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Color name
HEX #BC7A2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7A2A it is the complementary color #4385D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7A2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7A2A shade: #C17A25, #D28C38, #E39E4B, #F4B05E and #FFC271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7A2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7A2A shade: #BC7A2A, #AB6817, #9A5604, #894400 and #783200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7A2A shade: #BB7A2A, #BB532A, #BB2C2A and #BB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7A2A shade: #BB7A2A, #BBA12A, #AEBB2A, #87BB2A and #60BB2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7A2A shade matches the following richer shades: #BB7A2A, #CE7B18 and #E07D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7A2A shade: #BB7A2A, #A8783D, #967650, #837462 and #717375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7A2A shade: #BB2A2A, #BB512A, #BB782A, #BB9E2A and #B1BB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7A2A shade: #784E1B, #996423, #BB7A2A, #D38F3C and #DAA25E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7A2A shade: #BC7A2A, #51BB2A and #3E2ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7A2A shade: #BC7A2A, #2ABB78 and #782ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7A2A shade: #BC7A2A, #51BB2A, #2A6EBB and #942ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7A2A shade: #BC7A2A, #2ABB2F, #2A6EBB and #BB2AB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 78 / 26

HEX #BC7A2A

RGB 188 122 42

HSL 32.88, 0.63%, 0.45%

LAB 56.86, 19.11, 51.73

 

Complementary color

CMYK 69 / 38 / 0 / 16

HEX #4385D5

RGB 67 133 213

HSL 212.88, 0.63%, 0.55%

LAB 54.84, 4.94, -47.26

 

CMYK 0 / 37 / 81 / 24

HEX #C17A25

RGB 193 122 37

HSL 32.69, 0.68%, 0.45%

LAB 57.45, 21.1, 54.51

 

CMYK 0 / 33 / 73 / 18

HEX #D28C38

RGB 210 140 56

HSL 32.73, 0.63%, 0.52%

LAB 63.95, 19.37, 53.64

 

CMYK 0 / 30 / 67 / 11

HEX #E39E4B

RGB 227 158 75

HSL 32.76, 0.73%, 0.59%

LAB 70.38, 17.87, 52.39

 

CMYK 0 / 28 / 61 / 4

HEX #F4B05E

RGB 244 176 94

HSL 32.8, 0.87%, 0.66%

LAB 76.73, 16.57, 51.02

 

CMYK 0 / 24 / 56 / 0

HEX #FFC271

RGB 255 194 113

HSL 34.23, 1%, 0.72%

LAB 82.4, 13, 48.74

 

CMYK 0 / 35 / 78 / 26

HEX #BC7A2A

RGB 188 122 42

HSL 32.88, 0.63%, 0.45%

LAB 56.86, 19.11, 51.73

 

CMYK 0 / 39 / 87 / 33

HEX #AB6817

RGB 171 104 23

HSL 32.84, 0.76%, 0.38%

LAB 50.24, 21.01, 52.16

 

CMYK 0 / 44 / 97 / 40

HEX #9A5604

RGB 154 86 4

HSL 32.8, 0.95%, 0.31%

LAB 43.56, 23.2, 51.28

 

CMYK 0 / 50 / 100 / 46

HEX #894400

RGB 137 68 0

HSL 29.78, 1%, 0.27%

LAB 36.84, 25.71, 46.95

 

CMYK 0 / 58 / 100 / 53

HEX #783200

RGB 120 50 0

HSL 25, 1%, 0.24%

LAB 30.09, 28.25, 41.26

 

CMYK 0 / 35 / 78 / 27

HEX #BB7A2A

RGB 187 122 42

HSL 33.1, 0.63%, 0.45%

LAB 56.73, 18.67, 51.56

 

CMYK 0 / 56 / 78 / 27

HEX #BB532A

RGB 187 83 42

HSL 16.97, 0.63%, 0.45%

LAB 48.16, 39.51, 43.09

 

CMYK 0 / 76 / 78 / 27

HEX #BB2C2A

RGB 187 44 42

HSL 0.83, 0.63%, 0.45%

LAB 42.05, 55.9, 36.74

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 35 / 78 / 27

HEX #BB7A2A

RGB 187 122 42

HSL 33.1, 0.63%, 0.45%

LAB 56.73, 18.67, 51.56

 

CMYK 0 / 14 / 78 / 27

HEX #BBA12A

RGB 187 161 42

HSL 49.24, 0.63%, 0.45%

LAB 66.69, -2.68, 60.92

 

CMYK 7 / 0 / 78 / 27

HEX #AEBB2A

RGB 174 187 42

HSL 65.38, 0.63%, 0.45%

LAB 72.7, -21.75, 66

 

CMYK 28 / 0 / 78 / 27

HEX #87BB2A

RGB 135 187 42

HSL 81.52, 0.63%, 0.45%

LAB 70.08, -37.62, 62.62

 

CMYK 49 / 0 / 78 / 27

HEX #60BB2A

RGB 96 187 42

HSL 97.66, 0.63%, 0.45%

LAB 68.16, -51.14, 60.14

 

CMYK 0 / 35 / 78 / 27

HEX #BB7A2A

RGB 187 122 42

HSL 33.1, 0.63%, 0.45%

LAB 56.73, 18.67, 51.56

 

CMYK 0 / 40 / 88 / 19

HEX #CE7B18

RGB 206 123 24

HSL 32.64, 0.79%, 0.45%

LAB 59.3, 25.79, 61.09

 

CMYK 0 / 44 / 98 / 12

HEX #E07D05

RGB 224 125 5

HSL 32.88, 0.96%, 0.45%

LAB 62.1, 32.01, 68.03

 

CMYK 0 / 35 / 78 / 27

HEX #BB7A2A

RGB 187 122 42

HSL 33.1, 0.63%, 0.45%

LAB 56.73, 18.67, 51.56

 

CMYK 0 / 29 / 64 / 34

HEX #A8783D

RGB 168 120 61

HSL 33.08, 0.47%, 0.45%

LAB 54.13, 12.47, 39.18

 

CMYK 0 / 21 / 47 / 41

HEX #967650

RGB 150 118 80

HSL 32.57, 0.3%, 0.45%

LAB 51.86, 7.37, 25.66

 

CMYK 0 / 11 / 25 / 49

HEX #837462

RGB 131 116 98

HSL 32.73, 0.14%, 0.45%

LAB 49.74, 2.78, 12.08

 

CMYK 3 / 2 / 0 / 54

HEX #717375

RGB 113 115 117

HSL 210, 0.02%, 0.45%

LAB 48.33, -0.34, -1.37

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 57 / 78 / 27

HEX #BB512A

RGB 187 81 42

HSL 16.14, 0.63%, 0.45%

LAB 47.77, 40.5, 42.7

 

CMYK 0 / 36 / 78 / 27

HEX #BB782A

RGB 187 120 42

HSL 32.28, 0.63%, 0.45%

LAB 56.25, 19.78, 51.1

 

CMYK 0 / 16 / 78 / 27

HEX #BB9E2A

RGB 187 158 42

HSL 48, 0.63%, 0.45%

LAB 65.89, -1.08, 60.19

 

CMYK 5 / 0 / 78 / 27

HEX #B1BB2A

RGB 177 187 42

HSL 64.14, 0.63%, 0.45%

LAB 72.93, -20.48, 66.29

 

CMYK 0 / 35 / 78 / 53

HEX #784E1B

RGB 120 78 27

HSL 32.9, 0.63%, 0.29%

LAB 36.97, 12.87, 35.94

 

CMYK 0 / 35 / 77 / 40

HEX #996423

RGB 153 100 35

HSL 33.05, 0.63%, 0.37%

LAB 46.98, 15.63, 43.63

 

CMYK 0 / 35 / 78 / 27

HEX #BB7A2A

RGB 187 122 42

HSL 33.1, 0.63%, 0.45%

LAB 56.73, 18.67, 51.56

 

CMYK 0 / 32 / 72 / 17

HEX #D38F3C

RGB 211 143 60

HSL 32.98, 0.63%, 0.53%

LAB 64.82, 18.37, 52.79

 

CMYK 0 / 26 / 57 / 15

HEX #DAA25E

RGB 218 162 94

HSL 32.9, 0.63%, 0.61%

LAB 70.56, 13.25, 43.05

 

CMYK 0 / 35 / 78 / 26

HEX #BC7A2A

RGB 188 122 42

HSL 32.88, 0.63%, 0.45%

LAB 56.86, 19.11, 51.73

 

CMYK 57 / 0 / 78 / 27

HEX #51BB2A

RGB 81 187 42

HSL 103.86, 0.63%, 0.45%

LAB 67.62, -55.39, 59.43

 

CMYK 67 / 78 / 0 / 27

HEX #3E2ABB

RGB 62 42 187

HSL 248.28, 0.63%, 0.45%

LAB 30.08, 50.71, -72.35

 

CMYK 0 / 35 / 78 / 26

HEX #BC7A2A

RGB 188 122 42

HSL 32.88, 0.63%, 0.45%

LAB 56.86, 19.11, 51.73

 

CMYK 78 / 0 / 36 / 27

HEX #2ABB78

RGB 42 187 120

HSL 152.28, 0.63%, 0.45%

LAB 67.57, -52.68, 23.57

 

CMYK 36 / 78 / 0 / 27

HEX #782ABB

RGB 120 42 187

HSL 272.28, 0.63%, 0.45%

LAB 36.44, 58.66, -61.67

 

CMYK 0 / 35 / 78 / 26

HEX #BC7A2A

RGB 188 122 42

HSL 32.88, 0.63%, 0.45%

LAB 56.86, 19.11, 51.73

 

CMYK 57 / 0 / 78 / 27

HEX #51BB2A

RGB 81 187 42

HSL 103.86, 0.63%, 0.45%

LAB 67.62, -55.39, 59.43

 

CMYK 78 / 41 / 0 / 27

HEX #2A6EBB

RGB 42 110 187

HSL 211.86, 0.63%, 0.45%

LAB 45.95, 6.15, -46.6

 

CMYK 21 / 78 / 0 / 27

HEX #942ABB

RGB 148 42 187

HSL 283.86, 0.63%, 0.45%

LAB 40.47, 63.62, -54.93

 

CMYK 0 / 35 / 78 / 26

HEX #BC7A2A

RGB 188 122 42

HSL 32.88, 0.63%, 0.45%

LAB 56.86, 19.11, 51.73

 

CMYK 78 / 0 / 75 / 27

HEX #2ABB2F

RGB 42 187 47

HSL 122.07, 0.63%, 0.45%

LAB 66.7, -62.9, 56.55

 

CMYK 78 / 41 / 0 / 27

HEX #2A6EBB

RGB 42 110 187

HSL 211.86, 0.63%, 0.45%

LAB 45.95, 6.15, -46.6

 

CMYK 0 / 78 / 3 / 27

HEX #BB2AB6

RGB 187 42 182

HSL 302.07, 0.63%, 0.45%

LAB 46.44, 70.39, -42.08

 

Description

Color code: HEX #BC7A2A | qconv.com Color code: HEX #BC7A2A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 122 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 122 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 78 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 78% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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