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Color name
HEX #BC484F3F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC484F3F it is the complementary color #43B7B03F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC484F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC484F3F shade: #C1484A3F, #D25A5D3F, #E36C703F, #F47E833F and #FF90963F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC484F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC484F3F shade: #BC484F3F, #AB363C3F, #9A24293F, #8912163F and #7800033F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC484F3F shade: #BC4950 and #BC4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC484F3F shade: #BC4950, #BC496F, #BC498E, #BC49AD and #AC49BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC484F3F shade matches the following richer shades: #BC4950, #D0343E, #E4202C and #F80C1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC484F3F shade: #BC4950, #A75D61, #937173, #7F8585 and #6B9997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC484F3F shade: #BC498E, #BC496F, #BC4950, #BC6049 and #BC7E49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC484F3F shade: #823035, #A03B41, #BC4950, #C7676C and #D28589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC484F3F shade: #BC484F, #ACBC49 and #497EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC484F3F shade: #BC484F, #50BC49 and #4950BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC484F3F shade: #BC484F, #ACBC49, #49BCB4 and #5849BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC484F3F shade: #BC484F, #8ABC49, #49BCB4 and #7A49BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 14 / 7

HEX #BC484F3F

RGBA 188 72 79 0.25

HSLA 356.38, 0.46%, 0.51%, 0.25

LABA 46.83, 47.25, 20.65, 0.25

 

Complementary color

CMYK 16 / 0 / 1 / 7

HEX #43B7B03F

RGBA 67 183 176 0.25

HSLA 176.38, 0.46%, 0.49%, 0.25

LABA 68.16, -33.75, -6.06, 0.25

 

CMYK 0 / 16 / 15 / 6

HEX #C1484A3F

RGBA 193 72 74 0.25

HSLA 359.01, 0.49%, 0.52%, 0.25

LABA 47.58, 48.62, 24.78, 0.25

 

CMYK 0 / 14 / 14 / 4

HEX #D25A5D3F

RGBA 210 90 93 0.25

HSLA 358.5, 0.57%, 0.59%, 0.25

LABA 53.82, 47.65, 22.23, 0.25

 

CMYK 0 / 13 / 13 / 3

HEX #E36C703F

RGBA 227 108 112 0.25

HSLA 357.98, 0.68%, 0.66%, 0.25

LABA 60.09, 46.6, 20.08, 0.25

 

CMYK 0 / 12 / 12 / 1

HEX #F47E833F

RGBA 244 126 131 0.25

HSLA 357.46, 0.84%, 0.73%, 0.25

LABA 66.36, 45.54, 18.23, 0.25

 

CMYK 0 / 11 / 10 / 0

HEX #FF90963F

RGBA 255 144 150 0.25

HSLA 356.76, 1%, 0.78%, 0.25

LABA 71.83, 42.37, 15.42, 0.25

 

CMYK 0 / 15 / 14 / 7

HEX #BC484F3F

RGBA 188 72 79 0.25

HSLA 356.38, 0.46%, 0.51%, 0.25

LABA 46.83, 47.25, 20.65, 0.25

 

CMYK 0 / 17 / 16 / 8

HEX #AB363C3F

RGBA 171 54 60 0.25

HSLA 356.92, 0.52%, 0.44%, 0.25

LABA 40.61, 47.98, 23.58, 0.25

 

CMYK 0 / 19 / 18 / 10

HEX #9A24293F

RGBA 154 36 41 0.25

HSLA 357.46, 0.62%, 0.37%, 0.25

LABA 34.58, 48.26, 27.2, 0.25

 

CMYK 0 / 22 / 21 / 12

HEX #8912163F

RGBA 137 18 22 0.25

HSLA 357.98, 0.77%, 0.3%, 0.25

LABA 28.93, 47.62, 31.54, 0.25

 

CMYK 0 / 25 / 24 / 13

HEX #7800033F

RGBA 120 0 3 0.25

HSLA 358.5, 1%, 0.24%, 0.25

LABA 23.67, 45.94, 34.39, 0.25

 

CMYK 0 / 61 / 57 / 26

HEX #BC4950

RGB 188 73 80

HSL 356.35, 0.46%, 0.51%

LAB 47.02, 46.87, 20.3

 

CMYK 0 / 61 / 61 / 26

HEX #BC4949

RGB 188 73 73

HSL 0, 0.46%, 0.51%

LAB 46.89, 46.36, 24.33

 

CMYK 0 / 61 / 57 / 26

HEX #BC4950

RGB 188 73 80

HSL 356.35, 0.46%, 0.51%

LAB 47.02, 46.87, 20.3

 

CMYK 0 / 61 / 41 / 26

HEX #BC496F

RGB 188 73 111

HSL 340.17, 0.46%, 0.51%

LAB 47.76, 49.72, 2.5

 

CMYK 0 / 61 / 24 / 26

HEX #BC498E

RGB 188 73 142

HSL 324, 0.46%, 0.51%

LAB 48.77, 53.52, -14.71

 

CMYK 0 / 61 / 8 / 26

HEX #BC49AD

RGB 188 73 173

HSL 307.83, 0.46%, 0.51%

LAB 50.07, 58.16, -31.08

 

CMYK 9 / 61 / 0 / 26

HEX #AC49BC

RGB 172 73 188

HSL 291.65, 0.46%, 0.51%

LAB 48.47, 56.67, -42.52

 

CMYK 0 / 61 / 57 / 26

HEX #BC4950

RGB 188 73 80

HSL 356.35, 0.46%, 0.51%

LAB 47.02, 46.87, 20.3

 

CMYK 0 / 75 / 70 / 18

HEX #D0343E

RGB 208 52 62

HSL 356.15, 0.62%, 0.51%

LAB 47.25, 60.48, 32.09

 

CMYK 0 / 86 / 81 / 11

HEX #E4202C

RGB 228 32 44

HSL 356.33, 0.78%, 0.51%

LAB 49.14, 70.52, 45.48

 

CMYK 0 / 95 / 90 / 3

HEX #F80C1A

RGB 248 12 26

HSL 356.44, 0.94%, 0.51%

LAB 52.17, 77.81, 58.24

 

CMYK 0 / 61 / 57 / 26

HEX #BC4950

RGB 188 73 80

HSL 356.35, 0.46%, 0.51%

LAB 47.02, 46.87, 20.3

 

CMYK 0 / 44 / 42 / 35

HEX #A75D61

RGB 167 93 97

HSL 356.76, 0.3%, 0.51%

LAB 48.14, 30.56, 11.08

 

CMYK 0 / 23 / 22 / 42

HEX #937173

RGB 147 113 115

HSL 356.47, 0.14%, 0.51%

LAB 50.98, 13.72, 4.06

 

CMYK 5 / 0 / 0 / 48

HEX #7F8585

RGB 127 133 133

HSL 180, 0.02%, 0.51%

LAB 55.05, -2.21, -0.77

 

CMYK 30 / 0 / 1 / 40

HEX #6B9997

RGB 107 153 151

HSL 177.39, 0.18%, 0.51%

LAB 60.02, -15.9, -3.95

 

CMYK 0 / 61 / 24 / 26

HEX #BC498E

RGB 188 73 142

HSL 324, 0.46%, 0.51%

LAB 48.77, 53.52, -14.71

 

CMYK 0 / 61 / 41 / 26

HEX #BC496F

RGB 188 73 111

HSL 340.17, 0.46%, 0.51%

LAB 47.76, 49.72, 2.5

 

CMYK 0 / 61 / 57 / 26

HEX #BC4950

RGB 188 73 80

HSL 356.35, 0.46%, 0.51%

LAB 47.02, 46.87, 20.3

 

CMYK 0 / 49 / 61 / 26

HEX #BC6049

RGB 188 96 73

HSL 12, 0.46%, 0.51%

LAB 51.31, 34.96, 29.92

 

CMYK 0 / 33 / 61 / 26

HEX #BC7E49

RGB 188 126 73

HSL 27.65, 0.46%, 0.51%

LAB 58.13, 18.65, 38.2

 

CMYK 0 / 63 / 59 / 49

HEX #823035

RGB 130 48 53

HSL 356.34, 0.46%, 0.35%

LAB 32.07, 35.76, 15.48

 

CMYK 0 / 63 / 59 / 37

HEX #A03B41

RGB 160 59 65

HSL 356.44, 0.46%, 0.43%

LAB 39.55, 42.35, 18.74

 

CMYK 0 / 61 / 57 / 26

HEX #BC4950

RGB 188 73 80

HSL 356.35, 0.46%, 0.51%

LAB 47.02, 46.87, 20.3

 

CMYK 0 / 48 / 46 / 22

HEX #C7676C

RGB 199 103 108

HSL 356.88, 0.46%, 0.59%

LAB 55, 38.57, 14.77

 

CMYK 0 / 37 / 35 / 18

HEX #D28589

RGB 210 133 137

HSL 356.88, 0.46%, 0.67%

LAB 63.58, 30.07, 10.29

 

CMYK 0 / 62 / 58 / 26

HEX #BC484F

RGB 188 72 79

HSL 356.38, 0.46%, 0.51%

LAB 46.83, 47.25, 20.65

 

CMYK 9 / 0 / 61 / 26

HEX #ACBC49

RGB 172 188 73

HSL 68.35, 0.46%, 0.51%

LAB 73.04, -21.34, 54.72

 

CMYK 61 / 33 / 0 / 26

HEX #497EBC

RGB 73 126 188

HSL 212.35, 0.46%, 0.51%

LAB 51.8, 1.56, -37.83

 

CMYK 0 / 62 / 58 / 26

HEX #BC484F

RGB 188 72 79

HSL 356.38, 0.46%, 0.51%

LAB 46.83, 47.25, 20.65

 

CMYK 57 / 0 / 61 / 26

HEX #50BC49

RGB 80 188 73

HSL 116.35, 0.46%, 0.51%

LAB 68.13, -53.37, 47.9

 

CMYK 61 / 57 / 0 / 26

HEX #4950BC

RGB 73 80 188

HSL 236.35, 0.46%, 0.51%

LAB 39.22, 30.35, -57.94

 

CMYK 0 / 62 / 58 / 26

HEX #BC484F

RGB 188 72 79

HSL 356.38, 0.46%, 0.51%

LAB 46.83, 47.25, 20.65

 

CMYK 9 / 0 / 61 / 26

HEX #ACBC49

RGB 172 188 73

HSL 68.35, 0.46%, 0.51%

LAB 73.04, -21.34, 54.72

 

CMYK 61 / 0 / 4 / 26

HEX #49BCB4

RGB 73 188 180

HSL 175.83, 0.46%, 0.51%

LAB 69.95, -33.99, -5.6

 

CMYK 53 / 61 / 0 / 26

HEX #5849BC

RGB 88 73 188

HSL 247.83, 0.46%, 0.51%

LAB 38.67, 37.41, -58.77

 

CMYK 0 / 62 / 58 / 26

HEX #BC484F

RGB 188 72 79

HSL 356.38, 0.46%, 0.51%

LAB 46.83, 47.25, 20.65

 

CMYK 27 / 0 / 61 / 26

HEX #8ABC49

RGB 138 188 73

HSL 86.09, 0.46%, 0.51%

LAB 70.77, -34.83, 51.58

 

CMYK 61 / 0 / 4 / 26

HEX #49BCB4

RGB 73 188 180

HSL 175.83, 0.46%, 0.51%

LAB 69.95, -33.99, -5.6

 

CMYK 35 / 61 / 0 / 26

HEX #7A49BC

RGB 122 73 188

HSL 265.57, 0.46%, 0.51%

LAB 42.05, 44.6, -53.14

 

Description

Color code: HEX #BC484F3F | qconv.com Color code: HEX #BC484F3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 72 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 72 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 14 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 14% 7% C M Y K

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Provide designers and agencies with accurate color values.

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