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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC77DA it is the complementary color #438825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC77DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC77DA shade: #C177D5, #D289E8, #E39BFB, #F4ADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC77DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC77DA shade: #BC77DA, #AB65C7, #9A53B4, #8941A1 and #782F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC77DA shade: #BC77DA, #D677DA, #DA77C2, #DA77A8 and #DA778D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC77DA shade: #BC77DA, #A177DA, #8677DA and #7777DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC77DA shade matches the following richer shades: #BC77DA, #C169E8 and #C75BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC77DA shade: #BC77DA, #B685CC, #B193BE, #ABA1B0 and #A6AFA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC77DA shade: #8677DA, #A077DA, #BA77DA, #D577DA and #DA77C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC77DA shade: #9C37C7, #AC56D1, #BC77DA, #CC97E3 and #DCB8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC77DA shade: #BC77DA, #DA7782 and #77DA93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC77DA shade: #BC77DA, #DABA77 and #77DABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC77DA shade: #BC77DA, #DA7782, #96DA77 and #77DACE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC77DA shade: #BC77DA, #DA8977, #96DA77 and #77C8DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

Complementary color

CMYK 51 / 0 / 73 / 47

HEX #438825

RGB 67 136 37

HSL 101.82, 0.57%, 0.34%

LAB 50.61, -40.16, 44.19

 

CMYK 9 / 44 / 0 / 16

HEX #C177D5

RGB 193 119 213

HSL 287.23, 0.53%, 0.65%

LAB 61.08, 44.33, -36.77

 

CMYK 9 / 41 / 0 / 9

HEX #D289E8

RGB 210 137 232

HSL 286.11, 0.67%, 0.72%

LAB 67.59, 43.56, -37.04

 

CMYK 10 / 38 / 0 / 2

HEX #E39BFB

RGB 227 155 251

HSL 285, 0.92%, 0.8%

LAB 74.02, 42.82, -37.29

 

CMYK 4 / 32 / 0 / 0

HEX #F4ADFF

RGB 244 173 255

HSL 291.95, 1%, 0.84%

LAB 79.81, 39.22, -30.37

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 14 / 49 / 0 / 22

HEX #AB65C7

RGB 171 101 199

HSL 282.86, 0.47%, 0.59%

LAB 54.12, 44.71, -39.93

 

CMYK 14 / 54 / 0 / 29

HEX #9A53B4

RGB 154 83 180

HSL 283.92, 0.39%, 0.52%

LAB 47.43, 45.47, -39.65

 

CMYK 15 / 60 / 0 / 37

HEX #8941A1

RGB 137 65 161

HSL 285, 0.42%, 0.44%

LAB 40.69, 46.14, -39.25

 

CMYK 15 / 67 / 0 / 44

HEX #782F8E

RGB 120 47 142

HSL 286.11, 0.5%, 0.37%

LAB 33.94, 46.55, -38.63

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 2 / 45 / 0 / 15

HEX #D677DA

RGB 214 119 218

HSL 297.58, 0.57%, 0.66%

LAB 63.8, 51.39, -35.15

 

CMYK 0 / 45 / 11 / 15

HEX #DA77C2

RGB 218 119 194

HSL 314.55, 0.57%, 0.66%

LAB 63.34, 48.44, -22.33

 

CMYK 0 / 45 / 23 / 15

HEX #DA77A8

RGB 218 119 168

HSL 330.3, 0.57%, 0.66%

LAB 62.45, 44.45, -8.9

 

CMYK 0 / 45 / 35 / 15

HEX #DA778D

RGB 218 119 141

HSL 346.67, 0.57%, 0.66%

LAB 61.67, 40.89, 5.43

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 26 / 45 / 0 / 15

HEX #A177DA

RGB 161 119 218

HSL 265.45, 0.57%, 0.66%

LAB 57.88, 36.32, -44.85

 

CMYK 39 / 45 / 0 / 15

HEX #8677DA

RGB 134 119 218

HSL 249.09, 0.57%, 0.66%

LAB 55.4, 29.15, -48.92

 

CMYK 45 / 45 / 0 / 15

HEX #7777DA

RGB 119 119 218

HSL 240, 0.57%, 0.66%

LAB 54.21, 25.46, -50.89

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 17 / 55 / 0 / 9

HEX #C169E8

RGB 193 105 232

HSL 281.57, 0.73%, 0.66%

LAB 59.22, 55.43, -50.34

 

CMYK 19 / 63 / 0 / 4

HEX #C75BF6

RGB 199 91 246

HSL 281.81, 0.9%, 0.66%

LAB 58.3, 66.32, -59.56

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 11 / 35 / 0 / 20

HEX #B685CC

RGB 182 133 204

HSL 281.41, 0.41%, 0.66%

LAB 62.57, 31.52, -29.48

 

CMYK 7 / 23 / 0 / 25

HEX #B193BE

RGB 177 147 190

HSL 281.86, 0.25%, 0.66%

LAB 64.91, 19.14, -18.09

 

CMYK 3 / 9 / 0 / 31

HEX #ABA1B0

RGB 171 161 176

HSL 280, 0.09%, 0.66%

LAB 67.49, 6.45, -6.45

 

CMYK 5 / 0 / 7 / 31

HEX #A6AFA2

RGB 166 175 162

HSL 101.54, 0.08%, 0.66%

LAB 70.44, -5.61, 5.57

 

CMYK 39 / 45 / 0 / 15

HEX #8677DA

RGB 134 119 218

HSL 249.09, 0.57%, 0.66%

LAB 55.4, 29.15, -48.92

 

CMYK 27 / 45 / 0 / 15

HEX #A077DA

RGB 160 119 218

HSL 264.85, 0.57%, 0.66%

LAB 57.78, 36.05, -45.01

 

CMYK 15 / 45 / 0 / 15

HEX #BA77DA

RGB 186 119 218

HSL 280.61, 0.57%, 0.66%

LAB 60.51, 43.34, -40.52

 

CMYK 2 / 45 / 0 / 15

HEX #D577DA

RGB 213 119 218

HSL 296.97, 0.57%, 0.66%

LAB 63.67, 51.1, -35.35

 

CMYK 0 / 45 / 10 / 15

HEX #DA77C4

RGB 218 119 196

HSL 313.33, 0.57%, 0.66%

LAB 63.41, 48.77, -23.34

 

CMYK 22 / 72 / 0 / 22

HEX #9C37C7

RGB 156 55 199

HSL 282.08, 0.57%, 0.5%

LAB 44.12, 62.84, -55.99

 

CMYK 18 / 59 / 0 / 18

HEX #AC56D1

RGB 172 86 209

HSL 281.95, 0.57%, 0.58%

LAB 51.87, 54.74, -49.2

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 10 / 33 / 0 / 11

HEX #CC97E3

RGB 204 151 227

HSL 281.84, 0.58%, 0.74%

LAB 69.84, 33.2, -30.86

 

CMYK 6 / 22 / 0 / 8

HEX #DCB8EB

RGB 220 184 235

HSL 282.35, 0.56%, 0.82%

LAB 79.33, 21.93, -20.56

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 0 / 45 / 40 / 15

HEX #DA7782

RGB 218 119 130

HSL 353.33, 0.57%, 0.66%

LAB 61.4, 39.61, 11.36

 

CMYK 45 / 0 / 33 / 15

HEX #77DA93

RGB 119 218 147

HSL 136.97, 0.57%, 0.66%

LAB 79.71, -44.38, 26.15

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 0 / 15 / 45 / 15

HEX #DABA77

RGB 218 186 119

HSL 40.61, 0.57%, 0.66%

LAB 76.89, 2.69, 38.12

 

CMYK 45 / 0 / 15 / 15

HEX #77DABA

RGB 119 218 186

HSL 160.61, 0.57%, 0.66%

LAB 80.52, -36.59, 6.76

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 0 / 45 / 40 / 15

HEX #DA7782

RGB 218 119 130

HSL 353.33, 0.57%, 0.66%

LAB 61.4, 39.61, 11.36

 

CMYK 31 / 0 / 45 / 15

HEX #96DA77

RGB 150 218 119

HSL 101.21, 0.57%, 0.66%

LAB 80.72, -39.15, 41.91

 

CMYK 45 / 0 / 6 / 15

HEX #77DACE

RGB 119 218 206

HSL 172.73, 0.57%, 0.66%

LAB 81.03, -31.96, -3.14

 

CMYK 14 / 45 / 0 / 15

HEX #BC77DA

RGB 188 119 218

HSL 281.82, 0.57%, 0.66%

LAB 60.73, 43.91, -40.16

 

CMYK 0 / 37 / 45 / 15

HEX #DA8977

RGB 218 137 119

HSL 10.91, 0.57%, 0.66%

LAB 65.06, 28.95, 22.64

 

CMYK 31 / 0 / 45 / 15

HEX #96DA77

RGB 150 218 119

HSL 101.21, 0.57%, 0.66%

LAB 80.72, -39.15, 41.91

 

CMYK 45 / 8 / 0 / 15

HEX #77C8DA

RGB 119 200 218

HSL 190.91, 0.57%, 0.66%

LAB 76.25, -20.09, -16.7

 

Description

Color code: HEX #BC77DA | qconv.com Color code: HEX #BC77DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 119 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 119 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 45 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 45% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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