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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC5040 it is the complementary color #43AFBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC5040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC5040 shade: #C1503B, #D2624E, #E37461, #F48674 and #FF9887

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC5040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC5040 shade: #BC5040, #AB3E2D, #9A2C1A, #891A07 and #780800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC5040 shade: #BA5040 and #BA4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC5040 shade: #BA5040, #BA7140, #BA9240, #BAB340 and #A1BA40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC5040 shade matches the following richer shades: #BA5040, #CE412C, #E33217 and #F72303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC5040 shade: #BA5040, #A65F54, #926E68, #7E7D7C and #698C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC5040 shade: #BA4073, #BA4052, #BA4E40, #BA6F40 and #BA8F40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC5040 shade: #7D352B, #9B4235, #BA5040, #C76A5C and #D2867B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC5040 shade: #BC5040, #93BA40 and #4062BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC5040 shade: #BC5040, #40BA4E and #4E40BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC5040 shade: #BC5040, #93BA40, #40ACBA and #6740BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC5040 shade: #BC5040, #6FBA40, #40ACBA and #8B40BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 66 / 26

HEX #BC5040

RGB 188 80 64

HSL 7.74, 0.49%, 0.49%

LAB 48.01, 42.47, 31

 

Complementary color

CMYK 65 / 8 / 0 / 25

HEX #43AFBF

RGB 67 175 191

HSL 187.74, 0.49%, 0.51%

LAB 66.22, -25.53, -17.26

 

CMYK 0 / 59 / 69 / 24

HEX #C1503B

RGB 193 80 59

HSL 9.4, 0.53%, 0.49%

LAB 48.75, 44.03, 34.93

 

CMYK 0 / 53 / 63 / 18

HEX #D2624E

RGB 210 98 78

HSL 9.09, 0.59%, 0.56%

LAB 55.06, 42.71, 32.46

 

CMYK 0 / 49 / 57 / 11

HEX #E37461

RGB 227 116 97

HSL 8.77, 0.7%, 0.64%

LAB 61.38, 41.41, 30.29

 

CMYK 0 / 45 / 52 / 4

HEX #F48674

RGB 244 134 116

HSL 8.44, 0.85%, 0.71%

LAB 67.68, 40.18, 28.38

 

CMYK 0 / 40 / 47 / 0

HEX #FF9887

RGB 255 152 135

HSL 8.5, 1%, 0.76%

LAB 73.2, 36.78, 25.55

 

CMYK 0 / 57 / 66 / 26

HEX #BC5040

RGB 188 80 64

HSL 7.74, 0.49%, 0.49%

LAB 48.01, 42.47, 31

 

CMYK 0 / 64 / 74 / 33

HEX #AB3E2D

RGB 171 62 45

HSL 8.1, 0.58%, 0.42%

LAB 41.68, 43.7, 33.77

 

CMYK 0 / 71 / 83 / 40

HEX #9A2C1A

RGB 154 44 26

HSL 8.44, 0.71%, 0.35%

LAB 35.49, 44.69, 36.85

 

CMYK 0 / 81 / 95 / 46

HEX #891A07

RGB 137 26 7

HSL 8.77, 0.9%, 0.28%

LAB 29.59, 45.08, 39.47

 

CMYK 0 / 93 / 100 / 53

HEX #780800

RGB 120 8 0

HSL 4, 1%, 0.24%

LAB 24.22, 44.24, 36.15

 

CMYK 0 / 57 / 66 / 27

HEX #BA5040

RGB 186 80 64

HSL 7.87, 0.49%, 0.49%

LAB 47.68, 41.72, 30.54

 

CMYK 0 / 66 / 66 / 27

HEX #BA4040

RGB 186 64 64

HSL 0, 0.49%, 0.49%

LAB 44.91, 49.08, 27.12

 

CMYK 0 / 57 / 66 / 27

HEX #BA5040

RGB 186 80 64

HSL 7.87, 0.49%, 0.49%

LAB 47.68, 41.72, 30.54

 

CMYK 0 / 39 / 66 / 27

HEX #BA7140

RGB 186 113 64

HSL 24.1, 0.49%, 0.49%

LAB 54.68, 24.36, 38.83

 

CMYK 0 / 22 / 66 / 27

HEX #BA9240

RGB 186 146 64

HSL 40.33, 0.49%, 0.49%

LAB 62.82, 6.12, 47.98

 

CMYK 0 / 4 / 66 / 27

HEX #BAB340

RGB 186 179 64

HSL 56.56, 0.49%, 0.49%

LAB 71.59, -11.49, 57.32

 

CMYK 13 / 0 / 66 / 27

HEX #A1BA40

RGB 161 186 64

HSL 72.3, 0.49%, 0.49%

LAB 71.6, -25.51, 56.73

 

CMYK 0 / 57 / 66 / 27

HEX #BA5040

RGB 186 80 64

HSL 7.87, 0.49%, 0.49%

LAB 47.68, 41.72, 30.54

 

CMYK 0 / 68 / 79 / 19

HEX #CE412C

RGB 206 65 44

HSL 7.78, 0.65%, 0.49%

LAB 48.37, 54.45, 43.32

 

CMYK 0 / 78 / 90 / 11

HEX #E33217

RGB 227 50 23

HSL 7.94, 0.82%, 0.49%

LAB 50.3, 65.54, 56.16

 

CMYK 0 / 86 / 99 / 3

HEX #F72303

RGB 247 35 3

HSL 7.87, 0.98%, 0.49%

LAB 52.93, 74.35, 65.36

 

CMYK 0 / 57 / 66 / 27

HEX #BA5040

RGB 186 80 64

HSL 7.87, 0.49%, 0.49%

LAB 47.68, 41.72, 30.54

 

CMYK 0 / 43 / 49 / 35

HEX #A65F54

RGB 166 95 84

HSL 8.05, 0.33%, 0.49%

LAB 48.17, 27.65, 18.85

 

CMYK 0 / 25 / 29 / 43

HEX #926E68

RGB 146 110 104

HSL 8.57, 0.17%, 0.49%

LAB 49.81, 13.37, 8.88

 

CMYK 0 / 1 / 2 / 51

HEX #7E7D7C

RGB 126 125 124

HSL 30, 0.01%, 0.49%

LAB 52.46, 0.18, 0.67

 

CMYK 28 / 3 / 0 / 43

HEX #698C91

RGB 105 140 145

HSL 187.5, 0.16%, 0.49%

LAB 55.89, -10.93, -6.64

 

CMYK 0 / 66 / 38 / 27

HEX #BA4073

RGB 186 64 115

HSL 334.92, 0.49%, 0.49%

LAB 46.1, 53.44, -2.4

 

CMYK 0 / 66 / 56 / 27

HEX #BA4052

RGB 186 64 82

HSL 351.15, 0.49%, 0.49%

LAB 45.24, 50.32, 16.64

 

CMYK 0 / 58 / 66 / 27

HEX #BA4E40

RGB 186 78 64

HSL 6.89, 0.49%, 0.49%

LAB 47.31, 42.69, 30.08

 

CMYK 0 / 40 / 66 / 27

HEX #BA6F40

RGB 186 111 64

HSL 23.11, 0.49%, 0.49%

LAB 54.22, 25.46, 38.3

 

CMYK 0 / 23 / 66 / 27

HEX #BA8F40

RGB 186 143 64

HSL 38.85, 0.49%, 0.49%

LAB 62.04, 7.77, 47.13

 

CMYK 0 / 58 / 66 / 51

HEX #7D352B

RGB 125 53 43

HSL 7.32, 0.49%, 0.33%

LAB 31.99, 30.49, 21.56

 

CMYK 0 / 57 / 66 / 39

HEX #9B4235

RGB 155 66 53

HSL 7.65, 0.49%, 0.41%

LAB 39.79, 36.25, 26.19

 

CMYK 0 / 57 / 66 / 27

HEX #BA5040

RGB 186 80 64

HSL 7.87, 0.49%, 0.49%

LAB 47.68, 41.72, 30.54

 

CMYK 0 / 47 / 54 / 22

HEX #C76A5C

RGB 199 106 92

HSL 7.85, 0.49%, 0.57%

LAB 55.3, 35.5, 24.47

 

CMYK 0 / 36 / 41 / 18

HEX #D2867B

RGB 210 134 123

HSL 7.59, 0.49%, 0.65%

LAB 63.49, 27.88, 18.1

 

CMYK 0 / 57 / 66 / 26

HEX #BC5040

RGB 188 80 64

HSL 7.74, 0.49%, 0.49%

LAB 48.01, 42.47, 31

 

CMYK 21 / 0 / 66 / 27

HEX #93BA40

RGB 147 186 64

HSL 79.18, 0.49%, 0.49%

LAB 70.66, -31.15, 55.45

 

CMYK 66 / 47 / 0 / 27

HEX #4062BA

RGB 64 98 186

HSL 223.28, 0.49%, 0.49%

LAB 43.32, 16.58, -50.18

 

CMYK 0 / 57 / 66 / 26

HEX #BC5040

RGB 188 80 64

HSL 7.74, 0.49%, 0.49%

LAB 48.01, 42.47, 31

 

CMYK 66 / 0 / 58 / 27

HEX #40BA4E

RGB 64 186 78

HSL 126.89, 0.49%, 0.49%

LAB 67.09, -55.66, 44.3

 

CMYK 58 / 66 / 0 / 27

HEX #4E40BA

RGB 78 64 186

HSL 246.89, 0.49%, 0.49%

LAB 35.66, 40.37, -62.54

 

CMYK 0 / 57 / 66 / 26

HEX #BC5040

RGB 188 80 64

HSL 7.74, 0.49%, 0.49%

LAB 48.01, 42.47, 31

 

CMYK 21 / 0 / 66 / 27

HEX #93BA40

RGB 147 186 64

HSL 79.18, 0.49%, 0.49%

LAB 70.66, -31.15, 55.45

 

CMYK 66 / 8 / 0 / 27

HEX #40ACBA

RGB 64 172 186

HSL 186.89, 0.49%, 0.49%

LAB 65.07, -26.01, -16.24

 

CMYK 45 / 66 / 0 / 27

HEX #6740BA

RGB 103 64 186

HSL 259.18, 0.49%, 0.49%

LAB 38.01, 44.92, -58.61

 

CMYK 0 / 57 / 66 / 26

HEX #BC5040

RGB 188 80 64

HSL 7.74, 0.49%, 0.49%

LAB 48.01, 42.47, 31

 

CMYK 40 / 0 / 66 / 27

HEX #6FBA40

RGB 111 186 64

HSL 96.89, 0.49%, 0.49%

LAB 68.66, -44.36, 52.72

 

CMYK 66 / 8 / 0 / 27

HEX #40ACBA

RGB 64 172 186

HSL 186.89, 0.49%, 0.49%

LAB 65.07, -26.01, -16.24

 

CMYK 25 / 66 / 0 / 27

HEX #8B40BA

RGB 139 64 186

HSL 276.89, 0.49%, 0.49%

LAB 42.31, 52.58, -51.45

 

Description

Color code: HEX #BC5040 | qconv.com Color code: HEX #BC5040 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 80 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 80 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 66 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 66% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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