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Color name
HEX #BC618A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC618A it is the complementary color #439E75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC618A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC618A shade: #C16185, #D27398, #E385AB, #F497BE and #FFA9D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC618A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC618A shade: #BC618A, #AB4F77, #9A3D64, #892B51 and #78193E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC618A shade: #BC628A, #BC6272 and #BC6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC618A shade: #BC628A, #BC62A3, #BC62BB, #A462BC and #8C62BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC618A shade matches the following richer shades: #BC628A, #CE5089, #E03E87 and #F22B85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC618A shade: #BC628A, #AA748C, #97868E, #859890 and #73AB92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC618A shade: #BC62BC, #BC62A4, #BC628C, #BC6274 and #BC6862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC618A shade: #8E3D62, #AB4975, #BC628A, #C87FA0 and #D49CB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC618A shade: #BC618A, #BCA462 and #62B0BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC618A shade: #BC618A, #8CBC62 and #628CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC618A shade: #BC618A, #BCA462, #62BC92 and #627ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC618A shade: #BC618A, #B9BC62, #62BC92 and #6562BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 27 / 26

HEX #BC618A

RGB 188 97 138

HSL 332.97, 0.4%, 0.56%

LAB 53.03, 41.36, -5.93

 

Complementary color

CMYK 58 / 0 / 26 / 38

HEX #439E75

RGB 67 158 117

HSL 152.97, 0.4%, 0.44%

LAB 58.91, -37.08, 13.43

 

CMYK 0 / 50 / 31 / 24

HEX #C16185

RGB 193 97 133

HSL 337.5, 0.44%, 0.57%

LAB 53.58, 42.41, -2.09

 

CMYK 0 / 45 / 28 / 18

HEX #D27398

RGB 210 115 152

HSL 336.63, 0.51%, 0.64%

LAB 60.1, 41.55, -3.32

 

CMYK 0 / 41 / 25 / 11

HEX #E385AB

RGB 227 133 171

HSL 335.74, 0.63%, 0.71%

LAB 66.56, 40.71, -4.38

 

CMYK 0 / 38 / 22 / 4

HEX #F497BE

RGB 244 151 190

HSL 334.84, 0.81%, 0.77%

LAB 72.95, 39.9, -5.32

 

CMYK 0 / 34 / 18 / 0

HEX #FFA9D1

RGB 255 169 209

HSL 332.09, 1%, 0.83%

LAB 78.6, 37.08, -7.23

 

CMYK 0 / 48 / 27 / 26

HEX #BC618A

RGB 188 97 138

HSL 332.97, 0.4%, 0.56%

LAB 53.03, 41.36, -5.93

 

CMYK 0 / 54 / 30 / 33

HEX #AB4F77

RGB 171 79 119

HSL 333.91, 0.37%, 0.49%

LAB 46.42, 42.16, -4.63

 

CMYK 0 / 60 / 35 / 40

HEX #9A3D64

RGB 154 61 100

HSL 334.84, 0.43%, 0.42%

LAB 39.79, 42.84, -3.02

 

CMYK 0 / 69 / 41 / 46

HEX #892B51

RGB 137 43 81

HSL 335.74, 0.52%, 0.35%

LAB 33.22, 43.22, -0.92

 

CMYK 0 / 79 / 48 / 53

HEX #78193E

RGB 120 25 62

HSL 336.63, 0.66%, 0.28%

LAB 26.84, 42.94, 1.97

 

CMYK 0 / 48 / 27 / 26

HEX #BC628A

RGB 188 98 138

HSL 333.33, 0.4%, 0.56%

LAB 53.23, 40.85, -5.63

 

CMYK 0 / 48 / 39 / 26

HEX #BC6272

RGB 188 98 114

HSL 349.33, 0.4%, 0.56%

LAB 52.56, 37.77, 7.58

 

CMYK 0 / 48 / 48 / 26

HEX #BC6262

RGB 188 98 98

HSL 0, 0.4%, 0.56%

LAB 52.18, 36.04, 16.53

 

CMYK 0 / 48 / 27 / 26

HEX #BC628A

RGB 188 98 138

HSL 333.33, 0.4%, 0.56%

LAB 53.23, 40.85, -5.63

 

CMYK 0 / 48 / 13 / 26

HEX #BC62A3

RGB 188 98 163

HSL 316.67, 0.4%, 0.56%

LAB 54.1, 44.64, -19

 

CMYK 0 / 48 / 1 / 26

HEX #BC62BB

RGB 188 98 187

HSL 300.67, 0.4%, 0.56%

LAB 55.09, 48.79, -31.39

 

CMYK 13 / 48 / 0 / 26

HEX #A462BC

RGB 164 98 188

HSL 284, 0.4%, 0.56%

LAB 52.13, 42, -36.81

 

CMYK 26 / 48 / 0 / 26

HEX #8C62BC

RGB 140 98 188

HSL 268, 0.4%, 0.56%

LAB 49.43, 35.16, -41.25

 

CMYK 0 / 48 / 27 / 26

HEX #BC628A

RGB 188 98 138

HSL 333.33, 0.4%, 0.56%

LAB 53.23, 40.85, -5.63

 

CMYK 0 / 61 / 33 / 19

HEX #CE5089

RGB 206 80 137

HSL 332.86, 0.56%, 0.56%

LAB 52.58, 55.24, -5.72

 

CMYK 0 / 72 / 40 / 12

HEX #E03E87

RGB 224 62 135

HSL 332.96, 0.72%, 0.56%

LAB 53, 67.15, -3.58

 

CMYK 0 / 82 / 45 / 5

HEX #F22B85

RGB 242 43 133

HSL 332.86, 0.88%, 0.56%

LAB 54.34, 76.78, -0.03

 

CMYK 0 / 48 / 27 / 26

HEX #BC628A

RGB 188 98 138

HSL 333.33, 0.4%, 0.56%

LAB 53.23, 40.85, -5.63

 

CMYK 0 / 32 / 18 / 33

HEX #AA748C

RGB 170 116 140

HSL 333.33, 0.24%, 0.56%

LAB 55, 24.89, -4.44

 

CMYK 0 / 11 / 6 / 41

HEX #97868E

RGB 151 134 142

HSL 331.76, 0.08%, 0.56%

LAB 57.64, 7.87, -1.94

 

CMYK 13 / 0 / 5 / 40

HEX #859890

RGB 133 152 144

HSL 154.74, 0.08%, 0.56%

LAB 61.18, -8.38, 1.92

 

CMYK 33 / 0 / 15 / 33

HEX #73AB92

RGB 115 171 146

HSL 153.21, 0.25%, 0.56%

LAB 65.63, -23.89, 7.07

 

CMYK 0 / 48 / 0 / 26

HEX #BC62BC

RGB 188 98 188

HSL 300, 0.4%, 0.56%

LAB 55.13, 48.97, -31.89

 

CMYK 0 / 48 / 13 / 26

HEX #BC62A4

RGB 188 98 164

HSL 316, 0.4%, 0.56%

LAB 54.14, 44.81, -19.52

 

CMYK 0 / 48 / 26 / 26

HEX #BC628C

RGB 188 98 140

HSL 332, 0.4%, 0.56%

LAB 53.3, 41.13, -6.72

 

CMYK 0 / 48 / 38 / 26

HEX #BC6274

RGB 188 98 116

HSL 348, 0.4%, 0.56%

LAB 52.61, 38, 6.47

 

CMYK 0 / 45 / 48 / 26

HEX #BC6862

RGB 188 104 98

HSL 4, 0.4%, 0.56%

LAB 53.46, 32.86, 18.27

 

CMYK 0 / 57 / 31 / 44

HEX #8E3D62

RGB 142 61 98

HSL 332.59, 0.4%, 0.4%

LAB 37.79, 38.53, -4.95

 

CMYK 0 / 57 / 32 / 33

HEX #AB4975

RGB 171 73 117

HSL 333.06, 0.4%, 0.48%

LAB 45.23, 44.86, -5.18

 

CMYK 0 / 48 / 27 / 26

HEX #BC628A

RGB 188 98 138

HSL 333.33, 0.4%, 0.56%

LAB 53.23, 40.85, -5.63

 

CMYK 0 / 37 / 20 / 22

HEX #C87FA0

RGB 200 127 160

HSL 332.88, 0.4%, 0.64%

LAB 61.65, 32.84, -5.76

 

CMYK 0 / 26 / 15 / 17

HEX #D49CB5

RGB 212 156 181

HSL 333.21, 0.39%, 0.72%

LAB 70.25, 24.67, -4.71

 

CMYK 0 / 48 / 27 / 26

HEX #BC618A

RGB 188 97 138

HSL 332.97, 0.4%, 0.56%

LAB 53.03, 41.36, -5.93

 

CMYK 0 / 13 / 48 / 26

HEX #BCA462

RGB 188 164 98

HSL 44, 0.4%, 0.56%

LAB 68.11, -0.06, 37.32

 

CMYK 48 / 6 / 0 / 26

HEX #62B0BC

RGB 98 176 188

HSL 188, 0.4%, 0.56%

LAB 67.49, -20.79, -13.59

 

CMYK 0 / 48 / 27 / 26

HEX #BC618A

RGB 188 97 138

HSL 332.97, 0.4%, 0.56%

LAB 53.03, 41.36, -5.93

 

CMYK 26 / 0 / 48 / 26

HEX #8CBC62

RGB 140 188 98

HSL 92, 0.4%, 0.56%

LAB 71.16, -31.51, 40.29

 

CMYK 48 / 26 / 0 / 26

HEX #628CBC

RGB 98 140 188

HSL 212, 0.4%, 0.56%

LAB 57.06, -1.13, -29.52

 

CMYK 0 / 48 / 27 / 26

HEX #BC618A

RGB 188 97 138

HSL 332.97, 0.4%, 0.56%

LAB 53.03, 41.36, -5.93

 

CMYK 0 / 13 / 48 / 26

HEX #BCA462

RGB 188 164 98

HSL 44, 0.4%, 0.56%

LAB 68.11, -0.06, 37.32

 

CMYK 48 / 0 / 22 / 26

HEX #62BC92

RGB 98 188 146

HSL 152, 0.4%, 0.56%

LAB 69.92, -36.84, 13.05

 

CMYK 48 / 35 / 0 / 26

HEX #627ABC

RGB 98 122 188

HSL 224, 0.4%, 0.56%

LAB 52, 9.51, -37.42

 

CMYK 0 / 48 / 27 / 26

HEX #BC618A

RGB 188 97 138

HSL 332.97, 0.4%, 0.56%

LAB 53.03, 41.36, -5.93

 

CMYK 2 / 0 / 48 / 26

HEX #B9BC62

RGB 185 188 98

HSL 62, 0.4%, 0.56%

LAB 74.29, -13.89, 44.83

 

CMYK 48 / 0 / 22 / 26

HEX #62BC92

RGB 98 188 146

HSL 152, 0.4%, 0.56%

LAB 69.92, -36.84, 13.05

 

CMYK 46 / 48 / 0 / 26

HEX #6562BC

RGB 101 98 188

HSL 242, 0.4%, 0.56%

LAB 45.82, 24.94, -47.21

 

Description

Color code: HEX #BC618A | qconv.com Color code: HEX #BC618A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 97 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 97 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 27 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 27% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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