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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC5ADA it is the complementary color #43A525. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC5ADA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC5ADA shade: #C15AD5, #D26CE8, #E37EFB, #F490FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC5ADA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC5ADA shade: #BC5ADA, #AB48C7, #9A36B4, #8924A1 and #78128E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC5ADA shade: #BB59D9, #D959D5, #D959B2, #D9598F and #D9596D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC5ADA shade: #BB59D9, #9859D9, #7659D9 and #5959D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC5ADA shade matches the following richer shades: #BB59D9, #C448EA and #CD38FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC5ADA shade: #BB59D9, #B269C9, #AA7AB8, #A18AA8 and #989B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC5ADA shade: #7559D9, #9759D9, #B959D9, #D959D7 and #D959B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC5ADA shade: #9529B6, #AD37D2, #BB59D9, #C97AE1 and #D79CE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC5ADA shade: #BC5ADA, #D9595F and #59D986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC5ADA shade: #BC5ADA, #D9B959 and #59D9B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC5ADA shade: #BC5ADA, #D9595F, #79D959 and #59D9D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC5ADA shade: #BC5ADA, #D97959, #79D959 and #59B9D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 59 / 0 / 15

HEX #BC5ADA

RGB 188 90 218

HSL 285.94, 0.63%, 0.6%

LAB 55.14, 58.61, -48.99

 

Complementary color

CMYK 59 / 0 / 78 / 35

HEX #43A525

RGB 67 165 37

HSL 105.94, 0.63%, 0.4%

LAB 60.1, -51.35, 53.64

 

CMYK 9 / 58 / 0 / 16

HEX #C15AD5

RGB 193 90 213

HSL 290.24, 0.59%, 0.59%

LAB 55.54, 58.89, -45.49

 

CMYK 9 / 53 / 0 / 9

HEX #D26CE8

RGB 210 108 232

HSL 289.35, 0.73%, 0.67%

LAB 61.87, 58.34, -46.01

 

CMYK 10 / 50 / 0 / 2

HEX #E37EFB

RGB 227 126 251

HSL 288.48, 0.94%, 0.74%

LAB 68.18, 57.69, -46.41

 

CMYK 4 / 44 / 0 / 0

HEX #F490FF

RGB 244 144 255

HSL 294.05, 1%, 0.78%

LAB 73.8, 54.18, -39.65

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 14 / 59 / 0 / 15

HEX #BC5ADA

RGB 188 90 218

HSL 285.94, 0.63%, 0.6%

LAB 55.14, 58.61, -48.99

 

CMYK 14 / 64 / 0 / 22

HEX #AB48C7

RGB 171 72 199

HSL 286.77, 0.53%, 0.53%

LAB 48.78, 59, -48.4

 

CMYK 14 / 70 / 0 / 29

HEX #9A36B4

RGB 154 54 180

HSL 287.62, 0.54%, 0.46%

LAB 42.47, 59.04, -47.56

 

CMYK 15 / 78 / 0 / 37

HEX #8924A1

RGB 137 36 161

HSL 288.48, 0.63%, 0.39%

LAB 36.28, 58.46, -46.3

 

CMYK 15 / 87 / 0 / 44

HEX #78128E

RGB 120 18 142

HSL 289.35, 0.78%, 0.31%

LAB 30.35, 56.81, -44.4

 

CMYK 14 / 59 / 0 / 15

HEX #BB59D9

RGB 187 89 217

HSL 285.94, 0.63%, 0.6%

LAB 54.78, 58.64, -49

 

CMYK 0 / 59 / 2 / 15

HEX #D959D5

RGB 217 89 213

HSL 301.88, 0.63%, 0.6%

LAB 58.7, 65.4, -40.28

 

CMYK 0 / 59 / 18 / 15

HEX #D959B2

RGB 217 89 178

HSL 318.28, 0.63%, 0.6%

LAB 57.18, 59.95, -22.63

 

CMYK 0 / 59 / 34 / 15

HEX #D9598F

RGB 217 89 143

HSL 334.69, 0.63%, 0.6%

LAB 55.97, 55.36, -4.06

 

CMYK 0 / 59 / 50 / 15

HEX #D9596D

RGB 217 89 109

HSL 350.63, 0.63%, 0.6%

LAB 55.07, 51.86, 14.71

 

CMYK 14 / 59 / 0 / 15

HEX #BB59D9

RGB 187 89 217

HSL 285.94, 0.63%, 0.6%

LAB 54.78, 58.64, -49

 

CMYK 30 / 59 / 0 / 15

HEX #9859D9

RGB 152 89 217

HSL 269.53, 0.63%, 0.6%

LAB 50.49, 50.2, -56.11

 

CMYK 46 / 59 / 0 / 15

HEX #7659D9

RGB 118 89 217

HSL 253.59, 0.63%, 0.6%

LAB 46.98, 42.65, -61.94

 

CMYK 59 / 59 / 0 / 15

HEX #5959D9

RGB 89 89 217

HSL 240, 0.63%, 0.6%

LAB 44.63, 37.13, -65.86

 

CMYK 14 / 59 / 0 / 15

HEX #BB59D9

RGB 187 89 217

HSL 285.94, 0.63%, 0.6%

LAB 54.78, 58.64, -49

 

CMYK 16 / 69 / 0 / 8

HEX #C448EA

RGB 196 72 234

HSL 285.93, 0.79%, 0.6%

LAB 54.36, 71.23, -59.2

 

CMYK 18 / 78 / 0 / 2

HEX #CD38FA

RGB 205 56 250

HSL 286.08, 0.95%, 0.6%

LAB 54.77, 81.29, -67.41

 

CMYK 14 / 59 / 0 / 15

HEX #BB59D9

RGB 187 89 217

HSL 285.94, 0.63%, 0.6%

LAB 54.78, 58.64, -49

 

CMYK 11 / 48 / 0 / 21

HEX #B269C9

RGB 178 105 201

HSL 285.63, 0.47%, 0.6%

LAB 55.87, 44.98, -38.26

 

CMYK 8 / 34 / 0 / 28

HEX #AA7AB8

RGB 170 122 184

HSL 286.45, 0.3%, 0.6%

LAB 57.97, 29.7, -25.38

 

CMYK 4 / 18 / 0 / 34

HEX #A18AA8

RGB 161 138 168

HSL 286, 0.15%, 0.6%

LAB 60.41, 14.28, -12.61

 

CMYK 2 / 0 / 3 / 39

HEX #989B97

RGB 152 155 151

HSL 105, 0.02%, 0.6%

LAB 63.63, -1.85, 1.71

 

CMYK 46 / 59 / 0 / 15

HEX #7559D9

RGB 117 89 217

HSL 253.13, 0.63%, 0.6%

LAB 46.89, 42.44, -62.09

 

CMYK 30 / 59 / 0 / 15

HEX #9759D9

RGB 151 89 217

HSL 269.06, 0.63%, 0.6%

LAB 50.37, 49.97, -56.3

 

CMYK 15 / 59 / 0 / 15

HEX #B959D9

RGB 185 89 217

HSL 285, 0.63%, 0.6%

LAB 54.52, 58.14, -49.43

 

CMYK 0 / 59 / 1 / 15

HEX #D959D7

RGB 217 89 215

HSL 300.94, 0.63%, 0.6%

LAB 58.79, 65.74, -41.26

 

CMYK 0 / 59 / 17 / 15

HEX #D959B5

RGB 217 89 181

HSL 316.88, 0.63%, 0.6%

LAB 57.3, 60.38, -24.18

 

CMYK 18 / 77 / 0 / 29

HEX #9529B6

RGB 149 41 182

HSL 285.96, 0.63%, 0.44%

LAB 40.17, 63.16, -52.47

 

CMYK 18 / 74 / 0 / 18

HEX #AD37D2

RGB 173 55 210

HSL 285.68, 0.63%, 0.52%

LAB 47.33, 68.35, -57.05

 

CMYK 14 / 59 / 0 / 15

HEX #BB59D9

RGB 187 89 217

HSL 285.94, 0.63%, 0.6%

LAB 54.78, 58.64, -49

 

CMYK 11 / 46 / 0 / 12

HEX #C97AE1

RGB 201 122 225

HSL 286.02, 0.63%, 0.68%

LAB 63.15, 47.46, -40.17

 

CMYK 8 / 33 / 0 / 9

HEX #D79CE9

RGB 215 156 233

HSL 285.97, 0.64%, 0.76%

LAB 72.3, 35.09, -30.26

 

CMYK 14 / 59 / 0 / 15

HEX #BC5ADA

RGB 188 90 218

HSL 285.94, 0.63%, 0.6%

LAB 55.14, 58.61, -48.99

 

CMYK 0 / 59 / 56 / 15

HEX #D9595F

RGB 217 89 95

HSL 357.19, 0.63%, 0.6%

LAB 54.79, 50.7, 22.54

 

CMYK 59 / 0 / 38 / 15

HEX #59D986

RGB 89 217 134

HSL 141.09, 0.63%, 0.6%

LAB 78.15, -53.57, 30.58

 

CMYK 14 / 59 / 0 / 15

HEX #BC5ADA

RGB 188 90 218

HSL 285.94, 0.63%, 0.6%

LAB 55.14, 58.61, -48.99

 

CMYK 0 / 15 / 59 / 15

HEX #D9B959

RGB 217 185 89

HSL 45, 0.63%, 0.6%

LAB 76.17, 0.23, 52.04

 

CMYK 59 / 0 / 15 / 15

HEX #59D9B9

RGB 89 217 185

HSL 165, 0.63%, 0.6%

LAB 79.19, -42.95, 5.24

 

CMYK 14 / 59 / 0 / 15

HEX #BC5ADA

RGB 188 90 218

HSL 285.94, 0.63%, 0.6%

LAB 55.14, 58.61, -48.99

 

CMYK 0 / 59 / 56 / 15

HEX #D9595F

RGB 217 89 95

HSL 357.19, 0.63%, 0.6%

LAB 54.79, 50.7, 22.54

 

CMYK 44 / 0 / 59 / 15

HEX #79D959

RGB 121 217 89

HSL 105, 0.63%, 0.6%

LAB 78.7, -51.52, 53.24

 

CMYK 59 / 0 / 3 / 15

HEX #59D9D3

RGB 89 217 211

HSL 177.19, 0.63%, 0.6%

LAB 79.87, -36.4, -7.63

 

CMYK 14 / 59 / 0 / 15

HEX #BC5ADA

RGB 188 90 218

HSL 285.94, 0.63%, 0.6%

LAB 55.14, 58.61, -48.99

 

CMYK 0 / 44 / 59 / 15

HEX #D97959

RGB 217 121 89

HSL 15, 0.63%, 0.6%

LAB 60.91, 34.41, 33.84

 

CMYK 44 / 0 / 59 / 15

HEX #79D959

RGB 121 217 89

HSL 105, 0.63%, 0.6%

LAB 78.7, -51.52, 53.24

 

CMYK 59 / 15 / 0 / 15

HEX #59B9D9

RGB 89 185 217

HSL 195, 0.63%, 0.6%

LAB 70.75, -19.03, -24.61

 

Description

Color code: HEX #BC5ADA | qconv.com Color code: HEX #BC5ADA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 90 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 90 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 59 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 59% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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