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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7934 it is the complementary color #4386CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7934 shade: #C1792F, #D28B42, #E39D55, #F4AF68 and #FFC17B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7934 shade: #BC7934, #AB6721, #9A550E, #894300 and #783100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7934 shade: #BC7934, #BC5434 and #BC3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7934 shade: #BC7934, #BC9E34, #B6BC34, #91BC34 and #6CBC34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7934 shade matches the following richer shades: #BC7934, #D07920 and #E3790D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7934 shade: #BC7934, #A97947, #95785A, #82786E and #6F7881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7934 shade: #BC3438, #BC5334, #BC7834, #BC9C34 and #B8BC34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7934 shade: #7B4F22, #9C642B, #BC7934, #CE8D4B and #D7A26C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7934 shade: #BC7934, #5DBC34 and #4134BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7934 shade: #BC7934, #34BC78 and #7834BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7934 shade: #BC7934, #5DBC34, #3478BC and #9334BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7934 shade: #BC7934, #34BC34, #3478BC and #BC34BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

Complementary color

CMYK 67 / 34 / 0 / 20

HEX #4386CB

RGB 67 134 203

HSL 210.44, 0.57%, 0.53%

LAB 54.61, 0.86, -41.96

 

CMYK 0 / 37 / 76 / 24

HEX #C1792F

RGB 193 121 47

HSL 30.41, 0.61%, 0.47%

LAB 57.29, 22.04, 50.21

 

CMYK 0 / 34 / 69 / 18

HEX #D28B42

RGB 210 139 66

HSL 30.42, 0.62%, 0.54%

LAB 63.8, 20.43, 48.89

 

CMYK 0 / 31 / 63 / 11

HEX #E39D55

RGB 227 157 85

HSL 30.42, 0.72%, 0.61%

LAB 70.25, 19.03, 47.43

 

CMYK 0 / 28 / 57 / 4

HEX #F4AF68

RGB 244 175 104

HSL 30.43, 0.86%, 0.68%

LAB 76.61, 17.8, 45.96

 

CMYK 0 / 24 / 52 / 0

HEX #FFC17B

RGB 255 193 123

HSL 31.82, 1%, 0.74%

LAB 82.29, 14.33, 43.63

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 0 / 40 / 81 / 33

HEX #AB6721

RGB 171 103 33

HSL 30.43, 0.68%, 0.4%

LAB 50.06, 21.88, 48.26

 

CMYK 0 / 45 / 91 / 40

HEX #9A550E

RGB 154 85 14

HSL 30.43, 0.83%, 0.33%

LAB 43.36, 23.94, 48.5

 

CMYK 0 / 51 / 100 / 46

HEX #894300

RGB 137 67 0

HSL 29.34, 1%, 0.27%

LAB 36.62, 26.27, 46.81

 

CMYK 0 / 59 / 100 / 53

HEX #783100

RGB 120 49 0

HSL 24.5, 1%, 0.24%

LAB 29.89, 28.79, 41.11

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 0 / 55 / 72 / 26

HEX #BC5434

RGB 188 84 52

HSL 14.12, 0.57%, 0.47%

LAB 48.61, 39.84, 38.41

 

CMYK 0 / 72 / 72 / 26

HEX #BC3434

RGB 188 52 52

HSL 0, 0.57%, 0.47%

LAB 43.35, 53.87, 32.46

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 0 / 16 / 72 / 26

HEX #BC9E34

RGB 188 158 52

HSL 46.76, 0.57%, 0.47%

LAB 66.05, -0.19, 56.64

 

CMYK 3 / 0 / 72 / 26

HEX #B6BC34

RGB 182 188 52

HSL 62.65, 0.57%, 0.47%

LAB 73.65, -18.42, 63.85

 

CMYK 23 / 0 / 72 / 26

HEX #91BC34

RGB 145 188 52

HSL 78.97, 0.57%, 0.47%

LAB 71.03, -33.65, 60.41

 

CMYK 43 / 0 / 72 / 26

HEX #6CBC34

RGB 108 188 52

HSL 95.29, 0.57%, 0.47%

LAB 69.04, -47.11, 57.77

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 0 / 42 / 85 / 18

HEX #D07920

RGB 208 121 32

HSL 30.34, 0.73%, 0.47%

LAB 59.15, 27.9, 58.58

 

CMYK 0 / 47 / 94 / 11

HEX #E3790D

RGB 227 121 13

HSL 30.28, 0.89%, 0.47%

LAB 61.68, 35.39, 66.66

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 0 / 28 / 58 / 34

HEX #A97947

RGB 169 121 71

HSL 30.61, 0.41%, 0.47%

LAB 54.62, 13.1, 34.53

 

CMYK 0 / 19 / 40 / 42

HEX #95785A

RGB 149 120 90

HSL 30.51, 0.25%, 0.47%

LAB 52.47, 6.95, 20.74

 

CMYK 0 / 8 / 15 / 49

HEX #82786E

RGB 130 120 110

HSL 30, 0.08%, 0.47%

LAB 51.04, 2.03, 6.87

 

CMYK 14 / 7 / 0 / 49

HEX #6F7881

RGB 111 120 129

HSL 210, 0.08%, 0.47%

LAB 49.97, -1.37, -6.07

 

CMYK 0 / 72 / 70 / 26

HEX #BC3438

RGB 188 52 56

HSL 358.24, 0.57%, 0.47%

LAB 43.41, 54.06, 30.15

 

CMYK 0 / 56 / 72 / 26

HEX #BC5334

RGB 188 83 52

HSL 13.68, 0.57%, 0.47%

LAB 48.42, 40.34, 38.2

 

CMYK 0 / 36 / 72 / 26

HEX #BC7834

RGB 188 120 52

HSL 30, 0.57%, 0.47%

LAB 56.46, 20.67, 46.87

 

CMYK 0 / 17 / 72 / 26

HEX #BC9C34

RGB 188 156 52

HSL 45.88, 0.57%, 0.47%

LAB 65.53, 0.89, 56.11

 

CMYK 2 / 0 / 72 / 26

HEX #B8BC34

RGB 184 188 52

HSL 61.76, 0.57%, 0.47%

LAB 73.81, -17.57, 64.06

 

CMYK 0 / 36 / 72 / 52

HEX #7B4F22

RGB 123 79 34

HSL 30.34, 0.57%, 0.31%

LAB 37.7, 14.07, 33.3

 

CMYK 0 / 36 / 72 / 39

HEX #9C642B

RGB 156 100 43

HSL 30.27, 0.57%, 0.39%

LAB 47.44, 17.38, 40.45

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 0 / 32 / 64 / 19

HEX #CE8D4B

RGB 206 141 75

HSL 30.23, 0.57%, 0.55%

LAB 63.9, 18.19, 44.46

 

CMYK 0 / 25 / 50 / 16

HEX #D7A26C

RGB 215 162 108

HSL 30.28, 0.57%, 0.63%

LAB 70.43, 13.2, 35.58

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 51 / 0 / 72 / 26

HEX #5DBC34

RGB 93 188 52

HSL 101.91, 0.57%, 0.47%

LAB 68.42, -51.76, 56.94

 

CMYK 65 / 72 / 0 / 26

HEX #4134BC

RGB 65 52 188

HSL 245.74, 0.57%, 0.47%

LAB 32.28, 46.06, -69.3

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 72 / 0 / 36 / 26

HEX #34BC78

RGB 52 188 120

HSL 150, 0.57%, 0.47%

LAB 68.06, -51.7, 24.26

 

CMYK 36 / 72 / 0 / 26

HEX #7834BC

RGB 120 52 188

HSL 270, 0.57%, 0.47%

LAB 37.99, 54.71, -59.74

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 51 / 0 / 72 / 26

HEX #5DBC34

RGB 93 188 52

HSL 101.91, 0.57%, 0.47%

LAB 68.42, -51.76, 56.94

 

CMYK 72 / 36 / 0 / 26

HEX #3478BC

RGB 52 120 188

HSL 210, 0.57%, 0.47%

LAB 49.25, 1.64, -41.92

 

CMYK 22 / 72 / 0 / 26

HEX #9334BC

RGB 147 52 188

HSL 281.91, 0.57%, 0.47%

LAB 41.67, 59.97, -53.59

 

CMYK 0 / 36 / 72 / 26

HEX #BC7934

RGB 188 121 52

HSL 30.44, 0.57%, 0.47%

LAB 56.7, 20.12, 47.12

 

CMYK 72 / 0 / 72 / 26

HEX #34BC34

RGB 52 188 52

HSL 120, 0.57%, 0.47%

LAB 67.24, -61.28, 55.35

 

CMYK 72 / 36 / 0 / 26

HEX #3478BC

RGB 52 120 188

HSL 210, 0.57%, 0.47%

LAB 49.25, 1.64, -41.92

 

CMYK 0 / 72 / 0 / 26

HEX #BC34BC

RGB 188 52 188

HSL 300, 0.57%, 0.47%

LAB 47.98, 68.56, -43.14

 

Description

Color code: HEX #BC7934 | qconv.com Color code: HEX #BC7934 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 121 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 121 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 72 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 72% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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