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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC5062 it is the complementary color #43AF9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC5062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC5062 shade: #C1505D, #D26270, #E37483, #F48696 and #FF98A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC5062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC5062 shade: #BC5062, #AB3E4F, #9A2C3C, #891A29 and #780816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC5062 shade: #BD5163 and #BD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC5062 shade: #BD5163, #BD5180, #BD519D, #BD51BA and #A351BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC5062 shade matches the following richer shades: #BD5163, #D03E56, #E42A49 and #F7173C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC5062 shade: #BD5163, #AA6570, #96787D, #838B8A and #709F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC5062 shade: #BD519D, #BD5180, #BD5163, #BD5C51 and #BD7951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC5062 shade: #883442, #A63F50, #BD5163, #C86F7E and #D48D99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC5062 shade: #BC5062, #B9BD51 and #518EBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC5062 shade: #BC5062, #63BD51 and #5163BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC5062 shade: #BC5062, #B9BD51, #51BDAB and #5551BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC5062 shade: #BC5062, #99BD51, #51BDAB and #7551BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 48 / 26

HEX #BC5062

RGB 188 80 98

HSL 350, 0.45%, 0.53%

LAB 48.65, 45.13, 11.65

 

Complementary color

CMYK 62 / 0 / 10 / 31

HEX #43AF9D

RGB 67 175 157

HSL 170, 0.45%, 0.47%

LAB 65.19, -35.12, 0.08

 

CMYK 0 / 59 / 52 / 24

HEX #C1505D

RGB 193 80 93

HSL 353.1, 0.48%, 0.54%

LAB 49.33, 46.42, 15.72

 

CMYK 0 / 53 / 47 / 18

HEX #D26270

RGB 210 98 112

HSL 352.5, 0.55%, 0.6%

LAB 55.69, 45.47, 13.64

 

CMYK 0 / 49 / 42 / 11

HEX #E37483

RGB 227 116 131

HSL 351.89, 0.66%, 0.67%

LAB 62.05, 44.48, 11.88

 

CMYK 0 / 45 / 39 / 4

HEX #F48696

RGB 244 134 150

HSL 351.27, 0.83%, 0.74%

LAB 68.38, 43.5, 10.36

 

CMYK 0 / 40 / 34 / 0

HEX #FF98A9

RGB 255 152 169

HSL 350.1, 1%, 0.8%

LAB 73.92, 40.44, 7.87

 

CMYK 0 / 57 / 48 / 26

HEX #BC5062

RGB 188 80 98

HSL 350, 0.45%, 0.53%

LAB 48.65, 45.13, 11.65

 

CMYK 0 / 64 / 54 / 33

HEX #AB3E4F

RGB 171 62 79

HSL 350.64, 0.47%, 0.46%

LAB 42.26, 45.93, 14

 

CMYK 0 / 71 / 61 / 40

HEX #9A2C3C

RGB 154 44 60

HSL 351.27, 0.56%, 0.39%

LAB 35.98, 46.41, 16.97

 

CMYK 0 / 81 / 70 / 46

HEX #891A29

RGB 137 26 41

HSL 351.89, 0.68%, 0.32%

LAB 29.95, 46.22, 20.81

 

CMYK 0 / 93 / 82 / 53

HEX #780816

RGB 120 8 22

HSL 352.5, 0.88%, 0.25%

LAB 24.4, 44.78, 25.72

 

CMYK 0 / 57 / 48 / 26

HEX #BD5163

RGB 189 81 99

HSL 350, 0.45%, 0.53%

LAB 49.01, 45.1, 11.57

 

CMYK 0 / 57 / 57 / 26

HEX #BD5151

RGB 189 81 81

HSL 0, 0.45%, 0.53%

LAB 48.63, 43.53, 21.86

 

CMYK 0 / 57 / 48 / 26

HEX #BD5163

RGB 189 81 99

HSL 350, 0.45%, 0.53%

LAB 49.01, 45.1, 11.57

 

CMYK 0 / 57 / 32 / 26

HEX #BD5180

RGB 189 81 128

HSL 333.89, 0.45%, 0.53%

LAB 49.81, 48.32, -4.74

 

CMYK 0 / 57 / 17 / 26

HEX #BD519D

RGB 189 81 157

HSL 317.78, 0.45%, 0.53%

LAB 50.85, 52.35, -20.44

 

CMYK 0 / 57 / 2 / 26

HEX #BD51BA

RGB 189 81 186

HSL 301.67, 0.45%, 0.53%

LAB 52.12, 57.07, -35.44

 

CMYK 14 / 57 / 0 / 26

HEX #A351BD

RGB 163 81 189

HSL 285.56, 0.45%, 0.53%

LAB 48.69, 50.78, -42.82

 

CMYK 0 / 57 / 48 / 26

HEX #BD5163

RGB 189 81 99

HSL 350, 0.45%, 0.53%

LAB 49.01, 45.1, 11.57

 

CMYK 0 / 70 / 59 / 18

HEX #D03E56

RGB 208 62 86

HSL 350.14, 0.61%, 0.53%

LAB 48.92, 58.39, 19.81

 

CMYK 0 / 82 / 68 / 11

HEX #E42A49

RGB 228 42 73

HSL 350, 0.78%, 0.53%

LAB 50.25, 69.45, 30.09

 

CMYK 0 / 91 / 76 / 3

HEX #F7173C

RGB 247 23 60

HSL 350.09, 0.93%, 0.53%

LAB 52.63, 77.23, 41.42

 

CMYK 0 / 57 / 48 / 26

HEX #BD5163

RGB 189 81 99

HSL 350, 0.45%, 0.53%

LAB 49.01, 45.1, 11.57

 

CMYK 0 / 41 / 34 / 33

HEX #AA6570

RGB 170 101 112

HSL 350.43, 0.29%, 0.53%

LAB 50.71, 29.15, 5.81

 

CMYK 0 / 20 / 17 / 41

HEX #96787D

RGB 150 120 125

HSL 350, 0.13%, 0.53%

LAB 53.38, 12.5, 1.7

 

CMYK 6 / 0 / 1 / 45

HEX #838B8A

RGB 131 139 138

HSL 172.5, 0.03%, 0.53%

LAB 57.2, -3.12, -0.48

 

CMYK 30 / 0 / 5 / 38

HEX #709F97

RGB 112 159 151

HSL 169.79, 0.2%, 0.53%

LAB 62.06, -17.55, -0.91

 

CMYK 0 / 57 / 17 / 26

HEX #BD519D

RGB 189 81 157

HSL 317.78, 0.45%, 0.53%

LAB 50.85, 52.35, -20.44

 

CMYK 0 / 57 / 32 / 26

HEX #BD5180

RGB 189 81 128

HSL 333.89, 0.45%, 0.53%

LAB 49.81, 48.32, -4.74

 

CMYK 0 / 57 / 48 / 26

HEX #BD5163

RGB 189 81 99

HSL 350, 0.45%, 0.53%

LAB 49.01, 45.1, 11.57

 

CMYK 0 / 51 / 57 / 26

HEX #BD5C51

RGB 189 92 81

HSL 6.11, 0.45%, 0.53%

LAB 50.77, 38.03, 24.64

 

CMYK 0 / 36 / 57 / 26

HEX #BD7951

RGB 189 121 81

HSL 22.22, 0.45%, 0.53%

LAB 57.16, 22.45, 32.76

 

CMYK 0 / 62 / 51 / 47

HEX #883442

RGB 136 52 66

HSL 350, 0.45%, 0.37%

LAB 34.16, 37.16, 10.1

 

CMYK 0 / 62 / 52 / 35

HEX #A63F50

RGB 166 63 80

HSL 350.1, 0.45%, 0.45%

LAB 41.6, 43.84, 12.33

 

CMYK 0 / 57 / 48 / 26

HEX #BD5163

RGB 189 81 99

HSL 350, 0.45%, 0.53%

LAB 49.01, 45.1, 11.57

 

CMYK 0 / 45 / 37 / 22

HEX #C86F7E

RGB 200 111 126

HSL 349.89, 0.45%, 0.61%

LAB 57.23, 36.75, 7.42

 

CMYK 0 / 33 / 28 / 17

HEX #D48D99

RGB 212 141 153

HSL 349.86, 0.45%, 0.69%

LAB 66.02, 28.6, 4.77

 

CMYK 0 / 57 / 48 / 26

HEX #BC5062

RGB 188 80 98

HSL 350, 0.45%, 0.53%

LAB 48.65, 45.13, 11.65

 

CMYK 2 / 0 / 57 / 26

HEX #B9BD51

RGB 185 189 81

HSL 62.22, 0.45%, 0.53%

LAB 74.38, -15.86, 52.95

 

CMYK 57 / 25 / 0 / 26

HEX #518EBD

RGB 81 142 189

HSL 206.11, 0.45%, 0.53%

LAB 56.85, -5.85, -30.48

 

CMYK 0 / 57 / 48 / 26

HEX #BC5062

RGB 188 80 98

HSL 350, 0.45%, 0.53%

LAB 48.65, 45.13, 11.65

 

CMYK 48 / 0 / 57 / 26

HEX #63BD51

RGB 99 189 81

HSL 110, 0.45%, 0.53%

LAB 69.21, -47.68, 45.67

 

CMYK 57 / 48 / 0 / 26

HEX #5163BD

RGB 81 99 189

HSL 230, 0.45%, 0.53%

LAB 44.73, 20.18, -49.61

 

CMYK 0 / 57 / 48 / 26

HEX #BC5062

RGB 188 80 98

HSL 350, 0.45%, 0.53%

LAB 48.65, 45.13, 11.65

 

CMYK 2 / 0 / 57 / 26

HEX #B9BD51

RGB 185 189 81

HSL 62.22, 0.45%, 0.53%

LAB 74.38, -15.86, 52.95

 

CMYK 57 / 0 / 10 / 26

HEX #51BDAB

RGB 81 189 171

HSL 170, 0.45%, 0.53%

LAB 70.24, -35.32, -0.22

 

CMYK 55 / 57 / 0 / 26

HEX #5551BD

RGB 85 81 189

HSL 242.22, 0.45%, 0.53%

LAB 40.39, 32.27, -56.58

 

CMYK 0 / 57 / 48 / 26

HEX #BC5062

RGB 188 80 98

HSL 350, 0.45%, 0.53%

LAB 48.65, 45.13, 11.65

 

CMYK 19 / 0 / 57 / 26

HEX #99BD51

RGB 153 189 81

HSL 80, 0.45%, 0.53%

LAB 72.07, -28.83, 49.71

 

CMYK 57 / 0 / 10 / 26

HEX #51BDAB

RGB 81 189 171

HSL 170, 0.45%, 0.53%

LAB 70.24, -35.32, -0.22

 

CMYK 38 / 57 / 0 / 26

HEX #7551BD

RGB 117 81 189

HSL 260, 0.45%, 0.53%

LAB 43.27, 39.23, -51.79

 

Description

Color code: HEX #BC5062 | qconv.com Color code: HEX #BC5062 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 80 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 80 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 48 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 48% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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