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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7C3A it is the complementary color #4383C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7C3A shade: #C17C35, #D28E48, #E3A05B, #F4B26E and #FFC481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7C3A shade: #BC7C3A, #AB6A27, #9A5814, #894601 and #783400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7C3A shade: #BB7B3A, #BB583A and #BB3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7C3A shade: #BB7B3A, #BB9E3A, #B5BB3A, #92BB3A and #6FBB3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7C3A shade matches the following richer shades: #BB7B3A, #CF7C26 and #E37C12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7C3A shade: #BB7B3A, #A77B4D, #947B61, #807A75 and #6C7A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7C3A shade: #BB3A3E, #BB583A, #BB7A3A, #BB9D3A and #B7BB3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7C3A shade: #7C5226, #9C6730, #BB7B3A, #CA9054 and #D4A473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7C3A shade: #BC7C3A, #60BB3A and #473ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7C3A shade: #BC7C3A, #3ABB7A and #7A3ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7C3A shade: #BC7C3A, #60BB3A, #3A7ABB and #943ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7C3A shade: #BC7C3A, #3ABB3A, #3A7ABB and #BB3ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 69 / 26

HEX #BC7C3A

RGB 188 124 58

HSL 30.46, 0.53%, 0.48%

LAB 57.47, 18.78, 45.08

 

Complementary color

CMYK 66 / 34 / 0 / 23

HEX #4383C5

RGB 67 131 197

HSL 210.46, 0.53%, 0.52%

LAB 53.45, 0.56, -40.4

 

CMYK 0 / 36 / 73 / 24

HEX #C17C35

RGB 193 124 53

HSL 30.43, 0.57%, 0.48%

LAB 58.05, 20.67, 48.26

 

CMYK 0 / 32 / 66 / 18

HEX #D28E48

RGB 210 142 72

HSL 30.43, 0.61%, 0.55%

LAB 64.58, 19.15, 46.84

 

CMYK 0 / 30 / 60 / 11

HEX #E3A05B

RGB 227 160 91

HSL 30.44, 0.71%, 0.62%

LAB 71.03, 17.84, 45.36

 

CMYK 0 / 27 / 55 / 4

HEX #F4B26E

RGB 244 178 110

HSL 30.45, 0.86%, 0.69%

LAB 77.4, 16.69, 43.9

 

CMYK 0 / 23 / 49 / 0

HEX #FFC481

RGB 255 196 129

HSL 31.9, 1%, 0.75%

LAB 83.09, 13.29, 41.6

 

CMYK 0 / 34 / 69 / 26

HEX #BC7C3A

RGB 188 124 58

HSL 30.46, 0.53%, 0.48%

LAB 57.47, 18.78, 45.08

 

CMYK 0 / 38 / 77 / 33

HEX #AB6A27

RGB 171 106 39

HSL 30.45, 0.63%, 0.41%

LAB 50.82, 20.44, 46.4

 

CMYK 0 / 43 / 87 / 40

HEX #9A5814

RGB 154 88 20

HSL 30.45, 0.77%, 0.34%

LAB 44.09, 22.39, 47.12

 

CMYK 0 / 49 / 99 / 46

HEX #894601

RGB 137 70 1

HSL 30.44, 0.99%, 0.27%

LAB 37.3, 24.61, 46.88

 

CMYK 0 / 57 / 100 / 53

HEX #783400

RGB 120 52 0

HSL 26, 1%, 0.24%

LAB 30.52, 27.17, 41.58

 

CMYK 0 / 34 / 69 / 27

HEX #BB7B3A

RGB 187 123 58

HSL 30.23, 0.53%, 0.48%

LAB 57.11, 18.9, 44.65

 

CMYK 0 / 53 / 69 / 27

HEX #BB583A

RGB 187 88 58

HSL 13.95, 0.53%, 0.48%

LAB 49.31, 37.75, 35.9

 

CMYK 0 / 69 / 69 / 27

HEX #BB3A3A

RGB 187 58 58

HSL 0, 0.53%, 0.48%

LAB 44.08, 51.55, 29.73

 

CMYK 0 / 34 / 69 / 27

HEX #BB7B3A

RGB 187 123 58

HSL 30.23, 0.53%, 0.48%

LAB 57.11, 18.9, 44.65

 

CMYK 0 / 16 / 69 / 27

HEX #BB9E3A

RGB 187 158 58

HSL 46.51, 0.53%, 0.48%

LAB 66, -0.32, 54.08

 

CMYK 3 / 0 / 69 / 27

HEX #B5BB3A

RGB 181 187 58

HSL 62.79, 0.53%, 0.48%

LAB 73.33, -18.03, 61.33

 

CMYK 22 / 0 / 69 / 27

HEX #92BB3A

RGB 146 187 58

HSL 79.07, 0.53%, 0.48%

LAB 70.84, -32.42, 58.01

 

CMYK 41 / 0 / 69 / 27

HEX #6FBB3A

RGB 111 187 58

HSL 95.35, 0.53%, 0.48%

LAB 68.91, -45.27, 55.42

 

CMYK 0 / 34 / 69 / 27

HEX #BB7B3A

RGB 187 123 58

HSL 30.23, 0.53%, 0.48%

LAB 57.11, 18.9, 44.65

 

CMYK 0 / 40 / 82 / 19

HEX #CF7C26

RGB 207 124 38

HSL 30.53, 0.69%, 0.48%

LAB 59.73, 26.04, 56.86

 

CMYK 0 / 45 / 92 / 11

HEX #E37C12

RGB 227 124 18

HSL 30.43, 0.85%, 0.48%

LAB 62.33, 33.9, 66.11

 

CMYK 0 / 34 / 69 / 27

HEX #BB7B3A

RGB 187 123 58

HSL 30.23, 0.53%, 0.48%

LAB 57.11, 18.9, 44.65

 

CMYK 0 / 26 / 54 / 35

HEX #A77B4D

RGB 167 123 77

HSL 30.67, 0.37%, 0.48%

LAB 54.99, 11.62, 31.67

 

CMYK 0 / 17 / 34 / 42

HEX #947B61

RGB 148 123 97

HSL 30.59, 0.21%, 0.48%

LAB 53.3, 5.71, 17.84

 

CMYK 0 / 5 / 9 / 50

HEX #807A75

RGB 128 122 117

HSL 27.27, 0.04%, 0.48%

LAB 51.6, 1.34, 3.54

 

CMYK 21 / 11 / 0 / 46

HEX #6C7A89

RGB 108 122 137

HSL 211.03, 0.12%, 0.48%

LAB 50.59, -1.7, -9.89

 

CMYK 0 / 69 / 67 / 27

HEX #BB3A3E

RGB 187 58 62

HSL 358.14, 0.53%, 0.48%

LAB 44.14, 51.77, 27.41

 

CMYK 0 / 53 / 69 / 27

HEX #BB583A

RGB 187 88 58

HSL 13.95, 0.53%, 0.48%

LAB 49.31, 37.75, 35.9

 

CMYK 0 / 35 / 69 / 27

HEX #BB7A3A

RGB 187 122 58

HSL 29.77, 0.53%, 0.48%

LAB 56.87, 19.46, 44.39

 

CMYK 0 / 16 / 69 / 27

HEX #BB9D3A

RGB 187 157 58

HSL 46.05, 0.53%, 0.48%

LAB 65.74, 0.22, 53.8

 

CMYK 2 / 0 / 69 / 27

HEX #B7BB3A

RGB 183 187 58

HSL 61.86, 0.53%, 0.48%

LAB 73.49, -17.19, 61.54

 

CMYK 0 / 34 / 69 / 51

HEX #7C5226

RGB 124 82 38

HSL 30.7, 0.53%, 0.32%

LAB 38.65, 13, 32.28

 

CMYK 0 / 34 / 69 / 39

HEX #9C6730

RGB 156 103 48

HSL 30.56, 0.53%, 0.4%

LAB 48.24, 15.95, 38.81

 

CMYK 0 / 34 / 69 / 27

HEX #BB7B3A

RGB 187 123 58

HSL 30.23, 0.53%, 0.48%

LAB 57.11, 18.9, 44.65

 

CMYK 0 / 29 / 58 / 21

HEX #CA9054

RGB 202 144 84

HSL 30.51, 0.53%, 0.56%

LAB 64.28, 15.51, 40.2

 

CMYK 0 / 23 / 46 / 17

HEX #D4A473

RGB 212 164 115

HSL 30.31, 0.53%, 0.64%

LAB 70.72, 11.58, 32.18

 

CMYK 0 / 34 / 69 / 26

HEX #BC7C3A

RGB 188 124 58

HSL 30.46, 0.53%, 0.48%

LAB 57.47, 18.78, 45.08

 

CMYK 49 / 0 / 69 / 27

HEX #60BB3A

RGB 96 187 58

HSL 102.33, 0.53%, 0.48%

LAB 68.27, -50.03, 54.54

 

CMYK 62 / 69 / 0 / 27

HEX #473ABB

RGB 71 58 187

HSL 246.05, 0.53%, 0.48%

LAB 33.89, 43.12, -66.06

 

CMYK 0 / 34 / 69 / 26

HEX #BC7C3A

RGB 188 124 58

HSL 30.46, 0.53%, 0.48%

LAB 57.47, 18.78, 45.08

 

CMYK 69 / 0 / 35 / 27

HEX #3ABB7A

RGB 58 187 122

HSL 149.77, 0.53%, 0.48%

LAB 67.91, -49.96, 23.01

 

CMYK 35 / 69 / 0 / 27

HEX #7A3ABB

RGB 122 58 187

HSL 269.77, 0.53%, 0.48%

LAB 39.16, 52.06, -57.23

 

CMYK 0 / 34 / 69 / 26

HEX #BC7C3A

RGB 188 124 58

HSL 30.46, 0.53%, 0.48%

LAB 57.47, 18.78, 45.08

 

CMYK 49 / 0 / 69 / 27

HEX #60BB3A

RGB 96 187 58

HSL 102.33, 0.53%, 0.48%

LAB 68.27, -50.03, 54.54

 

CMYK 69 / 35 / 0 / 27

HEX #3A7ABB

RGB 58 122 187

HSL 210.23, 0.53%, 0.48%

LAB 49.99, 0.97, -40.16

 

CMYK 21 / 69 / 0 / 27

HEX #943ABB

RGB 148 58 187

HSL 281.86, 0.53%, 0.48%

LAB 42.63, 57.49, -51.46

 

CMYK 0 / 34 / 69 / 26

HEX #BC7C3A

RGB 188 124 58

HSL 30.46, 0.53%, 0.48%

LAB 57.47, 18.78, 45.08

 

CMYK 69 / 0 / 69 / 27

HEX #3ABB3A

RGB 58 187 58

HSL 120, 0.53%, 0.48%

LAB 67.09, -59.36, 52.94

 

CMYK 69 / 35 / 0 / 27

HEX #3A7ABB

RGB 58 122 187

HSL 210.23, 0.53%, 0.48%

LAB 49.99, 0.97, -40.16

 

CMYK 0 / 69 / 0 / 27

HEX #BB3ABB

RGB 187 58 187

HSL 300, 0.53%, 0.48%

LAB 48.48, 66.14, -41.77

 

Description

Color code: HEX #BC7C3A | qconv.com Color code: HEX #BC7C3A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 124 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 124 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 69 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 69% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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