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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6CD200 it is the complementary color #43932D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6CD200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6CD200 shade: #C16CCD00, #D27EE000, #E390F300, #F4A2FF00 and #FFB4FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6CD200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6CD200 shade: #BC6CD200, #AB5ABF00, #9A48AC00, #89369900 and #78248600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6CD200 shade: #BB6BD1, #D16BCC, #D16BB0, #D16B95 and #D16B79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6CD200 shade: #BB6BD1, #A06BD1, #846BD1 and #6B6BD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6CD200 shade matches the following richer shades: #BB6BD1, #C45BE1 and #CD4BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6CD200 shade: #BB6BD1, #B27AC2, #A98AB2, #A19AA2 and #98A993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6CD200 shade: #846BD1, #A06BD1, #BB6BD1, #D16BCC and #D16BB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6CD200 shade: #9837B3, #AD4BC8, #BB6BD1, #CA8ADB and #D8AAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6CD200 shade: #BC6CD2, #D16B6C and #6BD192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6CD200 shade: #BC6CD2, #D1BB6B and #6BD1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6CD200 shade: #BC6CD2, #D16B6C, #81D16B and #6BD1D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6CD200 shade: #BC6CD2, #D1886B, #81D16B and #6BB4D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BC6CD200

RGBA 188 108 210 0

HSLA 287.06, 0.53%, 0.62%, 0

LABA 58.1, 48.07, -39.78, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #43932D00

RGBA 67 147 45 0

HSLA 107.06, 0.53%, 0.38%, 0

LABA 54.29, -43.91, 44.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C16CCD00

RGBA 193 108 205 0

HSLA 292.58, 0.49%, 0.61%, 0

LABA 58.48, 48.51, -36.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D27EE000

RGBA 210 126 224 0

HSLA 291.43, 0.61%, 0.69%, 0

LABA 64.97, 47.77, -36.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E390F300

RGBA 227 144 243 0

HSLA 290.3, 0.8%, 0.76%, 0

LABA 71.38, 47.03, -37.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4A2FF00

RGBA 244 162 255 0

HSLA 292.9, 1%, 0.82%, 0

LABA 77.46, 44.97, -33.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4FF00

RGBA 255 180 255 0

HSLA 300, 1%, 0.85%, 0

LABA 82.44, 38.96, -26.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BC6CD200

RGBA 188 108 210 0

HSLA 287.06, 0.53%, 0.62%, 0

LABA 58.1, 48.07, -39.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AB5ABF00

RGBA 171 90 191 0

HSLA 288.12, 0.44%, 0.55%, 0

LABA 51.53, 48.79, -39.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9A48AC00

RGBA 154 72 172 0

HSLA 289.2, 0.41%, 0.48%, 0

LABA 44.92, 49.41, -38.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #89369900

RGBA 137 54 153 0

HSLA 290.3, 0.48%, 0.41%, 0

LABA 38.3, 49.78, -38.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #78248600

RGBA 120 36 134 0

HSLA 291.43, 0.58%, 0.33%, 0

LABA 31.75, 49.65, -37.18, 0

 

CMYK 11 / 49 / 0 / 18

HEX #BB6BD1

RGB 187 107 209

HSL 287.06, 0.53%, 0.62%

LAB 57.74, 48.11, -39.8

 

CMYK 0 / 49 / 2 / 18

HEX #D16BCC

RGB 209 107 204

HSL 302.94, 0.53%, 0.62%

LAB 60.28, 53.42, -32.8

 

CMYK 0 / 49 / 16 / 18

HEX #D16BB0

RGB 209 107 176

HSL 319.41, 0.53%, 0.62%

LAB 59.16, 48.79, -18.55

 

CMYK 0 / 49 / 29 / 18

HEX #D16B95

RGB 209 107 149

HSL 335.29, 0.53%, 0.62%

LAB 58.26, 44.9, -4.3

 

CMYK 0 / 49 / 42 / 18

HEX #D16B79

RGB 209 107 121

HSL 351.76, 0.53%, 0.62%

LAB 57.51, 41.53, 10.91

 

CMYK 11 / 49 / 0 / 18

HEX #BB6BD1

RGB 187 107 209

HSL 287.06, 0.53%, 0.62%

LAB 57.74, 48.11, -39.8

 

CMYK 23 / 49 / 0 / 18

HEX #A06BD1

RGB 160 107 209

HSL 271.18, 0.53%, 0.62%

LAB 54.65, 40.62, -44.88

 

CMYK 37 / 49 / 0 / 18

HEX #846BD1

RGB 132 107 209

HSL 254.71, 0.53%, 0.62%

LAB 51.86, 33.22, -49.47

 

CMYK 49 / 49 / 0 / 18

HEX #6B6BD1

RGB 107 107 209

HSL 240, 0.53%, 0.62%

LAB 49.79, 27.22, -52.91

 

CMYK 11 / 49 / 0 / 18

HEX #BB6BD1

RGB 187 107 209

HSL 287.06, 0.53%, 0.62%

LAB 57.74, 48.11, -39.8

 

CMYK 13 / 60 / 0 / 12

HEX #C45BE1

RGB 196 91 225

HSL 287.01, 0.69%, 0.62%

LAB 56.74, 61.47, -50.34

 

CMYK 15 / 69 / 0 / 5

HEX #CD4BF1

RGB 205 75 241

HSL 286.99, 0.86%, 0.62%

LAB 56.45, 73.25, -59.69

 

CMYK 11 / 49 / 0 / 18

HEX #BB6BD1

RGB 187 107 209

HSL 287.06, 0.53%, 0.62%

LAB 57.74, 48.11, -39.8

 

CMYK 8 / 37 / 0 / 24

HEX #B27AC2

RGB 178 122 194

HSL 286.67, 0.37%, 0.62%

LAB 59.23, 34.3, -29.04

 

CMYK 5 / 22 / 0 / 30

HEX #A98AB2

RGB 169 138 178

HSL 286.5, 0.21%, 0.62%

LAB 61.5, 19.07, -16.56

 

CMYK 1 / 5 / 0 / 36

HEX #A19AA2

RGB 161 154 162

HSL 292.5, 0.04%, 0.62%

LAB 64.4, 4.07, -3.27

 

CMYK 10 / 0 / 13 / 34

HEX #98A993

RGB 152 169 147

HSL 106.36, 0.11%, 0.62%

LAB 67.4, -10.17, 9.35

 

CMYK 37 / 49 / 0 / 18

HEX #846BD1

RGB 132 107 209

HSL 254.71, 0.53%, 0.62%

LAB 51.86, 33.22, -49.47

 

CMYK 23 / 49 / 0 / 18

HEX #A06BD1

RGB 160 107 209

HSL 271.18, 0.53%, 0.62%

LAB 54.65, 40.62, -44.88

 

CMYK 11 / 49 / 0 / 18

HEX #BB6BD1

RGB 187 107 209

HSL 287.06, 0.53%, 0.62%

LAB 57.74, 48.11, -39.8

 

CMYK 0 / 49 / 2 / 18

HEX #D16BCC

RGB 209 107 204

HSL 302.94, 0.53%, 0.62%

LAB 60.28, 53.42, -32.8

 

CMYK 0 / 49 / 15 / 18

HEX #D16BB1

RGB 209 107 177

HSL 318.82, 0.53%, 0.62%

LAB 59.2, 48.95, -19.07

 

CMYK 15 / 69 / 0 / 30

HEX #9837B3

RGB 152 55 179

HSL 286.94, 0.53%, 0.46%

LAB 42.25, 58, -47.33

 

CMYK 14 / 63 / 0 / 22

HEX #AD4BC8

RGB 173 75 200

HSL 287.04, 0.53%, 0.54%

LAB 49.6, 58.33, -47.65

 

CMYK 11 / 49 / 0 / 18

HEX #BB6BD1

RGB 187 107 209

HSL 287.06, 0.53%, 0.62%

LAB 57.74, 48.11, -39.8

 

CMYK 8 / 37 / 0 / 14

HEX #CA8ADB

RGB 202 138 219

HSL 287.41, 0.53%, 0.7%

LAB 66.4, 38.03, -31.76

 

CMYK 6 / 26 / 0 / 10

HEX #D8AAE5

RGB 216 170 229

HSL 286.78, 0.53%, 0.78%

LAB 75.45, 27.04, -23.23

 

CMYK 10 / 49 / 0 / 18

HEX #BC6CD2

RGB 188 108 210

HSL 287.06, 0.53%, 0.62%

LAB 58.1, 48.07, -39.78

 

CMYK 0 / 49 / 48 / 18

HEX #D16B6C

RGB 209 107 108

HSL 359.41, 0.53%, 0.62%

LAB 57.22, 40.21, 18.06

 

CMYK 49 / 0 / 30 / 18

HEX #6BD192

RGB 107 209 146

HSL 142.94, 0.53%, 0.62%

LAB 76.56, -43.84, 22.31

 

CMYK 10 / 49 / 0 / 18

HEX #BC6CD2

RGB 188 108 210

HSL 287.06, 0.53%, 0.62%

LAB 58.1, 48.07, -39.78

 

CMYK 0 / 11 / 49 / 18

HEX #D1BB6B

RGB 209 187 107

HSL 47.06, 0.53%, 0.62%

LAB 76.17, -2.67, 43.12

 

CMYK 49 / 0 / 11 / 18

HEX #6BD1BB

RGB 107 209 187

HSL 167.06, 0.53%, 0.62%

LAB 77.47, -35.08, 1.76

 

CMYK 10 / 49 / 0 / 18

HEX #BC6CD2

RGB 188 108 210

HSL 287.06, 0.53%, 0.62%

LAB 58.1, 48.07, -39.78

 

CMYK 0 / 49 / 48 / 18

HEX #D16B6C

RGB 209 107 108

HSL 359.41, 0.53%, 0.62%

LAB 57.22, 40.21, 18.06

 

CMYK 38 / 0 / 49 / 18

HEX #81D16B

RGB 129 209 107

HSL 107.06, 0.53%, 0.62%

LAB 76.88, -43.64, 42.78

 

CMYK 49 / 0 / 0 / 18

HEX #6BD1D0

RGB 107 209 208

HSL 179.41, 0.53%, 0.62%

LAB 78.04, -29.88, -8.68

 

CMYK 10 / 49 / 0 / 18

HEX #BC6CD2

RGB 188 108 210

HSL 287.06, 0.53%, 0.62%

LAB 58.1, 48.07, -39.78

 

CMYK 0 / 35 / 49 / 18

HEX #D1886B

RGB 209 136 107

HSL 17.06, 0.53%, 0.62%

LAB 63.53, 24.75, 27.07

 

CMYK 38 / 0 / 49 / 18

HEX #81D16B

RGB 129 209 107

HSL 107.06, 0.53%, 0.62%

LAB 76.88, -43.64, 42.78

 

CMYK 49 / 14 / 0 / 18

HEX #6BB4D1

RGB 107 180 209

HSL 197.06, 0.53%, 0.62%

LAB 69.73, -14.98, -21.72

 

Description

Color code: HEX #BC6CD200 | qconv.com Color code: HEX #BC6CD200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 108 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 108 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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