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Color name
HEX #BC6C2ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6C2ACE it is the complementary color #4393D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6C2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6C2ACE shade: #C16C25CE, #D27E38CE, #E3904BCE, #F4A25ECE and #FFB471CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6C2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6C2ACE shade: #BC6C2ACE, #AB5A17CE, #9A4804CE, #893600CE and #782400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6C2ACE shade: #BB6C2A, #BB452A and #BB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6C2ACE shade: #BB6C2A, #BB932A, #BBBA2A, #95BB2A and #6EBB2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6C2ACE shade matches the following richer shades: #BB6C2A, #CE6A18 and #E06805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6C2ACE shade: #BB6C2A, #A86E3D, #966F50, #837162 and #717375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6C2ACE shade: #BB2A37, #BB452A, #BB6C2A, #BB922A and #BBB92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6C2ACE shade: #78451B, #995823, #BB6C2A, #D3803C and #DA965E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6C2ACE shade: #BC6C2A, #5DBB2A and #322ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6C2ACE shade: #BC6C2A, #2ABB6C and #6C2ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6C2ACE shade: #BC6C2A, #5DBB2A, #2A7ABB and #882ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6C2ACE shade: #BC6C2A, #32BB2A, #2A7ABB and #B42ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 63 / 21

HEX #BC6C2ACE

RGBA 188 108 42 0.81

HSLA 27.12, 0.63%, 0.45%, 0.81

LABA 53.58, 26.8, 48.55, 0.81

 

Complementary color

CMYK 56 / 25 / 0 / 13

HEX #4393D5CE

RGBA 67 147 213 0.81

HSLA 207.12, 0.63%, 0.55%, 0.81

LABA 58.85, -3.3, -40.92, 0.81

 

CMYK 0 / 36 / 65 / 20

HEX #C16C25CE

RGBA 193 108 37 0.81

HSLA 27.31, 0.68%, 0.45%, 0.81

LABA 54.23, 28.72, 51.56, 0.81

 

CMYK 0 / 32 / 59 / 14

HEX #D27E38CE

RGBA 210 126 56 0.81

HSLA 27.27, 0.63%, 0.52%, 0.81

LABA 60.7, 26.93, 50.3, 0.81

 

CMYK 0 / 30 / 54 / 9

HEX #E3904BCE

RGBA 227 144 75 0.81

HSLA 27.24, 0.73%, 0.59%, 0.81

LABA 67.12, 25.35, 48.78, 0.81

 

CMYK 0 / 27 / 50 / 3

HEX #F4A25ECE

RGBA 244 162 94 0.81

HSLA 27.2, 0.87%, 0.66%, 0.81

LABA 73.47, 23.95, 47.22, 0.81

 

CMYK 0 / 24 / 45 / 0

HEX #FFB471CE

RGBA 255 180 113 0.81

HSLA 28.31, 1%, 0.72%, 0.81

LABA 79.1, 20.31, 44.73, 0.81

 

CMYK 0 / 34 / 63 / 21

HEX #BC6C2ACE

RGBA 188 108 42 0.81

HSLA 27.12, 0.63%, 0.45%, 0.81

LABA 53.58, 26.8, 48.55, 0.81

 

CMYK 0 / 38 / 70 / 27

HEX #AB5A17CE

RGBA 171 90 23 0.81

HSLA 27.16, 0.76%, 0.38%, 0.81

LABA 47.02, 28.74, 49.48, 0.81

 

CMYK 0 / 43 / 79 / 32

HEX #9A4804CE

RGBA 154 72 4 0.81

HSLA 27.2, 0.95%, 0.31%, 0.81

LABA 40.43, 30.9, 49.23, 0.81

 

CMYK 0 / 49 / 81 / 37

HEX #893600CE

RGBA 137 54 0 0.81

HSLA 23.65, 1%, 0.27%, 0.81

LABA 33.89, 33.21, 45.24, 0.81

 

CMYK 0 / 57 / 81 / 43

HEX #782400CE

RGBA 120 36 0 0.81

HSLA 18, 1%, 0.24%, 0.81

LABA 27.45, 35.23, 39.13, 0.81

 

CMYK 0 / 42 / 78 / 27

HEX #BB6C2A

RGB 187 108 42

HSL 27.31, 0.63%, 0.45%

LAB 53.45, 26.37, 48.37

 

CMYK 0 / 63 / 78 / 27

HEX #BB452A

RGB 187 69 42

HSL 11.17, 0.63%, 0.45%

LAB 45.62, 46.16, 40.48

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 42 / 78 / 27

HEX #BB6C2A

RGB 187 108 42

HSL 27.31, 0.63%, 0.45%

LAB 53.45, 26.37, 48.37

 

CMYK 0 / 21 / 78 / 27

HEX #BB932A

RGB 187 147 42

HSL 43.45, 0.63%, 0.45%

LAB 63.01, 4.88, 57.51

 

CMYK 0 / 1 / 78 / 27

HEX #BBBA2A

RGB 187 186 42

HSL 59.59, 0.63%, 0.45%

LAB 73.45, -15.7, 67.06

 

CMYK 20 / 0 / 78 / 27

HEX #95BB2A

RGB 149 187 42

HSL 75.72, 0.63%, 0.45%

LAB 70.94, -32.11, 63.74

 

CMYK 41 / 0 / 78 / 27

HEX #6EBB2A

RGB 110 187 42

HSL 91.86, 0.63%, 0.45%

LAB 68.77, -46.66, 60.93

 

CMYK 0 / 42 / 78 / 27

HEX #BB6C2A

RGB 187 108 42

HSL 27.31, 0.63%, 0.45%

LAB 53.45, 26.37, 48.37

 

CMYK 0 / 49 / 88 / 19

HEX #CE6A18

RGB 206 106 24

HSL 27.03, 0.79%, 0.45%

LAB 55.58, 34.8, 58.18

 

CMYK 0 / 54 / 98 / 12

HEX #E06805

RGB 224 104 5

HSL 27.12, 0.96%, 0.45%

LAB 57.81, 42.68, 65.32

 

CMYK 0 / 42 / 78 / 27

HEX #BB6C2A

RGB 187 108 42

HSL 27.31, 0.63%, 0.45%

LAB 53.45, 26.37, 48.37

 

CMYK 0 / 35 / 64 / 34

HEX #A86E3D

RGB 168 110 61

HSL 27.48, 0.47%, 0.45%

LAB 51.63, 18.12, 36.29

 

CMYK 0 / 26 / 47 / 41

HEX #966F50

RGB 150 111 80

HSL 26.57, 0.3%, 0.45%

LAB 50.02, 11.4, 23.26

 

CMYK 0 / 14 / 25 / 49

HEX #837162

RGB 131 113 98

HSL 27.27, 0.14%, 0.45%

LAB 48.91, 4.52, 10.92

 

CMYK 3 / 2 / 0 / 54

HEX #717375

RGB 113 115 117

HSL 210, 0.02%, 0.45%

LAB 48.33, -0.34, -1.37

 

CMYK 0 / 78 / 71 / 27

HEX #BB2A37

RGB 187 42 55

HSL 354.62, 0.63%, 0.45%

LAB 41.99, 57.07, 29.01

 

CMYK 0 / 63 / 78 / 27

HEX #BB452A

RGB 187 69 42

HSL 11.17, 0.63%, 0.45%

LAB 45.62, 46.16, 40.48

 

CMYK 0 / 42 / 78 / 27

HEX #BB6C2A

RGB 187 108 42

HSL 27.31, 0.63%, 0.45%

LAB 53.45, 26.37, 48.37

 

CMYK 0 / 22 / 78 / 27

HEX #BB922A

RGB 187 146 42

HSL 43.03, 0.63%, 0.45%

LAB 62.75, 5.43, 57.27

 

CMYK 0 / 1 / 78 / 27

HEX #BBB92A

RGB 187 185 42

HSL 59.17, 0.63%, 0.45%

LAB 73.17, -15.19, 66.81

 

CMYK 0 / 43 / 78 / 53

HEX #78451B

RGB 120 69 27

HSL 27.1, 0.63%, 0.29%

LAB 34.66, 18.25, 33.59

 

CMYK 0 / 42 / 77 / 40

HEX #995823

RGB 153 88 35

HSL 26.95, 0.63%, 0.37%

LAB 44.05, 22.49, 40.71

 

CMYK 0 / 42 / 78 / 27

HEX #BB6C2A

RGB 187 108 42

HSL 27.31, 0.63%, 0.45%

LAB 53.45, 26.37, 48.37

 

CMYK 0 / 39 / 72 / 17

HEX #D3803C

RGB 211 128 60

HSL 27.02, 0.63%, 0.53%

LAB 61.32, 26.47, 49.11

 

CMYK 0 / 31 / 57 / 15

HEX #DA965E

RGB 218 150 94

HSL 27.1, 0.63%, 0.61%

LAB 67.67, 19.71, 39.54

 

CMYK 0 / 43 / 78 / 26

HEX #BC6C2A

RGB 188 108 42

HSL 27.12, 0.63%, 0.45%

LAB 53.58, 26.8, 48.55

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 73 / 78 / 0 / 27

HEX #322ABB

RGB 50 42 187

HSL 243.31, 0.63%, 0.45%

LAB 29.21, 49.6, -73.8

 

CMYK 0 / 43 / 78 / 26

HEX #BC6C2A

RGB 188 108 42

HSL 27.12, 0.63%, 0.45%

LAB 53.58, 26.8, 48.55

 

CMYK 78 / 0 / 42 / 27

HEX #2ABB6C

RGB 42 187 108

HSL 147.31, 0.63%, 0.45%

LAB 67.36, -55, 29.62

 

CMYK 42 / 78 / 0 / 27

HEX #6C2ABB

RGB 108 42 187

HSL 267.31, 0.63%, 0.45%

LAB 34.87, 56.72, -64.3

 

CMYK 0 / 43 / 78 / 26

HEX #BC6C2A

RGB 188 108 42

HSL 27.12, 0.63%, 0.45%

LAB 53.58, 26.8, 48.55

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 78 / 35 / 0 / 27

HEX #2A7ABB

RGB 42 122 187

HSL 206.9, 0.63%, 0.45%

LAB 49.5, -1.24, -40.96

 

CMYK 27 / 78 / 0 / 27

HEX #882ABB

RGB 136 42 187

HSL 278.9, 0.63%, 0.45%

LAB 38.69, 61.43, -57.91

 

CMYK 0 / 43 / 78 / 26

HEX #BC6C2A

RGB 188 108 42

HSL 27.12, 0.63%, 0.45%

LAB 53.58, 26.8, 48.55

 

CMYK 73 / 0 / 78 / 27

HEX #32BB2A

RGB 50 187 42

HSL 116.69, 0.63%, 0.45%

LAB 66.81, -62.04, 58.37

 

CMYK 78 / 35 / 0 / 27

HEX #2A7ABB

RGB 42 122 187

HSL 206.9, 0.63%, 0.45%

LAB 49.5, -1.24, -40.96

 

CMYK 4 / 78 / 0 / 27

HEX #B42ABB

RGB 180 42 187

HSL 297.1, 0.63%, 0.45%

LAB 45.56, 69.78, -46.49

 

Description

Color code: HEX #BC6C2ACE | qconv.com Color code: HEX #BC6C2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 108 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 108 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 63 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 63% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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