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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7A8C it is the complementary color #438573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7A8C shade: #C17A87, #D28C9A, #E39EAD, #F4B0C0 and #FFC2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7A8C shade: #BC7A8C, #AB6879, #9A5666, #894453 and #783240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7A8C shade: #BC7B8D and #BC7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7A8C shade: #BC7B8D, #BC7B9E, #BC7BB0, #B77BBC and #A57BBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7A8C shade matches the following richer shades: #BC7B8D, #CC6B85, #DD5B7E, #ED4A77 and #FD3A6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7A8C shade: #BC7B8D, #AC8B94, #9C9B9B, #8CABA3 and #7CBBAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7A8C shade: #BC7BB0, #BC7B9F, #BC7B8D, #BC7B7C and #BC8B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7A8C shade: #984D61, #AF5F75, #BC7B8D, #CA96A4 and #D8B2BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7A8C shade: #BC7A8C, #BCB77B and #7BA8BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7A8C shade: #BC7A8C, #8DBC7B and #7B8DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7A8C shade: #BC7A8C, #BCB77B, #7BBCAA and #7B80BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7A8C shade: #BC7A8C, #AEBC7B, #7BBCAA and #897BBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 26 / 26

HEX #BC7A8C

RGB 188 122 140

HSL 343.64, 0.33%, 0.61%

LAB 58.51, 28.22, 0.96

 

Complementary color

CMYK 50 / 0 / 14 / 48

HEX #438573

RGB 67 133 115

HSL 163.64, 0.33%, 0.39%

LAB 50.93, -25.71, 3.24

 

CMYK 0 / 37 / 30 / 24

HEX #C17A87

RGB 193 122 135

HSL 349.01, 0.36%, 0.62%

LAB 58.98, 29.38, 4.6

 

CMYK 0 / 33 / 27 / 18

HEX #D28C9A

RGB 210 140 154

HSL 348, 0.44%, 0.69%

LAB 65.59, 28.54, 3.55

 

CMYK 0 / 30 / 24 / 11

HEX #E39EAD

RGB 227 158 173

HSL 346.96, 0.55%, 0.75%

LAB 72.1, 27.76, 2.61

 

CMYK 0 / 28 / 21 / 4

HEX #F4B0C0

RGB 244 176 192

HSL 345.88, 0.76%, 0.82%

LAB 78.51, 27.05, 1.74

 

CMYK 0 / 24 / 17 / 0

HEX #FFC2D3

RGB 255 194 211

HSL 343.28, 1%, 0.88%

LAB 84.25, 24.29, 0

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8C

RGB 188 122 140

HSL 343.64, 0.33%, 0.61%

LAB 58.51, 28.22, 0.96

 

CMYK 0 / 39 / 29 / 33

HEX #AB6879

RGB 171 104 121

HSL 344.78, 0.29%, 0.54%

LAB 51.77, 29.09, 2.01

 

CMYK 0 / 44 / 34 / 40

HEX #9A5666

RGB 154 86 102

HSL 345.88, 0.28%, 0.47%

LAB 44.92, 30.03, 3.23

 

CMYK 0 / 50 / 39 / 46

HEX #894453

RGB 137 68 83

HSL 346.96, 0.34%, 0.4%

LAB 37.98, 31.04, 4.7

 

CMYK 0 / 58 / 47 / 53

HEX #783240

RGB 120 50 64

HSL 348, 0.41%, 0.33%

LAB 30.98, 32.04, 6.56

 

CMYK 0 / 35 / 25 / 26

HEX #BC7B8D

RGB 188 123 141

HSL 343.38, 0.33%, 0.61%

LAB 58.77, 27.82, 0.76

 

CMYK 0 / 35 / 35 / 26

HEX #BC7B7B

RGB 188 123 123

HSL 0, 0.33%, 0.61%

LAB 58.31, 25.34, 10.48

 

CMYK 0 / 35 / 25 / 26

HEX #BC7B8D

RGB 188 123 141

HSL 343.38, 0.33%, 0.61%

LAB 58.77, 27.82, 0.76

 

CMYK 0 / 35 / 16 / 26

HEX #BC7B9E

RGB 188 123 158

HSL 327.69, 0.33%, 0.61%

LAB 59.27, 30.45, -8.29

 

CMYK 0 / 35 / 6 / 26

HEX #BC7BB0

RGB 188 123 176

HSL 311.08, 0.33%, 0.61%

LAB 59.88, 33.54, -17.7

 

CMYK 3 / 35 / 0 / 26

HEX #B77BBC

RGB 183 123 188

HSL 295.38, 0.33%, 0.61%

LAB 59.77, 34.14, -24.77

 

CMYK 12 / 35 / 0 / 26

HEX #A57BBC

RGB 165 123 188

HSL 278.77, 0.33%, 0.61%

LAB 57.84, 28.37, -27.89

 

CMYK 0 / 35 / 25 / 26

HEX #BC7B8D

RGB 188 123 141

HSL 343.38, 0.33%, 0.61%

LAB 58.77, 27.82, 0.76

 

CMYK 0 / 48 / 35 / 20

HEX #CC6B85

RGB 204 107 133

HSL 343.92, 0.49%, 0.61%

LAB 57.12, 41.12, 3.26

 

CMYK 0 / 59 / 43 / 13

HEX #DD5B7E

RGB 221 91 126

HSL 343.85, 0.66%, 0.61%

LAB 56.45, 53.88, 6.71

 

CMYK 0 / 69 / 50 / 7

HEX #ED4A77

RGB 237 74 119

HSL 343.44, 0.82%, 0.61%

LAB 56.32, 65.15, 11.03

 

CMYK 0 / 77 / 56 / 1

HEX #FD3A6F

RGB 253 58 111

HSL 343.69, 0.98%, 0.61%

LAB 57.13, 74.16, 17.33

 

CMYK 0 / 35 / 25 / 26

HEX #BC7B8D

RGB 188 123 141

HSL 343.38, 0.33%, 0.61%

LAB 58.77, 27.82, 0.76

 

CMYK 0 / 19 / 14 / 33

HEX #AC8B94

RGB 172 139 148

HSL 343.64, 0.17%, 0.61%

LAB 61.11, 13.98, -0.05

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9B

RGB 156 155 155

HSL 0, 0.01%, 0.61%

LAB 64.06, 0.37, 0.12

 

CMYK 18 / 0 / 5 / 33

HEX #8CABA3

RGB 140 171 163

HSL 164.52, 0.16%, 0.61%

LAB 67.54, -12.27, 0.58

 

CMYK 34 / 0 / 9 / 27

HEX #7CBBAA

RGB 124 187 170

HSL 163.81, 0.32%, 0.61%

LAB 71.37, -23.98, 2.19

 

CMYK 0 / 35 / 6 / 26

HEX #BC7BB0

RGB 188 123 176

HSL 311.08, 0.33%, 0.61%

LAB 59.88, 33.54, -17.7

 

CMYK 0 / 35 / 15 / 26

HEX #BC7B9F

RGB 188 123 159

HSL 326.77, 0.33%, 0.61%

LAB 59.31, 30.62, -8.82

 

CMYK 0 / 35 / 25 / 26

HEX #BC7B8D

RGB 188 123 141

HSL 343.38, 0.33%, 0.61%

LAB 58.77, 27.82, 0.76

 

CMYK 0 / 35 / 34 / 26

HEX #BC7B7C

RGB 188 123 124

HSL 359.08, 0.33%, 0.61%

LAB 58.33, 25.47, 9.94

 

CMYK 0 / 26 / 35 / 26

HEX #BC8B7B

RGB 188 139 123

HSL 14.77, 0.33%, 0.61%

LAB 62.16, 16.47, 15.86

 

CMYK 0 / 49 / 36 / 40

HEX #984D61

RGB 152 77 97

HSL 344, 0.33%, 0.45%

LAB 42.53, 33.57, 2.81

 

CMYK 0 / 46 / 33 / 31

HEX #AF5F75

RGB 175 95 117

HSL 343.5, 0.33%, 0.53%

LAB 50.2, 34.96, 2.17

 

CMYK 0 / 35 / 25 / 26

HEX #BC7B8D

RGB 188 123 141

HSL 343.38, 0.33%, 0.61%

LAB 58.77, 27.82, 0.76

 

CMYK 0 / 26 / 19 / 21

HEX #CA96A4

RGB 202 150 164

HSL 343.85, 0.33%, 0.69%

LAB 67.31, 21.62, 0.33

 

CMYK 0 / 18 / 13 / 15

HEX #D8B2BC

RGB 216 178 188

HSL 344.21, 0.33%, 0.77%

LAB 76.11, 15.32, 0.08

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8C

RGB 188 122 140

HSL 343.64, 0.33%, 0.61%

LAB 58.51, 28.22, 0.96

 

CMYK 0 / 3 / 35 / 26

HEX #BCB77B

RGB 188 183 123

HSL 55.38, 0.33%, 0.61%

LAB 73.54, -7.39, 31.19

 

CMYK 35 / 11 / 0 / 26

HEX #7BA8BC

RGB 123 168 188

HSL 198.46, 0.33%, 0.61%

LAB 66.4, -10.1, -15.1

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8C

RGB 188 122 140

HSL 343.64, 0.33%, 0.61%

LAB 58.51, 28.22, 0.96

 

CMYK 25 / 0 / 35 / 26

HEX #8DBC7B

RGB 141 188 123

HSL 103.38, 0.33%, 0.61%

LAB 71.6, -27.77, 28.01

 

CMYK 35 / 25 / 0 / 26

HEX #7B8DBC

RGB 123 141 188

HSL 223.38, 0.33%, 0.61%

LAB 58.87, 5.02, -26.59

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8C

RGB 188 122 140

HSL 343.64, 0.33%, 0.61%

LAB 58.51, 28.22, 0.96

 

CMYK 0 / 3 / 35 / 26

HEX #BCB77B

RGB 188 183 123

HSL 55.38, 0.33%, 0.61%

LAB 73.54, -7.39, 31.19

 

CMYK 35 / 0 / 10 / 26

HEX #7BBCAA

RGB 123 188 170

HSL 163.38, 0.33%, 0.61%

LAB 71.61, -24.76, 2.53

 

CMYK 35 / 32 / 0 / 26

HEX #7B80BC

RGB 123 128 188

HSL 235.38, 0.33%, 0.61%

LAB 55.36, 12.62, -32.04

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8C

RGB 188 122 140

HSL 343.64, 0.33%, 0.61%

LAB 58.51, 28.22, 0.96

 

CMYK 7 / 0 / 35 / 26

HEX #AEBC7B

RGB 174 188 123

HSL 72.92, 0.33%, 0.61%

LAB 73.8, -15.48, 31.33

 

CMYK 35 / 0 / 10 / 26

HEX #7BBCAA

RGB 123 188 170

HSL 163.38, 0.33%, 0.61%

LAB 71.61, -24.76, 2.53

 

CMYK 27 / 35 / 0 / 26

HEX #897BBC

RGB 137 123 188

HSL 252.92, 0.33%, 0.61%

LAB 55.19, 19.69, -32.22

 

Description

Color code: HEX #BC7A8C | qconv.com Color code: HEX #BC7A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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