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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4D48 it is the complementary color #43B2B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4D48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4D48 shade: #C14D43, #D25F56, #E37169, #F4837C and #FF958F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4D48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4D48 shade: #BC4D48, #AB3B35, #9A2922, #89170F and #780500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4D48 shade: #BC4E49 and #BC4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4D48 shade: #BC4E49, #BC6D49, #BC8C49, #BCAB49 and #AEBC49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4D48 shade matches the following richer shades: #BC4E49, #D03B34, #E42920 and #F8160C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4D48 shade: #BC4E49, #A7605D, #937271, #7F8585 and #6B9799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4D48 shade: #BC4982, #BC4963, #BC4C49, #BC6B49 and #BC8A49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4D48 shade: #823330, #A03F3B, #BC4E49, #C76B67 and #D28885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4D48 shade: #BC4D48, #A1BC49 and #4973BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4D48 shade: #BC4D48, #49BC4C and #4C49BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4D48 shade: #BC4D48, #A1BC49, #49B8BC and #6349BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4D48 shade: #BC4D48, #7EBC49, #49B8BC and #8649BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 62 / 26

HEX #BC4D48

RGB 188 77 72

HSL 2.59, 0.46%, 0.51%

LAB 47.58, 44.42, 25.8

 

Complementary color

CMYK 63 / 3 / 0 / 28

HEX #43B2B7

RGB 67 178 183

HSL 182.59, 0.46%, 0.49%

LAB 66.86, -29.38, -11.87

 

CMYK 0 / 60 / 65 / 24

HEX #C14D43

RGB 193 77 67

HSL 4.76, 0.5%, 0.51%

LAB 48.32, 45.89, 29.84

 

CMYK 0 / 55 / 59 / 18

HEX #D25F56

RGB 210 95 86

HSL 4.35, 0.58%, 0.58%

LAB 54.61, 44.73, 27.34

 

CMYK 0 / 50 / 54 / 11

HEX #E37169

RGB 227 113 105

HSL 3.93, 0.69%, 0.65%

LAB 60.92, 43.54, 25.19

 

CMYK 0 / 46 / 49 / 4

HEX #F4837C

RGB 244 131 124

HSL 3.5, 0.85%, 0.72%

LAB 67.22, 42.39, 23.32

 

CMYK 0 / 42 / 44 / 0

HEX #FF958F

RGB 255 149 143

HSL 3.21, 1%, 0.78%

LAB 72.72, 39.1, 20.52

 

CMYK 0 / 59 / 62 / 26

HEX #BC4D48

RGB 188 77 72

HSL 2.59, 0.46%, 0.51%

LAB 47.58, 44.42, 25.8

 

CMYK 0 / 65 / 69 / 33

HEX #AB3B35

RGB 171 59 53

HSL 3.05, 0.53%, 0.44%

LAB 41.28, 45.44, 28.65

 

CMYK 0 / 73 / 78 / 40

HEX #9A2922

RGB 154 41 34

HSL 3.5, 0.64%, 0.37%

LAB 35.15, 46.14, 32.04

 

CMYK 0 / 83 / 89 / 46

HEX #89170F

RGB 137 23 15

HSL 3.93, 0.8%, 0.3%

LAB 29.33, 46.13, 35.73

 

CMYK 0 / 96 / 100 / 53

HEX #780500

RGB 120 5 0

HSL 2.5, 1%, 0.24%

LAB 24, 44.85, 35.94

 

CMYK 0 / 59 / 61 / 26

HEX #BC4E49

RGB 188 78 73

HSL 2.61, 0.46%, 0.51%

LAB 47.78, 44.02, 25.47

 

CMYK 0 / 61 / 61 / 26

HEX #BC4949

RGB 188 73 73

HSL 0, 0.46%, 0.51%

LAB 46.89, 46.36, 24.33

 

CMYK 0 / 59 / 61 / 26

HEX #BC4E49

RGB 188 78 73

HSL 2.61, 0.46%, 0.51%

LAB 47.78, 44.02, 25.47

 

CMYK 0 / 42 / 61 / 26

HEX #BC6D49

RGB 188 109 73

HSL 18.78, 0.46%, 0.51%

LAB 54.14, 28, 33.41

 

CMYK 0 / 26 / 61 / 26

HEX #BC8C49

RGB 188 140 73

HSL 34.96, 0.46%, 0.51%

LAB 61.59, 10.9, 42.27

 

CMYK 0 / 9 / 61 / 26

HEX #BCAB49

RGB 188 171 73

HSL 51.13, 0.46%, 0.51%

LAB 69.68, -5.87, 51.42

 

CMYK 7 / 0 / 61 / 26

HEX #AEBC49

RGB 174 188 73

HSL 67.3, 0.46%, 0.51%

LAB 73.18, -20.52, 54.92

 

CMYK 0 / 59 / 61 / 26

HEX #BC4E49

RGB 188 78 73

HSL 2.61, 0.46%, 0.51%

LAB 47.78, 44.02, 25.47

 

CMYK 0 / 72 / 75 / 18

HEX #D03B34

RGB 208 59 52

HSL 2.69, 0.62%, 0.51%

LAB 47.99, 57.65, 38.69

 

CMYK 0 / 82 / 86 / 11

HEX #E42920

RGB 228 41 32

HSL 2.76, 0.78%, 0.51%

LAB 49.72, 68.32, 52.01

 

CMYK 0 / 91 / 95 / 3

HEX #F8160C

RGB 248 22 12

HSL 2.54, 0.94%, 0.51%

LAB 52.46, 76.66, 63.1

 

CMYK 0 / 59 / 61 / 26

HEX #BC4E49

RGB 188 78 73

HSL 2.61, 0.46%, 0.51%

LAB 47.78, 44.02, 25.47

 

CMYK 0 / 43 / 44 / 35

HEX #A7605D

RGB 167 96 93

HSL 2.43, 0.3%, 0.51%

LAB 48.72, 28.45, 14.28

 

CMYK 0 / 22 / 23 / 42

HEX #937271

RGB 147 114 113

HSL 1.76, 0.14%, 0.51%

LAB 51.19, 12.82, 5.54

 

CMYK 5 / 0 / 0 / 48

HEX #7F8585

RGB 127 133 133

HSL 180, 0.02%, 0.51%

LAB 55.05, -2.21, -0.77

 

CMYK 30 / 1 / 0 / 40

HEX #6B9799

RGB 107 151 153

HSL 182.61, 0.18%, 0.51%

LAB 59.49, -14.35, -5.87

 

CMYK 0 / 61 / 31 / 26

HEX #BC4982

RGB 188 73 130

HSL 330.26, 0.46%, 0.51%

LAB 48.35, 51.94, -8.14

 

CMYK 0 / 61 / 47 / 26

HEX #BC4963

RGB 188 73 99

HSL 346.43, 0.46%, 0.51%

LAB 47.44, 48.5, 9.34

 

CMYK 0 / 60 / 61 / 26

HEX #BC4C49

RGB 188 76 73

HSL 1.57, 0.46%, 0.51%

LAB 47.42, 44.96, 25

 

CMYK 0 / 43 / 61 / 26

HEX #BC6B49

RGB 188 107 73

HSL 17.74, 0.46%, 0.51%

LAB 53.69, 29.08, 32.86

 

CMYK 0 / 27 / 61 / 26

HEX #BC8A49

RGB 188 138 73

HSL 33.91, 0.46%, 0.51%

LAB 61.09, 12.01, 41.69

 

CMYK 0 / 61 / 63 / 49

HEX #823330

RGB 130 51 48

HSL 2.2, 0.46%, 0.35%

LAB 32.54, 33.87, 19.29

 

CMYK 0 / 61 / 63 / 37

HEX #A03F3B

RGB 160 63 59

HSL 2.38, 0.46%, 0.43%

LAB 40.15, 40.02, 23.21

 

CMYK 0 / 59 / 61 / 26

HEX #BC4E49

RGB 188 78 73

HSL 2.61, 0.46%, 0.51%

LAB 47.78, 44.02, 25.47

 

CMYK 0 / 46 / 48 / 22

HEX #C76B67

RGB 199 107 103

HSL 2.5, 0.46%, 0.59%

LAB 55.72, 35.98, 18.68

 

CMYK 0 / 35 / 37 / 18

HEX #D28885

RGB 210 136 133

HSL 2.34, 0.46%, 0.67%

LAB 64.16, 27.96, 13.39

 

CMYK 0 / 59 / 62 / 26

HEX #BC4D48

RGB 188 77 72

HSL 2.59, 0.46%, 0.51%

LAB 47.58, 44.42, 25.8

 

CMYK 14 / 0 / 61 / 26

HEX #A1BC49

RGB 161 188 73

HSL 74.09, 0.46%, 0.51%

LAB 72.24, -25.83, 53.63

 

CMYK 61 / 39 / 0 / 26

HEX #4973BC

RGB 73 115 188

HSL 218.09, 0.46%, 0.51%

LAB 48.65, 8.25, -42.81

 

CMYK 0 / 59 / 62 / 26

HEX #BC4D48

RGB 188 77 72

HSL 2.59, 0.46%, 0.51%

LAB 47.58, 44.42, 25.8

 

CMYK 61 / 0 / 60 / 26

HEX #49BC4C

RGB 73 188 76

HSL 121.57, 0.46%, 0.51%

LAB 67.95, -54.7, 46.28

 

CMYK 60 / 61 / 0 / 26

HEX #4C49BC

RGB 76 73 188

HSL 241.57, 0.46%, 0.51%

LAB 37.72, 35.24, -60.36

 

CMYK 0 / 59 / 62 / 26

HEX #BC4D48

RGB 188 77 72

HSL 2.59, 0.46%, 0.51%

LAB 47.58, 44.42, 25.8

 

CMYK 14 / 0 / 61 / 26

HEX #A1BC49

RGB 161 188 73

HSL 74.09, 0.46%, 0.51%

LAB 72.24, -25.83, 53.63

 

CMYK 61 / 2 / 0 / 26

HEX #49B8BC

RGB 73 184 188

HSL 182.09, 0.46%, 0.51%

LAB 68.99, -29.86, -11.43

 

CMYK 47 / 61 / 0 / 26

HEX #6349BC

RGB 99 73 188

HSL 253.57, 0.46%, 0.51%

LAB 39.66, 39.59, -57.12

 

CMYK 0 / 59 / 62 / 26

HEX #BC4D48

RGB 188 77 72

HSL 2.59, 0.46%, 0.51%

LAB 47.58, 44.42, 25.8

 

CMYK 33 / 0 / 61 / 26

HEX #7EBC49

RGB 126 188 73

HSL 92.35, 0.46%, 0.51%

LAB 70.09, -39.24, 50.64

 

CMYK 61 / 2 / 0 / 26

HEX #49B8BC

RGB 73 184 188

HSL 182.09, 0.46%, 0.51%

LAB 68.99, -29.86, -11.43

 

CMYK 29 / 61 / 0 / 26

HEX #8649BC

RGB 134 73 188

HSL 271.83, 0.46%, 0.51%

LAB 43.45, 47.39, -50.81

 

Description

Color code: HEX #BC4D48 | qconv.com Color code: HEX #BC4D48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 77 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 77 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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