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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC51463F it is the complementary color #43AEB93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC51463F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC51463F shade: #C151413F, #D263543F, #E375673F, #F4877A3F and #FF998D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC51463F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC51463F shade: #BC51463F, #AB3F333F, #9A2D203F, #891B0D3F and #7809003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC51463F shade: #BD5247 and #BD4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC51463F shade: #BD5247, #BD7247, #BD9247, #BDB147 and #A9BD47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC51463F shade matches the following richer shades: #BD5247, #D14233, #E5311F and #F9210B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC51463F shade: #BD5247, #A9635C, #947370, #808484 and #6C9498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC51463F shade: #BD477C, #BD475D, #BD5147, #BD7047 and #BD9047

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC51463F shade: #83372F, #A1443A, #BD5247, #C86F66 and #D38B84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC51463F shade: #BC5146, #9BBD47 and #476DBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC51463F shade: #BC5146, #47BD51 and #5147BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC51463F shade: #BC5146, #9BBD47, #47B3BD and #6947BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC51463F shade: #BC5146, #78BD47, #47B3BD and #8C47BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 16 / 7

HEX #BC51463F

RGBA 188 81 70 0.25

HSLA 5.59, 0.47%, 0.51%, 0.25

LABA 48.28, 42.36, 27.87, 0.25

 

Complementary color

CMYK 16 / 1 / 0 / 7

HEX #43AEB93F

RGBA 67 174 185 0.25

HSLA 185.59, 0.47%, 0.49%, 0.25

LABA 65.72, -26.82, -14.69, 0.25

 

CMYK 0 / 15 / 17 / 6

HEX #C151413F

RGBA 193 81 65 0.25

HSLA 7.5, 0.51%, 0.51%, 0.25

LABA 49.01, 43.89, 31.84, 0.25

 

CMYK 0 / 13 / 15 / 4

HEX #D263543F

RGBA 210 99 84 0.25

HSLA 7.14, 0.58%, 0.58%, 0.25

LABA 55.34, 42.62, 29.42, 0.25

 

CMYK 0 / 12 / 14 / 3

HEX #E375673F

RGBA 227 117 103 0.25

HSLA 6.77, 0.69%, 0.65%, 0.25

LABA 61.68, 41.37, 27.32, 0.25

 

CMYK 0 / 11 / 13 / 1

HEX #F4877A3F

RGBA 244 135 122 0.25

HSLA 6.39, 0.85%, 0.72%, 0.25

LABA 68, 40.19, 25.48, 0.25

 

CMYK 0 / 10 / 11 / 0

HEX #FF998D3F

RGBA 255 153 141 0.25

HSLA 6.32, 1%, 0.78%, 0.25

LABA 73.52, 36.85, 22.72, 0.25

 

CMYK 0 / 14 / 16 / 7

HEX #BC51463F

RGBA 188 81 70 0.25

HSLA 5.59, 0.47%, 0.51%, 0.25

LABA 48.28, 42.36, 27.87, 0.25

 

CMYK 0 / 16 / 18 / 8

HEX #AB3F333F

RGBA 171 63 51 0.25

HSLA 6, 0.54%, 0.44%, 0.25

LABA 41.93, 43.54, 30.6, 0.25

 

CMYK 0 / 18 / 20 / 10

HEX #9A2D203F

RGBA 154 45 32 0.25

HSLA 6.39, 0.66%, 0.36%, 0.25

LABA 35.7, 44.49, 33.77, 0.25

 

CMYK 0 / 20 / 23 / 12

HEX #891B0D3F

RGBA 137 27 13 0.25

HSLA 6.77, 0.83%, 0.29%, 0.25

LABA 29.74, 44.87, 37.04, 0.25

 

CMYK 0 / 23 / 25 / 13

HEX #7809003F

RGBA 120 9 0 0.25

HSLA 4.5, 1%, 0.24%, 0.25

LABA 24.28, 44.04, 36.22, 0.25

 

CMYK 0 / 57 / 62 / 26

HEX #BD5247

RGB 189 82 71

HSL 5.59, 0.47%, 0.51%

LAB 48.65, 42.31, 27.77

 

CMYK 0 / 62 / 62 / 26

HEX #BD4747

RGB 189 71 71

HSL 0, 0.47%, 0.51%

LAB 46.68, 47.48, 25.29

 

CMYK 0 / 57 / 62 / 26

HEX #BD5247

RGB 189 82 71

HSL 5.59, 0.47%, 0.51%

LAB 48.65, 42.31, 27.77

 

CMYK 0 / 40 / 62 / 26

HEX #BD7247

RGB 189 114 71

HSL 21.86, 0.47%, 0.51%

LAB 55.39, 25.54, 36.04

 

CMYK 0 / 23 / 62 / 26

HEX #BD9247

RGB 189 146 71

HSL 38.14, 0.47%, 0.51%

LAB 63.2, 7.89, 45.14

 

CMYK 0 / 6 / 62 / 26

HEX #BDB147

RGB 189 177 71

HSL 53.9, 0.47%, 0.51%

LAB 71.36, -8.72, 54.18

 

CMYK 11 / 0 / 62 / 26

HEX #A9BD47

RGB 169 189 71

HSL 70.17, 0.47%, 0.51%

LAB 73.08, -23.22, 55.56

 

CMYK 0 / 57 / 62 / 26

HEX #BD5247

RGB 189 82 71

HSL 5.59, 0.47%, 0.51%

LAB 48.65, 42.31, 27.77

 

CMYK 0 / 68 / 76 / 18

HEX #D14233

RGB 209 66 51

HSL 5.7, 0.63%, 0.51%

LAB 49.12, 55.3, 40.53

 

CMYK 0 / 79 / 86 / 10

HEX #E5311F

RGB 229 49 31

HSL 5.45, 0.79%, 0.51%

LAB 50.63, 66.53, 53.29

 

CMYK 0 / 87 / 96 / 2

HEX #F9210B

RGB 249 33 11

HSL 5.55, 0.95%, 0.51%

LAB 53.22, 75.29, 63.84

 

CMYK 0 / 57 / 62 / 26

HEX #BD5247

RGB 189 82 71

HSL 5.59, 0.47%, 0.51%

LAB 48.65, 42.31, 27.77

 

CMYK 0 / 41 / 46 / 34

HEX #A9635C

RGB 169 99 92

HSL 5.45, 0.31%, 0.51%

LAB 49.66, 27.47, 16.19

 

CMYK 0 / 22 / 24 / 42

HEX #947370

RGB 148 115 112

HSL 5, 0.14%, 0.51%

LAB 51.53, 12.49, 6.63

 

CMYK 3 / 0 / 0 / 48

HEX #808484

RGB 128 132 132

HSL 180, 0.02%, 0.51%

LAB 54.82, -1.48, -0.52

 

CMYK 29 / 3 / 0 / 40

HEX #6C9498

RGB 108 148 152

HSL 185.45, 0.18%, 0.51%

LAB 58.63, -12.67, -6.56

 

CMYK 0 / 62 / 34 / 26

HEX #BD477C

RGB 189 71 124

HSL 333.05, 0.47%, 0.51%

LAB 47.98, 52.4, -5.04

 

CMYK 0 / 62 / 51 / 26

HEX #BD475D

RGB 189 71 93

HSL 348.81, 0.47%, 0.51%

LAB 47.13, 49.18, 12.58

 

CMYK 0 / 57 / 62 / 26

HEX #BD5147

RGB 189 81 71

HSL 5.08, 0.47%, 0.51%

LAB 48.46, 42.8, 27.54

 

CMYK 0 / 41 / 62 / 26

HEX #BD7047

RGB 189 112 71

HSL 20.85, 0.47%, 0.51%

LAB 54.93, 26.63, 35.49

 

CMYK 0 / 24 / 62 / 26

HEX #BD9047

RGB 189 144 71

HSL 37.12, 0.47%, 0.51%

LAB 62.69, 8.99, 44.56

 

CMYK 0 / 58 / 64 / 49

HEX #83372F

RGB 131 55 47

HSL 5.71, 0.47%, 0.35%

LAB 33.48, 32.12, 21.15

 

CMYK 0 / 58 / 64 / 37

HEX #A1443A

RGB 161 68 58

HSL 5.83, 0.47%, 0.43%

LAB 41.24, 37.87, 25.22

 

CMYK 0 / 57 / 62 / 26

HEX #BD5247

RGB 189 82 71

HSL 5.59, 0.47%, 0.51%

LAB 48.65, 42.31, 27.77

 

CMYK 0 / 45 / 49 / 22

HEX #C86F66

RGB 200 111 102

HSL 5.51, 0.47%, 0.59%

LAB 56.69, 34.16, 20.59

 

CMYK 0 / 34 / 37 / 17

HEX #D38B84

RGB 211 139 132

HSL 5.32, 0.47%, 0.67%

LAB 64.95, 26.6, 15.06

 

CMYK 0 / 57 / 63 / 26

HEX #BC5146

RGB 188 81 70

HSL 5.59, 0.47%, 0.51%

LAB 48.28, 42.36, 27.87

 

CMYK 18 / 0 / 62 / 26

HEX #9BBD47

RGB 155 189 71

HSL 77.29, 0.47%, 0.51%

LAB 72.11, -28.87, 54.22

 

CMYK 62 / 42 / 0 / 26

HEX #476DBD

RGB 71 109 189

HSL 220.68, 0.47%, 0.51%

LAB 46.91, 11.94, -46.16

 

CMYK 0 / 57 / 63 / 26

HEX #BC5146

RGB 188 81 70

HSL 5.59, 0.47%, 0.51%

LAB 48.28, 42.36, 27.87

 

CMYK 62 / 0 / 57 / 26

HEX #47BD51

RGB 71 189 81

HSL 125.08, 0.47%, 0.51%

LAB 68.26, -54.9, 44.31

 

CMYK 57 / 62 / 0 / 26

HEX #5147BD

RGB 81 71 189

HSL 245.08, 0.47%, 0.51%

LAB 37.72, 37.65, -60.94

 

CMYK 0 / 57 / 63 / 26

HEX #BC5146

RGB 188 81 70

HSL 5.59, 0.47%, 0.51%

LAB 48.28, 42.36, 27.87

 

CMYK 18 / 0 / 62 / 26

HEX #9BBD47

RGB 155 189 71

HSL 77.29, 0.47%, 0.51%

LAB 72.11, -28.87, 54.22

 

CMYK 62 / 5 / 0 / 26

HEX #47B3BD

RGB 71 179 189

HSL 185.08, 0.47%, 0.51%

LAB 67.47, -27.46, -14.27

 

CMYK 44 / 62 / 0 / 26

HEX #6947BD

RGB 105 71 189

HSL 257.29, 0.47%, 0.51%

LAB 39.89, 42.27, -57.31

 

CMYK 0 / 57 / 63 / 26

HEX #BC5146

RGB 188 81 70

HSL 5.59, 0.47%, 0.51%

LAB 48.28, 42.36, 27.87

 

CMYK 37 / 0 / 62 / 26

HEX #78BD47

RGB 120 189 71

HSL 95.08, 0.47%, 0.51%

LAB 70.07, -41.96, 51.4

 

CMYK 62 / 5 / 0 / 26

HEX #47B3BD

RGB 71 179 189

HSL 185.08, 0.47%, 0.51%

LAB 67.47, -27.46, -14.27

 

CMYK 26 / 62 / 0 / 26

HEX #8C47BD

RGB 140 71 189

HSL 275.08, 0.47%, 0.51%

LAB 43.88, 50.06, -50.67

 

Description

Color code: HEX #BC51463F | qconv.com Color code: HEX #BC51463F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 81 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 81 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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