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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC5B3E it is the complementary color #43A4C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC5B3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC5B3E shade: #C15B39, #D26D4C, #E37F5F, #F49172 and #FFA385

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC5B3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC5B3E shade: #BC5B3E, #AB492B, #9A3718, #892505 and #781300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC5B3E shade: #BB5B3E and #BB3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC5B3E shade: #BB5B3E, #BB7C3E, #BB9E3E, #B6BB3E and #94BB3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC5B3E shade matches the following richer shades: #BB5B3E, #CF502A, #E34516 and #F83A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC5B3E shade: #BB5B3E, #A76652, #927166, #7E7B7B and #6A868F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC5B3E shade: #BB3E66, #BB3E44, #BB593E, #BB7A3E and #BB9C3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC5B3E shade: #7D3D29, #9C4C34, #BB5B3E, #C8745A and #D28E79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC5B3E shade: #BC5B3E, #87BB3E and #3E55BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC5B3E shade: #BC5B3E, #3EBB59 and #593EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC5B3E shade: #BC5B3E, #87BB3E, #3EA0BB and #723EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC5B3E shade: #BC5B3E, #61BB3E, #3EA0BB and #983EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 67 / 26

HEX #BC5B3E

RGB 188 91 62

HSL 13.81, 0.5%, 0.49%

LAB 50.12, 36.84, 34.67

 

Complementary color

CMYK 65 / 15 / 0 / 24

HEX #43A4C1

RGB 67 164 193

HSL 193.81, 0.5%, 0.51%

LAB 63.01, -19.27, -23.28

 

CMYK 0 / 53 / 70 / 24

HEX #C15B39

RGB 193 91 57

HSL 15, 0.54%, 0.49%

LAB 50.82, 38.5, 38.41

 

CMYK 0 / 48 / 64 / 18

HEX #D26D4C

RGB 210 109 76

HSL 14.78, 0.6%, 0.56%

LAB 57.23, 37.01, 36.22

 

CMYK 0 / 44 / 58 / 11

HEX #E37F5F

RGB 227 127 95

HSL 14.55, 0.7%, 0.63%

LAB 63.62, 35.63, 34.24

 

CMYK 0 / 41 / 53 / 4

HEX #F49172

RGB 244 145 114

HSL 14.31, 0.86%, 0.7%

LAB 69.96, 34.35, 32.45

 

CMYK 0 / 36 / 48 / 0

HEX #FFA385

RGB 255 163 133

HSL 14.75, 1%, 0.76%

LAB 75.54, 30.9, 29.76

 

CMYK 0 / 52 / 67 / 26

HEX #BC5B3E

RGB 188 91 62

HSL 13.81, 0.5%, 0.49%

LAB 50.12, 36.84, 34.67

 

CMYK 0 / 57 / 75 / 33

HEX #AB492B

RGB 171 73 43

HSL 14.06, 0.6%, 0.42%

LAB 43.65, 38.35, 37.05

 

CMYK 0 / 64 / 84 / 40

HEX #9A3718

RGB 154 55 24

HSL 14.31, 0.73%, 0.35%

LAB 37.24, 39.86, 39.49

 

CMYK 0 / 73 / 96 / 46

HEX #892505

RGB 137 37 5

HSL 14.55, 0.93%, 0.28%

LAB 31, 41.11, 41.33

 

CMYK 0 / 84 / 100 / 53

HEX #781300

RGB 120 19 0

HSL 9.5, 1%, 0.24%

LAB 25.13, 41.63, 37.04

 

CMYK 0 / 51 / 67 / 27

HEX #BB5B3E

RGB 187 91 62

HSL 13.92, 0.5%, 0.49%

LAB 49.97, 36.44, 34.45

 

CMYK 0 / 67 / 67 / 27

HEX #BB3E3E

RGB 187 62 62

HSL 0, 0.5%, 0.49%

LAB 44.74, 50.15, 28.15

 

CMYK 0 / 51 / 67 / 27

HEX #BB5B3E

RGB 187 91 62

HSL 13.92, 0.5%, 0.49%

LAB 49.97, 36.44, 34.45

 

CMYK 0 / 34 / 67 / 27

HEX #BB7C3E

RGB 187 124 62

HSL 29.76, 0.5%, 0.49%

LAB 57.39, 18.59, 42.98

 

CMYK 0 / 16 / 67 / 27

HEX #BB9E3E

RGB 187 158 62

HSL 46.08, 0.5%, 0.49%

LAB 66.03, -0.09, 52.38

 

CMYK 3 / 0 / 67 / 27

HEX #B6BB3E

RGB 182 187 62

HSL 62.4, 0.5%, 0.49%

LAB 73.44, -17.39, 59.92

 

CMYK 21 / 0 / 67 / 27

HEX #94BB3E

RGB 148 187 62

HSL 78.72, 0.5%, 0.49%

LAB 71, -31.36, 56.64

 

CMYK 0 / 51 / 67 / 27

HEX #BB5B3E

RGB 187 91 62

HSL 13.92, 0.5%, 0.49%

LAB 49.97, 36.44, 34.45

 

CMYK 0 / 61 / 80 / 19

HEX #CF502A

RGB 207 80 42

HSL 13.82, 0.66%, 0.49%

LAB 50.89, 48.38, 46.89

 

CMYK 0 / 70 / 90 / 11

HEX #E34516

RGB 227 69 22

HSL 13.76, 0.82%, 0.49%

LAB 52.56, 59.26, 58.11

 

CMYK 0 / 77 / 100 / 3

HEX #F83A01

RGB 248 58 1

HSL 13.85, 0.99%, 0.49%

LAB 55.06, 69.13, 66.87

 

CMYK 0 / 51 / 67 / 27

HEX #BB5B3E

RGB 187 91 62

HSL 13.92, 0.5%, 0.49%

LAB 49.97, 36.44, 34.45

 

CMYK 0 / 39 / 51 / 35

HEX #A76652

RGB 167 102 82

HSL 14.12, 0.34%, 0.49%

LAB 49.89, 23.96, 22.33

 

CMYK 0 / 23 / 30 / 43

HEX #927166

RGB 146 113 102

HSL 15, 0.18%, 0.49%

LAB 50.55, 11.33, 11.09

 

CMYK 0 / 2 / 2 / 51

HEX #7E7B7B

RGB 126 123 123

HSL 0, 0.01%, 0.49%

LAB 51.87, 1.14, 0.4

 

CMYK 26 / 6 / 0 / 44

HEX #6A868F

RGB 106 134 143

HSL 194.59, 0.15%, 0.49%

LAB 54.13, -7.76, -8.1

 

CMYK 0 / 67 / 45 / 27

HEX #BB3E66

RGB 187 62 102

HSL 340.8, 0.5%, 0.49%

LAB 45.59, 53.22, 4.86

 

CMYK 0 / 67 / 64 / 27

HEX #BB3E44

RGB 187 62 68

HSL 357.12, 0.5%, 0.49%

LAB 44.84, 50.51, 24.67

 

CMYK 0 / 52 / 67 / 27

HEX #BB593E

RGB 187 89 62

HSL 12.96, 0.5%, 0.49%

LAB 49.57, 37.47, 33.97

 

CMYK 0 / 35 / 67 / 27

HEX #BB7A3E

RGB 187 122 62

HSL 28.8, 0.5%, 0.49%

LAB 56.91, 19.69, 42.44

 

CMYK 0 / 17 / 67 / 27

HEX #BB9C3E

RGB 187 156 62

HSL 45.12, 0.5%, 0.49%

LAB 65.51, 0.99, 51.82

 

CMYK 0 / 51 / 67 / 51

HEX #7D3D29

RGB 125 61 41

HSL 14.29, 0.51%, 0.33%

LAB 33.68, 25.96, 24.86

 

CMYK 0 / 51 / 67 / 39

HEX #9C4C34

RGB 156 76 52

HSL 13.85, 0.5%, 0.41%

LAB 41.98, 31.34, 29.47

 

CMYK 0 / 51 / 67 / 27

HEX #BB5B3E

RGB 187 91 62

HSL 13.92, 0.5%, 0.49%

LAB 49.97, 36.44, 34.45

 

CMYK 0 / 42 / 55 / 22

HEX #C8745A

RGB 200 116 90

HSL 14.18, 0.5%, 0.57%

LAB 57.57, 30.41, 28.57

 

CMYK 0 / 32 / 42 / 18

HEX #D28E79

RGB 210 142 121

HSL 14.16, 0.5%, 0.65%

LAB 65.3, 23.33, 21.68

 

CMYK 0 / 52 / 67 / 26

HEX #BC5B3E

RGB 188 91 62

HSL 13.81, 0.5%, 0.49%

LAB 50.12, 36.84, 34.67

 

CMYK 28 / 0 / 67 / 27

HEX #87BB3E

RGB 135 187 62

HSL 84.96, 0.5%, 0.49%

LAB 70.2, -36.39, 55.56

 

CMYK 67 / 55 / 0 / 27

HEX #3E55BB

RGB 62 85 187

HSL 228.96, 0.5%, 0.49%

LAB 39.76, 24.98, -56.5

 

CMYK 0 / 52 / 67 / 26

HEX #BC5B3E

RGB 188 91 62

HSL 13.81, 0.5%, 0.49%

LAB 50.12, 36.84, 34.67

 

CMYK 67 / 0 / 52 / 27

HEX #3EBB59

RGB 62 187 89

HSL 132.96, 0.5%, 0.49%

LAB 67.49, -54.94, 39.49

 

CMYK 52 / 67 / 0 / 27

HEX #593EBB

RGB 89 62 187

HSL 252.96, 0.5%, 0.49%

LAB 36.28, 43.7, -62.07

 

CMYK 0 / 52 / 67 / 26

HEX #BC5B3E

RGB 188 91 62

HSL 13.81, 0.5%, 0.49%

LAB 50.12, 36.84, 34.67

 

CMYK 28 / 0 / 67 / 27

HEX #87BB3E

RGB 135 187 62

HSL 84.96, 0.5%, 0.49%

LAB 70.2, -36.39, 55.56

 

CMYK 67 / 14 / 0 / 27

HEX #3EA0BB

RGB 62 160 187

HSL 192.96, 0.5%, 0.49%

LAB 61.44, -19.86, -22.33

 

CMYK 39 / 67 / 0 / 27

HEX #723EBB

RGB 114 62 187

HSL 264.96, 0.5%, 0.49%

LAB 38.92, 48.45, -57.67

 

CMYK 0 / 52 / 67 / 26

HEX #BC5B3E

RGB 188 91 62

HSL 13.81, 0.5%, 0.49%

LAB 50.12, 36.84, 34.67

 

CMYK 48 / 0 / 67 / 27

HEX #61BB3E

RGB 97 187 62

HSL 103.2, 0.5%, 0.49%

LAB 68.34, -49.39, 53.02

 

CMYK 67 / 14 / 0 / 27

HEX #3EA0BB

RGB 62 160 187

HSL 192.96, 0.5%, 0.49%

LAB 61.44, -19.86, -22.33

 

CMYK 19 / 67 / 0 / 27

HEX #983EBB

RGB 152 62 187

HSL 283.2, 0.5%, 0.49%

LAB 43.81, 56.64, -49.53

 

Description

Color code: HEX #BC5B3E | qconv.com Color code: HEX #BC5B3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 91 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 91 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 67 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 67% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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