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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4F99 it is the complementary color #43B066. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4F99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4F99 shade: #C14F94, #D261A7, #E373BA, #F485CD and #FF97E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4F99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4F99 shade: #BC4F99, #AB3D86, #9A2B73, #891960 and #78074D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4F99 shade: #BC4E98, #BC4E7B, #BC4E5D and #BC4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4F99 shade: #BC4E98, #BC4EB6, #A44EBC, #864EBC and #684EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4F99 shade matches the following richer shades: #BC4E98, #CF3A9F, #E326A6 and #F712AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4F99 shade: #BC4E98, #A86191, #94758A, #808983 and #6C9D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4F99 shade: #A44EBC, #BC4EB6, #BC4E99, #BC4E7B and #BC4E5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4F99 shade: #84326A, #A23E82, #BC4E98, #C76BAA and #D289BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4F99 shade: #BC4F99, #BC864E and #4EBCB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4F99 shade: #BC4F99, #99BC4E and #4E99BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4F99 shade: #BC4F99, #BC864E, #4EBC70 and #4E83BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4F99 shade: #BC4F99, #BCA74E, #4EBC70 and #4E62BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 19 / 26

HEX #BC4F99

RGB 188 79 153

HSL 319.27, 0.45%, 0.52%

LAB 50.2, 52.38, -19.09

 

Complementary color

CMYK 62 / 0 / 42 / 31

HEX #43B066

RGB 67 176 102

HSL 139.27, 0.45%, 0.48%

LAB 64.33, -47.66, 28.9

 

CMYK 0 / 59 / 23 / 24

HEX #C14F94

RGB 193 79 148

HSL 323.68, 0.48%, 0.53%

LAB 50.77, 53.15, -15.19

 

CMYK 0 / 54 / 20 / 18

HEX #D261A7

RGB 210 97 167

HSL 322.83, 0.56%, 0.6%

LAB 57.12, 52.63, -16.46

 

CMYK 0 / 49 / 18 / 11

HEX #E373BA

RGB 227 115 186

HSL 321.96, 0.67%, 0.67%

LAB 63.46, 51.98, -17.51

 

CMYK 0 / 45 / 16 / 4

HEX #F485CD

RGB 244 133 205

HSL 321.08, 0.83%, 0.74%

LAB 69.76, 51.27, -18.41

 

CMYK 0 / 41 / 12 / 0

HEX #FF97E0

RGB 255 151 224

HSL 317.88, 1%, 0.8%

LAB 75.31, 48.65, -20.34

 

CMYK 0 / 58 / 19 / 26

HEX #BC4F99

RGB 188 79 153

HSL 319.27, 0.45%, 0.52%

LAB 50.2, 52.38, -19.09

 

CMYK 0 / 64 / 22 / 33

HEX #AB3D86

RGB 171 61 134

HSL 320.18, 0.47%, 0.45%

LAB 43.82, 52.66, -17.67

 

CMYK 0 / 72 / 25 / 40

HEX #9A2B73

RGB 154 43 115

HSL 321.08, 0.56%, 0.39%

LAB 37.55, 52.48, -15.81

 

CMYK 0 / 82 / 30 / 46

HEX #891960

RGB 137 25 96

HSL 321.96, 0.69%, 0.32%

LAB 31.48, 51.46, -13.26

 

CMYK 0 / 94 / 36 / 53

HEX #78074D

RGB 120 7 77

HSL 322.83, 0.89%, 0.25%

LAB 25.81, 49.05, -9.69

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E98

RGB 188 78 152

HSL 319.64, 0.45%, 0.52%

LAB 49.99, 52.69, -18.82

 

CMYK 0 / 59 / 35 / 26

HEX #BC4E7B

RGB 188 78 123

HSL 335.45, 0.45%, 0.52%

LAB 48.97, 48.79, -2.99

 

CMYK 0 / 59 / 51 / 26

HEX #BC4E5D

RGB 188 78 93

HSL 351.82, 0.45%, 0.52%

LAB 48.17, 45.62, 14

 

CMYK 0 / 59 / 59 / 26

HEX #BC4E4E

RGB 188 78 78

HSL 0, 0.45%, 0.52%

LAB 47.87, 44.38, 22.61

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E98

RGB 188 78 152

HSL 319.64, 0.45%, 0.52%

LAB 49.99, 52.69, -18.82

 

CMYK 0 / 59 / 3 / 26

HEX #BC4EB6

RGB 188 78 182

HSL 303.27, 0.45%, 0.52%

LAB 51.29, 57.47, -34.43

 

CMYK 13 / 59 / 0 / 26

HEX #A44EBC

RGB 164 78 188

HSL 286.91, 0.45%, 0.52%

LAB 48.22, 52.3, -42.97

 

CMYK 29 / 59 / 0 / 26

HEX #864EBC

RGB 134 78 188

HSL 270.55, 0.45%, 0.52%

LAB 44.44, 44.74, -49.22

 

CMYK 45 / 59 / 0 / 26

HEX #684EBC

RGB 104 78 188

HSL 254.18, 0.45%, 0.52%

LAB 41.25, 37.73, -54.53

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E98

RGB 188 78 152

HSL 319.64, 0.45%, 0.52%

LAB 49.99, 52.69, -18.82

 

CMYK 0 / 72 / 23 / 19

HEX #CF3A9F

RGB 207 58 159

HSL 319.33, 0.61%, 0.52%

LAB 50.45, 66.79, -22

 

CMYK 0 / 83 / 27 / 11

HEX #E326A6

RGB 227 38 166

HSL 319.37, 0.77%, 0.52%

LAB 52.36, 77.68, -22.89

 

CMYK 0 / 93 / 30 / 3

HEX #F712AE

RGB 247 18 174

HSL 319.13, 0.93%, 0.52%

LAB 55.34, 85.66, -22.7

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E98

RGB 188 78 152

HSL 319.64, 0.45%, 0.52%

LAB 49.99, 52.69, -18.82

 

CMYK 0 / 42 / 14 / 34

HEX #A86191

RGB 168 97 145

HSL 319.44, 0.29%, 0.52%

LAB 50.59, 35.59, -14

 

CMYK 0 / 21 / 7 / 42

HEX #94758A

RGB 148 117 138

HSL 319.35, 0.13%, 0.52%

LAB 52.79, 15.8, -6.81

 

CMYK 7 / 0 / 4 / 46

HEX #808983

RGB 128 137 131

HSL 140, 0.04%, 0.52%

LAB 56.21, -4.5, 2.07

 

CMYK 31 / 0 / 21 / 38

HEX #6C9D7C

RGB 108 157 124

HSL 139.59, 0.2%, 0.52%

LAB 60.57, -23.6, 12.1

 

CMYK 13 / 59 / 0 / 26

HEX #A44EBC

RGB 164 78 188

HSL 286.91, 0.45%, 0.52%

LAB 48.22, 52.3, -42.97

 

CMYK 0 / 59 / 3 / 26

HEX #BC4EB6

RGB 188 78 182

HSL 303.27, 0.45%, 0.52%

LAB 51.29, 57.47, -34.43

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E99

RGB 188 78 153

HSL 319.09, 0.45%, 0.52%

LAB 50.03, 52.84, -19.35

 

CMYK 0 / 59 / 35 / 26

HEX #BC4E7B

RGB 188 78 123

HSL 335.45, 0.45%, 0.52%

LAB 48.97, 48.79, -2.99

 

CMYK 0 / 59 / 50 / 26

HEX #BC4E5E

RGB 188 78 94

HSL 351.27, 0.45%, 0.52%

LAB 48.19, 45.71, 13.43

 

CMYK 0 / 62 / 20 / 48

HEX #84326A

RGB 132 50 106

HSL 319.02, 0.45%, 0.36%

LAB 34.45, 41.84, -15.21

 

CMYK 0 / 62 / 20 / 36

HEX #A23E82

RGB 162 62 130

HSL 319.2, 0.45%, 0.44%

LAB 42.37, 49.01, -17.59

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E98

RGB 188 78 152

HSL 319.64, 0.45%, 0.52%

LAB 49.99, 52.69, -18.82

 

CMYK 0 / 46 / 15 / 22

HEX #C76BAA

RGB 199 107 170

HSL 318.91, 0.45%, 0.6%

LAB 57.62, 44.67, -17.57

 

CMYK 0 / 35 / 11 / 18

HEX #D289BB

RGB 210 137 187

HSL 318.9, 0.45%, 0.68%

LAB 65.89, 35.26, -14.6

 

CMYK 0 / 58 / 19 / 26

HEX #BC4F99

RGB 188 79 153

HSL 319.27, 0.45%, 0.52%

LAB 50.2, 52.38, -19.09

 

CMYK 0 / 29 / 59 / 26

HEX #BC864E

RGB 188 134 78

HSL 30.55, 0.45%, 0.52%

LAB 60.15, 14.6, 38

 

CMYK 59 / 0 / 5 / 26

HEX #4EBCB3

RGB 78 188 179

HSL 175.09, 0.45%, 0.52%

LAB 70.06, -33.35, -4.87

 

CMYK 0 / 58 / 19 / 26

HEX #BC4F99

RGB 188 79 153

HSL 319.27, 0.45%, 0.52%

LAB 50.2, 52.38, -19.09

 

CMYK 19 / 0 / 59 / 26

HEX #99BC4E

RGB 153 188 78

HSL 79.09, 0.45%, 0.52%

LAB 71.75, -28.61, 50.71

 

CMYK 59 / 19 / 0 / 26

HEX #4E99BC

RGB 78 153 188

HSL 199.09, 0.45%, 0.52%

LAB 59.92, -12.93, -25.18

 

CMYK 0 / 58 / 19 / 26

HEX #BC4F99

RGB 188 79 153

HSL 319.27, 0.45%, 0.52%

LAB 50.2, 52.38, -19.09

 

CMYK 0 / 29 / 59 / 26

HEX #BC864E

RGB 188 134 78

HSL 30.55, 0.45%, 0.52%

LAB 60.15, 14.6, 38

 

CMYK 59 / 0 / 40 / 26

HEX #4EBC70

RGB 78 188 112

HSL 138.55, 0.45%, 0.52%

LAB 68.57, -48.3, 29.28

 

CMYK 59 / 30 / 0 / 26

HEX #4E83BC

RGB 78 131 188

HSL 211.09, 0.45%, 0.52%

LAB 53.47, -0.41, -35.18

 

CMYK 0 / 58 / 19 / 26

HEX #BC4F99

RGB 188 79 153

HSL 319.27, 0.45%, 0.52%

LAB 50.2, 52.38, -19.09

 

CMYK 0 / 11 / 59 / 26

HEX #BCA74E

RGB 188 167 78

HSL 48.55, 0.45%, 0.52%

LAB 68.66, -3.39, 47.95

 

CMYK 59 / 0 / 40 / 26

HEX #4EBC70

RGB 78 188 112

HSL 138.55, 0.45%, 0.52%

LAB 68.57, -48.3, 29.28

 

CMYK 59 / 48 / 0 / 26

HEX #4E62BC

RGB 78 98 188

HSL 229.09, 0.45%, 0.52%

LAB 44.21, 19.87, -49.87

 

Description

Color code: HEX #BC4F99 | qconv.com Color code: HEX #BC4F99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 79 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 79 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 19 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 19% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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