 19.37, 29.58

 

CMYK 0 / 27 / 44 / 11

HEX #E3A580

RGB 227 165 128

HSL 22.42, 0.64%, 0.7%

LAB 72.76, 18.41, 28.19

 

CMYK 0 / 25 / 40 / 4

HEX #F4B793

RGB 244 183 147

HSL 22.27, 0.82%, 0.77%

LAB 79.16, 17.57, 26.9

 

CMYK 0 / 21 / 35 / 0

HEX #FFC9A6

RGB 255 201 166

HSL 23.6, 1%, 0.83%

LAB 84.89, 14.53, 24.82

 

CMYK 0 / 31 / 49 / 26

HEX #BC815F

RGB 188 129 95

HSL 21.94, 0.41%, 0.55%

LAB 59.18, 18.86, 27.56

 

CMYK 0 / 35 / 56 / 33

HEX #AB6F4C

RGB 171 111 76

HSL 22.11, 0.38%, 0.48%

LAB 52.45, 20.03, 29.16

 

CMYK 0 / 40 / 63 / 40

HEX #9A5D39

RGB 154 93 57

HSL 22.27, 0.46%, 0.41%

LAB 45.63, 21.39, 30.92

 

CMYK 0 / 45 / 72 / 46

HEX #894B26

RGB 137 75 38

HSL 22.42, 0.57%, 0.34%

LAB 38.71, 23, 32.84

 

CMYK 0 / 53 / 84 / 53

HEX #783913

RGB 120 57 19

HSL 22.57, 0.73%, 0.27%

LAB 31.73, 24.89, 34.68

 

CMYK 0 / 32 / 50 / 27

HEX #BB805D

RGB 187 128 93

HSL 22.34, 0.41%, 0.55%

LAB 58.78, 18.8, 28.14

 

CMYK 0 / 45 / 50 / 27

HEX #BB665D

RGB 187 102 93

HSL 5.74, 0.41%, 0.55%

LAB 52.79, 33.05, 20.26

 

CMYK 0 / 50 / 50 / 27

HEX #BB5D5D

RGB 187 93 93

HSL 0, 0.41%, 0.55%

LAB 50.9, 37.79, 17.71

 

CMYK 0 / 32 / 50 / 27

HEX #BB805D

RGB 187 128 93

HSL 22.34, 0.41%, 0.55%

LAB 58.78, 18.8, 28.14

 

CMYK 0 / 18 / 50 / 27

HEX #BB995D

RGB 187 153 93

HSL 38.3, 0.41%, 0.55%

LAB 65.07, 5, 36.12

 

CMYK 0 / 5 / 50 / 27

HEX #BBB25D

RGB 187 178 93

HSL 54.26, 0.41%, 0.55%

LAB 71.69, -8.37, 44.19

 

CMYK 9 / 0 / 50 / 27

HEX #ABBB5D

RGB 171 187 93

HSL 70.21, 0.41%, 0.55%

LAB 72.88, -19.56, 45.32

 

CMYK 22 / 0 / 50 / 27

HEX #91BB5D

RGB 145 187 93

HSL 86.81, 0.41%, 0.55%

LAB 71.11, -29.75, 42.77

 

CMYK 0 / 32 / 50 / 27

HEX #BB805D

RGB 187 128 93

HSL 22.34, 0.41%, 0.55%

LAB 58.78, 18.8, 28.14

 

CMYK 0 / 40 / 64 / 19

HEX #CE7B4B

RGB 206 123 75

HSL 21.98, 0.57%, 0.55%

LAB 59.7, 27.95, 39.57

 

CMYK 0 / 47 / 75 / 12

HEX #E07638

RGB 224 118 56

HSL 22.14, 0.73%, 0.55%

LAB 60.86, 36.83, 51.06

 

CMYK 0 / 53 / 84 / 5

HEX #F37126

RGB 243 113 38

HSL 21.95, 0.9%, 0.55%

LAB 62.51, 46.07, 61.25

 

CMYK 0 / 32 / 50 / 27

HEX #BB805D

RGB 187 128 93

HSL 22.34, 0.41%, 0.55%

LAB 58.78, 18.8, 28.14

 

CMYK 0 / 21 / 34 / 34

HEX #A98570

RGB 169 133 112

HSL 22.11, 0.25%, 0.55%

LAB 58.4, 10.73, 16.58

 

CMYK 0 / 8 / 13 / 41

HEX #968A82

RGB 150 138 130

HSL 24, 0.09%, 0.55%

LAB 58.29, 3.07, 5.9

 

CMYK 11 / 4 / 0 / 42

HEX #848F95

RGB 132 143 149

HSL 201.18, 0.07%, 0.55%

LAB 58.71, -2.7, -4.55

 

CMYK 32 / 11 / 0 / 35

HEX #7194A7

RGB 113 148 167

HSL 201.11, 0.23%, 0.55%

LAB 59.42, -7.4, -13.9

 

CMYK 0 / 50 / 41 / 27

HEX #BB5D6E

RGB 187 93 110

HSL 349.15, 0.41%, 0.55%

LAB 51.29, 39.54, 8.14

 

CMYK 0 / 46 / 50 / 27

HEX #BB655D

RGB 187 101 93

HSL 5.11, 0.41%, 0.55%

LAB 52.58, 33.59, 19.97

 

CMYK 0 / 33 / 50 / 27

HEX #BB7E5D

RGB 187 126 93

HSL 21.06, 0.41%, 0.55%

LAB 58.3, 19.91, 27.52

 

CMYK 0 / 19 / 50 / 27

HEX #BB975D

RGB 187 151 93

HSL 37.02, 0.41%, 0.55%

LAB 64.55, 6.1, 35.47

 

CMYK 0 / 6 / 50 / 27

HEX #BBB05D

RGB 187 176 93

HSL 52.98, 0.41%, 0.55%

LAB 71.15, -7.32, 43.55

 

CMYK 0 / 37 / 59 / 45

HEX #8C583A

RGB 140 88 58

HSL 21.95, 0.41%, 0.39%

LAB 42.55, 18.23, 26.17

 

CMYK 0 / 37 / 58 / 34

HEX #A96A47

RGB 169 106 71

HSL 21.43, 0.41%, 0.47%

LAB 50.92, 21.57, 29.99

 

CMYK 0 / 32 / 50 / 27

HEX #BB805D

RGB 187 128 93

HSL 22.34, 0.41%, 0.55%

LAB 58.78, 18.8, 28.14

 

CMYK 0 / 24 / 39 / 22

HEX #C7977A

RGB 199 151 122

HSL 22.6, 0.41%, 0.63%

LAB 66.28, 14.14, 22.24

 

CMYK 0 / 18 / 29 / 17

HEX #D4AD97

RGB 212 173 151

HSL 21.64, 0.41%, 0.71%

LAB 73.62, 10.98, 16.65

 

CMYK 0 / 31 / 49 / 26

HEX #BC815F

RGB 188 129 95

HSL 21.94, 0.41%, 0.55%

LAB 59.18, 18.86, 27.56

 

CMYK 27 / 0 / 50 / 27

HEX #88BB5D

RGB 136 187 93

HSL 92.55, 0.41%, 0.55%

LAB 70.57, -33.1, 41.98

 

CMYK 50 / 48 / 0 / 27

HEX #5D62BB

RGB 93 98 187

HSL 236.81, 0.41%, 0.55%

LAB 45.15, 22.76, -47.73

 

CMYK 0 / 31 / 49 / 26

HEX #BC815F

RGB 188 129 95

HSL 21.94, 0.41%, 0.55%

LAB 59.18, 18.86, 27.56

 

CMYK 50 / 0 / 33 / 27

HEX #5DBB7E

RGB 93 187 126

HSL 141.06, 0.41%, 0.55%

LAB 69.02, -41.69, 22.56

 

CMYK 33 / 50 / 0 / 27

HEX #7E5DBB

RGB 126 93 187

HSL 261.06, 0.41%, 0.55%

LAB 46.78, 33.99, -44.96

 

CMYK 0 / 31 / 49 / 26

HEX #BC815F

RGB 188 129 95

HSL 21.94, 0.41%, 0.55%

LAB 59.18, 18.86, 27.56

 

CMYK 27 / 0 / 50 / 27

HEX #88BB5D

RGB 136 187 93

HSL 92.55, 0.41%, 0.55%

LAB 70.57, -33.1, 41.98

 

CMYK 50 / 18 / 0 / 27

HEX #5D9ABB

RGB 93 154 187

HSL 201.06, 0.41%, 0.55%

LAB 60.8, -10.53, -23.2

 

CMYK 22 / 50 / 0 / 27

HEX #915DBB

RGB 145 93 187

HSL 273.19, 0.41%, 0.55%

LAB 48.81, 39.14, -41.62

 

CMYK 0 / 31 / 49 / 26

HEX #BC815F

RGB 188 129 95

HSL 21.94, 0.41%, 0.55%

LAB 59.18, 18.86, 27.56

 

CMYK 43 / 0 / 50 / 27

HEX #6BBB5D

RGB 107 187 93

HSL 111.06, 0.41%, 0.55%

LAB 69.08, -42.95, 39.82

 

CMYK 50 / 18 / 0 / 27

HEX #5D9ABB

RGB 93 154 187

HSL 201.06, 0.41%, 0.55%

LAB 60.8, -10.53, -23.2

 

CMYK 7 / 50 / 0 / 27

HEX #AD5DBB

RGB 173 93 187

HSL 291.06, 0.41%, 0.55%

LAB 52.18, 47.02, -36.08

 

Description

Color code: HEX #BC815F | qconv.com Color code: HEX #BC815F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 129 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 129 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 49 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 49% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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