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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4D514C it is the complementary color #43B2AE4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4D514C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4D514C shade: #C14D4C4C, #D25F5F4C, #E371724C, #F483854C and #FF95984C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4D514C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4D514C shade: #BC4D514C, #AB3B3E4C, #9A292B4C, #8917184C and #7805054C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4D514C shade: #BC4E51 and #BC4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4D514C shade: #BC4E51, #BC4E6F, #BC4E8D, #BC4EAB and #AF4EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4D514C shade matches the following richer shades: #BC4E51, #CF3A3F, #E3262D and #F7121A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4D514C shade: #BC4E51, #A86164, #947576, #808989 and #6C9D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4D514C shade: #BC4E8E, #BC4E70, #BC4E53, #BC654E and #BC834E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4D514C shade: #843235, #A23E41, #BC4E51, #C76B6F and #D2898C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4D514C shade: #BC4D51, #ABBC4E and #4E7FBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4D514C shade: #BC4D51, #53BC4E and #4E53BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4D514C shade: #BC4D51, #ABBC4E, #4EBCB6 and #5E4EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4D514C shade: #BC4D51, #8ABC4E, #4EBCB6 and #7F4EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 17 / 8

HEX #BC4D514C

RGBA 188 77 81 0.3

HSLA 357.84, 0.45%, 0.52%, 0.3

LABA 47.74, 45.08, 20.65, 0.3

 

Complementary color

CMYK 19 / 0 / 1 / 9

HEX #43B2AE4C

RGBA 67 178 174 0.3

HSLA 177.84, 0.45%, 0.48%, 0.3

LABA 66.59, -31.93, -7.29, 0.3

 

CMYK 0 / 18 / 18 / 7

HEX #C14D4C4C

RGBA 193 77 76 0.3

HSLA 0.51, 0.49%, 0.53%, 0.3

LABA 48.47, 46.48, 24.74, 0.3

 

CMYK 0 / 16 / 16 / 5

HEX #D25F5F4C

RGBA 210 95 95 0.3

HSLA 0, 0.56%, 0.6%, 0.3

LABA 54.77, 45.42, 22.33, 0.3

 

CMYK 0 / 15 / 15 / 3

HEX #E371724C

RGBA 227 113 114 0.3

HSLA 359.47, 0.67%, 0.67%, 0.3

LABA 61.09, 44.32, 20.29, 0.3

 

CMYK 0 / 14 / 14 / 1

HEX #F483854C

RGBA 244 131 133 0.3

HSLA 358.94, 0.84%, 0.74%, 0.3

LABA 67.4, 43.24, 18.53, 0.3

 

CMYK 0 / 12 / 12 / 0

HEX #FF95984C

RGBA 255 149 152 0.3

HSLA 358.3, 1%, 0.79%, 0.3

LABA 72.91, 40.04, 15.82, 0.3

 

CMYK 0 / 18 / 17 / 8

HEX #BC4D514C

RGBA 188 77 81 0.3

HSLA 357.84, 0.45%, 0.52%, 0.3

LABA 47.74, 45.08, 20.65, 0.3

 

CMYK 0 / 20 / 19 / 10

HEX #AB3B3E4C

RGBA 171 59 62 0.3

HSLA 358.39, 0.49%, 0.45%, 0.3

LABA 41.43, 45.99, 23.39, 0.3

 

CMYK 0 / 22 / 22 / 12

HEX #9A292B4C

RGBA 154 41 43 0.3

HSLA 358.94, 0.58%, 0.38%, 0.3

LABA 35.26, 46.55, 26.77, 0.3

 

CMYK 0 / 25 / 25 / 14

HEX #8917184C

RGBA 137 23 24 0.3

HSLA 359.47, 0.71%, 0.31%, 0.3

LABA 29.41, 46.37, 30.84, 0.3

 

CMYK 0 / 29 / 29 / 16

HEX #7805054C

RGBA 120 5 5 0.3

HSLA 0, 0.92%, 0.25%, 0.3

LABA 24.04, 44.95, 33.94, 0.3

 

CMYK 0 / 59 / 57 / 26

HEX #BC4E51

RGB 188 78 81

HSL 358.36, 0.45%, 0.52%

LAB 47.92, 44.61, 20.89

 

CMYK 0 / 59 / 59 / 26

HEX #BC4E4E

RGB 188 78 78

HSL 0, 0.45%, 0.52%

LAB 47.87, 44.38, 22.61

 

CMYK 0 / 59 / 57 / 26

HEX #BC4E51

RGB 188 78 81

HSL 358.36, 0.45%, 0.52%

LAB 47.92, 44.61, 20.89

 

CMYK 0 / 59 / 41 / 26

HEX #BC4E6F

RGB 188 78 111

HSL 342, 0.45%, 0.52%

LAB 48.62, 47.42, 3.75

 

CMYK 0 / 59 / 25 / 26

HEX #BC4E8D

RGB 188 78 141

HSL 325.64, 0.45%, 0.52%

LAB 49.57, 51.12, -12.9

 

CMYK 0 / 59 / 9 / 26

HEX #BC4EAB

RGB 188 78 171

HSL 309.27, 0.45%, 0.52%

LAB 50.78, 55.63, -28.8

 

CMYK 7 / 59 / 0 / 26

HEX #AF4EBC

RGB 175 78 188

HSL 292.91, 0.45%, 0.52%

LAB 49.73, 55.14, -40.49

 

CMYK 0 / 59 / 57 / 26

HEX #BC4E51

RGB 188 78 81

HSL 358.36, 0.45%, 0.52%

LAB 47.92, 44.61, 20.89

 

CMYK 0 / 72 / 70 / 19

HEX #CF3A3F

RGB 207 58 63

HSL 357.99, 0.61%, 0.52%

LAB 47.82, 58.18, 32.13

 

CMYK 0 / 83 / 80 / 11

HEX #E3262D

RGB 227 38 45

HSL 357.78, 0.77%, 0.52%

LAB 49.38, 69.05, 45.11

 

CMYK 0 / 93 / 89 / 3

HEX #F7121A

RGB 247 18 26

HSL 357.9, 0.93%, 0.52%

LAB 52.15, 77.02, 58.13

 

CMYK 0 / 59 / 57 / 26

HEX #BC4E51

RGB 188 78 81

HSL 358.36, 0.45%, 0.52%

LAB 47.92, 44.61, 20.89

 

CMYK 0 / 42 / 40 / 34

HEX #A86164

RGB 168 97 100

HSL 357.46, 0.29%, 0.52%

LAB 49.25, 29.09, 10.85

 

CMYK 0 / 21 / 20 / 42

HEX #947576

RGB 148 117 118

HSL 358.06, 0.13%, 0.52%

LAB 52.2, 12.28, 4.07

 

CMYK 7 / 0 / 0 / 46

HEX #808989

RGB 128 137 137

HSL 180, 0.04%, 0.52%

LAB 56.37, -3.28, -1.14

 

CMYK 31 / 0 / 1 / 38

HEX #6C9D9B

RGB 108 157 155

HSL 177.55, 0.2%, 0.52%

LAB 61.37, -16.76, -4.21

 

CMYK 0 / 59 / 24 / 26

HEX #BC4E8E

RGB 188 78 142

HSL 325.09, 0.45%, 0.52%

LAB 49.61, 51.26, -13.44

 

CMYK 0 / 59 / 40 / 26

HEX #BC4E70

RGB 188 78 112

HSL 341.45, 0.45%, 0.52%

LAB 48.65, 47.53, 3.18

 

CMYK 0 / 59 / 56 / 26

HEX #BC4E53

RGB 188 78 83

HSL 357.27, 0.45%, 0.52%

LAB 47.96, 44.77, 19.74

 

CMYK 0 / 46 / 59 / 26

HEX #BC654E

RGB 188 101 78

HSL 12.55, 0.45%, 0.52%

LAB 52.45, 32.69, 28.5

 

CMYK 0 / 30 / 59 / 26

HEX #BC834E

RGB 188 131 78

HSL 28.91, 0.45%, 0.52%

LAB 59.41, 16.26, 37.1

 

CMYK 0 / 62 / 60 / 48

HEX #843235

RGB 132 50 53

HSL 357.8, 0.45%, 0.36%

LAB 32.8, 35.52, 16.51

 

CMYK 0 / 62 / 60 / 36

HEX #A23E41

RGB 162 62 65

HSL 358.2, 0.45%, 0.44%

LAB 40.42, 41.66, 19.94

 

CMYK 0 / 59 / 57 / 26

HEX #BC4E51

RGB 188 78 81

HSL 358.36, 0.45%, 0.52%

LAB 47.92, 44.61, 20.89

 

CMYK 0 / 46 / 44 / 22

HEX #C76B6F

RGB 199 107 111

HSL 357.39, 0.45%, 0.6%

LAB 55.89, 36.79, 14.26

 

CMYK 0 / 35 / 33 / 18

HEX #D2898C

RGB 210 137 140

HSL 357.53, 0.45%, 0.68%

LAB 64.55, 28.29, 9.98

 

CMYK 0 / 59 / 57 / 26

HEX #BC4D51

RGB 188 77 81

HSL 357.84, 0.45%, 0.52%

LAB 47.74, 45.08, 20.65

 

CMYK 9 / 0 / 59 / 26

HEX #ABBC4E

RGB 171 188 78

HSL 69.27, 0.45%, 0.52%

LAB 73.01, -21.37, 52.46

 

CMYK 59 / 32 / 0 / 26

HEX #4E7FBC

RGB 78 127 188

HSL 213.27, 0.45%, 0.52%

LAB 52.32, 1.96, -37

 

CMYK 0 / 59 / 57 / 26

HEX #BC4D51

RGB 188 77 81

HSL 357.84, 0.45%, 0.52%

LAB 47.74, 45.08, 20.65

 

CMYK 56 / 0 / 59 / 26

HEX #53BC4E

RGB 83 188 78

HSL 117.27, 0.45%, 0.52%

LAB 68.28, -52.04, 45.82

 

CMYK 59 / 56 / 0 / 26

HEX #4E53BC

RGB 78 83 188

HSL 237.27, 0.45%, 0.52%

LAB 40.31, 29.36, -56.16

 

CMYK 0 / 59 / 57 / 26

HEX #BC4D51

RGB 188 77 81

HSL 357.84, 0.45%, 0.52%

LAB 47.74, 45.08, 20.65

 

CMYK 9 / 0 / 59 / 26

HEX #ABBC4E

RGB 171 188 78

HSL 69.27, 0.45%, 0.52%

LAB 73.01, -21.37, 52.46

 

CMYK 59 / 0 / 3 / 26

HEX #4EBCB6

RGB 78 188 182

HSL 176.73, 0.45%, 0.52%

LAB 70.15, -32.55, -6.38

 

CMYK 50 / 59 / 0 / 26

HEX #5E4EBC

RGB 94 78 188

HSL 248.73, 0.45%, 0.52%

LAB 40.34, 35.6, -56.04

 

CMYK 0 / 59 / 57 / 26

HEX #BC4D51

RGB 188 77 81

HSL 357.84, 0.45%, 0.52%

LAB 47.74, 45.08, 20.65

 

CMYK 27 / 0 / 59 / 26

HEX #8ABC4E

RGB 138 188 78

HSL 87.27, 0.45%, 0.52%

LAB 70.82, -34.38, 49.4

 

CMYK 59 / 0 / 3 / 26

HEX #4EBCB6

RGB 78 188 182

HSL 176.73, 0.45%, 0.52%

LAB 70.15, -32.55, -6.38

 

CMYK 32 / 59 / 0 / 26

HEX #7F4EBC

RGB 127 78 188

HSL 266.73, 0.45%, 0.52%

LAB 43.64, 43.04, -50.56

 

Description

Color code: HEX #BC4D514C | qconv.com Color code: HEX #BC4D514C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 77 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 77 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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