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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6CD700 it is the complementary color #43932800. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6CD700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6CD700 shade: #C16CD200, #D27EE500, #E390F800, #F4A2FF00 and #FFB4FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6CD700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6CD700 shade: #BC6CD700, #AB5AC400, #9A48B100, #89369E00 and #78248B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6CD700 shade: #BB6BD6, #D66BD5, #D66BB8, #D66B9B and #D66B7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6CD700 shade: #BB6BD6, #9E6BD6, #816BD6 and #6B6BD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6CD700 shade matches the following richer shades: #BB6BD6, #C35CE6 and #CA4CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6CD700 shade: #BB6BD6, #B47AC7, #AC89B8, #A599A9 and #9DA899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6CD700 shade: #806BD6, #9D6BD6, #BA6BD6, #D66BD6 and #D66BBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6CD700 shade: #9933BB, #AC4ACE, #BB6BD6, #CA8BDF and #D9ACE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6CD700 shade: #BC6CD7, #D66B72 and #6BD68F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6CD700 shade: #BC6CD7, #D6BA6B and #6BD6BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6CD700 shade: #BC6CD7, #D66B72, #88D66B and #6BD6CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6CD700 shade: #BC6CD7, #D6846B, #88D66B and #6BBDD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BC6CD700

RGBA 188 108 215 0

HSLA 284.86, 0.57%, 0.63%, 0

LABA 58.34, 49.09, -42.23, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #43932800

RGBA 67 147 40 0

HSLA 104.86, 0.57%, 0.37%, 0

LABA 54.25, -44.34, 46.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C16CD200

RGBA 193 108 210 0

HSLA 290, 0.53%, 0.62%, 0

LABA 58.71, 49.48, -38.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D27EE500

RGBA 210 126 229 0

HSLA 288.93, 0.66%, 0.7%, 0

LABA 65.18, 48.74, -39.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E390F800

RGBA 227 144 248 0

HSLA 287.88, 0.88%, 0.77%, 0

LABA 71.59, 47.99, -39.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4A2FF00

RGBA 244 162 255 0

HSLA 292.9, 1%, 0.82%, 0

LABA 77.46, 44.97, -33.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4FF00

RGBA 255 180 255 0

HSLA 300, 1%, 0.85%, 0

LABA 82.44, 38.96, -26.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BC6CD700

RGBA 188 108 215 0

HSLA 284.86, 0.57%, 0.63%, 0

LABA 58.34, 49.09, -42.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AB5AC400

RGBA 171 90 196 0

HSLA 285.85, 0.47%, 0.56%, 0

LABA 51.79, 49.81, -41.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9A48B100

RGBA 154 72 177 0

HSLA 286.86, 0.42%, 0.49%, 0

LABA 45.19, 50.42, -41.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #89369E00

RGBA 137 54 158 0

HSLA 287.88, 0.49%, 0.42%, 0

LABA 38.6, 50.78, -40.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #78248B00

RGBA 120 36 139 0

HSLA 288.93, 0.59%, 0.34%, 0

LABA 32.08, 50.63, -39.76, 0

 

CMYK 13 / 50 / 0 / 16

HEX #BB6BD6

RGB 187 107 214

HSL 284.86, 0.57%, 0.63%

LAB 57.98, 49.12, -42.25

 

CMYK 0 / 50 / 0 / 16

HEX #D66BD5

RGB 214 107 213

HSL 300.56, 0.57%, 0.63%

LAB 61.32, 56.42, -36.2

 

CMYK 0 / 50 / 14 / 16

HEX #D66BB8

RGB 214 107 184

HSL 316.82, 0.57%, 0.63%

LAB 60.13, 51.59, -21.59

 

CMYK 0 / 50 / 28 / 16

HEX #D66B9B

RGB 214 107 155

HSL 333.08, 0.57%, 0.63%

LAB 59.14, 47.37, -6.41

 

CMYK 0 / 50 / 41 / 16

HEX #D66B7E

RGB 214 107 126

HSL 349.35, 0.57%, 0.63%

LAB 58.34, 43.85, 9.26

 

CMYK 13 / 50 / 0 / 16

HEX #BB6BD6

RGB 187 107 214

HSL 284.86, 0.57%, 0.63%

LAB 57.98, 49.12, -42.25

 

CMYK 26 / 50 / 0 / 16

HEX #9E6BD6

RGB 158 107 214

HSL 268.6, 0.57%, 0.63%

LAB 54.7, 41.26, -47.65

 

CMYK 40 / 50 / 0 / 16

HEX #816BD6

RGB 129 107 214

HSL 252.34, 0.57%, 0.63%

LAB 51.88, 33.85, -52.31

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD6

RGB 107 107 214

HSL 240, 0.57%, 0.63%

LAB 50.09, 28.75, -55.27

 

CMYK 13 / 50 / 0 / 16

HEX #BB6BD6

RGB 187 107 214

HSL 284.86, 0.57%, 0.63%

LAB 57.98, 49.12, -42.25

 

CMYK 15 / 60 / 0 / 10

HEX #C35CE6

RGB 195 92 230

HSL 284.78, 0.73%, 0.63%

LAB 57.05, 61.75, -52.66

 

CMYK 18 / 69 / 0 / 4

HEX #CA4CF5

RGB 202 76 245

HSL 284.73, 0.89%, 0.63%

LAB 56.4, 73, -62.02

 

CMYK 13 / 50 / 0 / 16

HEX #BB6BD6

RGB 187 107 214

HSL 284.86, 0.57%, 0.63%

LAB 57.98, 49.12, -42.25

 

CMYK 10 / 39 / 0 / 22

HEX #B47AC7

RGB 180 122 199

HSL 285.19, 0.41%, 0.63%

LAB 59.66, 35.95, -31.2

 

CMYK 7 / 26 / 0 / 28

HEX #AC89B8

RGB 172 137 184

HSL 284.68, 0.25%, 0.63%

LAB 61.76, 21.88, -19.55

 

CMYK 2 / 9 / 0 / 34

HEX #A599A9

RGB 165 153 169

HSL 285, 0.09%, 0.63%

LAB 64.68, 7.42, -6.75

 

CMYK 7 / 0 / 9 / 34

HEX #9DA899

RGB 157 168 153

HSL 104, 0.08%, 0.63%

LAB 67.63, -6.74, 6.41

 

CMYK 40 / 50 / 0 / 16

HEX #806BD6

RGB 128 107 214

HSL 251.78, 0.57%, 0.63%

LAB 51.79, 33.6, -52.45

 

CMYK 27 / 50 / 0 / 16

HEX #9D6BD6

RGB 157 107 214

HSL 268.04, 0.57%, 0.63%

LAB 54.59, 41, -47.82

 

CMYK 13 / 50 / 0 / 16

HEX #BA6BD6

RGB 186 107 214

HSL 284.3, 0.57%, 0.63%

LAB 57.86, 48.85, -42.45

 

CMYK 0 / 50 / 0 / 16

HEX #D66BD6

RGB 214 107 214

HSL 300, 0.57%, 0.63%

LAB 61.37, 56.59, -36.69

 

CMYK 0 / 50 / 13 / 16

HEX #D66BBA

RGB 214 107 186

HSL 315.7, 0.57%, 0.63%

LAB 60.21, 51.9, -22.62

 

CMYK 18 / 73 / 0 / 27

HEX #9933BB

RGB 153 51 187

HSL 285, 0.57%, 0.47%

LAB 42.35, 61.37, -51.87

 

CMYK 17 / 64 / 0 / 19

HEX #AC4ACE

RGB 172 74 206

HSL 284.55, 0.57%, 0.55%

LAB 49.65, 59.74, -51.04

 

CMYK 13 / 50 / 0 / 16

HEX #BB6BD6

RGB 187 107 214

HSL 284.86, 0.57%, 0.63%

LAB 57.98, 49.12, -42.25

 

CMYK 9 / 38 / 0 / 13

HEX #CA8BDF

RGB 202 139 223

HSL 285, 0.57%, 0.71%

LAB 66.79, 38.3, -33.39

 

CMYK 6 / 26 / 0 / 9

HEX #D9ACE8

RGB 217 172 232

HSL 285, 0.57%, 0.79%

LAB 76.12, 26.87, -23.84

 

CMYK 13 / 50 / 0 / 16

HEX #BC6CD7

RGB 188 108 215

HSL 284.86, 0.57%, 0.63%

LAB 58.34, 49.09, -42.23

 

CMYK 0 / 50 / 47 / 16

HEX #D66B72

RGB 214 107 114

HSL 356.07, 0.57%, 0.63%

LAB 58.06, 42.62, 15.84

 

CMYK 50 / 0 / 33 / 16

HEX #6BD68F

RGB 107 214 143

HSL 140.19, 0.57%, 0.63%

LAB 77.99, -46.53, 25.83

 

CMYK 13 / 50 / 0 / 16

HEX #BC6CD7

RGB 188 108 215

HSL 284.86, 0.57%, 0.63%

LAB 58.34, 49.09, -42.23

 

CMYK 0 / 13 / 50 / 16

HEX #D6BA6B

RGB 214 186 107

HSL 44.3, 0.57%, 0.63%

LAB 76.36, -0.09, 43.46

 

CMYK 50 / 0 / 13 / 16

HEX #6BD6BA

RGB 107 214 186

HSL 164.3, 0.57%, 0.63%

LAB 78.91, -37.61, 4.38

 

CMYK 13 / 50 / 0 / 16

HEX #BC6CD7

RGB 188 108 215

HSL 284.86, 0.57%, 0.63%

LAB 58.34, 49.09, -42.23

 

CMYK 0 / 50 / 47 / 16

HEX #D66B72

RGB 214 107 114

HSL 356.07, 0.57%, 0.63%

LAB 58.06, 42.62, 15.84

 

CMYK 36 / 0 / 50 / 16

HEX #88D66B

RGB 136 214 107

HSL 103.74, 0.57%, 0.63%

LAB 78.69, -43.54, 45.07

 

CMYK 50 / 0 / 3 / 16

HEX #6BD6CF

RGB 107 214 207

HSL 176.07, 0.57%, 0.63%

LAB 79.46, -32.52, -6.04

 

CMYK 13 / 50 / 0 / 16

HEX #BC6CD7

RGB 188 108 215

HSL 284.86, 0.57%, 0.63%

LAB 58.34, 49.09, -42.23

 

CMYK 0 / 38 / 50 / 16

HEX #D6846B

RGB 214 132 107

HSL 14.02, 0.57%, 0.63%

LAB 63.23, 28.89, 26.79

 

CMYK 36 / 0 / 50 / 16

HEX #88D66B

RGB 136 214 107

HSL 103.74, 0.57%, 0.63%

LAB 78.69, -43.54, 45.07

 

CMYK 50 / 12 / 0 / 16

HEX #6BBDD6

RGB 107 189 214

HSL 194.02, 0.57%, 0.63%

LAB 72.48, -18.28, -20.28

 

Description

Color code: HEX #BC6CD700 | qconv.com Color code: HEX #BC6CD700 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 108 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 108 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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