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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC49B2 it is the complementary color #43B64D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC49B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC49B2 shade: #C149AD, #D25BC0, #E36DD3, #F47FE6 and #FF91F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC49B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC49B2 shade: #BC49B2, #AB379F, #9A258C, #891379 and #780166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC49B2 shade: #BC49B2, #BC4993, #BC4974, #BC4955 and #BC4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC49B2 shade: #BC49B2, #A749BC, #8849BC, #6949BC and #4A49BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC49B2 shade matches the following richer shades: #BC49B2, #D034C2, #E420D3 and #F80CE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC49B2 shade: #BC49B2, #A75DA1, #937190, #7F857F and #6B996F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC49B2 shade: #8849BC, #A649BC, #BC49B2, #BC4993 and #BC4975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC49B2 shade: #82307B, #A03B97, #BC49B2, #C767BE and #D285CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC49B2 shade: #BC49B2, #BC6949 and #49BC97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC49B2 shade: #BC49B2, #B2BC49 and #49B2BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC49B2 shade: #BC49B2, #BC6949, #49BC52 and #499BBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC49B2 shade: #BC49B2, #BC8C49, #49BC52 and #4978BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

Complementary color

CMYK 63 / 0 / 58 / 29

HEX #43B64D

RGB 67 182 77

HSL 125.22, 0.46%, 0.49%

LAB 65.89, -53.71, 43.38

 

CMYK 0 / 62 / 10 / 24

HEX #C149AD

RGB 193 73 173

HSL 310, 0.49%, 0.52%

LAB 50.83, 59.49, -29.84

 

CMYK 0 / 57 / 9 / 18

HEX #D25BC0

RGB 210 91 192

HSL 309.08, 0.57%, 0.59%

LAB 57.07, 59.24, -30.95

 

CMYK 0 / 52 / 7 / 11

HEX #E36DD3

RGB 227 109 211

HSL 308.14, 0.68%, 0.66%

LAB 63.32, 58.77, -31.84

 

CMYK 0 / 48 / 6 / 4

HEX #F47FE6

RGB 244 127 230

HSL 307.18, 0.84%, 0.73%

LAB 69.56, 58.17, -32.57

 

CMYK 0 / 43 / 2 / 0

HEX #FF91F9

RGB 255 145 249

HSL 303.27, 1%, 0.78%

LAB 75.05, 55.77, -34.37

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 68 / 7 / 33

HEX #AB379F

RGB 171 55 159

HSL 306.21, 0.51%, 0.44%

LAB 44.08, 58.89, -32.36

 

CMYK 0 / 76 / 9 / 40

HEX #9A258C

RGB 154 37 140

HSL 307.18, 0.61%, 0.37%

LAB 38, 58.17, -30.62

 

CMYK 0 / 86 / 12 / 46

HEX #891379

RGB 137 19 121

HSL 308.14, 0.76%, 0.31%

LAB 32.18, 56.4, -28.17

 

CMYK 0 / 99 / 15 / 53

HEX #780166

RGB 120 1 102

HSL 309.08, 0.98%, 0.24%

LAB 26.66, 53.37, -24.92

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 61 / 22 / 26

HEX #BC4993

RGB 188 73 147

HSL 321.39, 0.46%, 0.51%

LAB 48.96, 54.21, -17.41

 

CMYK 0 / 61 / 38 / 26

HEX #BC4974

RGB 188 73 116

HSL 337.57, 0.46%, 0.51%

LAB 47.9, 50.27, -0.33

 

CMYK 0 / 61 / 55 / 26

HEX #BC4955

RGB 188 73 85

HSL 353.74, 0.46%, 0.51%

LAB 47.12, 47.26, 17.41

 

CMYK 0 / 61 / 61 / 26

HEX #BC4949

RGB 188 73 73

HSL 0, 0.46%, 0.51%

LAB 46.89, 46.36, 24.33

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 11 / 61 / 0 / 26

HEX #A749BC

RGB 167 73 188

HSL 289.04, 0.46%, 0.51%

LAB 47.77, 55.43, -43.68

 

CMYK 28 / 61 / 0 / 26

HEX #8849BC

RGB 136 73 188

HSL 272.87, 0.46%, 0.51%

LAB 43.7, 47.87, -50.41

 

CMYK 44 / 61 / 0 / 26

HEX #6949BC

RGB 105 73 188

HSL 256.7, 0.46%, 0.51%

LAB 40.24, 40.85, -56.15

 

CMYK 61 / 61 / 0 / 26

HEX #4A49BC

RGB 74 73 188

HSL 240.52, 0.46%, 0.51%

LAB 37.58, 34.9, -60.61

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 75 / 7 / 18

HEX #D034C2

RGB 208 52 194

HSL 305.38, 0.62%, 0.51%

LAB 51.57, 73.78, -40.74

 

CMYK 0 / 86 / 7 / 11

HEX #E420D3

RGB 228 32 211

HSL 305.2, 0.78%, 0.51%

LAB 54.27, 84.69, -46.02

 

CMYK 0 / 95 / 8 / 3

HEX #F80CE4

RGB 248 12 228

HSL 305.08, 0.94%, 0.51%

LAB 57.87, 92.76, -49.74

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 44 / 4 / 35

HEX #A75DA1

RGB 167 93 161

HSL 304.86, 0.3%, 0.51%

LAB 50.24, 40.25, -24

 

CMYK 0 / 23 / 2 / 42

HEX #937190

RGB 147 113 144

HSL 305.29, 0.14%, 0.51%

LAB 51.87, 18.92, -11.73

 

CMYK 5 / 0 / 5 / 48

HEX #7F857F

RGB 127 133 127

HSL 120, 0.02%, 0.51%

LAB 54.89, -3.41, 2.46

 

CMYK 30 / 0 / 27 / 40

HEX #6B996F

RGB 107 153 111

HSL 125.22, 0.18%, 0.51%

LAB 59.03, -24.4, 17.22

 

CMYK 28 / 61 / 0 / 26

HEX #8849BC

RGB 136 73 188

HSL 272.87, 0.46%, 0.51%

LAB 43.7, 47.87, -50.41

 

CMYK 12 / 61 / 0 / 26

HEX #A649BC

RGB 166 73 188

HSL 288.52, 0.46%, 0.51%

LAB 47.63, 55.18, -43.9

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 61 / 22 / 26

HEX #BC4993

RGB 188 73 147

HSL 321.39, 0.46%, 0.51%

LAB 48.96, 54.21, -17.41

 

CMYK 0 / 61 / 38 / 26

HEX #BC4975

RGB 188 73 117

HSL 337.04, 0.46%, 0.51%

LAB 47.93, 50.38, -0.89

 

CMYK 0 / 63 / 5 / 49

HEX #82307B

RGB 130 48 123

HSL 305.12, 0.46%, 0.35%

LAB 34.58, 45.02, -25.74

 

CMYK 0 / 63 / 6 / 37

HEX #A03B97

RGB 160 59 151

HSL 305.35, 0.46%, 0.43%

LAB 42.51, 53.13, -30.14

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 48 / 5 / 22

HEX #C767BE

RGB 199 103 190

HSL 305.63, 0.46%, 0.59%

LAB 57.62, 50.05, -29.06

 

CMYK 0 / 37 / 3 / 18

HEX #D285CB

RGB 210 133 203

HSL 305.45, 0.46%, 0.67%

LAB 65.58, 40.18, -24.04

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 44 / 61 / 26

HEX #BC6949

RGB 188 105 73

HSL 16.7, 0.46%, 0.51%

LAB 53.25, 30.17, 32.32

 

CMYK 61 / 0 / 20 / 26

HEX #49BC97

RGB 73 188 151

HSL 160.7, 0.46%, 0.51%

LAB 69.2, -41.34, 9.19

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 5 / 0 / 61 / 26

HEX #B2BC49

RGB 178 188 73

HSL 65.22, 0.46%, 0.51%

LAB 73.49, -18.86, 55.34

 

CMYK 61 / 5 / 0 / 26

HEX #49B2BC

RGB 73 178 188

HSL 185.22, 0.46%, 0.51%

LAB 67.19, -26.91, -14.12

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 44 / 61 / 26

HEX #BC6949

RGB 188 105 73

HSL 16.7, 0.46%, 0.51%

LAB 53.25, 30.17, 32.32

 

CMYK 61 / 0 / 56 / 26

HEX #49BC52

RGB 73 188 82

HSL 124.7, 0.46%, 0.51%

LAB 68.01, -53.96, 43.57

 

CMYK 61 / 18 / 0 / 26

HEX #499BBC

RGB 73 155 188

HSL 197.22, 0.46%, 0.51%

LAB 60.33, -14.98, -24.56

 

CMYK 0 / 61 / 5 / 26

HEX #BC49B2

RGB 188 73 178

HSL 305.22, 0.46%, 0.51%

LAB 50.3, 58.98, -33.64

 

CMYK 0 / 26 / 61 / 26

HEX #BC8C49

RGB 188 140 73

HSL 34.96, 0.46%, 0.51%

LAB 61.59, 10.9, 42.27

 

CMYK 61 / 0 / 56 / 26

HEX #49BC52

RGB 73 188 82

HSL 124.7, 0.46%, 0.51%

LAB 68.01, -53.96, 43.57

 

CMYK 61 / 36 / 0 / 26

HEX #4978BC

RGB 73 120 188

HSL 215.48, 0.46%, 0.51%

LAB 50.07, 5.18, -40.55

 

Description

Color code: HEX #BC49B2 | qconv.com Color code: HEX #BC49B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 73 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 73 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 5 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 5% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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