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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC477B it is the complementary color #43B884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC477B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC477B shade: #C14776, #D25989, #E36B9C, #F47DAF and #FF8FC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC477B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC477B shade: #BC477B, #AB3568, #9A2355, #891142 and #78002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC477B shade: #BC477B, #BC475B and #BC4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC477B shade: #BC477B, #BC479B, #BC47BA, #9F47BC and #7F47BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC477B shade matches the following richer shades: #BC477B, #D03379, #E51E77 and #F90A74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC477B shade: #BC477B, #A85B7D, #946F80, #808382 and #6B9884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC477B shade: #BC47BA, #BC479B, #BC477C, #BC475C and #BC5147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC477B shade: #822F54, #A03967, #BC477B, #C76591 and #D283A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC477B shade: #BC477B, #BC9F47 and #47ABBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC477B shade: #BC477B, #7CBC47 and #477CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC477B shade: #BC477B, #BC9F47, #47BC87 and #4764BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC477B shade: #BC477B, #B6BC47, #47BC87 and #4D47BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

Complementary color

CMYK 64 / 0 / 28 / 28

HEX #43B884

RGB 67 184 132

HSL 153.33, 0.47%, 0.49%

LAB 67.38, -45.05, 16.95

 

CMYK 0 / 63 / 39 / 24

HEX #C14776

RGB 193 71 118

HSL 336.89, 0.5%, 0.52%

LAB 48.45, 52.96, -0.64

 

CMYK 0 / 58 / 35 / 18

HEX #D25989

RGB 210 89 137

HSL 336.2, 0.57%, 0.59%

LAB 54.71, 52.44, -2.5

 

CMYK 0 / 53 / 31 / 11

HEX #E36B9C

RGB 227 107 156

HSL 335.5, 0.68%, 0.65%

LAB 61, 51.76, -4.03

 

CMYK 0 / 49 / 28 / 4

HEX #F47DAF

RGB 244 125 175

HSL 334.79, 0.84%, 0.72%

LAB 67.27, 50.99, -5.33

 

CMYK 0 / 44 / 24 / 0

HEX #FF8FC2

RGB 255 143 194

HSL 332.68, 1%, 0.78%

LAB 72.76, 48.23, -7.66

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 69 / 39 / 33

HEX #AB3568

RGB 171 53 104

HSL 334.07, 0.53%, 0.44%

LAB 41.54, 52.17, -2.62

 

CMYK 0 / 77 / 45 / 40

HEX #9A2355

RGB 154 35 85

HSL 334.79, 0.63%, 0.37%

LAB 35.46, 51.78, 0.14

 

CMYK 0 / 88 / 52 / 46

HEX #891142

RGB 137 17 66

HSL 335.5, 0.78%, 0.3%

LAB 29.69, 50.34, 3.84

 

CMYK 0 / 100 / 61 / 53

HEX #78002F

RGB 120 0 47

HSL 336.5, 1%, 0.24%

LAB 24.32, 47.68, 8.68

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 62 / 52 / 26

HEX #BC475B

RGB 188 71 91

HSL 349.74, 0.47%, 0.51%

LAB 46.91, 48.67, 13.48

 

CMYK 0 / 62 / 62 / 26

HEX #BC4747

RGB 188 71 71

HSL 0, 0.47%, 0.51%

LAB 46.52, 47.13, 25.04

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 62 / 18 / 26

HEX #BC479B

RGB 188 71 155

HSL 316.92, 0.47%, 0.51%

LAB 48.96, 56.24, -22.17

 

CMYK 0 / 62 / 1 / 26

HEX #BC47BA

RGB 188 71 186

HSL 301.03, 0.47%, 0.51%

LAB 50.39, 61.17, -38.17

 

CMYK 15 / 62 / 0 / 26

HEX #9F47BC

RGB 159 71 188

HSL 285.13, 0.47%, 0.51%

LAB 46.32, 54.39, -46.04

 

CMYK 32 / 62 / 0 / 26

HEX #7F47BC

RGB 127 71 188

HSL 268.72, 0.47%, 0.51%

LAB 42.23, 46.81, -52.83

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 75 / 42 / 18

HEX #D03379

RGB 208 51 121

HSL 333.25, 0.63%, 0.51%

LAB 48.46, 65.03, -2.15

 

CMYK 0 / 87 / 48 / 10

HEX #E51E77

RGB 229 30 119

HSL 333.17, 0.79%, 0.51%

LAB 50.59, 75.09, 2.66

 

CMYK 0 / 96 / 53 / 2

HEX #F90A74

RGB 249 10 116

HSL 333.39, 0.95%, 0.51%

LAB 53.62, 81.74, 9.33

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 46 / 26 / 34

HEX #A85B7D

RGB 168 91 125

HSL 333.51, 0.31%, 0.51%

LAB 48.62, 35.69, -5.04

 

CMYK 0 / 25 / 14 / 42

HEX #946F80

RGB 148 111 128

HSL 332.43, 0.15%, 0.51%

LAB 50.95, 17.46, -3.66

 

CMYK 2 / 0 / 1 / 49

HEX #808382

RGB 128 131 130

HSL 160, 0.01%, 0.51%

LAB 54.48, -1.31, 0.14

 

CMYK 30 / 0 / 13 / 40

HEX #6B9884

RGB 107 152 132

HSL 153.33, 0.18%, 0.51%

LAB 59.2, -19.71, 5.65

 

CMYK 0 / 62 / 1 / 26

HEX #BC47BA

RGB 188 71 186

HSL 301.03, 0.47%, 0.51%

LAB 50.39, 61.17, -38.17

 

CMYK 0 / 62 / 18 / 26

HEX #BC479B

RGB 188 71 155

HSL 316.92, 0.47%, 0.51%

LAB 48.96, 56.24, -22.17

 

CMYK 0 / 62 / 34 / 26

HEX #BC477C

RGB 188 71 124

HSL 332.82, 0.47%, 0.51%

LAB 47.82, 52.09, -5.3

 

CMYK 0 / 62 / 51 / 26

HEX #BC475C

RGB 188 71 92

HSL 349.23, 0.47%, 0.51%

LAB 46.94, 48.76, 12.9

 

CMYK 0 / 57 / 62 / 26

HEX #BC5147

RGB 188 81 71

HSL 5.13, 0.47%, 0.51%

LAB 48.3, 42.43, 27.3

 

CMYK 0 / 64 / 35 / 49

HEX #822F54

RGB 130 47 84

HSL 333.25, 0.47%, 0.35%

LAB 32.74, 39.5, -3.71

 

CMYK 0 / 64 / 36 / 37

HEX #A03967

RGB 160 57 103

HSL 333.2, 0.47%, 0.43%

LAB 40.21, 47, -4.17

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 49 / 27 / 22

HEX #C76591

RGB 199 101 145

HSL 333.06, 0.47%, 0.59%

LAB 55.58, 44.02, -6.1

 

CMYK 0 / 38 / 21 / 18

HEX #D283A6

RGB 210 131 166

HSL 333.42, 0.47%, 0.67%

LAB 63.91, 35.13, -5.7

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 15 / 62 / 26

HEX #BC9F47

RGB 188 159 71

HSL 45.13, 0.47%, 0.51%

LAB 66.48, 0.39, 48.79

 

CMYK 62 / 9 / 0 / 26

HEX #47ABBC

RGB 71 171 188

HSL 188.72, 0.47%, 0.51%

LAB 65.04, -23.74, -17.38

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 34 / 0 / 62 / 26

HEX #7CBC47

RGB 124 188 71

HSL 92.82, 0.47%, 0.51%

LAB 69.97, -40.13, 51.35

 

CMYK 62 / 34 / 0 / 26

HEX #477CBC

RGB 71 124 188

HSL 212.82, 0.47%, 0.51%

LAB 51.14, 2.38, -38.88

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 0 / 15 / 62 / 26

HEX #BC9F47

RGB 188 159 71

HSL 45.13, 0.47%, 0.51%

LAB 66.48, 0.39, 48.79

 

CMYK 62 / 0 / 28 / 26

HEX #47BC87

RGB 71 188 135

HSL 152.82, 0.47%, 0.51%

LAB 68.79, -45.31, 17.3

 

CMYK 62 / 47 / 0 / 26

HEX #4764BC

RGB 71 100 188

HSL 225.13, 0.47%, 0.51%

LAB 44.35, 17.26, -49.66

 

CMYK 0 / 62 / 35 / 26

HEX #BC477B

RGB 188 71 123

HSL 333.33, 0.47%, 0.51%

LAB 47.79, 51.97, -4.74

 

CMYK 3 / 0 / 62 / 26

HEX #B6BC47

RGB 182 188 71

HSL 63.08, 0.47%, 0.51%

LAB 73.78, -17.33, 56.6

 

CMYK 62 / 0 / 28 / 26

HEX #47BC87

RGB 71 188 135

HSL 152.82, 0.47%, 0.51%

LAB 68.79, -45.31, 17.3

 

CMYK 59 / 62 / 0 / 26

HEX #4D47BC

RGB 77 71 188

HSL 243.08, 0.47%, 0.51%

LAB 37.33, 36.64, -61

 

Description

Color code: HEX #BC477B | qconv.com Color code: HEX #BC477B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 71 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 71 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 35% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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