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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4D5C it is the complementary color #43B2A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4D5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4D5C shade: #C14D57, #D25F6A, #E3717D, #F48390 and #FF95A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4D5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4D5C shade: #BC4D5C, #AB3B49, #9A2936, #891723 and #780510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4D5C shade: #BC4E5C and #BC4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4D5C shade: #BC4E5C, #BC4E7A, #BC4E98, #BC4EB6 and #A44EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4D5C shade matches the following richer shades: #BC4E5C, #CF3A4E, #E32640 and #F71231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4D5C shade: #BC4E5C, #A8616B, #947579, #808988 and #6C9D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4D5C shade: #BC4E99, #BC4E7B, #BC4E5E, #BC5A4E and #BC784E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4D5C shade: #84323D, #A23E4B, #BC4E5C, #C76B78 and #D28993

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4D5C shade: #BC4D5C, #B6BC4E and #4E8ABC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4D5C shade: #BC4D5C, #5EBC4E and #4E5EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4D5C shade: #BC4D5C, #B6BC4E, #4EBCAB and #534EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4D5C shade: #BC4D5C, #95BC4E, #4EBCAB and #744EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 51 / 26

HEX #BC4D5C

RGB 188 77 92

HSL 351.89, 0.45%, 0.52%

LAB 47.97, 46, 14.33

 

Complementary color

CMYK 62 / 0 / 8 / 30

HEX #43B2A3

RGB 67 178 163

HSL 171.89, 0.45%, 0.48%

LAB 66.27, -34.93, -1.66

 

CMYK 0 / 60 / 55 / 24

HEX #C14D57

RGB 193 77 87

HSL 354.83, 0.48%, 0.53%

LAB 48.68, 47.31, 18.44

 

CMYK 0 / 55 / 50 / 18

HEX #D25F6A

RGB 210 95 106

HSL 354.26, 0.56%, 0.6%

LAB 55, 46.36, 16.2

 

CMYK 0 / 50 / 45 / 11

HEX #E3717D

RGB 227 113 125

HSL 353.68, 0.67%, 0.67%

LAB 61.33, 45.36, 14.31

 

CMYK 0 / 46 / 41 / 4

HEX #F48390

RGB 244 131 144

HSL 353.1, 0.84%, 0.74%

LAB 67.64, 44.36, 12.68

 

CMYK 0 / 42 / 36 / 0

HEX #FF95A3

RGB 255 149 163

HSL 352.08, 1%, 0.79%

LAB 73.15, 41.27, 10.09

 

CMYK 0 / 59 / 51 / 26

HEX #BC4D5C

RGB 188 77 92

HSL 351.89, 0.45%, 0.52%

LAB 47.97, 46, 14.33

 

CMYK 0 / 65 / 57 / 33

HEX #AB3B49

RGB 171 59 73

HSL 352.5, 0.49%, 0.45%

LAB 41.64, 46.77, 16.88

 

CMYK 0 / 73 / 65 / 40

HEX #9A2936

RGB 154 41 54

HSL 353.1, 0.58%, 0.38%

LAB 35.44, 47.16, 20.09

 

CMYK 0 / 83 / 74 / 46

HEX #891723

RGB 137 23 35

HSL 353.68, 0.71%, 0.31%

LAB 29.54, 46.8, 24.2

 

CMYK 0 / 96 / 87 / 53

HEX #780510

RGB 120 5 16

HSL 354.26, 0.92%, 0.25%

LAB 24.13, 45.19, 29.11

 

CMYK 0 / 59 / 51 / 26

HEX #BC4E5C

RGB 188 78 92

HSL 352.36, 0.45%, 0.52%

LAB 48.15, 45.53, 14.58

 

CMYK 0 / 59 / 59 / 26

HEX #BC4E4E

RGB 188 78 78

HSL 0, 0.45%, 0.52%

LAB 47.87, 44.38, 22.61

 

CMYK 0 / 59 / 51 / 26

HEX #BC4E5C

RGB 188 78 92

HSL 352.36, 0.45%, 0.52%

LAB 48.15, 45.53, 14.58

 

CMYK 0 / 59 / 35 / 26

HEX #BC4E7A

RGB 188 78 122

HSL 336, 0.45%, 0.52%

LAB 48.94, 48.67, -2.43

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E98

RGB 188 78 152

HSL 319.64, 0.45%, 0.52%

LAB 49.99, 52.69, -18.82

 

CMYK 0 / 59 / 3 / 26

HEX #BC4EB6

RGB 188 78 182

HSL 303.27, 0.45%, 0.52%

LAB 51.29, 57.47, -34.43

 

CMYK 13 / 59 / 0 / 26

HEX #A44EBC

RGB 164 78 188

HSL 286.91, 0.45%, 0.52%

LAB 48.22, 52.3, -42.97

 

CMYK 0 / 59 / 51 / 26

HEX #BC4E5C

RGB 188 78 92

HSL 352.36, 0.45%, 0.52%

LAB 48.15, 45.53, 14.58

 

CMYK 0 / 72 / 62 / 19

HEX #CF3A4E

RGB 207 58 78

HSL 351.95, 0.61%, 0.52%

LAB 48.06, 59.01, 23.49

 

CMYK 0 / 83 / 72 / 11

HEX #E32640

RGB 227 38 64

HSL 351.75, 0.77%, 0.52%

LAB 49.6, 69.71, 34.6

 

CMYK 0 / 93 / 80 / 3

HEX #F71231

RGB 247 18 49

HSL 351.88, 0.93%, 0.52%

LAB 52.32, 77.48, 47.2

 

CMYK 0 / 59 / 51 / 26

HEX #BC4E5C

RGB 188 78 92

HSL 352.36, 0.45%, 0.52%

LAB 48.15, 45.53, 14.58

 

CMYK 0 / 42 / 36 / 34

HEX #A8616B

RGB 168 97 107

HSL 351.55, 0.29%, 0.52%

LAB 49.42, 29.95, 6.91

 

CMYK 0 / 21 / 18 / 42

HEX #947579

RGB 148 117 121

HSL 352.26, 0.13%, 0.52%

LAB 52.29, 12.78, 2.43

 

CMYK 7 / 0 / 1 / 46

HEX #808988

RGB 128 137 136

HSL 173.33, 0.04%, 0.52%

LAB 56.35, -3.49, -0.61

 

CMYK 31 / 0 / 4 / 38

HEX #6C9D96

RGB 108 157 150

HSL 171.43, 0.2%, 0.52%

LAB 61.22, -17.95, -1.6

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E99

RGB 188 78 153

HSL 319.09, 0.45%, 0.52%

LAB 50.03, 52.84, -19.35

 

CMYK 0 / 59 / 35 / 26

HEX #BC4E7B

RGB 188 78 123

HSL 335.45, 0.45%, 0.52%

LAB 48.97, 48.79, -2.99

 

CMYK 0 / 59 / 50 / 26

HEX #BC4E5E

RGB 188 78 94

HSL 351.27, 0.45%, 0.52%

LAB 48.19, 45.71, 13.43

 

CMYK 0 / 52 / 59 / 26

HEX #BC5A4E

RGB 188 90 78

HSL 6.55, 0.45%, 0.52%

LAB 50.16, 38.44, 25.58

 

CMYK 0 / 36 / 59 / 26

HEX #BC784E

RGB 188 120 78

HSL 22.91, 0.45%, 0.52%

LAB 56.76, 22.34, 33.87

 

CMYK 0 / 62 / 54 / 48

HEX #84323D

RGB 132 50 61

HSL 351.95, 0.45%, 0.36%

LAB 32.97, 36.21, 11.59

 

CMYK 0 / 62 / 54 / 36

HEX #A23E4B

RGB 162 62 75

HSL 352.2, 0.45%, 0.44%

LAB 40.63, 42.47, 14.01

 

CMYK 0 / 59 / 51 / 26

HEX #BC4E5C

RGB 188 78 92

HSL 352.36, 0.45%, 0.52%

LAB 48.15, 45.53, 14.58

 

CMYK 0 / 46 / 40 / 22

HEX #C76B78

RGB 199 107 120

HSL 351.52, 0.45%, 0.6%

LAB 56.1, 37.78, 9.3

 

CMYK 0 / 35 / 30 / 18

HEX #D28993

RGB 210 137 147

HSL 351.78, 0.45%, 0.68%

LAB 64.72, 29.2, 6.26

 

CMYK 0 / 59 / 51 / 26

HEX #BC4D5C

RGB 188 77 92

HSL 351.89, 0.45%, 0.52%

LAB 47.97, 46, 14.33

 

CMYK 3 / 0 / 59 / 26

HEX #B6BC4E

RGB 182 188 78

HSL 63.27, 0.45%, 0.52%

LAB 73.84, -16.83, 53.63

 

CMYK 59 / 27 / 0 / 26

HEX #4E8ABC

RGB 78 138 188

HSL 207.27, 0.45%, 0.52%

LAB 55.51, -4.49, -32

 

CMYK 0 / 59 / 51 / 26

HEX #BC4D5C

RGB 188 77 92

HSL 351.89, 0.45%, 0.52%

LAB 47.97, 46, 14.33

 

CMYK 50 / 0 / 59 / 26

HEX #5EBC4E

RGB 94 188 78

HSL 111.27, 0.45%, 0.52%

LAB 68.68, -49.07, 46.38

 

CMYK 59 / 50 / 0 / 26

HEX #4E5EBC

RGB 78 94 188

HSL 231.27, 0.45%, 0.52%

LAB 43.15, 22.41, -51.58

 

CMYK 0 / 59 / 51 / 26

HEX #BC4D5C

RGB 188 77 92

HSL 351.89, 0.45%, 0.52%

LAB 47.97, 46, 14.33

 

CMYK 3 / 0 / 59 / 26

HEX #B6BC4E

RGB 182 188 78

HSL 63.27, 0.45%, 0.52%

LAB 73.84, -16.83, 53.63

 

CMYK 59 / 0 / 9 / 26

HEX #4EBCAB

RGB 78 188 171

HSL 170.73, 0.45%, 0.52%

LAB 69.84, -35.45, -0.8

 

CMYK 56 / 59 / 0 / 26

HEX #534EBC

RGB 83 78 188

HSL 242.73, 0.45%, 0.52%

LAB 39.44, 33.42, -57.54

 

CMYK 0 / 59 / 51 / 26

HEX #BC4D5C

RGB 188 77 92

HSL 351.89, 0.45%, 0.52%

LAB 47.97, 46, 14.33

 

CMYK 21 / 0 / 59 / 26

HEX #95BC4E

RGB 149 188 78

HSL 81.27, 0.45%, 0.52%

LAB 71.49, -30.18, 50.35

 

CMYK 59 / 0 / 9 / 26

HEX #4EBCAB

RGB 78 188 171

HSL 170.73, 0.45%, 0.52%

LAB 69.84, -35.45, -0.8

 

CMYK 38 / 59 / 0 / 26

HEX #744EBC

RGB 116 78 188

HSL 260.73, 0.45%, 0.52%

LAB 42.45, 40.44, -52.54

 

Description

Color code: HEX #BC4D5C | qconv.com Color code: HEX #BC4D5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 77 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 77 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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