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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC65CF it is the complementary color #439A30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC65CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC65CF shade: #C165CA, #D277DD, #E389F0, #F49BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC65CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC65CF shade: #BC65CF, #AB53BC, #9A41A9, #892F96 and #781D83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC65CF shade: #BB64CE, #CE64C4, #CE64A8, #CE648B and #CE646F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC65CF shade: #BB64CE, #9E64CE, #8264CE, #6564CE and #6464CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC65CF shade matches the following richer shades: #BB64CE, #C653DF and #D043EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC65CF shade: #BB64CE, #B074BE, #A685AD, #9B959D and #91A68C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC65CF shade: #8264CE, #9E64CE, #BB64CE, #CE64C5 and #CE64A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC65CF shade: #9536AA, #AD45C4, #BB64CE, #C983D8 and #D7A3E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC65CF shade: #BC65CF, #CE6664 and #64CE90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC65CF shade: #BC65CF, #CEBB64 and #64CEBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC65CF shade: #BC65CF, #CE6664, #77CE64 and #64CCCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC65CF shade: #BC65CF, #CE8664, #77CE64 and #64ACCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 51 / 0 / 19

HEX #BC65CF

RGB 188 101 207

HSL 289.25, 0.52%, 0.6%

LAB 56.59, 51.06, -40.47

 

Complementary color

CMYK 56 / 0 / 69 / 40

HEX #439A30

RGB 67 154 48

HSL 109.25, 0.52%, 0.4%

LAB 56.6, -46.37, 45.95

 

CMYK 4 / 50 / 0 / 21

HEX #C165CA

RGB 193 101 202

HSL 294.65, 0.49%, 0.59%

LAB 56.99, 51.49, -36.95

 

CMYK 5 / 46 / 0 / 13

HEX #D277DD

RGB 210 119 221

HSL 293.53, 0.6%, 0.67%

LAB 63.44, 50.8, -37.42

 

CMYK 5 / 43 / 0 / 6

HEX #E389F0

RGB 227 137 240

HSL 292.43, 0.77%, 0.74%

LAB 69.83, 50.07, -37.8

 

CMYK 4 / 39 / 0 / 0

HEX #F49BFF

RGB 244 155 255

HSL 293.4, 1%, 0.8%

LAB 76.01, 48.59, -36.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 9 / 51 / 0 / 19

HEX #BC65CF

RGB 188 101 207

HSL 289.25, 0.52%, 0.6%

LAB 56.59, 51.06, -40.47

 

CMYK 9 / 56 / 0 / 26

HEX #AB53BC

RGB 171 83 188

HSL 290.29, 0.44%, 0.53%

LAB 50.07, 51.7, -40

 

CMYK 9 / 62 / 0 / 34

HEX #9A41A9

RGB 154 65 169

HSL 291.35, 0.44%, 0.46%

LAB 43.53, 52.15, -39.36

 

CMYK 9 / 69 / 0 / 41

HEX #892F96

RGB 137 47 150

HSL 292.43, 0.52%, 0.39%

LAB 37.03, 52.24, -38.44

 

CMYK 8 / 78 / 0 / 49

HEX #781D83

RGB 120 29 131

HSL 293.53, 0.64%, 0.31%

LAB 30.67, 51.64, -37.05

 

CMYK 9 / 51 / 0 / 19

HEX #BB64CE

RGB 187 100 206

HSL 289.25, 0.52%, 0.6%

LAB 56.22, 51.1, -40.48

 

CMYK 0 / 51 / 5 / 19

HEX #CE64C4

RGB 206 100 196

HSL 305.66, 0.52%, 0.6%

LAB 58.25, 54.59, -31.44

 

CMYK 0 / 51 / 18 / 19

HEX #CE64A8

RGB 206 100 168

HSL 321.51, 0.52%, 0.6%

LAB 57.14, 50.1, -17.06

 

CMYK 0 / 51 / 33 / 19

HEX #CE648B

RGB 206 100 139

HSL 337.92, 0.52%, 0.6%

LAB 56.19, 46.1, -1.58

 

CMYK 0 / 51 / 46 / 19

HEX #CE646F

RGB 206 100 111

HSL 353.77, 0.52%, 0.6%

LAB 55.47, 42.95, 13.82

 

CMYK 9 / 51 / 0 / 19

HEX #BB64CE

RGB 187 100 206

HSL 289.25, 0.52%, 0.6%

LAB 56.22, 51.1, -40.48

 

CMYK 23 / 51 / 0 / 19

HEX #9E64CE

RGB 158 100 206

HSL 272.83, 0.52%, 0.6%

LAB 52.77, 43.23, -46.16

 

CMYK 37 / 51 / 0 / 19

HEX #8264CE

RGB 130 100 206

HSL 256.98, 0.52%, 0.6%

LAB 49.88, 35.99, -50.95

 

CMYK 51 / 51 / 0 / 19

HEX #6564CE

RGB 101 100 206

HSL 240.57, 0.52%, 0.6%

LAB 47.41, 29.25, -55.03

 

CMYK 51 / 51 / 0 / 19

HEX #6464CE

RGB 100 100 206

HSL 240, 0.52%, 0.6%

LAB 47.34, 29.03, -55.15

 

CMYK 9 / 51 / 0 / 19

HEX #BB64CE

RGB 187 100 206

HSL 289.25, 0.52%, 0.6%

LAB 56.22, 51.1, -40.48

 

CMYK 11 / 63 / 0 / 13

HEX #C653DF

RGB 198 83 223

HSL 289.29, 0.69%, 0.6%

LAB 55.6, 65.12, -51

 

CMYK 13 / 72 / 0 / 6

HEX #D043EF

RGB 208 67 239

HSL 289.19, 0.84%, 0.6%

LAB 55.74, 76.38, -59.69

 

CMYK 9 / 51 / 0 / 19

HEX #BB64CE

RGB 187 100 206

HSL 289.25, 0.52%, 0.6%

LAB 56.22, 51.1, -40.48

 

CMYK 7 / 39 / 0 / 25

HEX #B074BE

RGB 176 116 190

HSL 288.65, 0.36%, 0.6%

LAB 57.5, 36.18, -29.47

 

CMYK 4 / 23 / 0 / 32

HEX #A685AD

RGB 166 133 173

HSL 289.5, 0.2%, 0.6%

LAB 59.8, 19.87, -16.34

 

CMYK 1 / 5 / 0 / 38

HEX #9B959D

RGB 155 149 157

HSL 285, 0.04%, 0.6%

LAB 62.42, 3.73, -3.42

 

CMYK 13 / 0 / 16 / 35

HEX #91A68C

RGB 145 166 140

HSL 108.46, 0.13%, 0.6%

LAB 65.89, -12.38, 11.03

 

CMYK 37 / 51 / 0 / 19

HEX #8264CE

RGB 130 100 206

HSL 256.98, 0.52%, 0.6%

LAB 49.88, 35.99, -50.95

 

CMYK 23 / 51 / 0 / 19

HEX #9E64CE

RGB 158 100 206

HSL 272.83, 0.52%, 0.6%

LAB 52.77, 43.23, -46.16

 

CMYK 9 / 51 / 0 / 19

HEX #BB64CE

RGB 187 100 206

HSL 289.25, 0.52%, 0.6%

LAB 56.22, 51.1, -40.48

 

CMYK 0 / 51 / 4 / 19

HEX #CE64C5

RGB 206 100 197

HSL 305.09, 0.52%, 0.6%

LAB 58.29, 54.76, -31.94

 

CMYK 0 / 51 / 18 / 19

HEX #CE64A9

RGB 206 100 169

HSL 320.94, 0.52%, 0.6%

LAB 57.17, 50.25, -17.58

 

CMYK 12 / 68 / 0 / 33

HEX #9536AA

RGB 149 54 170

HSL 289.14, 0.52%, 0.44%

LAB 41.1, 55.98, -43.86

 

CMYK 12 / 65 / 0 / 23

HEX #AD45C4

RGB 173 69 196

HSL 289.13, 0.52%, 0.52%

LAB 48.42, 60.2, -47.23

 

CMYK 9 / 51 / 0 / 19

HEX #BB64CE

RGB 187 100 206

HSL 289.25, 0.52%, 0.6%

LAB 56.22, 51.1, -40.48

 

CMYK 7 / 39 / 0 / 15

HEX #C983D8

RGB 201 131 216

HSL 289.41, 0.52%, 0.68%

LAB 64.65, 40.9, -32.82

 

CMYK 5 / 28 / 0 / 11

HEX #D7A3E2

RGB 215 163 226

HSL 289.52, 0.52%, 0.76%

LAB 73.63, 29.93, -24.39

 

CMYK 9 / 51 / 0 / 19

HEX #BC65CF

RGB 188 101 207

HSL 289.25, 0.52%, 0.6%

LAB 56.59, 51.06, -40.47

 

CMYK 0 / 50 / 51 / 19

HEX #CE6664

RGB 206 102 100

HSL 1.13, 0.52%, 0.6%

LAB 55.63, 40.91, 20.46

 

CMYK 51 / 0 / 30 / 19

HEX #64CE90

RGB 100 206 144

HSL 144.91, 0.52%, 0.6%

LAB 75.37, -44.69, 21.7

 

CMYK 9 / 51 / 0 / 19

HEX #BC65CF

RGB 188 101 207

HSL 289.25, 0.52%, 0.6%

LAB 56.59, 51.06, -40.47

 

CMYK 0 / 9 / 51 / 19

HEX #CEBB64

RGB 206 187 100

HSL 49.25, 0.52%, 0.6%

LAB 75.81, -4.54, 46.09

 

CMYK 51 / 0 / 9 / 19

HEX #64CEBB

RGB 100 206 187

HSL 169.25, 0.52%, 0.6%

LAB 76.34, -35.26, 0.08

 

CMYK 9 / 51 / 0 / 19

HEX #BC65CF

RGB 188 101 207

HSL 289.25, 0.52%, 0.6%

LAB 56.59, 51.06, -40.47

 

CMYK 0 / 50 / 51 / 19

HEX #CE6664

RGB 206 102 100

HSL 1.13, 0.52%, 0.6%

LAB 55.63, 40.91, 20.46

 

CMYK 42 / 0 / 51 / 19

HEX #77CE64

RGB 119 206 100

HSL 109.25, 0.52%, 0.6%

LAB 75.44, -46.39, 44.3

 

CMYK 51 / 1 / 0 / 19

HEX #64CCCE

RGB 100 204 206

HSL 181.13, 0.52%, 0.6%

LAB 76.28, -29.47, -10.24

 

CMYK 9 / 51 / 0 / 19

HEX #BC65CF

RGB 188 101 207

HSL 289.25, 0.52%, 0.6%

LAB 56.59, 51.06, -40.47

 

CMYK 0 / 35 / 51 / 19

HEX #CE8664

RGB 206 134 100

HSL 19.25, 0.52%, 0.6%

LAB 62.59, 23.97, 29.63

 

CMYK 42 / 0 / 51 / 19

HEX #77CE64

RGB 119 206 100

HSL 109.25, 0.52%, 0.6%

LAB 75.44, -46.39, 44.3

 

CMYK 51 / 17 / 0 / 19

HEX #64ACCE

RGB 100 172 206

HSL 199.25, 0.52%, 0.6%

LAB 67.03, -13.16, -24.23

 

Description

Color code: HEX #BC65CF | qconv.com Color code: HEX #BC65CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 101 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 101 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 51 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 51% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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