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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC75DA it is the complementary color #438A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC75DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC75DA shade: #C175D5, #D287E8, #E399FB, #F4ABFF and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC75DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC75DA shade: #BC75DA, #AB63C7, #9A51B4, #893FA1 and #782D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC75DA shade: #BD76DB, #D876DB, #DB76C2, #DB76A7 and #DB768C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC75DA shade: #BD76DB, #A276DB, #8676DB and #7676DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC75DA shade matches the following richer shades: #BD76DB, #C268E9 and #C85AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC75DA shade: #BD76DB, #B784CD, #B192BF, #ACA0B1 and #A6AEA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC75DA shade: #8776DB, #A276DB, #BC76DB, #D776DB and #DB76C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC75DA shade: #9D35C9, #AD55D2, #BD76DB, #CC97E3 and #DCB7EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC75DA shade: #BC75DA, #DB7680 and #76DB94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC75DA shade: #BC75DA, #DBBC76 and #76DBBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC75DA shade: #BC75DA, #DB7680, #94DB76 and #76DBD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC75DA shade: #BC75DA, #DB8A76, #94DB76 and #76C6DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 46 / 0 / 15

HEX #BC75DA

RGB 188 117 218

HSL 282.18, 0.58%, 0.66%

LAB 60.32, 44.98, -40.81

 

Complementary color

CMYK 51 / 0 / 73 / 46

HEX #438A25

RGB 67 138 37

HSL 102.18, 0.58%, 0.34%

LAB 51.27, -40.98, 44.86

 

CMYK 9 / 45 / 0 / 16

HEX #C175D5

RGB 193 117 213

HSL 287.5, 0.53%, 0.65%

LAB 60.66, 45.39, -37.42

 

CMYK 9 / 42 / 0 / 9

HEX #D287E8

RGB 210 135 232

HSL 286.39, 0.68%, 0.72%

LAB 67.17, 44.62, -37.7

 

CMYK 10 / 39 / 0 / 2

HEX #E399FB

RGB 227 153 251

HSL 285.31, 0.92%, 0.79%

LAB 73.6, 43.87, -37.95

 

CMYK 4 / 33 / 0 / 0

HEX #F4ABFF

RGB 244 171 255

HSL 292.14, 1%, 0.84%

LAB 79.37, 40.27, -31.03

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 14 / 46 / 0 / 15

HEX #BC75DA

RGB 188 117 218

HSL 282.18, 0.58%, 0.66%

LAB 60.32, 44.98, -40.81

 

CMYK 14 / 50 / 0 / 22

HEX #AB63C7

RGB 171 99 199

HSL 283.2, 0.47%, 0.58%

LAB 53.71, 45.77, -40.58

 

CMYK 14 / 55 / 0 / 29

HEX #9A51B4

RGB 154 81 180

HSL 284.24, 0.4%, 0.51%

LAB 47.04, 46.51, -40.27

 

CMYK 15 / 61 / 0 / 37

HEX #893FA1

RGB 137 63 161

HSL 285.31, 0.44%, 0.44%

LAB 40.32, 47.14, -39.83

 

CMYK 15 / 68 / 0 / 44

HEX #782D8E

RGB 120 45 142

HSL 286.39, 0.52%, 0.37%

LAB 33.61, 47.46, -39.15

 

CMYK 14 / 46 / 0 / 14

HEX #BD76DB

RGB 189 118 219

HSL 282.18, 0.58%, 0.66%

LAB 60.68, 44.94, -40.79

 

CMYK 1 / 46 / 0 / 14

HEX #D876DB

RGB 216 118 219

HSL 298.22, 0.58%, 0.66%

LAB 63.89, 52.65, -35.54

 

CMYK 0 / 46 / 11 / 14

HEX #DB76C2

RGB 219 118 194

HSL 314.85, 0.58%, 0.66%

LAB 63.27, 49.25, -22.42

 

CMYK 0 / 46 / 24 / 14

HEX #DB76A7

RGB 219 118 167

HSL 330.89, 0.58%, 0.66%

LAB 62.34, 45.15, -8.47

 

CMYK 0 / 46 / 36 / 14

HEX #DB768C

RGB 219 118 140

HSL 346.93, 0.58%, 0.66%

LAB 61.58, 41.64, 5.89

 

CMYK 14 / 46 / 0 / 14

HEX #BD76DB

RGB 189 118 219

HSL 282.18, 0.58%, 0.66%

LAB 60.68, 44.94, -40.79

 

CMYK 26 / 46 / 0 / 14

HEX #A276DB

RGB 162 118 219

HSL 266.14, 0.58%, 0.66%

LAB 57.8, 37.4, -45.52

 

CMYK 39 / 46 / 0 / 14

HEX #8676DB

RGB 134 118 219

HSL 249.5, 0.58%, 0.66%

LAB 55.22, 30.01, -49.79

 

CMYK 46 / 46 / 0 / 14

HEX #7676DB

RGB 118 118 219

HSL 240, 0.58%, 0.66%

LAB 53.95, 26.12, -51.89

 

CMYK 14 / 46 / 0 / 14

HEX #BD76DB

RGB 189 118 219

HSL 282.18, 0.58%, 0.66%

LAB 60.68, 44.94, -40.79

 

CMYK 17 / 55 / 0 / 9

HEX #C268E9

RGB 194 104 233

HSL 281.86, 0.75%, 0.66%

LAB 59.21, 56.38, -50.91

 

CMYK 19 / 64 / 0 / 3

HEX #C85AF7

RGB 200 90 247

HSL 282.04, 0.91%, 0.66%

LAB 58.33, 67.19, -60.06

 

CMYK 14 / 46 / 0 / 14

HEX #BD76DB

RGB 189 118 219

HSL 282.18, 0.58%, 0.66%

LAB 60.68, 44.94, -40.79

 

CMYK 11 / 36 / 0 / 20

HEX #B784CD

RGB 183 132 205

HSL 281.92, 0.42%, 0.66%

LAB 62.49, 32.59, -30.17

 

CMYK 7 / 24 / 0 / 25

HEX #B192BF

RGB 177 146 191

HSL 281.33, 0.26%, 0.66%

LAB 64.7, 19.91, -18.98

 

CMYK 3 / 10 / 0 / 31

HEX #ACA0B1

RGB 172 160 177

HSL 282.35, 0.1%, 0.66%

LAB 67.34, 7.55, -7.22

 

CMYK 5 / 0 / 7 / 32

HEX #A6AEA2

RGB 166 174 162

HSL 100, 0.07%, 0.66%

LAB 70.17, -5.07, 5.18

 

CMYK 38 / 46 / 0 / 14

HEX #8776DB

RGB 135 118 219

HSL 250.1, 0.58%, 0.66%

LAB 55.3, 30.27, -49.65

 

CMYK 26 / 46 / 0 / 14

HEX #A276DB

RGB 162 118 219

HSL 266.14, 0.58%, 0.66%

LAB 57.8, 37.4, -45.52

 

CMYK 14 / 46 / 0 / 14

HEX #BC76DB

RGB 188 118 219

HSL 281.58, 0.58%, 0.66%

LAB 60.57, 44.66, -40.97

 

CMYK 2 / 46 / 0 / 14

HEX #D776DB

RGB 215 118 219

HSL 297.62, 0.58%, 0.66%

LAB 63.77, 52.36, -35.74

 

CMYK 0 / 46 / 11 / 14

HEX #DB76C3

RGB 219 118 195

HSL 314.26, 0.58%, 0.66%

LAB 63.31, 49.41, -22.93

 

CMYK 22 / 74 / 0 / 21

HEX #9D35C9

RGB 157 53 201

HSL 282.16, 0.58%, 0.5%

LAB 44.13, 64.21, -57.12

 

CMYK 18 / 60 / 0 / 18

HEX #AD55D2

RGB 173 85 210

HSL 282.24, 0.58%, 0.58%

LAB 51.88, 55.68, -49.76

 

CMYK 14 / 46 / 0 / 14

HEX #BD76DB

RGB 189 118 219

HSL 282.18, 0.58%, 0.66%

LAB 60.68, 44.94, -40.79

 

CMYK 10 / 33 / 0 / 11

HEX #CC97E3

RGB 204 151 227

HSL 281.84, 0.58%, 0.74%

LAB 69.84, 33.2, -30.86

 

CMYK 7 / 22 / 0 / 7

HEX #DCB7EC

RGB 220 183 236

HSL 281.89, 0.58%, 0.82%

LAB 79.12, 22.67, -21.41

 

CMYK 14 / 46 / 0 / 15

HEX #BC75DA

RGB 188 117 218

HSL 282.18, 0.58%, 0.66%

LAB 60.32, 44.98, -40.81

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 46 / 0 / 32 / 14

HEX #76DB94

RGB 118 219 148

HSL 137.82, 0.58%, 0.66%

LAB 79.98, -44.9, 26

 

CMYK 14 / 46 / 0 / 15

HEX #BC75DA

RGB 188 117 218

HSL 282.18, 0.58%, 0.66%

LAB 60.32, 44.98, -40.81

 

CMYK 0 / 14 / 46 / 14

HEX #DBBC76

RGB 219 188 118

HSL 41.58, 0.58%, 0.66%

LAB 77.48, 1.95, 39.39

 

CMYK 46 / 0 / 14 / 14

HEX #76DBBC

RGB 118 219 188

HSL 161.58, 0.58%, 0.66%

LAB 80.82, -36.85, 6.13

 

CMYK 14 / 46 / 0 / 15

HEX #BC75DA

RGB 188 117 218

HSL 282.18, 0.58%, 0.66%

LAB 60.32, 44.98, -40.81

 

CMYK 0 / 46 / 42 / 14

HEX #DB7680

RGB 219 118 128

HSL 354.06, 0.58%, 0.66%

LAB 61.29, 40.27, 12.36

 

CMYK 32 / 0 / 46 / 14

HEX #94DB76

RGB 148 219 118

HSL 102.18, 0.58%, 0.66%

LAB 80.89, -40.4, 42.59

 

CMYK 46 / 0 / 5 / 14

HEX #76DBD1

RGB 118 219 209

HSL 174.06, 0.58%, 0.66%

LAB 81.36, -31.94, -4.26

 

CMYK 14 / 46 / 0 / 15

HEX #BC75DA

RGB 188 117 218

HSL 282.18, 0.58%, 0.66%

LAB 60.32, 44.98, -40.81

 

CMYK 0 / 37 / 46 / 14

HEX #DB8A76

RGB 219 138 118

HSL 11.88, 0.58%, 0.66%

LAB 65.39, 28.71, 23.66

 

CMYK 32 / 0 / 46 / 14

HEX #94DB76

RGB 148 219 118

HSL 102.18, 0.58%, 0.66%

LAB 80.89, -40.4, 42.59

 

CMYK 46 / 10 / 0 / 14

HEX #76C6DB

RGB 118 198 219

HSL 192.48, 0.58%, 0.66%

LAB 75.67, -19.04, -18.11

 

Description

Color code: HEX #BC75DA | qconv.com Color code: HEX #BC75DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 117 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 117 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 46 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 46% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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