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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC5ED9 it is the complementary color #43A126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC5ED9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC5ED9 shade: #C15ED4, #D270E7, #E382FA, #F494FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC5ED9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC5ED9 shade: #BC5ED9, #AB4CC6, #9A3AB3, #8928A0 and #78168D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC5ED9 shade: #BC5ED9, #D95ED5, #D95EB4, #D95E93 and #D95E71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC5ED9 shade: #BC5ED9, #9B5ED9, #7A5ED9 and #5E5ED9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC5ED9 shade matches the following richer shades: #BC5ED9, #C54EE9 and #CD3EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC5ED9 shade: #BC5ED9, #B46EC9, #AB7EB9, #A38EA9 and #9A9E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC5ED9 shade: #795ED9, #995ED9, #BA5ED9, #D95ED7 and #D95EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC5ED9 shade: #982BB9, #AE3CD1, #BC5ED9, #CA7FE1 and #D8A1E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC5ED9 shade: #BC5ED9, #D95E64 and #5ED989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC5ED9 shade: #BC5ED9, #D9BA5E and #5ED9BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC5ED9 shade: #BC5ED9, #D95E64, #7DD95E and #5ED9D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC5ED9 shade: #BC5ED9, #D97D5E, #7DD95E and #5EBAD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

Complementary color

CMYK 58 / 0 / 76 / 37

HEX #43A126

RGB 67 161 38

HSL 105.85, 0.62%, 0.39%

LAB 58.81, -49.82, 52.04

 

CMYK 9 / 56 / 0 / 17

HEX #C15ED4

RGB 193 94 212

HSL 290.34, 0.58%, 0.6%

LAB 56.18, 56.81, -43.9

 

CMYK 9 / 52 / 0 / 9

HEX #D270E7

RGB 210 112 231

HSL 289.41, 0.71%, 0.67%

LAB 62.56, 56.2, -44.37

 

CMYK 9 / 48 / 0 / 2

HEX #E382FA

RGB 227 130 250

HSL 288.5, 0.92%, 0.75%

LAB 68.89, 55.52, -44.75

 

CMYK 4 / 42 / 0 / 0

HEX #F494FF

RGB 244 148 255

HSL 293.83, 1%, 0.79%

LAB 74.59, 52.16, -38.42

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 14 / 62 / 0 / 22

HEX #AB4CC6

RGB 171 76 198

HSL 286.72, 0.52%, 0.54%

LAB 49.38, 57, -46.87

 

CMYK 14 / 68 / 0 / 30

HEX #9A3AB3

RGB 154 58 179

HSL 287.6, 0.51%, 0.46%

LAB 42.99, 57.2, -46.13

 

CMYK 14 / 75 / 0 / 37

HEX #8928A0

RGB 137 40 160

HSL 288.5, 0.6%, 0.39%

LAB 36.69, 56.88, -45.03

 

CMYK 15 / 84 / 0 / 45

HEX #78168D

RGB 120 22 141

HSL 289.41, 0.73%, 0.32%

LAB 30.62, 55.62, -43.35

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 0 / 57 / 2 / 15

HEX #D95ED5

RGB 217 94 213

HSL 301.95, 0.62%, 0.61%

LAB 59.49, 63.23, -39.04

 

CMYK 0 / 57 / 17 / 15

HEX #D95EB4

RGB 217 94 180

HSL 318.05, 0.62%, 0.61%

LAB 58.09, 58.01, -22.39

 

CMYK 0 / 57 / 32 / 15

HEX #D95E93

RGB 217 94 147

HSL 334.15, 0.62%, 0.61%

LAB 56.94, 53.56, -4.96

 

CMYK 0 / 57 / 48 / 15

HEX #D95E71

RGB 217 94 113

HSL 350.73, 0.62%, 0.61%

LAB 56.04, 49.91, 13.69

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 29 / 57 / 0 / 15

HEX #9B5ED9

RGB 155 94 217

HSL 269.76, 0.62%, 0.61%

LAB 51.82, 48.28, -53.96

 

CMYK 44 / 57 / 0 / 15

HEX #7A5ED9

RGB 122 94 217

HSL 253.66, 0.62%, 0.61%

LAB 48.45, 40.63, -59.55

 

CMYK 57 / 57 / 0 / 15

HEX #5E5ED9

RGB 94 94 217

HSL 240, 0.62%, 0.61%

LAB 46.17, 34.98, -63.35

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 15 / 67 / 0 / 9

HEX #C54EE9

RGB 197 78 233

HSL 286.06, 0.78%, 0.61%

LAB 55.28, 68.88, -57.15

 

CMYK 18 / 75 / 0 / 2

HEX #CD3EF9

RGB 205 62 249

HSL 285.88, 0.94%, 0.61%

LAB 55.34, 79.27, -65.93

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 10 / 45 / 0 / 21

HEX #B46EC9

RGB 180 110 201

HSL 286.15, 0.46%, 0.61%

LAB 57.15, 42.9, -36.25

 

CMYK 8 / 32 / 0 / 27

HEX #AB7EB9

RGB 171 126 185

HSL 285.76, 0.3%, 0.61%

LAB 59.05, 27.97, -24.27

 

CMYK 4 / 16 / 0 / 34

HEX #A38EA9

RGB 163 142 169

HSL 286.67, 0.14%, 0.61%

LAB 61.65, 12.91, -11.29

 

CMYK 3 / 0 / 3 / 38

HEX #9A9E99

RGB 154 158 153

HSL 108, 0.03%, 0.61%

LAB 64.66, -2.39, 2.1

 

CMYK 44 / 57 / 0 / 15

HEX #795ED9

RGB 121 94 217

HSL 253.17, 0.62%, 0.61%

LAB 48.36, 40.41, -59.7

 

CMYK 29 / 57 / 0 / 15

HEX #995ED9

RGB 153 94 217

HSL 268.78, 0.62%, 0.61%

LAB 51.6, 47.79, -54.33

 

CMYK 14 / 57 / 0 / 15

HEX #BA5ED9

RGB 186 94 217

HSL 284.88, 0.62%, 0.61%

LAB 55.54, 56, -47.81

 

CMYK 0 / 57 / 1 / 15

HEX #D95ED7

RGB 217 94 215

HSL 300.98, 0.62%, 0.61%

LAB 59.58, 63.57, -40.02

 

CMYK 0 / 57 / 16 / 15

HEX #D95EB6

RGB 217 94 182

HSL 317.07, 0.62%, 0.61%

LAB 58.16, 58.31, -23.43

 

CMYK 18 / 77 / 0 / 27

HEX #982BB9

RGB 152 43 185

HSL 286.06, 0.62%, 0.45%

LAB 41.07, 63.65, -52.77

 

CMYK 17 / 71 / 0 / 18

HEX #AE3CD1

RGB 174 60 209

HSL 285.91, 0.62%, 0.53%

LAB 48.05, 66.53, -55.3

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 10 / 44 / 0 / 12

HEX #CA7FE1

RGB 202 127 225

HSL 285.92, 0.62%, 0.69%

LAB 64.3, 45.12, -38.37

 

CMYK 7 / 31 / 0 / 9

HEX #D8A1E9

RGB 216 161 233

HSL 285.83, 0.62%, 0.77%

LAB 73.53, 32.7, -28.36

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 0 / 57 / 54 / 15

HEX #D95E64

RGB 217 94 100

HSL 357.07, 0.62%, 0.61%

LAB 55.76, 48.78, 20.93

 

CMYK 57 / 0 / 37 / 15

HEX #5ED989

RGB 94 217 137

HSL 140.98, 0.62%, 0.61%

LAB 78.35, -51.95, 29.34

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 0 / 14 / 57 / 15

HEX #D9BA5E

RGB 217 186 94

HSL 44.88, 0.62%, 0.61%

LAB 76.48, 0.07, 50.03

 

CMYK 57 / 0 / 14 / 15

HEX #5ED9BA

RGB 94 217 186

HSL 164.88, 0.62%, 0.61%

LAB 79.36, -41.74, 4.98

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 0 / 57 / 54 / 15

HEX #D95E64

RGB 217 94 100

HSL 357.07, 0.62%, 0.61%

LAB 55.76, 48.78, 20.93

 

CMYK 42 / 0 / 57 / 15

HEX #7DD95E

RGB 125 217 94

HSL 104.88, 0.62%, 0.61%

LAB 78.92, -49.78, 51.3

 

CMYK 57 / 0 / 3 / 15

HEX #5ED9D3

RGB 94 217 211

HSL 177.07, 0.62%, 0.61%

LAB 80.02, -35.5, -7.4

 

CMYK 13 / 57 / 0 / 15

HEX #BC5ED9

RGB 188 94 217

HSL 285.85, 0.62%, 0.61%

LAB 55.79, 56.5, -47.39

 

CMYK 0 / 42 / 57 / 15

HEX #D97D5E

RGB 217 125 94

HSL 15.12, 0.62%, 0.61%

LAB 61.85, 32.68, 32.27

 

CMYK 42 / 0 / 57 / 15

HEX #7DD95E

RGB 125 217 94

HSL 104.88, 0.62%, 0.61%

LAB 78.92, -49.78, 51.3

 

CMYK 57 / 14 / 0 / 15

HEX #5EBAD9

RGB 94 186 217

HSL 195.12, 0.62%, 0.61%

LAB 71.22, -18.59, -23.88

 

Description

Color code: HEX #BC5ED9 | qconv.com Color code: HEX #BC5ED9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 94 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 94 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 57 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 57% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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