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Color name
HEX #BC4FA8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4FA8 it is the complementary color #43B057. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4FA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4FA8 shade: #C14FA3, #D261B6, #E373C9, #F485DC and #FF97EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4FA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4FA8 shade: #BC4FA8, #AB3D95, #9A2B82, #89196F and #78075C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4FA8 shade: #BC4EA7, #BC4E8A, #BC4E6C and #BC4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4FA8 shade: #BC4EA7, #B24EBC, #944EBC, #774EBC and #594EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4FA8 shade matches the following richer shades: #BC4EA7, #CF3AB4, #E326C1 and #F712CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4FA8 shade: #BC4EA7, #A8619B, #94758E, #808982 and #6C9D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4FA8 shade: #954EBC, #B34EBC, #BC4EA7, #BC4E8A and #BC4E6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4FA8 shade: #843275, #A23E90, #BC4EA7, #C76BB6 and #D289C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4FA8 shade: #BC4FA8, #BC784E and #4EBCA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4FA8 shade: #BC4FA8, #A7BC4E and #4EA7BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4FA8 shade: #BC4FA8, #BC784E, #4EBC62 and #4E91BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4FA8 shade: #BC4FA8, #BC994E, #4EBC62 and #4E70BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 11 / 26

HEX #BC4FA8

RGB 188 79 168

HSL 311.01, 0.45%, 0.52%

LAB 50.82, 54.7, -26.98

 

Complementary color

CMYK 62 / 0 / 51 / 31

HEX #43B057

RGB 67 176 87

HSL 131.01, 0.45%, 0.48%

LAB 64.11, -50.08, 36.35

 

CMYK 0 / 59 / 16 / 24

HEX #C14FA3

RGB 193 79 163

HSL 315.79, 0.48%, 0.53%

LAB 51.35, 55.34, -23.16

 

CMYK 0 / 54 / 13 / 18

HEX #D261B6

RGB 210 97 182

HSL 314.87, 0.56%, 0.6%

LAB 57.68, 54.89, -24.25

 

CMYK 0 / 49 / 11 / 11

HEX #E373C9

RGB 227 115 201

HSL 313.93, 0.67%, 0.67%

LAB 64.01, 54.29, -25.15

 

CMYK 0 / 45 / 10 / 4

HEX #F485DC

RGB 244 133 220

HSL 312.97, 0.83%, 0.74%

LAB 70.3, 53.61, -25.91

 

CMYK 0 / 41 / 6 / 0

HEX #FF97EF

RGB 255 151 239

HSL 309.23, 1%, 0.8%

LAB 75.84, 51.09, -27.71

 

CMYK 0 / 58 / 11 / 26

HEX #BC4FA8

RGB 188 79 168

HSL 311.01, 0.45%, 0.52%

LAB 50.82, 54.7, -26.98

 

CMYK 0 / 64 / 13 / 33

HEX #AB3D95

RGB 171 61 149

HSL 312, 0.47%, 0.45%

LAB 44.47, 54.89, -25.75

 

CMYK 0 / 72 / 16 / 40

HEX #9A2B82

RGB 154 43 130

HSL 312.97, 0.56%, 0.39%

LAB 38.22, 54.61, -24.11

 

CMYK 0 / 82 / 19 / 46

HEX #89196F

RGB 137 25 111

HSL 313.93, 0.69%, 0.32%

LAB 32.17, 53.46, -21.84

 

CMYK 0 / 94 / 23 / 53

HEX #78075C

RGB 120 7 92

HSL 314.87, 0.89%, 0.25%

LAB 26.5, 50.9, -18.62

 

CMYK 0 / 59 / 11 / 26

HEX #BC4EA7

RGB 188 78 167

HSL 311.45, 0.45%, 0.52%

LAB 50.61, 54.99, -26.72

 

CMYK 0 / 59 / 27 / 26

HEX #BC4E8A

RGB 188 78 138

HSL 327.27, 0.45%, 0.52%

LAB 49.47, 50.71, -11.26

 

CMYK 0 / 59 / 43 / 26

HEX #BC4E6C

RGB 188 78 108

HSL 343.64, 0.45%, 0.52%

LAB 48.54, 47.09, 5.45

 

CMYK 0 / 59 / 59 / 26

HEX #BC4E4E

RGB 188 78 78

HSL 0, 0.45%, 0.52%

LAB 47.87, 44.38, 22.61

 

CMYK 0 / 59 / 11 / 26

HEX #BC4EA7

RGB 188 78 167

HSL 311.45, 0.45%, 0.52%

LAB 50.61, 54.99, -26.72

 

CMYK 5 / 59 / 0 / 26

HEX #B24EBC

RGB 178 78 188

HSL 294.55, 0.45%, 0.52%

LAB 50.15, 55.91, -39.8

 

CMYK 21 / 59 / 0 / 26

HEX #944EBC

RGB 148 78 188

HSL 278.18, 0.45%, 0.52%

LAB 46.14, 48.23, -46.41

 

CMYK 37 / 59 / 0 / 26

HEX #774EBC

RGB 119 78 188

HSL 262.36, 0.45%, 0.52%

LAB 42.77, 41.14, -52.01

 

CMYK 53 / 59 / 0 / 26

HEX #594EBC

RGB 89 78 188

HSL 246, 0.45%, 0.52%

LAB 39.92, 34.58, -56.74

 

CMYK 0 / 59 / 11 / 26

HEX #BC4EA7

RGB 188 78 167

HSL 311.45, 0.45%, 0.52%

LAB 50.61, 54.99, -26.72

 

CMYK 0 / 72 / 13 / 19

HEX #CF3AB4

RGB 207 58 180

HSL 310.87, 0.61%, 0.52%

LAB 51.37, 69.65, -32.93

 

CMYK 0 / 83 / 15 / 11

HEX #E326C1

RGB 227 38 193

HSL 310.79, 0.77%, 0.52%

LAB 53.56, 80.98, -36.79

 

CMYK 0 / 93 / 17 / 3

HEX #F712CD

RGB 247 18 205

HSL 311, 0.93%, 0.52%

LAB 56.7, 89.18, -38.53

 

CMYK 0 / 59 / 11 / 26

HEX #BC4EA7

RGB 188 78 167

HSL 311.45, 0.45%, 0.52%

LAB 50.61, 54.99, -26.72

 

CMYK 0 / 42 / 8 / 34

HEX #A8619B

RGB 168 97 155

HSL 310.99, 0.29%, 0.52%

LAB 50.97, 37.33, -19.34

 

CMYK 0 / 21 / 4 / 42

HEX #94758E

RGB 148 117 142

HSL 311.61, 0.13%, 0.52%

LAB 52.92, 16.56, -8.97

 

CMYK 7 / 0 / 5 / 46

HEX #808982

RGB 128 137 130

HSL 133.33, 0.04%, 0.52%

LAB 56.18, -4.7, 2.61

 

CMYK 31 / 0 / 25 / 38

HEX #6C9D75

RGB 108 157 117

HSL 131.02, 0.2%, 0.52%

LAB 60.41, -24.95, 15.8

 

CMYK 21 / 59 / 0 / 26

HEX #954EBC

RGB 149 78 188

HSL 278.73, 0.45%, 0.52%

LAB 46.27, 48.48, -46.2

 

CMYK 5 / 59 / 0 / 26

HEX #B34EBC

RGB 179 78 188

HSL 295.09, 0.45%, 0.52%

LAB 50.29, 56.17, -39.57

 

CMYK 0 / 59 / 11 / 26

HEX #BC4EA7

RGB 188 78 167

HSL 311.45, 0.45%, 0.52%

LAB 50.61, 54.99, -26.72

 

CMYK 0 / 59 / 27 / 26

HEX #BC4E8A

RGB 188 78 138

HSL 327.27, 0.45%, 0.52%

LAB 49.47, 50.71, -11.26

 

CMYK 0 / 59 / 42 / 26

HEX #BC4E6D

RGB 188 78 109

HSL 343.09, 0.45%, 0.52%

LAB 48.57, 47.2, 4.88

 

CMYK 0 / 62 / 11 / 48

HEX #843275

RGB 132 50 117

HSL 310.98, 0.45%, 0.36%

LAB 34.95, 43.63, -21.39

 

CMYK 0 / 62 / 11 / 36

HEX #A23E90

RGB 162 62 144

HSL 310.8, 0.45%, 0.44%

LAB 42.97, 51.19, -25.17

 

CMYK 0 / 59 / 11 / 26

HEX #BC4EA7

RGB 188 78 167

HSL 311.45, 0.45%, 0.52%

LAB 50.61, 54.99, -26.72

 

CMYK 0 / 46 / 9 / 22

HEX #C76BB6

RGB 199 107 182

HSL 311.09, 0.45%, 0.6%

LAB 58.07, 46.65, -23.78

 

CMYK 0 / 35 / 6 / 18

HEX #D289C5

RGB 210 137 197

HSL 310.68, 0.45%, 0.68%

LAB 66.23, 36.98, -19.69

 

CMYK 0 / 58 / 11 / 26

HEX #BC4FA8

RGB 188 79 168

HSL 311.01, 0.45%, 0.52%

LAB 50.82, 54.7, -26.98

 

CMYK 0 / 36 / 59 / 26

HEX #BC784E

RGB 188 120 78

HSL 22.91, 0.45%, 0.52%

LAB 56.76, 22.34, 33.87

 

CMYK 59 / 0 / 13 / 26

HEX #4EBCA4

RGB 78 188 164

HSL 166.91, 0.45%, 0.52%

LAB 69.66, -37.22, 2.76

 

CMYK 0 / 58 / 11 / 26

HEX #BC4FA8

RGB 188 79 168

HSL 311.01, 0.45%, 0.52%

LAB 50.82, 54.7, -26.98

 

CMYK 11 / 0 / 59 / 26

HEX #A7BC4E

RGB 167 188 78

HSL 71.45, 0.45%, 0.52%

LAB 72.72, -23.01, 52.06

 

CMYK 59 / 11 / 0 / 26

HEX #4EA7BC

RGB 78 167 188

HSL 191.45, 0.45%, 0.52%

LAB 64.07, -20.4, -18.83

 

CMYK 0 / 58 / 11 / 26

HEX #BC4FA8

RGB 188 79 168

HSL 311.01, 0.45%, 0.52%

LAB 50.82, 54.7, -26.98

 

CMYK 0 / 36 / 59 / 26

HEX #BC784E

RGB 188 120 78

HSL 22.91, 0.45%, 0.52%

LAB 56.76, 22.34, 33.87

 

CMYK 59 / 0 / 48 / 26

HEX #4EBC62

RGB 78 188 98

HSL 130.91, 0.45%, 0.52%

LAB 68.36, -50.58, 36.2

 

CMYK 59 / 23 / 0 / 26

HEX #4E91BC

RGB 78 145 188

HSL 203.45, 0.45%, 0.52%

LAB 57.56, -8.48, -28.82

 

CMYK 0 / 58 / 11 / 26

HEX #BC4FA8

RGB 188 79 168

HSL 311.01, 0.45%, 0.52%

LAB 50.82, 54.7, -26.98

 

CMYK 0 / 19 / 59 / 26

HEX #BC994E

RGB 188 153 78

HSL 40.91, 0.45%, 0.52%

LAB 64.98, 4.15, 43.71

 

CMYK 59 / 0 / 48 / 26

HEX #4EBC62

RGB 78 188 98

HSL 130.91, 0.45%, 0.52%

LAB 68.36, -50.58, 36.2

 

CMYK 59 / 40 / 0 / 26

HEX #4E70BC

RGB 78 112 188

HSL 221.45, 0.45%, 0.52%

LAB 48.06, 11.1, -43.73

 

Description

Color code: HEX #BC4FA8 | qconv.com Color code: HEX #BC4FA8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 79 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 79 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 11 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 11% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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